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HOT TRACK

La Sabiduria Callej...
Dos Latinos

Verified Verified Artist

Dos Latinos
Dos Latinos is a flamenco-tango ensemble built around the commanding voice of a seasoned female singer whose delivery carries equal parts grit, humour, and hard-earned grace. Their sound brings together cante hondo intensity, nylon-string rasgueado, bandoneon accents, upright bass, and piano montuno, creating music that feels rooted in both Andalusian tradition and the late-night pulse of Buenos Aires.

Recorded with warm tape saturation and natural room bleed, the group favours the energy of musicians performing together over polished perfection. Palmas handclaps, brushed snare, and a swinging 6/8 groove give their songs a strong physical momentum, while the vocals remain direct and emotionally unguarded. Every arrangement balances elegance with a rough-edged, street-level character.

Their first release, “La Sabiduría Callejera,” captures the heart of Dos Latinos: bittersweet resilience, sharp observation, and the belief that experience can be turned into celebration. It is music for people who have lost, learned, laughed, and kept dancing—carrying old stories forward with pride, rhythm, and unmistakable spirit.

La Sabiduria Callejera (2026 version)

Dos Latinos


No hay pupitre ni pizarra mi clase es la ciudad
Cada esquina un maestro cada calle una verdad
Aprendí de los fracasos de la escuela de intentar
Mis diplomas son las cicatrices que el tiempo no borrará

No aprendí de teorías mi saber es práctico
En el arte de vivir cada paso es didáctico

Soy alumno de la vida mi escuela es el mundo entero
Graduado en sobrevivir en cada esquina un sendero
La sabiduría callejera mi título más sincero
Con cada experiencia mi conocimiento es primero

Mis compañeros son los sueños mi tarea la realidad
Cada día una página nueva lista para comenzar
En las plazas hallé libros que no se pueden cerrar
En los ojos de la gente historias que enseñan a amar

No aprendí de teorías mi saber es práctico
En el arte de vivir cada paso es didáctico

Soy alumno de la vida mi escuela es el mundo entero
Graduado en sobrevivir en cada esquina un sendero
La sabiduría callejera mi título más sincero
Con cada experiencia mi conocimiento es primero

Entre sombras aprendí a encontrar la luz
La resiliencia es mi curso la esperanza mi cruz

Soy alumno de la vida mi escuela es el mundo entero
Graduado en sobrevivir en cada esquina un sendero
La sabiduría callejera mi título más sincero
Con cada experiencia mi conocimiento es primero

Cierro los ojos siento el viento cada susurro una lección
En el gran libro de la vida escribo mi propia canción

CREDITS
Performer: Dos Latinos
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Still I Rise
Luna y Fuego

Verified Verified Artist

Luna y Fuego
Luna y Fuego is a Miami-born singer and songwriter whose music carries the warmth of the Caribbean, the elegance of Latin romance, and the confidence of modern pop. With a voice that can feel intimate one moment and commanding the next, she creates songs filled with desire, movement, and emotional detail.

Raised between seaside afternoons, family celebrations, and Miami’s multicultural music scene, Luna developed a sound shaped by Latin pop, R&B, bolero, and contemporary dance production. Her performances balance sophistication with natural sensuality, presenting a woman who is magnetic without ever appearing forced.

The name Luna y Fuego reflects the two sides of her character: calm, mysterious, and graceful, yet passionate and impossible to ignore. Whether performing a delicate love song or an energetic late-night track, she brings the same signature quality—romance with confidence, delivered entirely on her own terms.
Track(s)
Still I Rise 152723 03:39

Still I Rise

Luna y Fuego


The wind has names I’ve learned to fear
But I keep walking year by year

I’ve held my heart with stitched-up hands
Buried truths in foreign lands
Danced alone on broken stone
And built a fire where none had grown

They said I’m done they closed the door
But I’ve been dying long before

Still I rise through ashes and lies
With dust on my skin and fire in my eyes
You can push you can bend
But I’m no stranger to the end
Still I rise… still I rise

