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In a Bottle
Anneliese Bauer

Verified Verified Artist

Anneliese Bauer
'''Anneliese Bauer''' is a vibrant independent artist renowned for her distinctive blend of thematic musical narratives. With a style as unique as her personality, she has been fascinating audiences across small town venues with her enchanting tunes and dynamic performances.

Raised in a household where music was a staple item alongside bread and butter, Bauer's affinity to music surfaced as naturally as her ability to provoke a hearty chuckle. Her folksy demeanor - a whimsical mix of unfiltered sarcasm and debonair charm - is flawlessly translated into her tunes that are both catchy and sometimes ambiguously profound. Similar to a good detective novel, Bauer's songs can keep the listeners guessing - and laughing - to the very end.

A native troubadour, her performances are a refreshing experience akin to drinking homemade lemonade on a sultry afternoon. But don't let her humble stages fool you; Bauer's music packs a formidable punch. One that's earned her a dedicated local following and is growing to include everyone who's had the chance to tap their feet to her tuneful narratives. ''In a Bottle'', one of her more notable songs, captures her musical prowess in a bottle, immersing the listener in a melodic journey of poignant storytelling punctuated with harmonies that ring long after the song ends.

Every decade witnesses a new wave of artists and Anneliese Bauer certainly makes her own waves. Bauer's craft is more than just making music; she creates memorable experiences woven into the very fabric of her artistry. She didn't crash the indie scene, she sauntered in, mandolin in hand, and smiled her way to the beat of her own drum. The passion, the zest, the talent: that's Anneliese Bauer!
Track(s)
In a Bottle 14533 02:26

In a Bottle

Anneliese Bauer


Through the Mississippi River
Cold Chicago North Wind
Sailing down the Gulf of Mexico
I've got
Something to say

Floating in a bourbon-filled bottle
My own message in a bottle
I've got
Something to say

What if you could find it?
Then someone would know
What if you ignore it?
Then no one would know

Pick it up from the Atlantic Ocean
No matter what you do
If you leave it unopened
I'll have
Nothing to say

What if you don't find it?
Then no one will know
What if you could listen?
Then someone would know

What if this was my only chance?
How could I tell you?
There is so much left to say
So much I want you to know

CREDITS
Performer: Anneliese Bauer
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Falling
Sienna Marlowe

Verified Verified Artist

Sienna Marlowe
Born and bred in the heart of Italy, Sienna Marlowe is a singer whose voice echoes with the rich history and timeless elegance of her homeland. As a child, Sienna would trespass into deserted train stations, her little voice echoing off the crumbling walls and intertwining with the rusted whispers of the forgotten railways. Her imagination would paint these forlorn shrieks of metal and dust into an imagined symphony of applause, encouraging her to believe in a world where silence spoke volumes and the stillness of an abandoned platform could become her music's grandest stage.

Passionate and prodigiously talented, Marlowe saw the world through a unique lens, where dreams danced in every corner. Her breakthrough hit, "I'm Not The One," captures this spirit perfectly, weaving a tale of love and perhaps a dash of Italian dramatic flair into an unforgettable, raw, powerful ballad. This song, much like Marlowe's career, is a testament to her innate ability to turn the ordinary into the extraordinary, transforming everyday experiences into melodies that tug on heartstrings and tickle the soul. As a music biographer, you can't help but tip your hat to Sienna, who just might shout "Bravissimo!" at a rust-caked railway track, and you'd better believe it would be the most melodious cheer you've ever heard.

The heart of Sienna Marlowe's story is as simple and as complicated as a rusted railway line - it's about finding beauty in the abandoned, and a voice in the silence. Her journey from that deserted train station in Italy to the glamorous spotlight of international fame is a captivating symphony in itself. Hopping on this train of her musical journey, it's impossible not to sway along to the endearing rhythm of Sienna's life, one that serenades us with the notion that music truly knows no bounds – not even a "Do Not Enter" sign at an old train station.
Track(s)
I’m Not The One 17788 03:02
Falling 21038 03:44

Falling

Sienna Marlowe


Don't know when it'll fall away
Lighting up just to light the way
Another town on an endless road
And if I go

