Trending Now - filodyo

00:00 / 00:00

Still Life in Motion
Elyra Dawn

Elyra Dawn

Elyra Dawn was born in Rotterdam, raised between ferry horns and late-night radio static. Music wasn’t a choice — it was everywhere. Her mother sang quietly while folding laundry, her older brother blasted trance through paper-thin walls, and Elyra? She listened. Carefully. Absorbing melodies like secondhand sunlight.

She spent her teenage years bouncing between school choirs, bedroom recordings, and weekend trips to Amsterdam’s record stores. The moment she first heard Robyn’s Dancing On My Own on a train platform at dusk, something clicked. It wasn’t just about sadness or joy — it was how you could wear both in the same voice. That duality, the push and pull between euphoria and vulnerability, would become Elyra’s signature.

After performing in local clubs and uploading small demos online, she received an unexpected email from Filodyo’s Hakan E — a message that simply said: “You sound like you’ve lived a little. Let’s talk.” What followed was a slow, careful collaboration: late-night file exchanges, voice memos from backstage, moments captured between flights. Elyra didn’t rush it. She never does.

Today, her voice balances two worlds — the sweaty rush of the dancefloor and the quiet ache of a Sunday morning alone. Her hooks stick, her delivery stings, and her presence on stage feels at once intimate and cinematic. Elyra Dawn isn’t here to be loud. She’s here to be heard.

Track(s)
Still Life in Motion	220259	03:31

Still Life in Motion

Elyra Dawn

I kept your echo in a borrowed chord
Faded at the edges like a prayer ignored
You never spoke in “forever” terms—
Only in glances only in turns

We drew lines in passing trains
Paused in motion looped refrains
What we had was quiet gold—
But time like steam refused to hold

So I won't chase the version of us
That never really stayed never fully was
You were a still life mid-collapse
A moving part in silent gaps
And I loved you there—
Where the light never dared
But lingered
Like it knew
We’d vanish fair

You hummed in keys I couldn’t trace
Left fingerprints on open space
A breath a shift a tilted frame
No villain here just untitled blame

Maps don’t cover scenes like this
Where lips forget what touch meant bliss
But if you ask what we became—
A shadow signed with no one’s name

I won't rewrite the note you played
Or tune the silence we conveyed
You were a still life breaking fast
A fleeting truth I couldn’t grasp
And I loved you there—
Not to repair—
But to remember
Without despair

Maybe we were best
in between intentions
Not a love song—
just the tension

Still life
in motion
Still life
Not frozen

CREDITS
Performer: Elyra Dawn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

Look at Them Dance
Axel Monroe

Axel Monroe

Axel Monroe was born on the edge of Athens, Georgia, where backroads hum with cicadas and old Fords rust under the southern sun. Raised by a single mother and a turntable, he grew up tracing guitar solos in the air before he ever held a six-string. His earliest memories are soaked in the sounds of Led Zeppelin’s "Physical Graffiti" and Thin Lizzy’s "Live and Dangerous"—records that spun endlessly in his living room, turning boyhood into something raw and electric.

He didn’t go to music school. He went to basements, pawn shops, and roadside dive bars—learning tone, timing, and truth the long way. Axel’s sound fuses the swagger of '70s rock giants with the cinematic punch of '80s anthems. There’s a southern drawl in his riffs, a touch of melancholy in his choruses, and a quiet confidence that only comes from living outside the algorithm.

His breakout track “Look At Them Dance” captures it all—a bittersweet anthem for anyone who’s watched joy from the sidelines, then decided to jump in anyway.

Now signed with NOT FM and releasing exclusively through Filodyo, Axel Monroe isn’t trying to bring back the past. He’s just making damn sure it never gets forgotten.

Track(s)
Look at Them Dance	212294	04:03

Look at Them Dance

Axel Monroe

I stopped and stared when the beat came through
A spark lit up in a shade of blue
Their hands were raised like they knew the world was still good
A laugh broke out like a thunderclap
And just like that I forgot the past
I swear their joy hit me harder than I thought it could

Look at them dance — like nothing holds 'em down
Yeah look at them dance — they're floating off the ground
No fear no heavy names
Just rhythm in their veins
Look at them dance
Yeah look at them dance

Their shoes were worn but they didn’t care
Spinning wild with the midnight air
Like every step was a message that said "we're still here"
I clapped along like I knew the moves
Felt my own feet start to find the groove
Sometimes you crash right into joy — and it feels clear

Look at them dance — like nothing holds 'em down
Yeah look at them dance — they're floating off the ground
No fear no heavy names
Just rhythm in their veins
Look at them dance
Yeah look at them dance

I almost turned away
But something told me “stay”
You don't need a plan
Just a beat and open hands

Look at them dance — like nothing holds 'em down
Yeah look at them dance — like hearts without a frown
They shine without a stage
They burn right through the cage
Look at them dance
Yeah look at them dance
Now I’m in that trance
So let me dance

CREDITS
Performer: Axel Monroe
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

What’s It Made Of?
LYA

LYA

“If it doesn’t ask questions, it’s not music.”

LYA (pronounced “Lie-uh”) is a genre-defying artist from Berlin whose roots stretch from conservatory string quartets to the depths of fog-drenched warehouse raves. A classically trained violinist who once performed Vivaldi at age nine, she left formal music behind in her early 20s to pursue something more fractured, more real. What emerged was a sound as delicate as it is defiant—where harpsichords coexist with 2-step beats, and questions matter more than answers.

Her music exists in a liminal zone: somewhere between dance and disassociation, pop and poetry, cathedral and club. LYA often weaves spoken-word passages into her songs, transforming internal monologues into melodic mantras. Vocals—sometimes her own, sometimes spliced and AI-shifted—glide over textured layers of cello, muted synths, and ambient distortion. Think: if Imogen Heap grew up listening to Burial and wrote haikus in code.

LYA’s debut EP “Syntax of Sleep” was a quiet cult success among insomniac circles on Bandcamp, praised for its “introspective maximalism.” Her live sets, often accompanied by generative visuals and interactive lighting that reacts to audience movement, blur the line between concert and hallucination. She isn’t afraid of silence, nor of noise. Both, to her, are forms of rhythm.

LYA doesn’t write songs to explain. She writes them to wonder. “What’s It Made Of?”—her latest single via notfm—isn’t just a title. It’s a dare. A whisper in the hallway between thoughts. A reminder that meaning isn’t always the point.