I’ve kissed betrayal’s bitter breath
Slept beside the arms of death
But sorrow taught me how to spin
A rhythm born from deep within

I don’t need a crown of gold
I wear my silence loud and bold

Still I rise through ashes and lies
With dust on my skin and fire in my eyes
You can push you can bend
But I’m no stranger to the end
Still I rise… still I rise

Don’t tell me how the story ends
I write in steps not with a pen
And every scar I’ve come to own
Beats louder than your stepping stone

Still I rise through thunder and cries
My tears are sharp but they never lie
You can leave you can hide
But I’ve got rhythm on my side
Still I rise… still I rise

CREDITS
Performer: Luna y Fuego
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00
HOT TRACK

Bad At Fractions
Ayvenn

Verified Verified Artist

Ayvenn
Ayvenn was born and raised in Clearwater Heights, a quiet hillside town in Georgia where music wasn’t just background noise — it was how people coped, celebrated, and remembered. From Sunday gospel choirs to late-night Latin radio, the sounds around him shaped a boy who rarely spoke, but always listened. In silence, he learned to interpret the world. And when he began writing lyrics, it wasn’t about performance — it was about decoding feelings he couldn’t name.

Fusing Pop and R&B with understated Latin textures, Ayvenn crafts music that feels more like film than formula. His voice is warm, restrained, and precise — a narrator of emotional undercurrents rather than explosions. Each track unfolds slowly, deliberately, like memories coming into focus. There’s clarity in his subtlety, weight in his pauses.

His breakout song, “All for One Y.” was born from an unexpected connection. Hakan E — the mind behind Filodyo, known for his instinct in spotting rare talent — reached out after hearing early demos from Ayvenn. He sent a short message and a concept: “This isn’t a love song. It’s a math problem.” That idea resonated deeply. To Ayvenn, the X’s weren’t just variables — they were past mistakes, unanswered questions, the people he couldn’t quite hold onto. And the “Y”? The reason he kept trying.

Ayvenn recorded the song in a single late-night session, layering vocals with surgical attention, pulling tension from silence, and shaping each detail until it echoed with something intimate and real. To Solve for Y isn’t just a debut — it’s an internal dialogue turned outward, crafted for anyone who’s ever tried to explain a feeling they didn’t fully understand.

Now, Ayvenn is building a sound that’s emotionally meticulous, sonically immersive, and unmistakably his own. Every track is a quiet revelation. Every heartbreak, every wrong turn — part of the formula. And somewhere, at the end of it, is the answer. Always her.
Track(s)
Bad At Fractions 1284 03:41
All for One Y. 363730 04:18

Bad At Fractions

Ayvenn


You walked in counting every step
I lost track somewhere near your hips
You said “Baby keep it logical”
Then moved like logic didn’t exist

My drink was ninety-nine percent
Cool confidence and one percent fear
You leaned in close changed every sum
Now nothing adds up over here

I tried to draw a straight line
You turned it to a curve
I calculated all night
Still got what I deserve

I’m bad at fractions when you’re dancing
You take half then take the rest
My heart keeps doing multiplication
Every time you move like that

One plus one should make it simple
But with you the rules collapse
I’m bad at fractions when you’re dancing
So take all of me—do the math
*(Do the math baby)*
Take all of me—do the math
*(Uno dos—bring it back)*

You got a rhythm like a riddle
Every answer starts a fight
Your waist keeps changing the percentage
Of the chances I act right

I brought a list of good decisions
You divided every plan
Now my balance is suspicious
And my patience left the band

I tried to keep it even
You raised it to a ten
I checked the calculation
Then did it all again

I’m bad at fractions when you’re dancing
You take half then take the rest
My heart keeps doing multiplication
Every time you move like that

One plus one should make it simple
But with you the rules collapse
I’m bad at fractions when you’re dancing
So take all of me—do the math
*(Do the math baby)*
Take all of me—do the math
*(Uno dos—bring it back)*

