Mark Martian is one of the most elusive figures in the music world, and his mysterious persona has left many fans wondering—could he really be from Mars?

Known for using the alias Martian Mark during his collaborations, this enigmatic producer has somehow managed to evade the spotlight completely. No interviews, no photos, no videos—Mark is practically a ghost. Some say it’s part of his brand, while others speculate wildly. Who knows?

Maybe while Elon Musk dreams of building colonies on Mars, Mark’s already here, quietly making beats after hitching a ride from the Red Planet’s first neighborhood.

Despite the secrecy surrounding him, one thing’s clear: Mark’s music speaks volumes. His deep house tracks pulse with interstellar vibes, his pop productions are out-of-this-world catchy, and his funk grooves are, well, otherworldly.

Whether he’s blending cosmic synths with soulful beats or dropping funk-infused rhythms, his style keeps listeners hooked and guessing. You can hear his work across platforms, but his music truly shines on Filodyo, where you might catch the next great Martian anthem—if he doesn’t beam it up first.

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“If it doesn’t ask questions, it’s not music.”

LYA (pronounced “Lie-uh”) is a genre-defying artist from Berlin whose roots stretch from conservatory string quartets to the depths of fog-drenched warehouse raves. A classically trained violinist who once performed Vivaldi at age nine, she left formal music behind in her early 20s to pursue something more fractured, more real. What emerged was a sound as delicate as it is defiant—where harpsichords coexist with 2-step beats, and questions matter more than answers.

Her music exists in a liminal zone: somewhere between dance and disassociation, pop and poetry, cathedral and club. LYA often weaves spoken-word passages into her songs, transforming internal monologues into melodic mantras. Vocals—sometimes her own, sometimes spliced and AI-shifted—glide over textured layers of cello, muted synths, and ambient distortion. Think: if Imogen Heap grew up listening to Burial and wrote haikus in code.

LYA’s debut EP “Syntax of Sleep” was a quiet cult success among insomniac circles on Bandcamp, praised for its “introspective maximalism.” Her live sets, often accompanied by generative visuals and interactive lighting that reacts to audience movement, blur the line between concert and hallucination. She isn’t afraid of silence, nor of noise. Both, to her, are forms of rhythm.

LYA doesn’t write songs to explain. She writes them to wonder. “What’s It Made Of?”—her latest single via notfm—isn’t just a title. It’s a dare. A whisper in the hallway between thoughts. A reminder that meaning isn’t always the point.

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Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.

That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.

Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.

Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.

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Elias Carter is an alternative pop singer-songwriter known for his cinematic soundscapes and introspective lyrics. Born in Amsterdam and raised between London and New York, his music blends urban melancholy with dreamy, atmospheric production. Drawing inspiration from late-night cityscapes and fleeting moments of connection, Elias crafts songs that feel both deeply personal and universally relatable.

His breakout single, "Nowhere Else to Be," captures the essence of restless nights and timeless emotions, blending smooth vocals with hypnotic synths and a nostalgic pulse. With a voice that resonates like a late-night confession, Elias Carter is quickly becoming a rising name in the modern alt-pop scene.

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Mark Martian is one of the most elusive figures in the music world, and his mysterious persona has left many fans wondering—could he really be from Mars?

Known for using the alias Martian Mark during his collaborations, this enigmatic producer has somehow managed to evade the spotlight completely. No interviews, no photos, no videos—Mark is practically a ghost. Some say it’s part of his brand, while others speculate wildly. Who knows?

Maybe while Elon Musk dreams of building colonies on Mars, Mark’s already here, quietly making beats after hitching a ride from the Red Planet’s first neighborhood.

Despite the secrecy surrounding him, one thing’s clear: Mark’s music speaks volumes. His deep house tracks pulse with interstellar vibes, his pop productions are out-of-this-world catchy, and his funk grooves are, well, otherworldly.

