Ian Merrow is an alternative singer-songwriter from the misty shores of Brighton, UK, whose music lives quietly but powerfully—exclusively on Filodyo. Blending melancholic guitar textures with intimate, confessional lyrics, Ian crafts songs that feel like late-night thoughts you were never meant to say out loud. His sound walks the line between indie rock and cinematic pop, echoing the raw sensitivity of artists like Jeff Buckley and the atmospheric pull of early Radiohead.

Rather than chasing the mainstream, Ian chose to remain deliberately off-grid. He records in his small seaside flat, using second-hand gear and a notebook full of scribbled lines. For him, imperfection is part of the truth. His debut track "Runaway Light" introduced listeners to a world of quiet emotional urgency, where love, regret, and longing flicker like headlights in the fog.

Ian’s connection to Filodyo wasn’t just a distribution decision—it was an artistic choice. “It’s the only platform that lets me stay invisible and be heard at the same time,” he says. No social media, no interviews, no labels. Just music. And for those who find him, it's like stumbling upon a secret worth keeping.

With each release, Ian continues to prove that volume isn’t necessary to make an impact. His songs don’t shout — they haunt.

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Say hello to Erica, a gem unearthed from the misty fjords of Bergen, Norway, serenading the world with her dance tunes. This synth-swirling belter could make a sardine shimmy with her infectious energy.

Growing up with classical piano lessons under Norway's perpetual drizzle, Erica found her musical identity sandwiched between her mom's Edith Piaf records and the emotional pull of her dad's synth fascination. While most 16-year-olds are busy amassing Instagram followers, Erica channeled her teenage angst into penning down her first song. It never saw the light of day, but listen closely at her concerts and you might hear her hum those nostalgic notes.

Erica shifted her base to the bustling streets of Berlin at 23, transitioning from a street musician to minimalist stages with a poise that could make Madonna go green. Her biggest hit has to be "DNC", a song that will make your feet tap and heart flutter before you even realize. Ever seen a packed room fall silent? Attend an Erica gig, as her whispers hush the room, except for that one guy always clapping off-beat.

Straddling both cheerful and profound, Erica's music echoes her journey. Dancing through life, one synth-filled melody at a time, she's proving that you can take a Norwegian out of the rain, but you can't take the rhythm out of the girl.

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Straight out of the indie heartland, meet Eliza Turing, the happy-go-lucky troubadour with a knack for knitting melodies that stick to your soul. Turing, unmistakably named in honor of her Silicon Valley roots, is a dose of sunshine in melancholic indie sound, with the main weapon in her musical arsenal being her 'filodyo' in enchanting harmony with her lyrics.

Every indie artist has their quirkiest, and Turing isn’t exempt. Yes, her crafty way of turning our text messages into her songs, it's like she's reading your chatbox through her chords. And yet, she carries an uncanny ability to transcribe these frivolous life ontologies into ballads with resilience and ample generosity – the persona aside her cat-loving nature.

Her standout track "Twilight" is a testament to this, translating the day's end languor into a jovial indie anthem that sets your feet tapping and heart humming. Turing taps into the secret sauce of scoring happiness, infusing a vibrant, peppy melody into her music.

So next time the day weighs heavy, your vibe seeks the indie humming, or perhaps, your feline friend needs a den companion, you know whose Soundcloud account to check out. No autographs, please, Turing only signs on music sheets, with notes, duck!

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Sara Durian is Germany’s undisputed disco queen, electrifying dance floors since the early 2000s with her glitter-drenched beats and futuristic soul. Born in Düsseldorf and raised on a steady diet of Kraftwerk, Donna Summer, and underground Berlin house parties, Sara blends retro grooves with neon-drenched modernity. Her signature sound? A cosmic fusion of French touch, Eurodisco, and synth-heavy pop—unmistakably hers, instantly addictive.

From smoky Berlin clubs to Tokyo fashion runways, Sara has turned every stage into a mirrorball-lit sanctuary. Her voice—sultry, robotic, divine—has been sampled by countless DJs but never duplicated. Whether she’s spinning vinyl or headlining queer festivals across Europe, Sara owns the night like a shimmering phantom of funk.

Still active and more radiant than ever, her legacy is not nostalgia—it’s now. With platinum blond curls and chrome stilettos, she struts through time with a wink and a bass drop.

Her mantra? “All drama, all disco.”

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“If it doesn’t ask questions, it’s not music.”

LYA (pronounced “Lie-uh”) is a genre-defying artist from Berlin whose roots stretch from conservatory string quartets to the depths of fog-drenched warehouse raves. A classically trained violinist who once performed Vivaldi at age nine, she left formal music behind in her early 20s to pursue something more fractured, more real. What emerged was a sound as delicate as it is defiant—where harpsichords coexist with 2-step beats, and questions matter more than answers.

Her music exists in a liminal zone: somewhere between dance and disassociation, pop and poetry, cathedral and club. LYA often weaves spoken-word passages into her songs, transforming internal monologues into melodic mantras. Vocals—sometimes her own, sometimes spliced and AI-shifted—glide over textured layers of cello, muted synths, and ambient distortion. Think: if Imogen Heap grew up listening to Burial and wrote haikus in code.

LYA’s debut EP “Syntax of Sleep” was a quiet cult success among insomniac circles on Bandcamp, praised for its “introspective maximalism.” Her live sets, often accompanied by generative visuals and interactive lighting that reacts to audience movement, blur the line between concert and hallucination. She isn’t afraid of silence, nor of noise. Both, to her, are forms of rhythm.

