Lina Mour is a French-born vocalist and songwriter blending high-octane Eurodance energy with the emotional weight of soulful pop. Growing up in the suburbs of Lyon, Lina was raised on a steady mix of gospel vocals, ‘90s dance anthems, and gritty French rap. This eclectic influence shaped her bold sonic identity — where throbbing 4/4 beats meet orchestral stabs, and where raw emotion finds its home on the dancefloor.

Her latest single, “Gravity Override,” is a high-energy anthem that collides hip house rap verses with a soaring, mantra-like chorus. It’s a throwback to the golden age of Eurodance, but with modern production and an unapologetic attitude. With pounding kicks, aggressive synths, and trance-tinged melodic layers, the track is built for sweaty club nights, neon-lit workouts, and every moment when reality feels too heavy to carry.

Lina describes the track as “not just about defying gravity — but defying expectation.” Behind the infectious hook lies a personal story of reclaiming freedom, breaking out of everyday repetition, and choosing joy over inertia. In her words: “It’s about walking down the street with a storm in your chest but a beat in your step.”

Beyond music, Lina is quickly becoming a visual icon in her own right. Her streetwear aesthetic, nostalgic references, and empowering live shows are drawing comparisons to the likes of Technotronic and Crystal Waters — yet Lina’s vision is firmly rooted in the present. She isn’t here to recreate the past. She’s here to override it.

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Swedish born and dance-floor dominator, Erik Lindholm, boasts a temperament as lively as his pulsating bass lines. His sonic sensibilities, threaded through every groove in his heart-thumping dance maestro, are as intriguing as the tale of his journey to the top of the beat kingdom.

Raised in the heart of Gothenburg, Lindholm's coming-of-age could be likened to a groovy scandi-noir episode spiced with Abba tracks. His gruff but supportive Fishmonger father, Olaf, served up his son's first taste of rhythm with the flick of his filleting knife, while his samba-loving mother, Ingrid, nurtured his love for infectious cadence. Schooldays were filled with misadventures involving tin-can drum sets, impromptu corridor concerts, and confiscated mixtapes. Bet his bemused math teacher never guessed this rebel with a cause would rise as a dance music sovereign.

Advertising his outright refusal to be pigeonholed, Lindholm's "Albion" is more than an axiom of his sound, it's a representation of his relentless pursuit of reinvention. This dance-infused ode to joy, shimmers with synths, pulsates with kinetic beats and is as intoxicating as a round of round-the-clock-midsummer-Swedish-sunshine. It's a rollicking auditory journey aptly capturing his carpe diem approach to making people move and groove.

Erik Lindholm's music vividly paints a colorful backdrop of effervescent vibes and infectious enthusiasm. And while we could end this with something delightfully corny like, "this Scandinavian sensation is dancing to the beat of his own drum machine," let's leave it at this - Lindholm lives to make hearts thump in sync with his beats, and folks, he sure succeeds.

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Lyra Luxx, the eternal songbird of California, hails from a unique lineage of performers and artistic savants. A vibrant fount of melodies, with a story as colorful as her repertoire, Luxx's journey toward musical prominence took root in the sunny courtyards of Laguna Beach High School (LBHS). Here, amidst the bustling crowd of students and the cacophony of crashing lockers, Lyra carved out a refuge with her schoolmates in an all-girl band. The only remaining member from that original lineup, Luxx had an added feather in her high school cap, holding the esteemed position of a cheerleader. Who else, after all, could champion the school spirit better than the musical prodigy herself?

With a name as resplendent as ‘Lyra Luxx,’ you might expect a pivotal star moment or a dramatic twist. In a plot worthy of a Broadway production, her golden opportunity struck beneath the glaring halogens and amidst the simulated fog of LBHS’s annual talent extravaganza. The only thing missing was a superhero cape as she delivered an iconic rendition of her now famous single, "My Happy Song". The ensuing applause could have rivaled any seismic activity in California, thus turning a new page in her journey. Today, Luxx is recognized far beyond the confines of LBHS, solidifying her star status with each melodious offering. And as for that erstwhile all-girls band? It exists now only in memory, as a significant stepping stone in the rise and rise of Lyra Luxx, California's own glamorous diva. But remember folks, beneath all the glitter and the vocals, she remains the invincible cheerleader from Laguna Beach High School. Go, team!

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Just when you thought the boot-shaped country of Italy couldn’t gift us anything more delightful than pizza, espresso, and the Colosseum, here come Milano Roads to drop the beat and turn your world upside-down. A duo as dynamic as a perfectly pulled shot of espresso, they're serving dance music so hot it could cook your Margherita.