Track(s)
What’s It Made Of?	197636	02:36

What’s It Made Of?

LYA

Woke up in a sentence I don’t remember writing
(uhhh)
My name’s on the wall
but it’s spelled with a “Y” now
weird

I tried to fold the sunlight into thirds
but it keeps leaking through the creases
Like—
was that ever the point?
(Hey!)
Did we name the silence just to fill it?

A blue cup a red sock a key with no lock
Mom said dreams don’t rot
but I found mold on the corners of mine
(yeah uh-huh)

What’s it made of?
(Lie?)
What’s it made oooooof?
Is this glass or just slow ice?
(what’s the—yeah)
If I bite it will it crack or cry?
(Haha—cry?)
I asked the mirror but she blinked
Twice

My coat is full of exit signs
but none of them point north
I sleep in the hallway between thoughts—
and that’s fine
Or it was
(Was it?)

Someone keeps leaving me notes
in a handwriting I don't remember learning
“Simplify”
“Unwind”
“Don't trust the tulips”

What’s it made of?!
(don’t tell me it’s hope again)
What’s it maaaade of?!
If it’s love why’s it shaped like a chair leg?
If it’s truth
why does it taste like batteries?

Whoa whoa—
Don’t go there
Not now
(NOT NOW!)

CREDITS
Performer: LYA
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

VIP (feat Trey C)
Skye

Skye

Skye is a Korean-born pop sensation who now calls California her home. With a voice that blends vulnerability and power, she quickly rose from uploading covers in her bedroom to headlining stages across the West Coast. Inspired by both K-pop precision and Western pop freedom, Skye creates a hybrid sound that defies borders.

From heartbreak anthems to confident bangers, her lyrics speak to a generation raised on contradictions — soft yet strong, bold yet uncertain. Having trained in Seoul during her early teens, she carries the discipline of her roots while embracing the expressive energy of LA's music scene.

Often dubbed the “Pop Queen of Both Worlds,” Skye’s performances are emotional rollercoasters filled with glitter, synths, and raw truth. She’s not just building a fanbase — she’s building a movement.

Track(s)
VIP (feat Trey C)	182743	02:55

VIP (feat Trey C)

Skye

V-I-P V-I-P V-I-P V-I-P
V-I-P V-I-P — uh uh-huh uh-huh
V-I-P V-I-P V-I-P V-I-P
V-I-P V-I-P — uh uh-huh uh-huh

Buzz on my phone — you typed “let’s slide”
I said “bass drops lasers good vibes”
No velvet ropes no guestlist or fee
Just you and me and a V-I-P scene oh-oh-oh

Do you crave me like I crave the night?
Do you glow when the tempo’s right?
We ain’t average we don’t do tame
This room’s ours — let’s light the flame

Let’s ride — to the edge of rhythm
No pride — just sparks and vision
Tonight — it’s a private show
We the stars now let the world know

V-I-P V-I-P V-I-P V-I-P
V-I-P V-I-P — uh uh-huh uh-huh

Yeah red lights blinkin’ tempo's wild
VIP mood — we don't need no style
You walk in and the room obeys
This beat’s ours — no need to explain

No ties no limits no script
Just rhythm and lips that don’t quit
You twirl — and the world resets
We’re the climax no regrets

Hit me with your eyes
Ping me just one line
I know where your heart is
Let’s blur the borderline

Let’s ride — to the edge of rhythm
No pride — just sparks and vision
Tonight — it’s a private show
We the stars now let the world know

[Hook – both voices layered]
V-I-P V-I-P V-I-P V-I-P
V-I-P V-I-P — uh uh-huh uh-huh
V-I-P V-I-P V-I-P V-I-P
V-I-P V-I-P — uh uh-huh uh-huh

Say it once say it right
We ignite we ignite
Say it once say it right
We the night we the light
V-I-P…

CREDITS
Performer: Skye
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

The Only Good Julio...
Eli Varnish

Eli Varnish

Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.

That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.

Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.

Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.

Track(s)
Call Dropped at 3 AM	154002	04:47
Long Distance Line from the Bosphorus	117243	03:33
The Only Good Julio I Ever Knew Was Don (They Never Meant It)	179447	05:13
Same Damn Boat	146721	04:41
Nothing Eats Me Whole	133324	04:08

The Only Good Julio I Ever Knew Was Don (They Never Meant It)

Eli Varnish

He said “brother” like it cost him nothin’
Smiled wide and stole my coat
Asked for time asked for money
Left me short and called it hope

The waitress said I had nice eyes
While stackin' bills that weren’t mine
The preacher swore we’d all be saved
But his watch was gold and mine was fake

They never meant it
Not the cheers not the names
All them kind words
Were just poker games
But I knew a man once—
Did what he said he’d do
The only good Julio I ever knew
Was Don

The boss shook hands with dirty gloves
Said “You're family” then raised the flood
And mama prayed through gritted teeth
While sellin' things we couldn't eat

They never meant it
All that “brother” all that “son”
They toast your wins
Then load their guns
But I knew a man once—
Quiet as a Sunday pew
The only good Julio I ever knew
Was Don

They’ll write your name on birthday cake
And scratch it off the will
They’ll hug you at the front door
While makin’ copies of the deed still

They never meant it
It was polish on a stone
But that old man with the cracked hat
Said “take your time or take it alone”
I knew a man once—
Didn’t lie to get through
The only good Julio I ever knew
Was Don

CREDITS
Performer: Eli Varnish
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

JINGLE

FILODYO
TRENDING NOW

00:00 / 00:00

You Left Your Name ...
Wade Hollis

Wade Hollis

Wade Hollis doesn’t chase the spotlight — he moves through the world like a shadow at dusk, quietly carving songs out of silence and sand. Born somewhere between the border towns of New Mexico and West Texas, he grew up surrounded by static-filled radio, motel ceilings, and the hum of distant freight trains.

His voice is weathered, like desert wood — raw, honest, and unpolished. Every lyric he writes feels like a road he’s driven a hundred times and still doesn’t fully understand. There’s no big team behind him, no hometown hero narrative. Just a guitar, a gravel road, and the ache of never quite belonging.

Hollis doesn’t stream anywhere else. His music lives exclusively on Filodyo and NOT FM, like postcards from a place most people drive past but never stop to feel. If you’ve ever stared out of a car window at 2 a.m. and felt both free and completely lost — you’ve already heard Wade Hollis, whether you knew it or not.