LYA doesn’t write songs to explain. She writes them to wonder. “What’s It Made Of?”—her latest single via notfm—isn’t just a title. It’s a dare. A whisper in the hallway between thoughts. A reminder that meaning isn’t always the point.

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Mark Martian is one of the most elusive figures in the music world, and his mysterious persona has left many fans wondering—could he really be from Mars?

Known for using the alias Martian Mark during his collaborations, this enigmatic producer has somehow managed to evade the spotlight completely. No interviews, no photos, no videos—Mark is practically a ghost. Some say it’s part of his brand, while others speculate wildly. Who knows?

Maybe while Elon Musk dreams of building colonies on Mars, Mark’s already here, quietly making beats after hitching a ride from the Red Planet’s first neighborhood.

Despite the secrecy surrounding him, one thing’s clear: Mark’s music speaks volumes. His deep house tracks pulse with interstellar vibes, his pop productions are out-of-this-world catchy, and his funk grooves are, well, otherworldly.

Whether he’s blending cosmic synths with soulful beats or dropping funk-infused rhythms, his style keeps listeners hooked and guessing. You can hear his work across platforms, but his music truly shines on Filodyo, where you might catch the next great Martian anthem—if he doesn’t beam it up first.

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Where Parisian glamour meets electro-pop dance diva, you'll find the enchanting artist, Manon Vallois. Traipsing down a yellow brick road of pulsing beats and bold impressions, Vallois' irresistible tunes are the epitome of joy and joie de vivre.

This delightful, quirky Parisienne is the lovechild of the City of Love's rich artistry and throbbing nightlife, a lass always found a hop, skip, and pirouette away from the nearest beat drop. With her signature track, "My Dreaming Life", Vallois provides the escapism we all need from time to time. She takes listeners on a whimsical journey, backed by high-energy rhythms and melodies that would make even the Eiffel Tower shake its steel self, setting hearts aflutter quicker than you can say "Croissant".

Vallois' music is the couture of the dance genre—handcrafted, energetic, and unafraid to be avant-garde. Each beat an homage to Paris, the pulsing rhythm of her home injected into pulsating electro melodies. Yet, no matter how vivacious her bass line or infectious her hook, it's the inherent optimism in her music, the joy she infuses in every track that transforms listeners into undeniably happy dancers—a task only possible by someone as enchanting as Manon Vallois.

Afterall, Vallois is not just a sonic maven, she's essentially happiness personified. The dictionary people are just slackin' by not placing her picture beside the word 'happy' by now. So, if you're feeling downhearted, just press play on a Manon Vallois track and dance like a Parisian; it's the quickest route from gloom to groove central.

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Born from the concrete veins of New York City’s underground, The 5th Exit is not just a band — it's a warning siren echoing through the alleys of Brooklyn. Blending the unapologetic grit of East Coast punk with the swagger of early-2000s hip-hop, their music punches through the noise like a subway train in a blackout.

The band was formed in late 2023 in a condemned warehouse turned DIY venue in Bushwick, after a street brawl-turned-jam-session between strangers. The result? Five misfits who had no plan — just noise, energy, and something to scream.

Members:
🎤 Jayno Blakk (Lead Vocals / Chaos Designer)
A former graffiti artist with a voice like broken glass in a hurricane. Born in Flatbush, Jayno spits lyrics like they’re Molotovs, laced with rage and raw truth. Known for performing barefoot and bleeding by the end of every show.

🎸 Noelle "Nox" Vega (Lead Guitar / FX Wizard)
Puerto Rican shredder with a physics degree and a pedalboard built from junkyard parts. She speaks three languages — four if you count distortion. Her solos? They don’t melt faces; they dissolve them.

🥁 Koda Rinz (Drums / Street Philosopher)
Half-poet, half-brawler. Raised by subway dancers and vinyl collectors, Koda’s beats sound like trash cans getting kicked down tenement stairwells — in perfect time. Always drumming, even in his sleep.

🎹 Echo Rowe (Synths / Scream Textures / Visuals)
The silent one. Echo doesn’t talk much, but his synth work sounds like a riot at 3AM. Also responsible for their chaotic visuals and the recurring raven motif in their shows. Rumor has it he lives in an abandoned radio tower in Queens.

🎸 Twitchy Lex (Bass / Vibe Damage Control)
Lex is the glue, or maybe the duct tape. Raised on R&B but corrupted by noise rock, he brings the groove — the dangerous kind that gets under your skin and sets off car alarms.

Their Breakout Track: "Get Out My Way"
A sonic punch to the throat, "Get Out My Way" is a war cry against complacency, gentrification, and anyone walking slow on a New York sidewalk. With a chorus that hits like a riot chant and verses that spit pure venom, it’s already being banned from small-town radio — which only makes it louder.

The 5th Exit isn’t asking for your attention. They’re taking it.
You can either move... or get run over.

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Meet Camille Duret, the French femme fatale of the pop scene, who manifests the charm of Parisian streets and the sunlit magic of the French Rivier into her songs. She's not just another 'joie de vivre' gal, folks, her tunes will make you feel like dancing on the cobblestones with a warm croissant in hand!

Camille was made in France, quite literally, and her music is neither too rich, nor too thin, rather, much like the perfect crème brûlée. Her infectious pop anthems, dripping with sweet melodic lines, makes you question if sugar may run in her veins. She makes you believe that you're sip-sip-sipping champagne on the Seine, no matter where you are.

Surely, you've bopped your head, maybe even twirled a bit, to her banger “Never Too Late”. A cocktail of happy heartbeats, tasty hooks and irresistible refrains, laced with a sing-along chorus, it's classic Camille at her best. This melodious masterpiece is like a delightful dance with a macaron - sweet, colourful and leaves you wanting more.