Our main men of Milano Roads are two fellas who embody the high-octane power of their music in every vivacious vein. Raised on hearty servings of pasta and classic dance records, they grew up amidst the backdrop of Italy's pulsating club scene, dreaming of transmitting their irrepressible energy into a sound system near you. They now dish out tracks that are creamy, rich, and pack a punch like a perfectly crafted Italian espresso - with "You And I" being their creamiest hit to date.

Stirring up a potent cocktail of head-spinning synths and pulsating rhythms, they’ve singlehandedly put the ‘dance’ in the Italian Renaissance. Their music is like a Vespa ride through the crowded streets of Milan, it's fast, flashy, a little nerve-wracking but oh so exhilarating. The brotherhood dish out beats as lively as the Italian nightlife, evoking an energetic mood that goes beyond the realm of EDM, turning even the shyest of wallflowers into groove-loving party animals.

With Milano Roads on the decks, you'll find yourself shimmying like you’re shaking off a stubborn linguine stain. Just don't blame us when you can't get their infectious beats out of your head - or when you find yourself inexplicably craving a cannoli. Brace yourselves, music lovers, because these Italian maestros are stealing the dance scene, one pulsating beat at a time.

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There’s a certain stillness in Celeste Raye’s voice — the kind that turns crowded rooms quiet and late-night drives cinematic. Born and raised in South London, she grew up mimicking the elegance of old soul singers and the cool detachment of ‘90s club divas. On stage, Celeste doesn’t reach for the spotlight — it finds her.

Her latest release, Velvet Switch, is a slow-burning club anthem soaked in longing. Produced by NOT FM and available exclusively on Filodyo, the track pulses with quiet intensity — as if it’s remembering something you forgot you missed. Celeste’s voice doesn’t cry out. It hovers, suspended above the beat, tracing the shape of absence with each note.

People don’t come to her sets just to dance. They come to feel understood — in dim lights, with their eyes closed, mouthing words they’ve never said out loud. Velvet Switch captures that moment between stillness and surrender, when the music takes over and you stop pretending you’re fine.

Celeste Raye isn’t trying to be timeless. She already is — not because she sounds like someone else, but because she sounds like a feeling you’ve had before, but never named.

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Sofia Lindqvist is a unique musical tour de force born to an engineer father in Slovakia. Raised in the heart of Bratislava, she embodies an enviable fusion of technical brilliance and ebullient creativity.

Growing up, Sofia was the kind of kid who hummed symphonies while dismantling radios—much to her father's chagrin, and her mother's delight. From a young age, she fell under the spell of electronic music, a passion fuelled by her father's meticulous engineering and the city's vibrant music scene. Early whispers say that Sofia was so entranced by the metropolis' sounds she would insist to recreate the rhythm of the city traffic during her piano lessons.

However, it wouldn't be until her tenure as a kindergarten teacher that Sofia really began melding the worlds of sound and circuitry. After realizing that her classroom renditions of 'Old MacDonald' paled in comparison to a foot-stomping techno beat, Sofia decided to combine her love of electronics with her obsession for music. Her electrifying rhythms and harmonic melodies soon saw her swapping out nursery rhymes for nightclubs, becoming the city's beloved "Techno Teacher."

Sofia's song "Liberate", a hypnotic blend of thumping base and riveting electronic sounds, has become the most treasured track in her musical repertoire. It tells a captivating story of liberation, evoking the freedom Sofia found when she ditched the training wheels of traditional music and glided into the world of electronica. Whether she's blasting tunes at Bratislava's liveliest venues or tinkering with a sequencer in the back of her classroom, Sofia Lindqvist continues her symphony of life, one pulsating techno beat at a time.

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Surviving on honeycomb cereal and iced coffee, Nana Bear is a dance-obsessed maestro from the city of the Grizzlies: Memphis, Tennessee. Conquering every beat with unabated joy, this indie artist possesses an unmatched ability to tickle your serotonin receptors!

Spending her days daydreaming in Elvis Presley's birthplace turned her into a storyteller with rhythm in her veins. Nana Bear’s journey weaves a tale of a wistful girl who tamed the wild heartbeats of Memphis, transformed them into 'Dance' symphonies, and offered them to the world. All this while under the umbrella of Filodyo, which has given her the freedom to paint her rhythmic dreams on the canvas of life.

"Chasing The Rhythm" is an enchanting melody that best represents Nana Bear; it’s as if she's inviting you to a game of tag through a field of beat blossoms, evoking a sense of joy which bubbles up until you're grinning like an imbecile. A crossover between Dirty Dancing and Fun House, her musical offering is like a kaleidoscope of energetic and euphoric sound waves.

Creativity and humor ride shotgun as she explores the multifaceted realms of the dance genre, infusing it with a joyous twinkle that only a Nana Bear can. Armed with unadulterated enthusiasm, Nana Bear serves a musical feast fostering the happiest mood, inviting you to let your guard down and simply embrace the melody. It's impossible not to be swept up in the vibrant current of this supremely gifted Memphis Grizzly.