I hope you will forgive me
Mama
I hope you found your peace
In the place of your taming
Baby
I hope you think of me

The lighter click and the bottle top
The colored sky is now charcoal fog
And somehow
I'm still a child
With the wildfire

I hope you will forgive me
Mama
I hope you found your peace
In the place of your taming
Baby
I hope you think of me

Against all odds
Still stand tall
Tripped and fell
I made a call
And I got back up
Though I'm seasick and half-forsaken
Got one good hand for the other breakin'
And at times
Too much
But
Baby
I'm fallin'

In your arms
I could feel my fate
But the swaying never goes away
And now the girl sits on goat hill
She's mine now still

CREDITS
Performer: Sienna Marlowe
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Mystery
Leo Kensington

Verified Verified Artist

Leo Kensington
Leo Kensington, hailing from the sunflower fields of Kansas, has been lighting up local music stages as a pop-funk artist. This sprightly talent is especially known for his catchy tune, "Mystery," which has been described by fans as "a melodious enigma wrapped in quirkiness."

Kensington started his journey nimbly, strumming his makeshift cereal-box guitar while still in diapers (although not particularly in tune). His love for beats and rhythms was nurtured by the swaying wheat fields around his childhood home. Thus, bread was not the only good thing that came out of the humble Kansas wheat fields; they also gave us this ear-popping, funky melody maker.

In the local circuit, Kensington is revered for his dynamic performances which are akin to watching a tornado onstage - wildly exciting, immensely entertaining, yet always leaving you with a sense of awe. Ever the unpredictable, Kensington spiced up a rather bland Tuesday evening when he performed "Mystery" dressed as a unicorn. Yes, an actual unicorn. It was this sort of playful, eccentric ambiance that set Kensington apart.

Leo continues to electrify the local Kansas music scene, his songs resonating from every corner bar to county fair. His energy, stage presence, and charming charisma, accompanied by the unforgettable riff of "Mystery", ensures that one never forgets the name Leo Kensington. His exciting rise and the captivating persona undoubtedly make him one to watch. After all, who can resist a funktastic unicorn from Kansas?
Track(s)
Mystery 24100 04:22

Mystery

Leo Kensington


Why does it hurt
To hope? (Mmm ooh ooh ooh)
Why does it hurt?
(Let it out)
To hope? (Ayy ayy)
Why does it hurt
Why does it hurt?
(Ooh ooh ooh)

I love you like the segments
On the news
Cut between the stories of the hood
The heroes
And the glues
Seen and see-through
I could
Read the room
The sky turned red
The stage was vast
The moon took center view
And so did you

Why does it hurt
To hope? (Mmm ooh ooh ooh)
Why does it hurt?
(Let it out)
To hope?
(Ayy ayy)
Why does it hurt?

Why I'm supposed to hope
That things will change?
Keep thinkin' things will settle
As I get older with age
Huh but nothin's never been the same
So in the meantime
Might as well let 'em know my name
And I ain't gon' waste a second

So baby
Show me somethin' that I need for now
I don't mean to use you till I turn around
But maybe you might find you wanna stick
Around

Got so many skeletons inside my closet
That I don't go past October
'Cause if I start lookin' around
Might not come back till the fall is over
Like ooh ooh ooh

CREDITS
Performer: Leo Kensington
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Ya No Me Duele
Camila Reyes

Verified Verified Artist

Camila Reyes
Camila Reyes was born in Seville, Spain, in 1992, and has spent most of her life surrounded by the vibrant rhythms and colors of Andalusia. By profession, she is a skilled ceramic artist, known for her intricate hand-painted tiles inspired by Moorish patterns and flamenco motifs. Her work has been exhibited in boutique galleries across Spain, yet music has always been her truest form of self-expression.

Raised in a family where boleros and rancheras echoed through the kitchen, Camila began singing at small local gatherings, blending traditional Latin folk with her own soulful touch. Over the years, her voice became a bridge between the streets of Seville and the broader Latin diaspora, carrying both joy and melancholy in every note.