So, let's raise our glasses to Camille Duret, the Parisian pop princess who consistently proves that pop can be served well done, medium rare or, occasionally, à la mode. Trust us, once you've had a bite of Camille’s music flambé, there's no going back – Bon Appétit!

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Romi Sage doesn't chase the spotlight — he teases it. With a smirk behind every lyric and a groove under every syllable, Romi walks the fine line between smooth and subversive. Born in Lisbon and raised between record shops and rooftop parties, he grew up idolizing the effortless cool of Prince, the rhythmic swagger of George Michael, and the punchy charm of early 2000s pop.

His voice slides — not in haste, but in style. It dances over slap basslines and syncopated guitar licks like it’s dodging commitment. Romi doesn’t just sing about love; he dissects it with irony, flirts with it, then leaves it on read. His stage presence is magnetic — not because he demands attention, but because he never asks for it.

Beneath the glam and glitter, though, there’s always a crack. That’s where Romi shines the most — in the clever melancholy, the playful ache, the smile that knows better. His performances are less about perfection, more about pulse.

Plastic Skies & Paper Towns isn’t a love song. It’s a stylish spiral — romantic delusion in disco heels. It's funk with a wink. And with Romi Sage at the mic, it’s impossible to ignore.

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Dora Corr is an EDM vocalist and songwriter born and raised in Dublin, Ireland. Before her debut single, she worked at a small, weathered music shop tucked away in Rathmines — a place where synths came in half-broken and left humming again, usually thanks to her.

By day, she tuned old keyboards and restocked trance CDs. By night, she recorded vocal sketches on her cracked laptop, blending soft-spoken Irish melancholy with pulsing beats she never planned to share.

That changed in early 2025, when renowned electronic producer Mark Martian visited Dublin for a creative summit. While killing time between panels, he wandered into Dora’s shop — and found her quietly looping vocal takes in the back room.

Struck by the raw emotion and unusual cadence of her sound, Mark simply asked, “Have you ever thought about making something bigger?” She shrugged. “Not really. But I’d like to.” Energized, Mark immediately called Hakan E., the creative force behind Filodyo.

“I just found someone. We need to get into a studio, fast,” he said. Intrigued, Hakan asked to hear her demos. Mark sent over a few scratch recordings that same night.

Within days, Dora was in a temporary studio above the River Liffey, recording "Paper Moon" — a haunting, minimalist debut that floats somewhere between whispered confession and late-night dance floor, co-produced by Mark Martian for a new Filodyo project.

Dora Corr isn’t chasing pop formulas or peak-hour builds. She’s carving a lane where fragility can still make you move — and where “na na na na” says more than a chorus ever could.

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Get your dancing shoes on and your party hats ready–here comes Party Starters, Canada's dynamite DJ duo primed to kick-start your weekend. Sending electronic pulses through the Maple Leaf country's veins, these two lads have nailed the happy-go-round ride of the dance genre.

The duo, known for their contagious beats, hail from the frosty yet fiery streets of Toronto. Putting the 'art' in 'party', they're no strangers to the late-night club scene, often seen spinning grooves till the break of dawn like caffeine-fuelled squirrels on a workout wheel. And while these gents are the core of the group, they also collaborate with several vocalists, adding that sprinkle of pizzazz on top. One such partnership gifted the world with their touted masterstroke, "Last Chance"—a euphoric anthem that would make even the gloomiest Gus tap his foot.

With "Last Chance," and its soul-stirring female vocals, Party Starters remind us that every party, every moment is a 'last chance' to let loose and celebrate life. And they aren't about to let us forget it. Their music is a shot of happiness delivered straight to your eager eardrums, wrapped in a rhythm too intoxicating to resist. So, next time you're looking for a good time, remember, Party Starters is always ready to hit 'play' on your fun.

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Lina Mour is a French-born vocalist and songwriter blending high-octane Eurodance energy with the emotional weight of soulful pop. Growing up in the suburbs of Lyon, Lina was raised on a steady mix of gospel vocals, ‘90s dance anthems, and gritty French rap. This eclectic influence shaped her bold sonic identity — where throbbing 4/4 beats meet orchestral stabs, and where raw emotion finds its home on the dancefloor.

Her latest single, “Gravity Override,” is a high-energy anthem that collides hip house rap verses with a soaring, mantra-like chorus. It’s a throwback to the golden age of Eurodance, but with modern production and an unapologetic attitude. With pounding kicks, aggressive synths, and trance-tinged melodic layers, the track is built for sweaty club nights, neon-lit workouts, and every moment when reality feels too heavy to carry.

Lina describes the track as “not just about defying gravity — but defying expectation.” Behind the infectious hook lies a personal story of reclaiming freedom, breaking out of everyday repetition, and choosing joy over inertia. In her words: “It’s about walking down the street with a storm in your chest but a beat in your step.”

Beyond music, Lina is quickly becoming a visual icon in her own right. Her streetwear aesthetic, nostalgic references, and empowering live shows are drawing comparisons to the likes of Technotronic and Crystal Waters — yet Lina’s vision is firmly rooted in the present. She isn’t here to recreate the past. She’s here to override it.

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Elyra Dawn was born in Rotterdam, raised between ferry horns and late-night radio static. Music wasn’t a choice — it was everywhere. Her mother sang quietly while folding laundry, her older brother blasted trance through paper-thin walls, and Elyra? She listened. Carefully. Absorbing melodies like secondhand sunlight.