Whether he’s blending cosmic synths with soulful beats or dropping funk-infused rhythms, his style keeps listeners hooked and guessing. You can hear his work across platforms, but his music truly shines on Filodyo, where you might catch the next great Martian anthem—if he doesn’t beam it up first.

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Hailing straight from the heart of Harlem, the notorious quintet, Brick Lords, has been serving up a potent cocktail of old school rap since their genesis.

An assemblage teeming with character, within this unique ensemble, we find Biggie Bricks (real name, Jamal Thompson), the de-facto leader and lyricist; Lil' Grout (born Angel Martinez), the charismatic hype man; Bricksy Ross (truly known as Desmond Jones), the mysterious trap-lord; Mortar Mike (Mike Johnson in the real world), the laid-back beat master, and Cinder "the Block" Parker (dubbed Clara Parker at birth), the feisty and soulful female vocalist who adds a unique twist to the group's sound.

The Brick Lords was born out of a shared love for rhythm, rhymes, and the raw, gritty atmosphere of their native Harlem streets, baptizing themselves Brick Lords because, well, they were originally just some kids slamming beats and rhymes on brick walls. And just as bricks fit one on top of the other, building something substantial, so too did the Brick Lords build something substantial out of their close-knit group dynamic.

Their music, a delightful blend of old school rap with a hint of modern-day flair, is lauded for its authenticity and palpable energy, resonating with audiences worldwide. Notably, their signature song "What's Going On (Clean)" quickly escalated to become an anthem for their generation, showcasing their genuine artistry while divulging the realities of life in Harlem.

Amidst punchy beats, witty lyricism, and a touch of brick-and-mortar realness, the story of the Brick Lords is as engaging as their music. Resolute in their ambitious deliverance of old school rap, these urban poets have cemented themselves into the solid foundation of Harlem's music scene, and dare we say it, they're brickin' amazing!

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The Syrphids’ journey began in the vibrant streets of Birmingham, where their distinct sound emerged from a collision of personal influences and bold experimentation.

Each member brings a unique flavor to the band's overall dynamic—blending raw, emotive vocals with intricate guitar riffs, rhythmic basslines, and atmospheric synth layers. Their music strikes a balance between the unpredictability of alternative rock and the infectious melodies of indie pop, creating an eclectic sound that is both challenging and accessible.

What sets The Syrphids apart is their ability to navigate complex emotional themes, delivering lyrics that resonate deeply while still maintaining an undeniably catchy, crowd-pleasing vibe.

Their live performances are a spectacle of energy and emotion, where their chemistry as a band shines brightest. The Syrphids have a knack for turning intimate venues into electrifying spaces, with each song building on the momentum of the last.

Their setlists are carefully curated to take listeners on a journey—whether it's through soulful ballads that tug at heartstrings or high-octane anthems that ignite the crowd. This ability to command the stage has earned them a growing fanbase, not just in Birmingham but across the UK, with audiences captivated by their authenticity and musical craftsmanship.

As The Syrphids look toward the future, their ambitions are clear: to continue evolving their sound while staying true to the experimental roots that first brought them together. With several EPs already under their belt and plans for a full-length album on the horizon, the band is poised to break through to even broader audiences.

Their commitment to innovation, coupled with their undeniable talent, ensures that The Syrphids will continue to be a force in the indie music scene, challenging conventions and capturing the hearts of listeners around the world.

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Meet River Mae, a musical maverick straight out of Norway. Originally a law student, she swapped the courtroom for the recording booth after much persuasive coaxing from friends who were evidently one part envious of her vocal chords, and two-parts tired of hearing her legal jargon. Like so many greats before her, River's journey began modestly, singing her heart out in local karaoke bars, where her renditions of beloved pop classics left many patrons wondering if they hadn't perhaps had one too many cocktails...or was that really just a law grad belting out tunes?