Today, Camila records all of her music exclusively for Filodyo, preserving an intimate connection with her listeners. Her latest release, Ya No Me Duele, is a testament to resilience and emotional rebirth, capturing the strength of moving on without bitterness.
Track(s)
Ya No Me Duele 244093 03:15

Ya No Me Duele

Camila Reyes


Ya no me tiembla la taza del té
cuando tu nombre se cruza en mi piel
La casa cruje igual que ayer
pero mi sombra ya no te ve

Dejé tus cartas en el alfeizar
el viento sabrá si las quiere llevar
Mis manos no piden no quieren cerrar
lo que no abraza… no vuelve a entrar

Ya no me duele
ni tu voz ni tu eco
El silencio en mi mesa
es mejor que tu juego

Ya no me duele
ni la flor ni el invierno
Yo me quedo de pie
y tú te vas con el viento

Me dolió
pero no me rompió

Ya no me duele
ni el reloj ni el destino
Mis pasos no buscan
ya tienen su camino

CREDITS
Performer: Camila Reyes
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Dancing The Pain Away
Callum Hayes

Verified Verified Artist

Callum Hayes
Callum Hayes, known to many as the life of the party and to some as simply "that crazy guy with the decks," is a Swedish DJ and music producer. Crafting infectious beats and dance anthems is his forte, with his breakthrough track "Dancing The Pain Away" causing quite a stir in the local music scene.

Callum's journey into the world of music production began somewhat unexpectedly, in the adrenaline-fueled arena of advertising music. After one too many late nights tweaking jingles for brands too dull to mention, he decided to take his talents to the club scene instead. Hayes' wicked sense of humor is reflected in his artistic process; he often jokes about resigning from his ad gig with a dramatic flip of his work desk only to realize he was working from home – no audience, no theatrical exit.

Collaborating with various vocalists, Callum has brewed a wide range of flavors in the grand cauldron of his music. Be it power-packed EDM or chilled-out trance music, Hayes serves his listeners an exotic buffet of tunes. He has managed to carve out a niche within the competitive domain of independent artists, becoming a regular feature at local Swedish venues where he inevitably brings the house down.

In the spunky and tenacious spirit of indie artistry, Callum Hayes continues to dance his pain and ours away. His energetic personality and infectious tracks make every night feel like a weekend and with Hayes at the helm, the party rages on. Callum Hayes might not be a global name just yet, but those Swedish nights have never grooved harder.
Track(s)
Dancing The Pain Away 15134 02:27

Dancing The Pain Away

Callum Hayes


Under the mirrorball
Shining like the light of God
We were so beautiful
What the hell happened y'all

Love died when the music stopped
Now my feet can't feel the floor
And every step is getting hard
'Cause she's not with me anymore

I'm dancing the pain away
Disco ball won't let me go
I'm begging it to save my soul
From drowning in lonely
I'm dancing the pain away
Falling in the beat with someone else
But wishing it was her
My God
I need help
'Cause she's not with me anymore

So long farewell
I'll wait for you
Wrote you every night
'Til I deleted you
Love's a drug
I lean on borrowed time
One day you'll be back
But tonight's the night I die

I'm dancing the pain away
Disco ball won't let me go
I'm begging it to save my soul
From drowning in lonely
I'm dancing the pain away
Falling in the beat with someone else
But wishing it was her
My God
I need help
'Cause she's not with me anymore

CREDITS
Performer: Callum Hayes
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Elevate
Hamartia

Verified Verified Artist

Hamartia
Hamartia, born Juliet Steiner, grew up in a strict Catholic family in Dublin, where expectations were high, and tradition ran deep. From an early age, Juliet knew she was different, but her family’s reaction to her sexual orientation was anything but supportive.

Feeling isolated and misunderstood, she sought solace in Greek mythology, where she discovered the concept of hamartia—a tragic flaw that often leads to downfall in ancient stories. Embracing the name Hamartia became her way of owning her identity and turning pain into strength, using it as a symbol of defiance against the societal norms that tried to suppress her.

Her move to Dublin’s vibrant underground music scene gave her the freedom to truly explore her voice. Hamartia quickly stood out for her unique vocal techniques, blending haunting tones with an emotive, almost ethereal quality that captivates listeners.

Her style, a mesmerizing fusion of Amplified Heart and pop dance, reflects both her inner turmoil and resilience. Each performance feels like a cathartic release, with her vocals carrying the weight of her past while moving toward something liberating and triumphant.