She spent her teenage years bouncing between school choirs, bedroom recordings, and weekend trips to Amsterdam’s record stores. The moment she first heard Robyn’s Dancing On My Own on a train platform at dusk, something clicked. It wasn’t just about sadness or joy — it was how you could wear both in the same voice. That duality, the push and pull between euphoria and vulnerability, would become Elyra’s signature.

After performing in local clubs and uploading small demos online, she received an unexpected email from Filodyo’s Hakan E — a message that simply said: “You sound like you’ve lived a little. Let’s talk.” What followed was a slow, careful collaboration: late-night file exchanges, voice memos from backstage, moments captured between flights. Elyra didn’t rush it. She never does.

Today, her voice balances two worlds — the sweaty rush of the dancefloor and the quiet ache of a Sunday morning alone. Her hooks stick, her delivery stings, and her presence on stage feels at once intimate and cinematic. Elyra Dawn isn’t here to be loud. She’s here to be heard.

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Meet Marco Bellini, the gleaming lone star of the independent dance scene, making you forget any sorrow with his upbeat tunes. Born and raised under the swaying palm trees of Naples, Italy, Bellini crafts sonic euphoria like no other.

Our man Bellini did not find his love in the stomping grounds of Naples’ electrifying night scene. Instead, the sun-soaked streets, vibrant markets, and the rhythmic cadence of the Mediterranean waves stirred something deep. This culminated in his irresistible brainchild—"The Land of No Tomorrow"—a track so hopelessly optimistic that it made the Billboard's 'Sad Songs' list for the sheer irony.

Marco, with his deft touch, keeps it simple—'Simple is the new sexy,' he once quipped, half-twirling his pencil-thin moustache. He convinces you there's always a dance party waiting around the corner, even in a world that often sounds like a broken record. His tunes are a sonic Piña Colada—sweet, refreshing, and leaving you high on life. As Marco himself proclaims, "a tempo that resonates with the heartbeat of joy, that's my journey's end."

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There’s a certain stillness in Celeste Raye’s voice — the kind that turns crowded rooms quiet and late-night drives cinematic. Born and raised in South London, she grew up mimicking the elegance of old soul singers and the cool detachment of ‘90s club divas. On stage, Celeste doesn’t reach for the spotlight — it finds her.

Her latest release, Velvet Switch, is a slow-burning club anthem soaked in longing. Produced by NOT FM and available exclusively on Filodyo, the track pulses with quiet intensity — as if it’s remembering something you forgot you missed. Celeste’s voice doesn’t cry out. It hovers, suspended above the beat, tracing the shape of absence with each note.

People don’t come to her sets just to dance. They come to feel understood — in dim lights, with their eyes closed, mouthing words they’ve never said out loud. Velvet Switch captures that moment between stillness and surrender, when the music takes over and you stop pretending you’re fine.

Celeste Raye isn’t trying to be timeless. She already is — not because she sounds like someone else, but because she sounds like a feeling you’ve had before, but never named.

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Scoot over, Marley, there’s a new reggae sheriff in town. Straight from the sunny sidewalks of Kingston, Jamaica, the Dreadlock Boys are laying down fresh beats in the reggae scene.

This pair of plaited prodigies isn't your grandma's reggae. Combining traditional roots rhythms with just a hint of ska spice and a not-so-subtle sprinkle of dancehall energy, these boys aren't just playing by the book – they’re writing their own. And don't let that laid-back island vibe fool you; these guys are as serious about making you laugh as they are about perfecting the offbeat.

Their standout single "Riddim of Peace" might just be the happiest jam this side of Montego Bay. With its earworm melody and bouncy bassline, it’s as infectious as a belly laugh in a silent library. It's the kind of track that leaves the grumpiest of gurners grinning like a Cheshire cat at an all-you-can-eat fish buffet.

So come, sit, and sway to the soothing sounds of the Dreadlock Boys. They'll be your pint-sized purveyors of peace, your lyrical lifesavers when the going gets tough. After all, joy does come in the morning and the Dreadlock Boys are here to serve it up with a side of reggae, none of those nasty grimaces, thank you very much.

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Ayvenn was born and raised in Clearwater Heights, a quiet hillside town in Georgia where music wasn’t just background noise — it was how people coped, celebrated, and remembered. From Sunday gospel choirs to late-night Latin radio, the sounds around him shaped a boy who rarely spoke, but always listened. In silence, he learned to interpret the world. And when he began writing lyrics, it wasn’t about performance — it was about decoding feelings he couldn’t name.

Fusing Pop and R&B with understated Latin textures, Ayvenn crafts music that feels more like film than formula. His voice is warm, restrained, and precise — a narrator of emotional undercurrents rather than explosions. Each track unfolds slowly, deliberately, like memories coming into focus. There’s clarity in his subtlety, weight in his pauses.

His breakout song, “All for One Y.” was born from an unexpected connection. Hakan E — the mind behind Filodyo, known for his instinct in spotting rare talent — reached out after hearing early demos from Ayvenn. He sent a short message and a concept: “This isn’t a love song. It’s a math problem.” That idea resonated deeply. To Ayvenn, the X’s weren’t just variables — they were past mistakes, unanswered questions, the people he couldn’t quite hold onto. And the “Y”? The reason he kept trying.

Ayvenn recorded the song in a single late-night session, layering vocals with surgical attention, pulling tension from silence, and shaping each detail until it echoed with something intimate and real. To Solve for Y isn’t just a debut — it’s an internal dialogue turned outward, crafted for anyone who’s ever tried to explain a feeling they didn’t fully understand.