River's music career showcases a perfect blend of spontaneity and determination. Her life took an unexpected turn when she surrendered to her friends' pestering and stepped in front of the mic, exchanging her comfort zone for a world filled with rhythms and melodies. In the process, River managed to redefine karaoke nights everywhere, as her enchanting voice left audiences questioning whether they were in a cozy neighborhood bar or an illustrious music arena. Now when she's not sharing her tongue-in-cheek anecdotes about her journey from law books to lyric sheets, she's singing about it in her scintillating tunes.

Most notably, the song "Tied My Hands" brings all these elements together, much like the varying elements of a fine Norwegian herring platter. It conveys the struggles and hesitations of leaping from the predictable world of law to the exhilarating uncertainty of music, interlaced with her unmistakable charm and wit. And let's be real, who else besides River could make a metaphor about legal restraints sound so darn catchy? So here's a toast to River Mae, a law school dropout turned captivating songstress. Turn a blind eye to her lawsuits for now, as you will surely get tied up with her spellbinding music.

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Meet Harper Quinn, the embodiment of a Chinatown fairytale with a beats-filled twist. Born and raised amidst the flurry of noodle houses and dim sum joints in NYC's throbbing heartbeat, Harper is every bit a child of the Big Apple and the city’s ceaseless rhythm pulses through her music.

Harper is the oldest daughter of a Chinese immigrant family, her father a wizard of culinary arts in one of the busiest kitchens in Manhattan. Her music is a distinct fusion of her rich cultural heritage and the neon grit of New York - think Peking duck served with a side of just-spun electro. With catchy tracks like "Summer Romance", she’s setting the dance genre ablaze and, inadvertently, becoming the sovereign of store playlists nationwide, thanks to a serendipitous contract with Filodyo.

Infused with radiating positivity, Harper’s tunes have the power to transform even the dreariest grocery aisles into club-worthy catwalks. Expect a dose of her irreplaceable mirth in every single beat – the Harper Quinn experience is a joyride on a candy-colored dragon, soaring through the summer's neon haze!

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Aris Veyton is an electronic music producer whose sound blends modern club energy with subtle emotional depth. Rooted in electronic and dance-driven structures, his productions balance clean rhythms, textured synth layers and restrained melodic elements.

Rather than chasing trends, Aris focuses on atmosphere and flow. His tracks are designed to work both on the dancefloor and in personal listening environments, creating a sense of continuity rather than sudden impact. Minimal arrangements, controlled dynamics and carefully crafted sound design are central to his approach.

Working primarily in the studio, Aris Veyton treats music as a long-form experience rather than a single moment. His style reflects a contemporary electronic mindset: precise, understated and immersive. Each release is a step in an evolving sonic identity that prioritizes mood, space and consistency.

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With a sound as vibrant and electric as the city skyline, Emberlight sparkles atop the New York music scene like a well-placed disco ball. This dazzling fem duo is crafting dance-centric eargasms in a city that never sleeps, and admirers say the afterbuzz is real.

Maybe it's the infectious charm of Jade and Sapphire, the synth-crafting mavens behind Emberlight - a happy byproduct of insomnia spent pumping out beats and laughing into the eternity of the early dawn. Or perhaps it's the uncanny ability to paint every corner of your brain with catchy hooks and foot-shaking rhythms, the kind that leaves you humming in the bathroom mirror, hours after the party ends.

"The secret?" Jade says, turning a knob on her mixer, before glancing up with twinkling eyes of mischief, "is pizza slices at 3am. New York's finest greased cardboard cuisine. That's where the magic happens." Sapphire rolls her eyes, fiddling with a tangled synth cable, "It's synesthesia," she corrects, "Our music tastes like a pepperoni pizza."

Their standout track "Afterglow" is proof enough - drenched in sunlight, the dance anthem bounces around your heart like a cute kick-ass kangaroo playing jump rope. It glistens and pops with precisely the kind of joy-sparking energy we need in these seriously grey times. Emberlight crafts electronic music that ignites the dancefloor, and keeps the embers burning long after last call. And isn't that a delicious nightcap to sip on?

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