Track(s)
You Left Your Name Open	164270	04:24
Lonely on the Road	147690	04:23

You Left Your Name Open

Wade Hollis

You never closed the salt jar tight
Your chair still leans to the left
The spoon you used is upside down
Like it forgot your breath

The balcony plant asks less light now
The floor knows where you stood
My shirts all hang a little wrong
Like fabric understood

You left your name open—
In the drawer in the rug in the swing
It creaks your rhythm
Not a ghost—just a string
You left your name open—
And it hums when I cook when I think
It’s not heartbreak
It’s ink

The fruit went soft before I ate
I saved it like a dare
The faucet sings in your old tone
Like grief pretending care

You left your name open—
Not screaming not lost not loud
Just tucked in sounds
That don’t need a crowd
You left your name open—
No frames no shrine no drink
Just weightless
But it sinks

I live around you
Like pages live around a word
Not erased
Just blurred

CREDITS
Performer: Wade Hollis
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

Flip That City
Minerva Sound

Minerva Sound

Minerva Sound is a five-piece from Bristol, UK, blending glossy disco-pop, neo-soul harmonies, and tight live grooves. The lineup: Malik Rhodes (lead vocal), Tyrone Ellis (vocal/MC), Owen Calder (guitar/bass), Emily Price (vocal/keys), and producer Felix Dunn (drum machines, synths, arrangements). Born out of late-night jam sessions and warehouse sets, they forged a sound that marries hook-heavy choruses with rhythmic precision and rich vocal stacks.

Their debut single, “Flip That City,” captures the group’s signature pulse: rubbery bass, syncopated organ stabs, hand-clap drive, and call-and-response vocals that snap into a euphoric refrain. Lyrically, it zooms in on urban momentum—small choices, quick turns, and the thrill of switching lanes—delivered with swagger and a live-band spark.

Available exclusively on Filodyo, Minerva Sound is poised to turn venues into dance floors across the UK and beyond—one chorus, one groove, one flipped skyline at a time.

Track(s)
Flip That City	160981	03:05

Flip That City

Minerva Sound

Flip it flip it come alive
Turn the dial feel the vibe
City’s pulse jumping high
We don’t stop—we multiply

Smoke in the air bass hits the ground
Feet in the crowd hearts pound around
Spotlight flicks beat rides the sound
Hands in the air lost then found

Shout with me let the rhythm ride
No more still—in this groove we hide
Flip the night on its neon edge
On our mark—pledge to the ledge

Flip that city flip it higher (Hey!)
Flip that city beat the fire (Hey!)
Flip that city where we belong (Yeah!)
Flip that city dance along (Yeah!)

Streetlight jumps when the bass drops low
Crowd moves as the speakers blow
Every step locks into sky-high flow
One more wave—ready set go

Shout with me let the rhythm ride
No more still—in this groove we hide
Flip the night on its neon edge
On our mark—pledge to the ledge

Flip that city flip it higher (Hey!)
Flip that city beat the fire (Hey!)
Flip that city where we belong (Yeah!)
Flip that city dance along (Yeah!)

Flip it—turn around
Flip it—sound the ground
Flip it—up the heat
Flip it—feel the beat

Flip that city flip it higher (Hey!)
Flip that city beat the fire (Hey!)
Flip that city where we belong (Yeah!)
Flip that city dance along (Yeah!)

CREDITS
Performer: Minerva Sound
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

After the Signal
Apollo Frequency

Apollo Frequency

Apollo Frequency is a dynamic UK-based vocal trio bringing infectious grooves and bold stage energy to the modern disco-pop scene. The group consists of vocalists Marcus King and Devon Cole—both London-born with roots in gospel, soul, and street performance—and Brighton native Chloe Hart, whose bright, powerful voice adds a radiant pop edge to the group’s sound.

Formed in Manchester, Apollo Frequency quickly built a reputation for their electrifying live shows, blending tight harmonies with high-energy beats reminiscent of classic funk and disco, yet reimagined for today’s dancefloors. Their music celebrates unity, rhythm, and the thrill of collective movement, turning every performance into a celebration.

Their debut single, After the Signal, is available exclusively on Filodyo, showcasing the trio’s signature mix of soulful hooks, driving basslines, and euphoric choruses. With undeniable chemistry both on and off stage, Apollo Frequency is poised to become one of the UK’s most exciting live acts—proving that when the signal hits, the dancefloor answers.

Track(s)
After the Signal	159513	03:42

After the Signal

Apollo Frequency

Yeah… signal’s live
Mmm… ah-ah-ah
Let it roll
Oh-oh-oh…

Frequency’s pulling us through the crowd
Pulse in the air it’s beating loud
Every turn you make cuts through the noise
Drawn to the tone in your voice

Step in closer rhythm on my side
Closer closer nothing left to hide
Can’t slow down we’re on this ride
This is the signal locked inside

After the signal (yeah)
We keep it in motion (uh-huh)
Time’s in a circle (come on)
Under devotion (yeah yeah)
After the signal (oh)
We keep it in motion (no no)
Time’s in a circle (mmm)
Under devotion

Lines keep crossing code runs deep
Every beat we share’s a vow we keep
Gravity shifts when you’re in the frame
Nothing tonight will be the same

Step in closer rhythm on my side
Closer closer nothing left to hide
Can’t slow down we’re on this ride
This is the signal locked inside

After the signal (yeah)
We keep it in motion (uh-huh)
Time’s in a circle (come on)
Under devotion (yeah yeah)
After the signal (oh)
We keep it in motion (no no)
Time’s in a circle (mmm)
Under devotion

Transmission’s clear — stay on the line
Stay on the line stay on the line
Turn it around — keep it aligned
Keep it aligned keep it aligned

After the signal
We don’t let go
After the signal
We take control

After the signal (yeah)
We keep it in motion (uh-huh)
Time’s in a circle (come on)
Under devotion (yeah yeah)

CREDITS
Performer: Apollo Frequency
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

Through Me (feat Do...
Jett Ralston

Jett Ralston

Born and raised in Ventura, California, Jett Ralston grew up in a garage that smelled like motor oil, vinyl records, and his father’s hair pomade. While other kids watched cartoons, Jett memorized the Grease soundtrack and tried to mirror Elvis's hip sway in the hallway mirror. His voice—low, smoky, and just a little rough around the edges—carries the DNA of that golden age, but never feels stuck in it.