Hamartia's music doesn’t shy away from the complexities of love, loss, and self-discovery. Tracks like "I Don' Know" and "Eyes Wide Open" speak to the tension between vulnerability and empowerment, a delicate balance she has mastered through her songwriting.

Now a rising figure in Dublin’s pop dance scene, her unapologetic artistry resonates with fans who find strength in her journey. And as she continues to perform in venues across the city, Hamartia’s star keeps rising, proving that sometimes our flaws, real or perceived, are what make us truly extraordinary.
Track(s)
Elevate 18511 03:07
La Marea 17907 03:02
When The Day Is Done 21297 03:41
I Don't Know 17265 03:09
Eyes Wide Open 15844 02:31

Elevate

Hamartia


(Ooh-ooh-ooh ooh-ooh
Ooh-ooh-ooh ooh-ooh
Ooh-ooh-ooh ooh
Ooh-ooh-ooh ooh-ooh
Ooh-ooh-ooh ooh-ooh
Ooh-ooh-ooh ooh)

Can you feel how the fire starts to rise?
Heat is getting closer burning deep behind my eyes
Can you hear how the rhythm pulls me in?
Beating like a signal calling louder than the wind
Elevate

Can you feel how the fire starts to rise?
Heat is getting closer burning deep behind my eyes
Can you hear how the rhythm pulls me in?
Beating like a signal calling louder than the wind
Elevate

Elevate
Elevate
Elevate
Elevate

One more step and there's no retreat
One more step and there's no retreat
One more step and there's no retreat
One more step and there's no retreat
One more step and there's no retreat
Cross the line
One more step and there's no retreat
Cross the line

Can you feel how the fire starts to rise?
Heat is getting closer burning deep behind my eyes
Can you hear how the rhythm pulls me in?
Beating like a signal calling louder than the wind
Elevate

Elevate
Elevate

CREDITS
Performer: Hamartia
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

I Don't Need A Map
Lyra Luxx

Verified Verified Artist

Lyra Luxx
Lyra Luxx, the eternal songbird of California, hails from a unique lineage of performers and artistic savants. A vibrant fount of melodies, with a story as colorful as her repertoire, Luxx's journey toward musical prominence took root in the sunny courtyards of Laguna Beach High School (LBHS). Here, amidst the bustling crowd of students and the cacophony of crashing lockers, Lyra carved out a refuge with her schoolmates in an all-girl band. The only remaining member from that original lineup, Luxx had an added feather in her high school cap, holding the esteemed position of a cheerleader. Who else, after all, could champion the school spirit better than the musical prodigy herself?

With a name as resplendent as ‘Lyra Luxx,’ you might expect a pivotal star moment or a dramatic twist. In a plot worthy of a Broadway production, her golden opportunity struck beneath the glaring halogens and amidst the simulated fog of LBHS’s annual talent extravaganza. The only thing missing was a superhero cape as she delivered an iconic rendition of her now famous single, "My Happy Song". The ensuing applause could have rivaled any seismic activity in California, thus turning a new page in her journey. Today, Luxx is recognized far beyond the confines of LBHS, solidifying her star status with each melodious offering. And as for that erstwhile all-girls band? It exists now only in memory, as a significant stepping stone in the rise and rise of Lyra Luxx, California's own glamorous diva. But remember folks, beneath all the glitter and the vocals, she remains the invincible cheerleader from Laguna Beach High School. Go, team!
Track(s)
I Don't Need A Map 72395 02:29
Hope Is Glitter 16980 02:58
My Happy Song 16757 03:07

I Don't Need A Map

Lyra Luxx


You left your coat on the back of my chair
A silent reminder that you were there
Coffee's gone cold but I still sip slow
Tracing the patterns where your fingers go

I replay conversations word for word
Searching for meanings I might've heard
But silence speaks louder than our last fight
And I'm alone with the fading light

I don't need a map to feel lost
Every step forward comes at a cost
You were the compass I used to trust
Now I'm navigating through the dust

Your records still spin on repeat
Each note a memory I can't delete
Walls echo with the songs we knew
Now they're just melodies without you