Now, Ayvenn is building a sound that’s emotionally meticulous, sonically immersive, and unmistakably his own. Every track is a quiet revelation. Every heartbreak, every wrong turn — part of the formula. And somewhere, at the end of it, is the answer. Always her.

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Born and raised in Ventura, California, Jett Ralston grew up in a garage that smelled like motor oil, vinyl records, and his father’s hair pomade. While other kids watched cartoons, Jett memorized the Grease soundtrack and tried to mirror Elvis's hip sway in the hallway mirror. His voice—low, smoky, and just a little rough around the edges—carries the DNA of that golden age, but never feels stuck in it.

Jett’s debut single “Through Me” (feat. Dolores Queen) is a cinematic slow-burn: part lost love, part lounge confession. Produced exclusively for Filodyo, the track fuses analog charm with subtle modern edges, pairing his velvet baritone with Dolores Queen’s haunting harmonies. He doesn’t try to be Elvis — but he sings like someone who misses that kind of honesty on stage.

With a sound caught somewhere between a flickering jukebox and a midnight highway, Jett Ralston is not here for nostalgia — he's here to make old souls feel seen again.

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Cold Empires is a high-energy trio from London whose music fuses hip-hop bravado with EDM’s explosive power. The group is made up of rapper Jamal Rivers, lyricist/MC Ethan Cole, and powerhouse vocalist Sienna Brooks. Together, they bring an unstoppable mix of raw verses, soaring hooks, and chant-driven crowd anthems designed for the biggest stages.

Jamal grew up in Brixton, raised on a steady diet of UK grime and American hip-hop, perfecting his rapid-fire delivery in underground battles. Ethan, born in Manchester, came from a background in electronic production, cutting his teeth as a DJ before stepping forward as both a writer and performer. Sienna, the daughter of a jazz pianist from Brighton, grew up singing gospel and soul before embracing the adrenaline of modern pop performance.

The trio met during a festival workshop in Ibiza, instantly recognizing their shared obsession with blending rap, electronic drops, and big-room hooks. Their debut single, Turn It Over, is the result: a bold, festival-ready anthem built for dance floors, packed with call-and-response energy, pounding kicks, and chant-style hooks that keep the crowd locked in.

Available exclusively on Filodyo and NOT FM, Cold Empires are carving out their own lane—one that thrives on intensity, collaboration, and the unstoppable spirit of the party.

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Rosa Medina was born in 2001 in Porto, Portugal, to a family that carried both Iberian and Brazilian heritage. Her father, a fisherman from Aveiro, filled the house with fado records, while her Brazilian mother played MPB classics and samba on lazy Sunday mornings. Rosa grew up between two shores of the Portuguese-speaking world — absorbing the saudade of Amália Rodrigues and the sunny, syncopated joy of Gal Costa in equal measure.

At fourteen, she began performing small sets in riverside cafés, her voice effortlessly gliding between soft whispers and soaring notes. The intimacy of fado was her foundation, but Rosa was restless — she wanted her songs to dance. By blending Portuguese folk melodies with bossa nova chords, urban beats, and lush pop arrangements, she began to shape a style that felt both nostalgic and forward-looking.

In 2025, Rosa released her debut single "Fica no Quase" in collaboration with Filodyo, the independent music producer known for shaping fresh, original sounds for global audiences. The track — a bittersweet, mid-tempo anthem about love suspended in uncertainty — gained instant traction on streaming platforms. Its hypnotic chorus, sung entirely in Portuguese, became a signature moment in her live performances.

Today, Rosa Medina is part of a new generation redefining Lusophone pop, performing sold-out shows from Lisbon to São Paulo. Despite her growing fame, she keeps her songwriting process deeply personal — scribbling lyrics on napkins in Lisbon cafés, recording demos on her phone while walking along the Douro River. For Rosa, every performance is a bridge connecting continents, carrying the language and emotion of Portuguese music to the world stage.

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Zaharela B is a vibrant Latin artist whose music radiates the energy of the dancefloor and the streets alike. Born in San Juan, Puerto Rico, and raised between the Caribbean and Miami, she blends the infectious grooves of reggaeton with the warmth of Latin pop and the bold flair of carnival rhythms. Her sound is a celebration of movement, culture, and joy—rooted in tradition yet unapologetically modern.

Her debut single, Corazón en la Calle, bursts with a reggaeton/dembow pulse, playful sound effects, and call-and-response hooks that pull listeners straight into the party. Switching effortlessly between Spanish and English, Zaharela B brings an unmistakable charisma to every lyric, making her performances feel like a shared celebration.

Available exclusively on Filodyo, Zaharela B’s music is more than just a soundtrack for dancing—it’s an invitation to let go, live in the moment, and move with the beat. With her magnetic presence and unstoppable energy, she’s poised to become a defining voice in the next wave of Latin dance music.

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DAXE is a French producer and DJ whose sound channels the raw spirit of the mid-90s underground Parisian club scene. Known for his gritty, lo-fi French house productions, he builds hypnotic tracks around distorted synth-bass loops, saturated textures, and minimal yet powerful drum machine grooves.

Emerging from late-night warehouse parties in Paris, DAXE earned a reputation for his uncompromising sets that fuse analog warmth with a rebellious edge. His music feels both dirty and infectious — a soundtrack built for smoke-filled rooms, flashing strobe lights, and crowds that never stop moving.

As a producer, DAXE stays loyal to hardware samplers, vinyl, and classic drum machines, crafting tracks that echo the golden era of French house while pushing it forward with his own raw signature. As a DJ, he thrives on the connection between loop-driven grooves and the dancefloor, keeping energy high and tension tight.