You say “How much?”
*(All of it)*
I say “Too much”
*(Not enough)*
You say “Count it”
I lose my place
When that rhythm hits the bass

You say “How much?”
*(All of it)*
I say “Too much”
*(Not enough)*
No remainder no return
Let the whole equation burn

Square root round hips
Quick clap slow kiss
I know numbers I know facts
But you make two plus two misbehave like that

Left turn three steps
No sleep no regrets
Every theory that I had
Falls apart when you do that

*(Ay ay—do that)*
*(Otra vez—do that)*

**[Final Chorus]**
I’m bad at fractions when you’re dancing
You take half then take the rest
My heart keeps doing multiplication
Every time you move like that

One plus one should make it simple
But with you the rules collapse
I’m bad at fractions when you’re dancing
So take all of me—do the math

*(Do the math baby)*
Take all of me—do the math
*(Uno dos—bring it back)*
No remainder no looking back
Take all of me—do the math

CREDITS
Performer: Ayvenn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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DNC (feat Jace T)
Erica

Verified Verified Artist

Erica
Say hello to Erica, a gem unearthed from the misty fjords of Bergen, Norway, serenading the world with her dance tunes. This synth-swirling belter could make a sardine shimmy with her infectious energy.

Growing up with classical piano lessons under Norway's perpetual drizzle, Erica found her musical identity sandwiched between her mom's Edith Piaf records and the emotional pull of her dad's synth fascination. While most 16-year-olds are busy amassing Instagram followers, Erica channeled her teenage angst into penning down her first song. It never saw the light of day, but listen closely at her concerts and you might hear her hum those nostalgic notes.

Erica shifted her base to the bustling streets of Berlin at 23, transitioning from a street musician to minimalist stages with a poise that could make Madonna go green. Her biggest hit has to be "DNC", a song that will make your feet tap and heart flutter before you even realize. Ever seen a packed room fall silent? Attend an Erica gig, as her whispers hush the room, except for that one guy always clapping off-beat.

Straddling both cheerful and profound, Erica's music echoes her journey. Dancing through life, one synth-filled melody at a time, she's proving that you can take a Norwegian out of the rain, but you can't take the rhythm out of the girl.
Track(s)
DNC (feat Jace T) 112442 02:49

DNC (feat Jace T)

Erica


Game start

D-N-C D-N-C D-N-C D-N-C
D-N-C D-N-C — uh uh-huh uh-huh
D-N-C D-N-C D-N-C D-N-C
D-N-C D-N-C — uh uh-huh uh-huh

Message popped — you said “what’s the plan?”
I said “spotlight speakers and fans”
No need for heels just sneakers and heat
Let’s meet where the night skips a beat oh-oh-oh

Don’t you want me like I want you baby?
Don’t you feel it when the lights turn low?
We’ll sleep later now the floor is waiting
All you gotta do is just say “go”

Let’s dance — just a little closer
No chance — that I’m movin’ slower
Midnight — we can make it ours
Don’t hold back now this groove got power

D-N-C D-N-C D-N-C D-N-C
D-N-C D-N-C — uh uh-huh uh-huh

Yeah lights flashin’ heart's tappin’ the beat
You the cheat code makin' rhythm complete
No cap you a glitch in the matrix
Caught up in your vibe yeah it’s dangerous

Late night—steppin’ out like a boss
One move and I’m already lost
You spin I follow like fate in loops
We the headline — no need for groups

Call me when you’re close
Text me one emoji
You know where the rhythm is
Baby don’t be lowkey

Let’s dance — just a little closer
No chance — that I’m movin’ slower
Midnight — we can make it ours
Don’t hold back now this groove got power

[Hook – both voices layered]
D-N-C D-N-C D-N-C D-N-C
D-N-C D-N-C — uh uh-huh uh-huh
D-N-C D-N-C D-N-C D-N-C
D-N-C D-N-C — uh uh-huh uh-huh

Say it once say it right
Let’s move just tonight
Say it once say it right
Just move just tonight
D-N-C

CREDITS
Performer: Erica
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Recognize
Felix Dobrev

Verified Verified Artist

Felix Dobrev
Meet Felix Dobrev, Sofia's best-kept secret, "dance" virtuoso extraordinaire, and ultimate purveyor of auditory happiness. An independent artist with charisma thicker than his grandmother's Bulgarian yogurt, he's ready to make the world "Recognize."