Jett’s debut single “Through Me” (feat. Dolores Queen) is a cinematic slow-burn: part lost love, part lounge confession. Produced exclusively for Filodyo, the track fuses analog charm with subtle modern edges, pairing his velvet baritone with Dolores Queen’s haunting harmonies. He doesn’t try to be Elvis — but he sings like someone who misses that kind of honesty on stage.

With a sound caught somewhere between a flickering jukebox and a midnight highway, Jett Ralston is not here for nostalgia — he's here to make old souls feel seen again.

Track(s)
Through Me (feat Dolores Queen)	158835	03:46

Through Me (feat Dolores Queen)

Jett Ralston

(verse 1)
You sit beside me
but your eyes
walk down a hallway
I can’t find

You ask me questions
with no wait
as if the answers
might hesitate

(verse 2)
You touch my hand
like it’s just air
like something’s there
but not quite where

I say your name
just to hear
if it still sounds
like you’re near

(chorus)
You move through me
like wind through cloth
like water shaped
by what it’s not
You don’t resist
but you don’t hold
You’re warm
but I’m cold

(verse 3)
The kitchen light
flickers twice
We laugh but
not with our eyes

The song that used to
make you sway
now plays like
furniture on replay

(chorus — repeat)
You move through me
without a sound
I feel you there
but not around
You’re close
but not slow
You’re mine
but I don’t know

(outro — quiet)
Love didn’t leave
but it learned
to disappear

CREDITS
Performer: Jett Ralston
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

Call Dropped at 3 AM
Eli Varnish

Eli Varnish

Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.

That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.

Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.

Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.

Track(s)
Call Dropped at 3 AM	154002	04:47
Long Distance Line from the Bosphorus	117243	03:33
The Only Good Julio I Ever Knew Was Don (They Never Meant It)	179447	05:13
Same Damn Boat	146721	04:41
Nothing Eats Me Whole	133324	04:08

Call Dropped at 3 AM

Eli Varnish

Alright…
Yeah yeah don’t tune it too much
Let it breathe
Okay… one two…

Woke up late with the room still shaking
Ashtray full of things I didn’t say
Mirror asks me for an explanation
I tell it “man not today”

Shoes by the door still smell like last night
Clock keeps lying I let it talk
City hums in a crooked rhythm
Like it learned that walk from me

Hey bass… keep it walking
Yeah like that
Don’t rush it

Every plan I make shows up half dressed
Every promise comes out second best
If I fall behind the beat again
Just leave some space I’ll land it then

This ain’t a straight line it sways and bends
It trips on truth then calls it a friend
If I sound wrong don’t fix it too soon
That’s where the story sneaks through

Yeah this ain’t clean this ain’t controlled
It’s a loose wire looking for a soul
Play it wrong play it loud play it true
That’s all this blues knows how to do

Hold up…
Let the horn say something
Yeah… go on

(long slide in slightly late)

Mmm… listen

Man… that thing’s complaining
Let him talk

I’m almost done… almost

Sorry… not sorry

(rimshot)

There’s a voice in my head clapping off time
Says “You always push you never wait”
I said “If I slow down I might notice
Everything I try to escape”

Barroom light keeps flickering jokes
Like it knows where I’ve been
Every sound wants a turn at the mic
Even the quiet wants in

Yeah… that’s it
Don’t smooth it out
No no

If this night’s a gamble I roll it bent
Lose my balance call it intent
Break the rule then play it twice
Mess it up till it sounds right

This ain’t a straight line it sways and bends
Falls apart then stands again
If my voice cracks just let it through
That’s what it came here to do

Yeah this ain’t neat this ain’t polite
It’s just breath fighting with the night
Play it wrong play it loud play it true
That’s all this blues knows how to do

Alright…
Don’t stop it
Let it ring
Yeah… that’s enough

CREDITS
Performer: Eli Varnish
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

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Riddim of Peace
Dreadlock Boys

Dreadlock Boys

Scoot over, Marley, there’s a new reggae sheriff in town. Straight from the sunny sidewalks of Kingston, Jamaica, the Dreadlock Boys are laying down fresh beats in the reggae scene.

This pair of plaited prodigies isn't your grandma's reggae. Combining traditional roots rhythms with just a hint of ska spice and a not-so-subtle sprinkle of dancehall energy, these boys aren't just playing by the book – they’re writing their own. And don't let that laid-back island vibe fool you; these guys are as serious about making you laugh as they are about perfecting the offbeat.

Their standout single "Riddim of Peace" might just be the happiest jam this side of Montego Bay. With its earworm melody and bouncy bassline, it’s as infectious as a belly laugh in a silent library. It's the kind of track that leaves the grumpiest of gurners grinning like a Cheshire cat at an all-you-can-eat fish buffet.

So come, sit, and sway to the soothing sounds of the Dreadlock Boys. They'll be your pint-sized purveyors of peace, your lyrical lifesavers when the going gets tough. After all, joy does come in the morning and the Dreadlock Boys are here to serve it up with a side of reggae, none of those nasty grimaces, thank you very much.

Track(s)
Riddim of Peace	153614	02:50

Riddim of Peace

Dreadlock Boys

Yah man mi wake up wid di sun pon mi face
One cup a tea an’ a likkle embrace
No rush no run we tek tings slow
Peace inna di heart mek di good vibes flow

Call up di crew from down di lane
Laugh and chat no room fi pain
Every likkle yout’ every likkle gyal
We jam together like one big pal

Dance fi di love move fi di light
Raise up ya hand if ya feelin’ right
No need fi gun we a blaze di tune
Singin’ fi peace under di mango moon

Bredda sistren bring ya soul
One riddim mek di broken whole
Shake off di stress fling ‘way di fear
Jah voice a whisperin’ inna we ear

Skank pon di corner joy in di beat
Barefoot jammin’ in di midday heat
Tell Babylon: we nah go low
We buildin’ love like a riverside flow

[Outro - Spoken Word Style]
So light up di hope let it blaze like fire
One world one song one higher desire
Peace nuh just a dream it a ting we live
With every dance step we learn fi forgive

CREDITS
Performer: Dreadlock Boys
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

Never Barefoot
The Syrphids

The Syrphids

The Syrphids’ journey began in the vibrant streets of Birmingham, where their distinct sound emerged from a collision of personal influences and bold experimentation.

Each member brings a unique flavor to the band's overall dynamic—blending raw, emotive vocals with intricate guitar riffs, rhythmic basslines, and atmospheric synth layers. Their music strikes a balance between the unpredictability of alternative rock and the infectious melodies of indie pop, creating an eclectic sound that is both challenging and accessible.