I write letters I'll never send
Drafting apologies that won't mend
The distance grows with every line
Yet I can't cross this fault of mine

I don't need a map to feel lost
Every step forward comes at a cost
You were the compass I used to trust
Now I'm navigating through the dust

Maybe time will chart a new course
One where regrets show no remorse
But until then I'll walk this line
Between your past and future mine

I don't need a map to feel lost
Every step forward comes at a cost
You were the compass I used to trust
Now I'm navigating through the dust

CREDITS
Performer: Lyra Luxx
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Fire in the Open Air
James Rolly

Verified Verified Artist

James Rolly
Born in 1989 in Dayton, Ohio, James Rolly’s life was anything but straightforward. Growing up in a working-class neighborhood, he found himself drawn to music at an early age, learning his first guitar chords from an older cousin who played in local bars. But his teenage years spiraled into turbulence — run-ins with the law, school expulsions, and a revolving door of juvenile detention centers and rehabilitation programs marked his adolescence.

It was during a six-month stay at a rehab facility in Cleveland that James began writing his own songs, using music as a way to process his frustration and loneliness. The stark, confessional style of those early lyrics became the foundation of his artistic voice. He often says the rehab’s battered common-room piano was “the first place I ever told the truth.”

By his mid-20s, James was performing in small clubs across the Midwest, blending gritty Americana storytelling with modern soul and rock influences. His husky voice, commanding presence, and refusal to glamorize his troubled past earned him a loyal following. The shaved head, beard, and head tattoos became part of his unflinching image — a visual reminder of where he’s been and how far he’s come.

Today, James Rolly’s music reflects both the scars and the survival. From intimate acoustic sets to explosive full-band performances, he channels every ounce of his history into a sound that’s raw, magnetic, and unapologetically real.
Track(s)
Fire in the Open Air 162433 03:05

Fire in the Open Air

James Rolly


I’m walking through the noise and color
Every face feels like a secret sign
My heart’s a drum that won’t keep quiet
Every beat says “Boy this ain’t your time”

But I move I move with the rhythm
Even when the words don’t fit in

I got this fire burning in the open air
Every step says I belong somewhere
Don’t need a map I’ll find my line
Turning every street into my design

There’s laughter rolling out of doorways
Music pouring from a midnight band
I don’t know the song but I’m singing
Clapping to the beat like I understand

And I move I move with the rhythm
Even when the words don’t fit in

I got this fire burning in the open air
Every step says I belong somewhere
Don’t need a map I’ll find my line
Turning every street into my design

Maybe I’m lost but it feels like winning
Every wrong turn keeps my story spinning
If this is the game then I’m all in
Every note’s a place I’ve never been

I got this fire burning in the open air
Every step says I belong somewhere
Don’t need a map I’ll find my line
Turning every street into my design

And I move…
I move with the rhythm

CREDITS
Performer: James Rolly
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

What's Going On (Cl...
Brick Lords

Verified Verified Artist

Brick Lords
Hailing straight from the heart of Harlem, the notorious quintet, Brick Lords, has been serving up a potent cocktail of old school rap since their genesis.

An assemblage teeming with character, within this unique ensemble, we find Biggie Bricks (real name, Jamal Thompson), the de-facto leader and lyricist; Lil' Grout (born Angel Martinez), the charismatic hype man; Bricksy Ross (truly known as Desmond Jones), the mysterious trap-lord; Mortar Mike (Mike Johnson in the real world), the laid-back beat master, and Cinder "the Block" Parker (dubbed Clara Parker at birth), the feisty and soulful female vocalist who adds a unique twist to the group's sound.

The Brick Lords was born out of a shared love for rhythm, rhymes, and the raw, gritty atmosphere of their native Harlem streets, baptizing themselves Brick Lords because, well, they were originally just some kids slamming beats and rhymes on brick walls. And just as bricks fit one on top of the other, building something substantial, so too did the Brick Lords build something substantial out of their close-knit group dynamic.

Their music, a delightful blend of old school rap with a hint of modern-day flair, is lauded for its authenticity and palpable energy, resonating with audiences worldwide. Notably, their signature song "What's Going On (Clean)" quickly escalated to become an anthem for their generation, showcasing their genuine artistry while divulging the realities of life in Harlem.