Born and bred in the heart of Bulgaria, Felix bloomed amid the lively buskers and the distinctive throb of the Balkan music scene, watching, learning, and nursing his own musical genius. This maestro of merriment can put a rhythm into anything quicker than a Baba slinging banitsa, and he is already proving to be the 'estest' of Sofia (fastest, and funniest) to hit the independent dance scene.

His most popular song, "Recognize," has the potent magic of turning gloomy Mondays into radiant Fridays, real Sofia-style. The track has genuine Dobrev charm: infectious beats that tug at your heartstrings as powerfully as they force your feet into grooves, making you feel like you're bouncing on the clouds above Vitosha Mountain.

Felix Dobrev isn't just any go-to party playlist contender. He's better. A creator of endorphin-evoking dance tracks that sparkle with joy and jive with wit, Felix is setting musical trends faster than the city’s tramcars. Prepare yourself to get caught up in his upbeat, unmistakable rhythm... just remember to "Recognize" where you first heard it!
Track(s)
Recognize 28452 02:53

Recognize

Felix Dobrev


It's rainy outside snowing outside
And pour me in ice cold water swell my chest
To make me hard to weep to lie to lie
But I will find another route
Yeah

'Cause
Baby
It's easy for me now
And if I have another chance
I will never ask a second chance

For now you recognize the sound
The sound is good
For now you recognize the light
The source of the light
(Uh) (ah)
(Ah)

Saw me very low
And use to call me mad as bad as you could
But hush
My baby
I don't mind
It's what sublime
Sublime

But make after now it's easy for me finally
Seems that I never felt you love me truly anyway

For now you recognize the sound
The sound is good
For now you recognize the light
The source of the light
(Uh) (uh)
(Ah)
(Ah)

CREDITS
Performer: Felix Dobrev
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Glass of Love
Harper Quinn

Verified Verified Artist

Harper Quinn
Meet Harper Quinn, the embodiment of a Chinatown fairytale with a beats-filled twist. Born and raised amidst the flurry of noodle houses and dim sum joints in NYC's throbbing heartbeat, Harper is every bit a child of the Big Apple and the city’s ceaseless rhythm pulses through her music.

Harper is the oldest daughter of a Chinese immigrant family, her father a wizard of culinary arts in one of the busiest kitchens in Manhattan. Her music is a distinct fusion of her rich cultural heritage and the neon grit of New York - think Peking duck served with a side of just-spun electro. With catchy tracks like "Summer Romance", she’s setting the dance genre ablaze and, inadvertently, becoming the sovereign of store playlists nationwide, thanks to a serendipitous contract with Filodyo.

Infused with radiating positivity, Harper’s tunes have the power to transform even the dreariest grocery aisles into club-worthy catwalks. Expect a dose of her irreplaceable mirth in every single beat – the Harper Quinn experience is a joyride on a candy-colored dragon, soaring through the summer's neon haze!
Track(s)
Summer Romance 28459 02:46
Glass of Love 33023 03:22

Glass of Love

Harper Quinn


I'm feeling selfish
Seeing myself through your wreckage
Chivalry forgetting its relics
It's only confusing
Such dramatic illusion
You've got me making like Cupid
Your eyes are aiming at me
Baby
We're an endangered species

I can't do this to you
I can't bring you down too when I fall down there
I can't bring you down
I can't bring you down too with me when I feel this way
I mean
I don't know what's wrong with me
Like
I just have to do this
I don't know why
I just have to

Lead filled glass of love
It's gotta go
It's gotta go
Go slow
Way down
It's gonna go

On muddy waters
Drip out-ter
Be water
Oh
Blood of my mother's tears
Make seas of love on this ground
Through overwater
Bears doubt and fog
Where do we go?