What sets The Syrphids apart is their ability to navigate complex emotional themes, delivering lyrics that resonate deeply while still maintaining an undeniably catchy, crowd-pleasing vibe.

Their live performances are a spectacle of energy and emotion, where their chemistry as a band shines brightest. The Syrphids have a knack for turning intimate venues into electrifying spaces, with each song building on the momentum of the last.

Their setlists are carefully curated to take listeners on a journey—whether it's through soulful ballads that tug at heartstrings or high-octane anthems that ignite the crowd. This ability to command the stage has earned them a growing fanbase, not just in Birmingham but across the UK, with audiences captivated by their authenticity and musical craftsmanship.

As The Syrphids look toward the future, their ambitions are clear: to continue evolving their sound while staying true to the experimental roots that first brought them together. With several EPs already under their belt and plans for a full-length album on the horizon, the band is poised to break through to even broader audiences.

Their commitment to innovation, coupled with their undeniable talent, ensures that The Syrphids will continue to be a force in the indie music scene, challenging conventions and capturing the hearts of listeners around the world.

Track(s)
Never Barefoot	150695	04:14
I Carry Your Love	2342	02:54
Single Kiss	2939	02:57
Runnin' Wild	2189	02:30
Hold The Heart With Rap Version)	3179	04:25
Hold The Heart	2908	03:45

Never Barefoot

The Syrphids

I was barefoot in the silence
dreaming of laces I could never tie
They told me “Leave your shoes behind”
but my feet were burning on holy ground

Back then the glass windows whispered
shops were cathedrals I couldn’t enter
Every sneaker a forbidden scripture
every boot a sermon I couldn’t keep
I walked with shadows on the pavement
carrying blisters instead of crowns

Now every aisle feels like confession
plastic bags my rosaries
boxes stacked like psalms unspoken
I kneel but I never pray

I can’t walk barefoot anymore
the echoes of my hunger follow me
God once said “Take off your shoes”
but He never felt these cracks in me
So I buy another pair I’ll never wear
just to silence the ghost of that child staring
at the glass at the glass at the glass

Leather tongues speak louder than my own
rubber soles drown out my guilt
Every purchase is a broken hymn
every closet a confessional built
I don’t wear them I collect my scars
like trophies of battles I never fought

The past still laces up my ankles
pulling tight with phantom strings
No barefoot freedom in the morning
just a graveyard made of things

I can’t walk barefoot anymore
the echoes of my hunger follow me
God once said “Take off your shoes”
but He never felt these cracks in me
So I buy another pair I’ll never wear
just to silence the ghost of that child staring
at the glass at the glass at the glass

Empty shoes like empty prayers
lining up my hallway shrine
I am both thief and worshipper
stealing time wasting time

I can’t walk barefoot anymore
the pavement bleeds the silence roars
God once said “Take off your shoes”
but He never stood in this hunger before
So I’ll keep on buying keep on binding
never fitting never finding…
and the child in the glass walks with me still

CREDITS
Performer: The Syrphids
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

Static on the Line
Ryder James

Ryder James

Ryder James is a rising pop-soul artist whose warm vocals and timeless style bridge the gap between classic soul storytelling and modern pop production. With a voice that carries both grit and grace, he creates songs that feel instantly familiar yet refreshingly new.

His debut single, Static on the Line, is a captivating blend of heartfelt lyricism and smooth, groove-driven instrumentation. Produced by Filodyo and released exclusively on NOT FM, the track showcases Ryder’s ability to turn everyday moments into powerful musical narratives.

Raised on a steady diet of soul legends and contemporary pop innovators, Ryder brings authenticity and emotional depth to every performance. Static on the Line is more than just a song—it’s an introduction to an artist who is here to connect, move, and inspire listeners worldwide.

Track(s)
Static on the Line	148788	03:46

Static on the Line

Ryder James

Mmm… yeah
Turn it up

Found your note between the bills folded twice
Three crooked letters never said it nice
Kitchen radio is drifting off-time
Wrong station playing but it suits the night

I dial your number — hear a click then air
Flashing digits on the stove just stare
Every heartbeat in my chest misaligns
Still I’m listening for a sign

There’s static on the line but I still hear you fine
In broken little sparks we talk like power lines
If silence is a sign then prove me wrong tonight
Tune me in or cut me loose — there’s static on the line

City bus sighs at a midnight stop
Paperback angel at a corner shop
Borrowed coat hangs wide on my frame
Pockets full of change and a half-drawn name

Counting rail ties stepping over goodbyes
Copper on my tongue from unspoken replies
I hold my breath as if it might realign
What keeps crossing in my mind

There’s static on the line but I still hear you fine
In broken little sparks we talk like power lines
If silence is a sign then prove me wrong tonight
Tune me in or cut me loose — there’s static on the line

Maybe I’m a bent antenna in a storm I knew
Turn me just a single degree — I point back to you
If the signal fades and the bars go blind
Call me by the name you underlined

Line… line… static on the line
(Keep talking)
Line… line… static on the line

There’s static on the line but I still hear you fine
In broken little sparks we talk like power lines
If silence is a sign then prove me wrong tonight
Tune me in or cut me loose — there’s static on the line

Mmm… tune me in
Static on the line

CREDITS
Performer: Ryder James
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

Paper Moons
Dora Corr

Dora Corr

Dora Corr is an EDM vocalist and songwriter born and raised in Dublin, Ireland. Before her debut single, she worked at a small, weathered music shop tucked away in Rathmines — a place where synths came in half-broken and left humming again, usually thanks to her.

By day, she tuned old keyboards and restocked trance CDs. By night, she recorded vocal sketches on her cracked laptop, blending soft-spoken Irish melancholy with pulsing beats she never planned to share.

That changed in early 2025, when renowned electronic producer Mark Martian visited Dublin for a creative summit. While killing time between panels, he wandered into Dora’s shop — and found her quietly looping vocal takes in the back room.

Struck by the raw emotion and unusual cadence of her sound, Mark simply asked, “Have you ever thought about making something bigger?” She shrugged. “Not really. But I’d like to.” Energized, Mark immediately called Hakan E., the creative force behind Filodyo.

“I just found someone. We need to get into a studio, fast,” he said. Intrigued, Hakan asked to hear her demos. Mark sent over a few scratch recordings that same night.

Within days, Dora was in a temporary studio above the River Liffey, recording "Paper Moon" — a haunting, minimalist debut that floats somewhere between whispered confession and late-night dance floor, co-produced by Mark Martian for a new Filodyo project.