Amidst punchy beats, witty lyricism, and a touch of brick-and-mortar realness, the story of the Brick Lords is as engaging as their music. Resolute in their ambitious deliverance of old school rap, these urban poets have cemented themselves into the solid foundation of Harlem's music scene, and dare we say it, they're brickin' amazing!
Track(s)
Hard Knock Life 67369 02:15
What's Going On (Clean) 15544 02:26
Tales from Harlem 21492 03:58

What's Going On (Clean)

Brick Lords


Yes
Way down
Way down
Way down
Way down
Whoo!
Way down
Way down
This a freeway song
We sell work
Bruh
We ain't on "wei chong"
We let 'em die homie
We don't weigh Chong
Way down
Way down
Battle [Allen?]
Way down
Way down
Don't take no breaks

Dawg
Bring them red eyes along
Dawgs 'sleep' on me
I prolly woke they moms
Homies reach on me then that's just close they arms
Way down
Way down
Y'all do this once a month

All my dawgs be trappin' like homies exiting pr-on
I used to play with that heart and made a pocket off strong arm
If I try to be LeBron then I ain't talkin' bout bron-bron [LeBron?]
Why you Qbs playing bond
We wanna salt again
On what?

Uhn
Folding s**t
Origami if you trynna front
Race a stripper booted up and make her come in the front
If I'd a buck on my homie
We'd a been done up the one

What's going on
Dawgies?
What's happening
Slim?
Why these motherfu***ers actin' like they're leupsum qualm?
Actin' like I ain't in here playing with scary homeboys
Actin' like they wanna go bat below on this

Yeah
Dawgs
We home
Ay yo
Get your girl
Dawgy
E'rybody came
Huh
Get your girl
Dawgy
Monday through Sunday
And I'm going out crazy me
Like 21 7 6 5 4 3
And I'm going off

I said
I was learning my numbers when yugonna stop playing (when you gonna stop playing)
Taking all of this time
Fuh? you're coming with me (you're coming with me)
What you think I'm for

Yes
Babygirl finally reaching on
Like twinkle twinkle
Little star
What you think
Huh
For me?

What's going on
Dawgies?
What's happening
Slim?
Why these motherfu***ers actin' like they're leupsum qualm?
Actin' like I ain't in here playing with scary homeboys
Actin' like they wanna go bat below on this

Oh
Babydoll finally reached the bottom
And nobody was alarmed
"Babygirl
It ain't that deep"
And now
Now look at the past
And they didn't pray at first

CREDITS
Performer: Brick Lords
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

We Had A Better Tim...
Max Donovan

Verified Verified Artist

Max Donovan
Max Donovan is a Los Angeles-based singer-songwriter known for his soulful melodies and evocative storytelling. Born into the heart of Hollywood, Max was surrounded by the entertainment industry from a young age. His father, a dedicated sound and lighting technician named Michael Donovan, spent his life behind the scenes, setting up the intricate systems that brought movies to life. His mother, Elena Pierce, is a seasoned actress who has appeared in several supporting roles in both film and television, adding a touch of on-screen magic to his upbringing.

Growing up amidst the hustle and bustle of film sets, Max developed a deep appreciation for the arts. While his father's tales of the golden days of Hollywood fascinated him, it was the emotional resonance of music that truly captured his heart.

Encouraged by his parents, he began exploring various instruments and writing songs during his teenage years. His family's blend of technical expertise and artistic flair inspired Max to create music that is both thoughtfully composed and deeply personal.

Max's debut single, "We Had A Better Time," is a heartfelt homage to the stories his father shared about the past. The song blends nostalgic lyrics with contemporary acoustic sounds, reflecting on simpler times and the enduring bonds of family.

The track has garnered attention for its sincerity and relatability, marking Max as a promising new voice in the music scene. When he's not in the studio, you might catch Max performing at local venues across LA, carrying on his family's legacy in the entertainment world.