Get up
Lead filled glass of love
It's gotta go
It's gotta go
Go slow
Way down
It's gonna go

If you are companion
It's R
Not safe where you're standing with me
You are one of the mansions of Mars
In a bar through the stars that I see
If you are companion
It's R
Not safe where you're standing with me
You are one of the mansions of Mars
In a bar through the stars that I see

CREDITS
Performer: Harper Quinn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

In a Bottle
Anneliese Bauer

Verified Verified Artist

Anneliese Bauer
'''Anneliese Bauer''' is a vibrant independent artist renowned for her distinctive blend of thematic musical narratives. With a style as unique as her personality, she has been fascinating audiences across small town venues with her enchanting tunes and dynamic performances.

Raised in a household where music was a staple item alongside bread and butter, Bauer's affinity to music surfaced as naturally as her ability to provoke a hearty chuckle. Her folksy demeanor - a whimsical mix of unfiltered sarcasm and debonair charm - is flawlessly translated into her tunes that are both catchy and sometimes ambiguously profound. Similar to a good detective novel, Bauer's songs can keep the listeners guessing - and laughing - to the very end.

A native troubadour, her performances are a refreshing experience akin to drinking homemade lemonade on a sultry afternoon. But don't let her humble stages fool you; Bauer's music packs a formidable punch. One that's earned her a dedicated local following and is growing to include everyone who's had the chance to tap their feet to her tuneful narratives. ''In a Bottle'', one of her more notable songs, captures her musical prowess in a bottle, immersing the listener in a melodic journey of poignant storytelling punctuated with harmonies that ring long after the song ends.

Every decade witnesses a new wave of artists and Anneliese Bauer certainly makes her own waves. Bauer's craft is more than just making music; she creates memorable experiences woven into the very fabric of her artistry. She didn't crash the indie scene, she sauntered in, mandolin in hand, and smiled her way to the beat of her own drum. The passion, the zest, the talent: that's Anneliese Bauer!
Track(s)
In a Bottle 25249 02:26

In a Bottle

Anneliese Bauer


Through the Mississippi River
Cold Chicago North Wind
Sailing down the Gulf of Mexico
I've got
Something to say

Floating in a bourbon-filled bottle
My own message in a bottle
I've got
Something to say

What if you could find it?
Then someone would know
What if you ignore it?
Then no one would know

Pick it up from the Atlantic Ocean
No matter what you do
If you leave it unopened
I'll have
Nothing to say

What if you don't find it?
Then no one will know
What if you could listen?
Then someone would know

What if this was my only chance?
How could I tell you?
There is so much left to say
So much I want you to know

CREDITS
Performer: Anneliese Bauer
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

I Don't Need A Map
Lyra Luxx

Verified Verified Artist

Lyra Luxx
Lyra Luxx, the eternal songbird of California, hails from a unique lineage of performers and artistic savants. A vibrant fount of melodies, with a story as colorful as her repertoire, Luxx's journey toward musical prominence took root in the sunny courtyards of Laguna Beach High School (LBHS). Here, amidst the bustling crowd of students and the cacophony of crashing lockers, Lyra carved out a refuge with her schoolmates in an all-girl band. The only remaining member from that original lineup, Luxx had an added feather in her high school cap, holding the esteemed position of a cheerleader. Who else, after all, could champion the school spirit better than the musical prodigy herself?