Dora Corr isn’t chasing pop formulas or peak-hour builds. She’s carving a lane where fragility can still make you move — and where “na na na na” says more than a chorus ever could.

Track(s)
Paper Moons	148616	04:02

Paper Moons

Dora Corr

You left your coat I kept the thread
It hums like static in my head

I folded time in a paper cup
Sipped your voice till the world shut up
You never said stay but you looked like wait
And I built an echo from that mistake

I don’t call it love — it’s too well-behaved
This is something the maps misplace

Na na na na — na-na na-na-na
Na na na — na-na-na-na
Na na na na — na-na-na-naaa
Na na na na — naaaa

You hum in keys no piano dares
I lose my name climbing up your stairs
Your silence flickers it writes in loops
Still I read it like sacred proof

I won’t label this — it won’t stay still
It moves like weather talks in quills

Na na na na — na-na na-na-na
Na na na — na-na-na-na
Na na na na — na-na-na-naaa
Na na na na — naaaa

You said “don’t read me I’m not that deep”
But I saw planets in your sleep
I don’t need stars I don’t need maps
Just that hum between the gaps

Na na na na — na-na na-na-na
Na na na — na-na-na-na
Na na na na — na-na-na-naaa
Na na na na — naaaa

I let you vanish but not the hum
Some chords don’t end — they just become

CREDITS
Performer: Dora Corr
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

Lonely on the Road
Wade Hollis

Wade Hollis

Wade Hollis doesn’t chase the spotlight — he moves through the world like a shadow at dusk, quietly carving songs out of silence and sand. Born somewhere between the border towns of New Mexico and West Texas, he grew up surrounded by static-filled radio, motel ceilings, and the hum of distant freight trains.

His voice is weathered, like desert wood — raw, honest, and unpolished. Every lyric he writes feels like a road he’s driven a hundred times and still doesn’t fully understand. There’s no big team behind him, no hometown hero narrative. Just a guitar, a gravel road, and the ache of never quite belonging.

Hollis doesn’t stream anywhere else. His music lives exclusively on Filodyo and NOT FM, like postcards from a place most people drive past but never stop to feel. If you’ve ever stared out of a car window at 2 a.m. and felt both free and completely lost — you’ve already heard Wade Hollis, whether you knew it or not.

Track(s)
You Left Your Name Open	164270	04:24
Lonely on the Road	147690	04:23

Lonely on the Road

Wade Hollis

I'd like to know how it feels to have a home
Hate sleepin' alone in motels on the road
I'd like to have a girl with someone else's name
Find a way to settle down and not lose my mind
Livin' on borrowed time
Oh

And it don't matter which way I go
I'll still be lonely on the road
And it don't matter which way I go
I'll still be lonely on the road

I could be a billionaire
But I'm still gon' die
My baby could have kids
But they won't be mine
I don't know what it is
But somethin' just don't feel right
I wish I knew how to live a real simple life
Wish I could make it right
Oh

And it don't matter which way I go
I'll still be lonely on the road
And it don't matter which way I go
I'll still be lonely on the road

I'd like to know how it feels to have a home
Hate sleepin' alone in motels on the road

CREDITS
Performer: Wade Hollis
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

JINGLE

FILODYO
TRENDING NOW

00:00 / 00:00

Waves Don’t Ask Why
Wires and Petals

Wires and Petals

Formed in the late 2010s, Wires and Petals is a producer duo that blends intricate electronic sound design with emotional songwriting. Hailing from Lyon, France, the two longtime friends—Julien Moreau and Armand Lefèvre—first bonded over a shared obsession with underground house records and modular synthesizers.

Their name, Wires and Petals, reflects the duality in their music: wires for the technical, machine-driven side of production, and petals for the organic, poetic sensitivity they bring into their melodies and lyrics. The result is progressive house that feels both intimate and expansive—ideal for quiet headphone journeys or sunrise festival moments.

Known for their reflective male vocals processed into lush vocal chops, their tracks slowly evolve through layered arpeggios, textured pads, and deep, hypnotic grooves. They’ve been described as “emotional architects of the dancefloor,” carefully crafting transitions that build tension and release with elegance.

Beyond the studio, Julien and Armand are known for their warm personalities and playful approach to collaboration. Whether they’re joking around in the studio or testing new tracks in front of small club crowds, Wires and Petals carry an authenticity that sets them apart from many of their contemporaries. With each release, they aim to push the boundaries of progressive house while staying true to their philosophy: music that moves both the body and the heart.

Track(s)
Waves Don’t Ask Why	146150	03:44
Phase Meridian	152897	04:50

Waves Don’t Ask Why

Wires and Petals

I walked too far to start again
But too close to turn away
The sky didn't open —
But I moved anyway

Heartbeat aligned with the sound
Footsteps lost never found

I don’t speak to the wind anymore
It never stayed to listen
But you —
You stayed quiet…
And I heard everything

Time doesn’t fold like a map
We stretch with every turn
The world spins without asking
But we — we learn

And if the tide forgets my name
Let it
I only needed the pull

CREDITS
Performer: Wires and Petals
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

Truth Shouts Back
Arem Khenn

Arem Khenn

Arem Khenn is a minimalist, introspective rap artist whose music exists between control and fracture, moving from slow, restrained beginnings into tightly wound, high-pressure rhyme structures. His work focuses on self-interrogation, memory, and the uneasy line between truth and deception, treating the past as evidence rather than confession.

Rather than offering release, Arem Khenn builds tension, using silence, repetition, and call-and-response moments where the inner voice answers back in single-word shouts. His delivery favors precision over excess, allowing emotional weight to surface without spectacle.

Arem Khenn’s songs are available exclusively on Filodyo, where his catalog remains intentionally contained, resisting overexposure and maintaining a controlled, immersive listening environment. Visually and sonically, he inhabits enclosed, dimly lit spaces, emphasizing honesty, restraint, and unresolved conflict over comfort or resolution.

Track(s)
Truth Shouts Back	139693	04:03

Truth Shouts Back

Arem Khenn

Lights off room breathes heavy thoughts get loud
Mirror talks back but it never tells me how
I built walls just to feel safe inside
Funny how the safest place is where the truth goes to hide

Heart ticking like a bomb with a pause
I’m calm on the surface chaos under the laws
I ask myself questions I don’t wanna hear
If I’m honest with me will I disappear?