His latest track, “System Online”, embodies this ethos: hypnotic, streetwise, and uncompromising — a pure dancefloor anthem. Released exclusively on Filodyo and NOT FM, it cements DAXE as a name carrying the underground French house tradition into a new era.

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Mateo Lux is a rising voice in contemporary electronic pop, blending sleek production with raw emotional intensity. Born with a natural flair for performance, he crafts music that balances dancefloor energy with lyrical depth. His debut single, Control, showcases a magnetic mix of pulsing rhythms and hypnotic melodies, setting the tone for a bold artistic journey ahead.

Discovered by Hakan E. for Filodyo, Mateo brings an unapologetic confidence to every note he sings. His style captures both vulnerability and power, creating an atmosphere that draws listeners into his world. With Control, he isn’t just introducing himself—he’s making a statement, marking the arrival of a distinctive new talent destined to leave a lasting imprint on modern music.

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Born in 1996 in Antwerp, Belgium, Dennise began her creative career not as a singer, but as a voice-over artist. With a warm, expressive tone and remarkable control, she became a sought-after voice in commercials, audiobooks, and animated films across Europe. For years, her voice was instantly recognizable, even if her face stayed out of the spotlight.

Music had always been quietly present in her life. Between recording sessions, she would write melodies and lyrics, experimenting with harmonies and vocal textures in her small home studio. Her path into music took a decisive turn when Filodyo producer Hakan E. heard one of her demos and invited her to record an original track.

Since that moment, Dennise has worked exclusively with Filodyo, creating songs that combine her precise vocal technique with a modern pop sensibility shaped by European dance rhythms. Guided by Hakan E.’s production, her tracks carry both the polish of a seasoned professional and the intimacy of a storyteller.

Outside the studio, Dennise is an avid cyclist and urban wanderer, often finding lyrical inspiration on her rides through city streets and coastal paths. For her, music is simply another way to tell a story — but now, her voice takes center stage.

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Yuna Lee is a rising K-Pop solo artist whose magnetic voice and vibrant style are capturing hearts across the globe. Born and raised in Seoul, she grew up surrounded by music, blending traditional Korean influences with the modern pop and R&B sounds she discovered online. Her artistry reflects both her cultural roots and her forward-looking vision, creating songs that are as emotionally resonant as they are irresistibly catchy.

Her debut single, Golden Run, is a high-energy anthem that fuses shimmering synths, punchy beats, and uplifting melodies. The track captures Yuna’s fearless spirit—celebrating ambition, self-belief, and the unstoppable momentum of chasing one’s goals.

Available exclusively on Filodyo, Golden Run introduces Yuna Lee as a fresh and dynamic voice in the K-Pop scene. With her powerful performances and captivating stage presence, she is set to become one of the most exciting new names to watch.

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Amara Vale is a European pop and R&B vocalist whose sultry tone and fearless style have made her one of the most exciting new voices on the scene. Born in Lisbon, Portugal, to a Portuguese father and a French mother, she grew up surrounded by a rich mix of cultural influences. From French chanson to soulful 90s R&B, the music playing in her family home shaped her distinctive sound and artistic vision.

After moving to Barcelona at the age of 12, Amara began performing in small cafés and local festivals, quickly building a reputation for her captivating stage presence. Her ability to blend emotional storytelling with infectious, modern production caught the attention of international producers and audiences alike.

Now based in Berlin, Amara Vale is ready to share her artistry with the world. Her music is available exclusively on Filodyo and NOT FM, offering listeners a unique blend of atmospheric pop, seductive R&B, and club-ready energy. With each release, she continues to prove that her voice, her style, and her story are unlike anything else in the European music landscape.

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Miles Rennick is an electro-pop singer and songwriter whose music blends playful irony with slick, club-ready production. With a cheeky, half-sung and half-spoken vocal style, he brings a unique personality to the modern indie-pop scene.

His debut track “Cooler Than My Tears” captures this spirit perfectly — a quirky yet infectious anthem built on groovy basslines, crisp synth riffs, and a sarcastic lyrical edge. Both tongue-in-cheek and danceable, the track reflects Rennick’s ability to turn irony into a hook.

Dedicated to staying independent and unconventional, Miles Rennick has chosen to release his music exclusively through Filodyo and NOT FM, highlighting his close collaboration with platforms that value originality and artistic freedom.

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Minerva Sound is a five-piece from Bristol, UK, blending glossy disco-pop, neo-soul harmonies, and tight live grooves. The lineup: Malik Rhodes (lead vocal), Tyrone Ellis (vocal/MC), Owen Calder (guitar/bass), Emily Price (vocal/keys), and producer Felix Dunn (drum machines, synths, arrangements). Born out of late-night jam sessions and warehouse sets, they forged a sound that marries hook-heavy choruses with rhythmic precision and rich vocal stacks.

Their debut single, “Flip That City,” captures the group’s signature pulse: rubbery bass, syncopated organ stabs, hand-clap drive, and call-and-response vocals that snap into a euphoric refrain. Lyrically, it zooms in on urban momentum—small choices, quick turns, and the thrill of switching lanes—delivered with swagger and a live-band spark.

Available exclusively on Filodyo, Minerva Sound is poised to turn venues into dance floors across the UK and beyond—one chorus, one groove, one flipped skyline at a time.