With a name as resplendent as ‘Lyra Luxx,’ you might expect a pivotal star moment or a dramatic twist. In a plot worthy of a Broadway production, her golden opportunity struck beneath the glaring halogens and amidst the simulated fog of LBHS’s annual talent extravaganza. The only thing missing was a superhero cape as she delivered an iconic rendition of her now famous single, "My Happy Song". The ensuing applause could have rivaled any seismic activity in California, thus turning a new page in her journey. Today, Luxx is recognized far beyond the confines of LBHS, solidifying her star status with each melodious offering. And as for that erstwhile all-girls band? It exists now only in memory, as a significant stepping stone in the rise and rise of Lyra Luxx, California's own glamorous diva. But remember folks, beneath all the glitter and the vocals, she remains the invincible cheerleader from Laguna Beach High School. Go, team!
Track(s)
I Don't Need A Map 82436 02:29
Hope Is Glitter 35026 02:58
My Happy Song 29137 03:07

I Don't Need A Map

Lyra Luxx


You left your coat on the back of my chair
A silent reminder that you were there
Coffee's gone cold but I still sip slow
Tracing the patterns where your fingers go

I replay conversations word for word
Searching for meanings I might've heard
But silence speaks louder than our last fight
And I'm alone with the fading light

I don't need a map to feel lost
Every step forward comes at a cost
You were the compass I used to trust
Now I'm navigating through the dust

Your records still spin on repeat
Each note a memory I can't delete
Walls echo with the songs we knew
Now they're just melodies without you

I write letters I'll never send
Drafting apologies that won't mend
The distance grows with every line
Yet I can't cross this fault of mine

I don't need a map to feel lost
Every step forward comes at a cost
You were the compass I used to trust
Now I'm navigating through the dust

Maybe time will chart a new course
One where regrets show no remorse
But until then I'll walk this line
Between your past and future mine

I don't need a map to feel lost
Every step forward comes at a cost
You were the compass I used to trust
Now I'm navigating through the dust

CREDITS
Performer: Lyra Luxx
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Fire in the Open Air
James Rolly

Verified Verified Artist

James Rolly
Born in 1989 in Dayton, Ohio, James Rolly’s life was anything but straightforward. Growing up in a working-class neighborhood, he found himself drawn to music at an early age, learning his first guitar chords from an older cousin who played in local bars. But his teenage years spiraled into turbulence — run-ins with the law, school expulsions, and a revolving door of juvenile detention centers and rehabilitation programs marked his adolescence.

It was during a six-month stay at a rehab facility in Cleveland that James began writing his own songs, using music as a way to process his frustration and loneliness. The stark, confessional style of those early lyrics became the foundation of his artistic voice. He often says the rehab’s battered common-room piano was “the first place I ever told the truth.”

By his mid-20s, James was performing in small clubs across the Midwest, blending gritty Americana storytelling with modern soul and rock influences. His husky voice, commanding presence, and refusal to glamorize his troubled past earned him a loyal following. The shaved head, beard, and head tattoos became part of his unflinching image — a visual reminder of where he’s been and how far he’s come.

Today, James Rolly’s music reflects both the scars and the survival. From intimate acoustic sets to explosive full-band performances, he channels every ounce of his history into a sound that’s raw, magnetic, and unapologetically real.
Track(s)
Fire in the Open Air 317997 03:05

Fire in the Open Air

James Rolly


I’m walking through the noise and color
Every face feels like a secret sign
My heart’s a drum that won’t keep quiet
Every beat says “Boy this ain’t your time”

But I move I move with the rhythm
Even when the words don’t fit in

I got this fire burning in the open air
Every step says I belong somewhere
Don’t need a map I’ll find my line
Turning every street into my design

There’s laughter rolling out of doorways
Music pouring from a midnight band
I don’t know the song but I’m singing
Clapping to the beat like I understand

And I move I move with the rhythm
Even when the words don’t fit in

I got this fire burning in the open air
Every step says I belong somewhere
Don’t need a map I’ll find my line
Turning every street into my design

Maybe I’m lost but it feels like winning
Every wrong turn keeps my story spinning
If this is the game then I’m all in
Every note’s a place I’ve never been

I got this fire burning in the open air
Every step says I belong somewhere
Don’t need a map I’ll find my line
Turning every street into my design