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Known for producing groovy beats that put a wiggle in your walk, Zahna Krouphouse is the hidden gem of the electronica scene with a penchant for igniting spontaneous kitchen dance parties. To the unassuming listener, Zahna's refreshing sound spells out freedom, exhilaration, and well... sheer joy!

Zahna got the break they've been waiting for when they were scouted by Filodyo. What started as a soundtrack for the aisle wanderers in stores turned out to be the foot-tapping, head-bobbing anthem for headphone warriors worldwide. Zahna's style? Think a vibrant fusion of Aphex Twin’s heart-thumping rhythm with Daft Punk's rhapsodic harmonies. But they punctuate it with a zesty twist of their own, stirring up their Krouphouse magic that flip-flops your heart and has your toes tapping a Morse code of elation.

Their crowning jewel? The catchy ditty christened "Self Mastery". Proving to be more than a hyped-up joyride, it's an electronic odyssey that weaves in the pulse of self-discovery, self-love, and well, mastering one's self. As Zahna says, it's the "digital lullaby of the self-actualized soul," if that doesn't make you double-click on their playlist, what will? On that happy note, may Zahna Krouphouse's music echo in your heart, head, and, inevitably, hips. Could you ask for a more funky companionship on your journey of self-mastery?

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Mark Martian is one of the most elusive figures in the music world, and his mysterious persona has left many fans wondering—could he really be from Mars?

Known for using the alias Martian Mark during his collaborations, this enigmatic producer has somehow managed to evade the spotlight completely. No interviews, no photos, no videos—Mark is practically a ghost. Some say it’s part of his brand, while others speculate wildly. Who knows?

Maybe while Elon Musk dreams of building colonies on Mars, Mark’s already here, quietly making beats after hitching a ride from the Red Planet’s first neighborhood.

Despite the secrecy surrounding him, one thing’s clear: Mark’s music speaks volumes. His deep house tracks pulse with interstellar vibes, his pop productions are out-of-this-world catchy, and his funk grooves are, well, otherworldly.

Whether he’s blending cosmic synths with soulful beats or dropping funk-infused rhythms, his style keeps listeners hooked and guessing. You can hear his work across platforms, but his music truly shines on Filodyo, where you might catch the next great Martian anthem—if he doesn’t beam it up first.

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Born in 1996 in Antwerp, Belgium, Dennise began her creative career not as a singer, but as a voice-over artist. With a warm, expressive tone and remarkable control, she became a sought-after voice in commercials, audiobooks, and animated films across Europe. For years, her voice was instantly recognizable, even if her face stayed out of the spotlight.

Music had always been quietly present in her life. Between recording sessions, she would write melodies and lyrics, experimenting with harmonies and vocal textures in her small home studio. Her path into music took a decisive turn when Filodyo producer Hakan E. heard one of her demos and invited her to record an original track.

Since that moment, Dennise has worked exclusively with Filodyo, creating songs that combine her precise vocal technique with a modern pop sensibility shaped by European dance rhythms. Guided by Hakan E.’s production, her tracks carry both the polish of a seasoned professional and the intimacy of a storyteller.

Outside the studio, Dennise is an avid cyclist and urban wanderer, often finding lyrical inspiration on her rides through city streets and coastal paths. For her, music is simply another way to tell a story — but now, her voice takes center stage.

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“If it doesn’t ask questions, it’s not music.”

LYA (pronounced “Lie-uh”) is a genre-defying artist from Berlin whose roots stretch from conservatory string quartets to the depths of fog-drenched warehouse raves. A classically trained violinist who once performed Vivaldi at age nine, she left formal music behind in her early 20s to pursue something more fractured, more real. What emerged was a sound as delicate as it is defiant—where harpsichords coexist with 2-step beats, and questions matter more than answers.

Her music exists in a liminal zone: somewhere between dance and disassociation, pop and poetry, cathedral and club. LYA often weaves spoken-word passages into her songs, transforming internal monologues into melodic mantras. Vocals—sometimes her own, sometimes spliced and AI-shifted—glide over textured layers of cello, muted synths, and ambient distortion. Think: if Imogen Heap grew up listening to Burial and wrote haikus in code.

LYA’s debut EP “Syntax of Sleep” was a quiet cult success among insomniac circles on Bandcamp, praised for its “introspective maximalism.” Her live sets, often accompanied by generative visuals and interactive lighting that reacts to audience movement, blur the line between concert and hallucination. She isn’t afraid of silence, nor of noise. Both, to her, are forms of rhythm.

LYA doesn’t write songs to explain. She writes them to wonder. “What’s It Made Of?”—her latest single via notfm—isn’t just a title. It’s a dare. A whisper in the hallway between thoughts. A reminder that meaning isn’t always the point.

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