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Born in 1989 in Dayton, Ohio, James Rolly’s life was anything but straightforward. Growing up in a working-class neighborhood, he found himself drawn to music at an early age, learning his first guitar chords from an older cousin who played in local bars. But his teenage years spiraled into turbulence — run-ins with the law, school expulsions, and a revolving door of juvenile detention centers and rehabilitation programs marked his adolescence.

It was during a six-month stay at a rehab facility in Cleveland that James began writing his own songs, using music as a way to process his frustration and loneliness. The stark, confessional style of those early lyrics became the foundation of his artistic voice. He often says the rehab’s battered common-room piano was “the first place I ever told the truth.”

By his mid-20s, James was performing in small clubs across the Midwest, blending gritty Americana storytelling with modern soul and rock influences. His husky voice, commanding presence, and refusal to glamorize his troubled past earned him a loyal following. The shaved head, beard, and head tattoos became part of his unflinching image — a visual reminder of where he’s been and how far he’s come.

Today, James Rolly’s music reflects both the scars and the survival. From intimate acoustic sets to explosive full-band performances, he channels every ounce of his history into a sound that’s raw, magnetic, and unapologetically real.

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Sofia Cruzado is a captivating Latin pop artist whose powerful voice and magnetic stage presence draw listeners in from the very first note. With a style reminiscent of modern Latin icons, she blends infectious rhythms with heartfelt storytelling, creating songs that ignite both emotion and movement.

Her debut single, Feel The Fire, captures her fiery spirit and undeniable charisma. Available exclusively on Filodyo and NOT FM, the track marks the beginning of a promising career that’s set to light up the Latin music scene. Sofia Cruzado doesn’t just perform—she commands attention, leaving an unforgettable impression on everyone who hears her.

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Born in 1992 in Austin, Texas, Ted Craft grew up surrounded by a melting pot of musical influences — from the blues and country his father played on vinyl to the funk and disco his mother kept on repeat in the kitchen. By the age of 10, he was playing guitar and piano, and by 14 he was already performing at local open-mic nights. His natural stage charisma and ear for infectious melodies quickly set him apart from his peers.

After high school, Ted earned a scholarship to the prestigious Berklee College of Music in Boston, where he majored in Contemporary Writing and Production. During his time there, he immersed himself in pop and funk theory, honing his skills in arrangement, songwriting, and live performance. Berklee also gave him the opportunity to collaborate with musicians from all over the world, helping shape the eclectic yet polished sound he’s known for today.

Post-graduation, Ted moved to Los Angeles and began crafting his signature blend of sleek pop hooks, groovy basslines, and bright funk guitar riffs. His debut EP quickly caught the attention of both critics and streaming audiences, with its feel-good energy and polished musicianship.

On stage, Ted Craft is a showman through and through — dynamic, playful, and completely in command of his audience. Whether fronting a full band or delivering an intimate acoustic set, he brings the same infectious energy and precision that has made him one of the most exciting new names in the pop-funk scene.

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Camila Reyes was born in Seville, Spain, in 1992, and has spent most of her life surrounded by the vibrant rhythms and colors of Andalusia. By profession, she is a skilled ceramic artist, known for her intricate hand-painted tiles inspired by Moorish patterns and flamenco motifs. Her work has been exhibited in boutique galleries across Spain, yet music has always been her truest form of self-expression.

Raised in a family where boleros and rancheras echoed through the kitchen, Camila began singing at small local gatherings, blending traditional Latin folk with her own soulful touch. Over the years, her voice became a bridge between the streets of Seville and the broader Latin diaspora, carrying both joy and melancholy in every note.

Today, Camila records all of her music exclusively for Filodyo, preserving an intimate connection with her listeners. Her latest release, Ya No Me Duele, is a testament to resilience and emotional rebirth, capturing the strength of moving on without bitterness.

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Ryder James is a rising pop-soul artist whose warm vocals and timeless style bridge the gap between classic soul storytelling and modern pop production. With a voice that carries both grit and grace, he creates songs that feel instantly familiar yet refreshingly new.

His debut single, Static on the Line, is a captivating blend of heartfelt lyricism and smooth, groove-driven instrumentation. Produced by Filodyo and released exclusively on NOT FM, the track showcases Ryder’s ability to turn everyday moments into powerful musical narratives.

Raised on a steady diet of soul legends and contemporary pop innovators, Ryder brings authenticity and emotional depth to every performance. Static on the Line is more than just a song—it’s an introduction to an artist who is here to connect, move, and inspire listeners worldwide.

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Formed in the late 2010s, Wires and Petals is a producer duo that blends intricate electronic sound design with emotional songwriting. Hailing from Lyon, France, the two longtime friends—Julien Moreau and Armand Lefèvre—first bonded over a shared obsession with underground house records and modular synthesizers.

Their name, Wires and Petals, reflects the duality in their music: wires for the technical, machine-driven side of production, and petals for the organic, poetic sensitivity they bring into their melodies and lyrics. The result is progressive house that feels both intimate and expansive—ideal for quiet headphone journeys or sunrise festival moments.

Known for their reflective male vocals processed into lush vocal chops, their tracks slowly evolve through layered arpeggios, textured pads, and deep, hypnotic grooves. They’ve been described as “emotional architects of the dancefloor,” carefully crafting transitions that build tension and release with elegance.

Beyond the studio, Julien and Armand are known for their warm personalities and playful approach to collaboration. Whether they’re joking around in the studio or testing new tracks in front of small club crowds, Wires and Petals carry an authenticity that sets them apart from many of their contemporaries. With each release, they aim to push the boundaries of progressive house while staying true to their philosophy: music that moves both the body and the heart.