I grew up learning silence was strength
Learned to smile wide hide the cracks in the length
Every promise felt borrowed every win felt fake
If I fail on purpose at least it’s my mistake

I carry names they don’t know how to spell
Carry blame like a badge wear it well
I don’t trust my thoughts when they sound too kind
Cause comfort’s just a trap with a pleasant design

Truth feels sharp lies feel warm
I confuse being numb with being calm
Every memory fights to be the boss
Was it discipline building me or fear at a cost?

If I peel back layers what’s left of me?
A man or a mask with good memory?
I hear my past knock I don’t answer calls
But it’s yelling my name through the drywall walls

Tell me what’s real tell me what’s wrong
I been holding my breath way too long
Every lie feels right till the truth comes through
I don’t know who I am but I know it’s not you

Inside my head there’s a war I chose
Between what I show and what nobody knows
When the dark speaks up I answer too

Shout: Truth!
Shout: Fear!
Shout: Me!

I move quick now thoughts double-time
Mind runs laps like it’s training for crime
I edit my feelings like tracks in a mix
Cut the pain low but it still exists

They say heal yourself yeah easy to say
When the damage taught you how to get paid
I monetize pressure I profit from doubt
Turn panic to patterns then scream it out loud

I don’t chase peace I interrogate calm
Ask why it leaves when I’m holding the psalm
I know every trick that my ego plays
Calls survival a crown calls running a phase

I don’t want comfort I want it clear
If I’m broken say it don’t sugar my fear
I been friends with the worst part of me
Now I’m asking if it’s time to leave

If I stop fighting who am I then?
If I stop hurting do I lose my pen?
I don’t trust silence it feels like a test
Like peace is a lie I don’t deserve yet

Tell me what’s real tell me what stays
When the lights go out and the crowd fades
Every voice in my head wants a say
But only one of them tells it straight

I built my name from scars and doubt
From locked doors I had to break out
When the dark speaks up I answer too

Shout: Truth!
Shout: Pain!
Shout: Now!

If I face myself and don’t look away
Maybe fear won’t have the final say
I don’t need saving I need to see
What’s left when the noise stops haunting me

Shout (whispered): Me

CREDITS
Performer: Arem Khenn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

Ya No Me Duele
Camila Reyes

Camila Reyes

Camila Reyes was born in Seville, Spain, in 1992, and has spent most of her life surrounded by the vibrant rhythms and colors of Andalusia. By profession, she is a skilled ceramic artist, known for her intricate hand-painted tiles inspired by Moorish patterns and flamenco motifs. Her work has been exhibited in boutique galleries across Spain, yet music has always been her truest form of self-expression.

Raised in a family where boleros and rancheras echoed through the kitchen, Camila began singing at small local gatherings, blending traditional Latin folk with her own soulful touch. Over the years, her voice became a bridge between the streets of Seville and the broader Latin diaspora, carrying both joy and melancholy in every note.

Today, Camila records all of her music exclusively for Filodyo, preserving an intimate connection with her listeners. Her latest release, Ya No Me Duele, is a testament to resilience and emotional rebirth, capturing the strength of moving on without bitterness.

Track(s)
Ya No Me Duele	136800	03:15

Ya No Me Duele

Camila Reyes

Ya no me tiembla la taza del té
cuando tu nombre se cruza en mi piel
La casa cruje igual que ayer
pero mi sombra ya no te ve

Dejé tus cartas en el alfeizar
el viento sabrá si las quiere llevar
Mis manos no piden no quieren cerrar
lo que no abraza… no vuelve a entrar

Ya no me duele
ni tu voz ni tu eco
El silencio en mi mesa
es mejor que tu juego

Ya no me duele
ni la flor ni el invierno
Yo me quedo de pie
y tú te vas con el viento

Me dolió
pero no me rompió

Ya no me duele
ni el reloj ni el destino
Mis pasos no buscan
ya tienen su camino

CREDITS
Performer: Camila Reyes
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

Everyday Weight
Elara Stone

Elara Stone

She makes music for the hours when clarity doesn’t arrive on time. Her songs sit between late-night electronic culture and everyday emotional friction, carried by a vocal that avoids performance and leans into presence. There’s no melodrama here, no oversized hooks. Instead, she works with restraint, letting repetition, silence, and subtle shifts do the heavy lifting, capturing the tension of modern relationships and the quiet pressure of daily life.

Sonically, her work draws from melancholic drum and bass and deep electronic traditions, but filters them through a distinctly current lens. Beats roll rather than hit, bass appears just long enough to leave a trace, and arrangements resist obvious peaks. Her voice is treated as part of the architecture, close, controlled, and emotionally distant, floating above the rhythm instead of chasing it. It’s music built for movement and reflection at the same time.

Her releases live within the carefully curated worlds of Filodyo and NOT FM, platforms that prioritise context over noise and long-form listening over instant impact. In that sense, her music isn’t chasing trends, it’s designed to exist alongside them, quietly confident, emotionally precise, and very much of its moment.

Track(s)
Everyday Weight	136060	04:08
Loneliness	101619	02:57

Everyday Weight

Elara Stone

Days stack up without asking
Deadlines talk before we do
Small mistakes grow teeth quickly
When you’re trying to stay true

Plans bend out of their own shape
Words land wrong then multiply
Nothing ends nothing settles
We just learn what to deny

I’m tired of fixing the timing
Tired of reading every sign
We keep choosing what sounds easy
Then we pay for it in time

Life feels heavy in small ways
Not enough to make a sound
Love gets stuck in explanations
That keep going in a round
We don’t break we just tangle
Try to pull without a map
Every day asks something different
And never tells us where to stand

Conversations turn to tactics
Every pause becomes a test
Saying less feels safer lately
Even when we mean our best

We trade honesty for balance
Call it calm but feel the cost
Nothing wrong with wanting steady
Just don’t lose what made us talk

We don’t need another answer
We don’t need to win the night
I just want a moment quiet
Where the pressure drops its bite

Life feels heavy in small ways
It adds up before we know
Love gets lost in fine decisions
We were never meant to solve
We don’t fall we just circle
Looking for a cleaner path
Every day asks something different
And leaves the rest to us

Maybe this is how it happens
Not dramatic not fast
Just the weight of daily choosing
Stacked against the past

Life feels heavy in small ways
But it’s still the one we take
Love is work without instructions
That we learn by what we break
We don’t fix it all tonight
We don’t need to understand
We just stay inside the motion
Doing what we can

Tomorrow’s already forming
Before we get some rest
I don’t need it to be simple
I just need it to be honest

CREDITS
Performer: Elara Stone
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

Velvet Switch
Celeste Raye

Celeste Raye

There’s a certain stillness in Celeste Raye’s voice — the kind that turns crowded rooms quiet and late-night drives cinematic. Born and raised in South London, she grew up mimicking the elegance of old soul singers and the cool detachment of ‘90s club divas. On stage, Celeste doesn’t reach for the spotlight — it finds her.