And I move…
I move with the rhythm

CREDITS
Performer: James Rolly
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Only Ashes Know My ...
Julian Hartman

Verified Verified Artist

Julian Hartman
Julian Hartman; a magical melody weaving prodigy, hailing from the exquisite alpine landscapes of Switzerland. Raised on Ticino truffles and Emmental cheese chunks, Julian is the offspring of Switzerland’s savviest real estate tycoon (eh-hem, his dad, if you didn't catch that). But instead of joining the family business, Julian took the scenic route, stating that the only thing he's interested in constructing are heart-stirring ballads full of intricate harmony and soulful chords, and, well, who can argue with that?

A graduate of Communication Studies, Julian uses his academic background to strike a chord with his fan base. He also resumes a dual life as an activist. One moment, he's delivering soul-stirring tunes, sending listeners on a roller-coaster ride of emotions, the next he’s making profound impacts advocating for human rights. His hit track, "Only Ashes Know My Name," feels like poetically walking face-first into a blast of empathy and introspection, and rumour has it, it's a subconscious ode to the countless times he's forgotten his own name after an all-nighter at Geneva’s cheese fondue parties.

Julian Hartman, this activist-cum-singer, is more than a musical maestro with a magnetic presence. He's the compelling sonic storyteller with a forgettable real-estate lineage who exceeds all expectations with each guitar strum, proving that the best path is often the road less travelled, paved with cheese and a master's degree in communication.
Track(s)
Only Ashes Know My Name 34845 03:34

Only Ashes Know My Name

Julian Hartman


Falling hours crooked roads
Lanterns flicker stories fold
Traces left in borrowed sand
Nowhere feels like where we stand

Wind moves slow but pulls apart
Empty rooms still hold a spark

Pull the thread and watch it fray
All we built just fades away
Running circles chasing flame
Only ashes know my name

Voices hum in window panes
Summers lost in silver rain
Names dissolve like ink in tide
Leaving nothing left to hide

Wind moves slow but pulls apart
Empty rooms still hold a spark

Pull the thread and watch it fray
All we built just fades away
Running circles chasing flame
Only ashes know my name

No more echoes down the line
Only shadows drawn in time

Pull the thread and watch it fray
All we built just fades away
Running circles chasing flame
Only ashes know my name

CREDITS
Performer: Julian Hartman
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Long Distance Line ...
Eli Varnish

Verified Verified Artist

Eli Varnish
Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.

That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.

Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.

Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.

Long Distance Line from the Bosphorus

Eli Varnish


I’m calling from a room with peeling paint
A radio coughing out the truth
The kettle screams like it knows my name
Coins on the table none of them are you

The line is bad the night is worse
Somewhere a ferry cuts the dark in two
I got your number on a matchbook
And a voice that still remembers you

The operator’s half asleep
She says “Sir you still there?”
I say “Yeah I’m breathing smoke and prayers
Trying to get through anywhere”

This is a long distance line from the Bosphorus
I got one minute maybe less
If the city don’t swallow my words whole
You’ll hear me say I did my best

Yeah it’s a long distance line from the Bosphorus
The signal shakes the past comes through
If this call drops into the water
Just know I was calling you

There’s a man downstairs selling broken watches
Says time owes him money too
Every streetlight flickers like a bad idea
Every bar knows something I won’t tell you

I saw your face in a cracked mirror
Right next to a stain on the wall
I tried to hang up three times already
But this phone just won’t let me fall

This is a long distance line from the Bosphorus
The clock’s got a loaded gun
If I disappear between the numbers
Just say I was almost done

Hello?
Yeah… it’s me
Listen don’t say my name
The walls here got ears
And the night’s taking notes

It’s a long distance line from the Bosphorus
Static dancing in my head
If you hear silence after this
That’s just the things I never said

The operator counts me down
Five… four… the river wins
Click

CREDITS
Performer: Eli Varnish
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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