We Had A Better Time (ft Jason Harper)

Max Donovan


I remember LA streets
Cruisin' down Sunset in the haze
Back when life was so sweet
Golden days living through a craze

Music played through the night
We were young felt so right

Those years were gold
Bright and bold
Now stories told
Hearts grown cold

We had a better time (yeah better time!)
When the world was free (world was free)
Now they’ve crossed the line (crossed the line)
What do we see? (do we see)
A city lost in misery (misery)

Neon signs and wild dreams
We were kings we ruled the scene
Now it’s not what it seems
Lost the spark the soul the sheen

People now chase empty gold
Trade their hearts lose their hold

Those years were gold
Bright and bold
Now stories told
Hearts grown cold

We had a better time (yeah better time!)
When the world was free (world was free)
Now they’ve crossed the line (crossed the line)
What do we see? (do we see)
A city lost in misery (misery)

Yearning for the
Golden days

Those years were gold
Bright and bold
Now stories told
Hearts grown cold

Back then the city had a pulse
a rhythm and a beat
Fast cars big dreams
livin' life on repeat
From the Walk of Fame
to the Venice Beach sands
Every corner every block
magic in our hands
Skateboards on the boulevard
neon lights aglow
Fashion trends music bends
the energy would flow
We were rebels in the night
no chains could hold us back
Now it's shadows of the past
memories we lack
Chasing paper losing soul
where did passion go?
Grit and glory now just stories
lost in hollow glow
Once a city full of life
now it's just a ghost
Echoes of the laughter
it's the past we miss the most

We had a better time (yeah better time!)
When the world was free (world was free)
Now they’ve crossed the line (crossed the line)
What do we see? (do we see)
A city lost in misery (misery)

We had a better time (yeah better time!)
When the world was free (world was free)
Now they’ve crossed the line (crossed the line)
What do we see? (do we see)
A city lost in misery (misery)

CREDITS
Performer: Max Donovan
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Cooler Than My Tears
Miles Rennick

Verified Verified Artist

Miles Rennick
Miles Rennick is an electro-pop singer and songwriter whose music blends playful irony with slick, club-ready production. With a cheeky, half-sung and half-spoken vocal style, he brings a unique personality to the modern indie-pop scene.

His debut track “Cooler Than My Tears” captures this spirit perfectly — a quirky yet infectious anthem built on groovy basslines, crisp synth riffs, and a sarcastic lyrical edge. Both tongue-in-cheek and danceable, the track reflects Rennick’s ability to turn irony into a hook.

Dedicated to staying independent and unconventional, Miles Rennick has chosen to release his music exclusively through Filodyo and NOT FM, highlighting his close collaboration with platforms that value originality and artistic freedom.
Track(s)
Cooler Than My Tears 240879 03:15

Cooler Than My Tears

Miles Rennick


(ha!)
The lock is broken doors swing wide
No more shadows I need to hide

Your perfume fades on an empty shelf
I found a mirror I found myself
Every promise was a borrowed flame
Now I walk and forget your name (uhh)

Chains fall silent on the floor
Wings I never used before
Every breath tastes sharp and new
Every step pulls me through (yeah ha!)

I’m alive I’m alive (woo!)
Burning like the morning rise
Can’t hold me I’m untamed (ha!)
Your love was a painted game
Now the echoes fade from me (na-na)
Every step is victory
I’m alive I’m alive
Cooler than the tears I cried (uhh)

Empty glass on the wooden rail
Stories sink but my ship will sail
Every memory’s a paper boat
Drifting far till it can’t float (yeah)

Chains fall silent on the floor
Wings I never used before
Every breath tastes sharp and new
Every step pulls me through (woo!)

I’m alive I’m alive (say it loud)
Burning like the morning rise
Can’t hold me I’m untamed (ohhh)
Your love was a painted game
Now the silence sings with me (yeah yeah)
Every step is victory
I’m alive I’m alive
Cooler than the tears I cried (hah!)

You thought I’d break…
But I’m stronger than the storm
I’m running past the past
And it will never find me again (mmm)

I’m alive I’m alive (uhh woo!)
Burning like the morning rise
Can’t hold me I’m untamed (ha!)
Your love was a painted game
Now the silence sings with me (na-na-na)
Every step is victory
I’m alive I’m alive
Cooler than the tears I cried (yeah yeah yeah)

(ha!)
Cooler than the tears I cried…
Cooler than the tears I cried

CREDITS
Performer: Miles Rennick
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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