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The Absents are a four-piece synth-pop and modern disco-pop band hailing from Brighton, on the south coast of the United Kingdom. The lineup consists of Elliot Kane (vocals), Ryan Whitford (keyboards & production), Callum Price (bass guitar & synth bass), and Jamie Harlow (guitar & backing vocals). The four met in 2018 at a local music festival, where a late-night jam session revealed a shared passion for blending the melodic elegance of 80s synth-pop with the energy and polish of modern pop production.

Deeply influenced by the infectious hooks and emotive energy of Erasure, The Absents quickly began writing together, crafting songs that pair bright synth textures with tight bass grooves and subtle funk undertones. Their early rehearsals took place in a modest studio near Brighton’s seafront, a space that soon became their creative sanctuary and the birthplace of their signature sound.

In 2019, the band released their debut single, which found its way onto local radio playlists and began circulating through London’s club scene. Known for their vivid light shows, charismatic stage presence, and danceable, high-energy sets, The Absents built a reputation as one of the most exciting new acts in the UK’s pop landscape.

Today, The Absents continue to bridge nostalgia and modernity, reaching audiences far beyond the British Isles. Elliot’s commanding yet soulful vocals, Ryan’s shimmering synth arrangements, Callum’s deep, driving grooves, and Jamie’s melodic guitar lines come together to create a live experience that is as unforgettable as it is electrifying.

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The Absents are a four-piece synth-pop and modern disco-pop band hailing from Brighton, on the south coast of the United Kingdom. The lineup consists of Elliot Kane (vocals), Ryan Whitford (keyboards & production), Callum Price (bass guitar & synth bass), and Jamie Harlow (guitar & backing vocals). The four met in 2018 at a local music festival, where a late-night jam session revealed a shared passion for blending the melodic elegance of 80s synth-pop with the energy and polish of modern pop production.

Deeply influenced by the infectious hooks and emotive energy of Erasure, The Absents quickly began writing together, crafting songs that pair bright synth textures with tight bass grooves and subtle funk undertones. Their early rehearsals took place in a modest studio near Brighton’s seafront, a space that soon became their creative sanctuary and the birthplace of their signature sound.

In 2019, the band released their debut single, which found its way onto local radio playlists and began circulating through London’s club scene. Known for their vivid light shows, charismatic stage presence, and danceable, high-energy sets, The Absents built a reputation as one of the most exciting new acts in the UK’s pop landscape.

Today, The Absents continue to bridge nostalgia and modernity, reaching audiences far beyond the British Isles. Elliot’s commanding yet soulful vocals, Ryan’s shimmering synth arrangements, Callum’s deep, driving grooves, and Jamie’s melodic guitar lines come together to create a live experience that is as unforgettable as it is electrifying.

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Apollo Frequency is a dynamic UK-based vocal trio bringing infectious grooves and bold stage energy to the modern disco-pop scene. The group consists of vocalists Marcus King and Devon Cole—both London-born with roots in gospel, soul, and street performance—and Brighton native Chloe Hart, whose bright, powerful voice adds a radiant pop edge to the group’s sound.

Formed in Manchester, Apollo Frequency quickly built a reputation for their electrifying live shows, blending tight harmonies with high-energy beats reminiscent of classic funk and disco, yet reimagined for today’s dancefloors. Their music celebrates unity, rhythm, and the thrill of collective movement, turning every performance into a celebration.

Their debut single, After the Signal, is available exclusively on Filodyo, showcasing the trio’s signature mix of soulful hooks, driving basslines, and euphoric choruses. With undeniable chemistry both on and off stage, Apollo Frequency is poised to become one of the UK’s most exciting live acts—proving that when the signal hits, the dancefloor answers.

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Bruno Galvez was born to a working-class Spanish family in Valencia, where the scent of orange blossoms mixed with the sound of distant flamenco was part of everyday life. Raised in a modest apartment above a small tapas bar, Bruno’s earliest memories include the strum of his grandfather’s old guitar and the rhythm of heels tapping against the tiled floor. Music wasn't just tradition — it was identity.

To support himself through school, Bruno played guitar on the streets and metro stations of Madrid, his case open for coins, his eyes always scanning for inspiration. These years shaped both his sound and his soul. The rawness of performing for strangers taught him to listen deeply to people’s silence — and to fill it with something honest. His fingers spoke when words failed, and soon his name became familiar in the underground corners of the city.

He studied Anthropology at the Universidad Autónoma de Madrid, drawn to human stories, rituals, and rhythms — the same themes that echo in his music. By night he was a student of culture; by day, a transmitter of it, blending traditional flamenco with the urgency of the modern world. His academic lens gave new depth to his compositions, adding layers that resonated beyond melody.

Today, Bruno Galvez is no longer just a street performer. He’s a storyteller, a cultural bridge, and a reminder that music — especially flamenco — is not meant to be caged. It is meant to move, to cry, to celebrate, and most importantly, to survive.

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Skye is a Korean-born pop sensation who now calls California her home. With a voice that blends vulnerability and power, she quickly rose from uploading covers in her bedroom to headlining stages across the West Coast. Inspired by both K-pop precision and Western pop freedom, Skye creates a hybrid sound that defies borders.

From heartbreak anthems to confident bangers, her lyrics speak to a generation raised on contradictions — soft yet strong, bold yet uncertain. Having trained in Seoul during her early teens, she carries the discipline of her roots while embracing the expressive energy of LA's music scene.

Often dubbed the “Pop Queen of Both Worlds,” Skye’s performances are emotional rollercoasters filled with glitter, synths, and raw truth. She’s not just building a fanbase — she’s building a movement.

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