Her latest release, Velvet Switch, is a slow-burning club anthem soaked in longing. Produced by NOT FM and available exclusively on Filodyo, the track pulses with quiet intensity — as if it’s remembering something you forgot you missed. Celeste’s voice doesn’t cry out. It hovers, suspended above the beat, tracing the shape of absence with each note.

People don’t come to her sets just to dance. They come to feel understood — in dim lights, with their eyes closed, mouthing words they’ve never said out loud. Velvet Switch captures that moment between stillness and surrender, when the music takes over and you stop pretending you’re fine.

Celeste Raye isn’t trying to be timeless. She already is — not because she sounds like someone else, but because she sounds like a feeling you’ve had before, but never named.

Track(s)
Velvet Switch	134592	03:43

Velvet Switch

Celeste Raye

You touched my name with a fingertip lie
Then vanished like sugar in red wine
I didn’t chase I didn’t speak
But I rewrote you in every beat

You blink I break
You breathe I ache
You move I wait
(I wait I wait)

Come turn me on like a velvet switch
No promises just static twitch
Don’t love me—just circle back
One more loop then fade to black

(Ahh…)
Circle back
(Ahh…)
Fade to black

Your silence talks in Morse to me
I hum it back unconsciously
No need for vows no names to curse
We orbit pain—but in reverse

You blink I float
You breathe I choke
You move I glow
(You know you know)

Come turn me on like a velvet switch
Forget the rules forget the glitch
Don’t stay long—just mark the track
One more loop then no way back

(Hmm…)
Mark the track…
(Hmm…)
No way back…

It’s not love—
Just beautiful damage
A signal you sent
But never managed
(And I… tuned in anyway)

Come turn me on like a velvet switch
Whisper sweet in a foreign pitch
Don’t need truth—just feedback hum
One more loop—then I’ll come undone

(Undone…)
(Undone…)

CREDITS
Performer: Celeste Raye
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

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Feel The Fire
Sofia Cruzado

Sofia Cruzado

Sofia Cruzado is a captivating Latin pop artist whose powerful voice and magnetic stage presence draw listeners in from the very first note. With a style reminiscent of modern Latin icons, she blends infectious rhythms with heartfelt storytelling, creating songs that ignite both emotion and movement.

Her debut single, Feel The Fire, captures her fiery spirit and undeniable charisma. Available exclusively on Filodyo and NOT FM, the track marks the beginning of a promising career that’s set to light up the Latin music scene. Sofia Cruzado doesn’t just perform—she commands attention, leaving an unforgettable impression on everyone who hears her.

Track(s)
Feel The Fire	134216	03:17

Feel The Fire

Sofia Cruzado

Oh-oh oh-oh (yeah)
Mmm fuego
Let’s go

Your eyes pull me to the floor
Like the waves I can’t ignore
Every step you own the night
Body talkin’ feelin’ right
Baila lento take your time
One more step you’re in my mind
Heat is risin’ can’t disguise
Every move a paradise

Closer closer — feel that beat
Your hands your hips my heart skips
Rhythm’s takin’ over me
Baby set my body free

When you move like that I feel the fire
Heart’s in sync we’re climbing higher
Tu cuerpo dice lo que callas
I can read your soul in silence

Turn around the crowd goes wild
Every smile a little wild
Sunset glow on your skin
Dance begins we never end
Baila conmigo don’t let go
Every beat I need to know
Your shadow melts into mine
We get lost in perfect time

Closer closer — feel that beat
Your hands your hips my heart skips
Rhythm’s takin’ over me
Baby set my body free

When you move like that I feel the fire
Heart’s in sync we’re climbing higher
Tu cuerpo dice lo que callas
I can read your soul in silence

You say “come here” — I’m already gone
One step closer the night’s too long
You spin me ‘round — I lose control
Baila baila — let it flow

Oh-oh fuego fuego
Oh-oh fuego fuego
Move it move it
Lose it lose it

When you move like that I feel the fire (fuego)
Heart’s in sync we’re climbing higher (más alto)
Tu cuerpo dice lo que callas
I can read your soul in silence

Yeah oh-oh-oh
Mmm fuego…

CREDITS
Performer: Sofia Cruzado
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

When the Noise Fades
The Absents

The Absents

The Absents are a four-piece synth-pop and modern disco-pop band hailing from Brighton, on the south coast of the United Kingdom. The lineup consists of Elliot Kane (vocals), Ryan Whitford (keyboards & production), Callum Price (bass guitar & synth bass), and Jamie Harlow (guitar & backing vocals). The four met in 2018 at a local music festival, where a late-night jam session revealed a shared passion for blending the melodic elegance of 80s synth-pop with the energy and polish of modern pop production.

Deeply influenced by the infectious hooks and emotive energy of Erasure, The Absents quickly began writing together, crafting songs that pair bright synth textures with tight bass grooves and subtle funk undertones. Their early rehearsals took place in a modest studio near Brighton’s seafront, a space that soon became their creative sanctuary and the birthplace of their signature sound.

In 2019, the band released their debut single, which found its way onto local radio playlists and began circulating through London’s club scene. Known for their vivid light shows, charismatic stage presence, and danceable, high-energy sets, The Absents built a reputation as one of the most exciting new acts in the UK’s pop landscape.

Today, The Absents continue to bridge nostalgia and modernity, reaching audiences far beyond the British Isles. Elliot’s commanding yet soulful vocals, Ryan’s shimmering synth arrangements, Callum’s deep, driving grooves, and Jamie’s melodic guitar lines come together to create a live experience that is as unforgettable as it is electrifying.

Track(s)
When the Noise Fades	134074	04:00
But North Keeps	129632	03:46

When the Noise Fades

The Absents

You said it all without a sound
Eyes like rivers underground
No stage no sign no grand display
But still you took my breath away

When the noise fades
I see you clear
No masks remain
No need to steer
In that still shade
You draw me near

Curtains closed the world stands still
No rush no race no sudden thrill
Just quiet steps upon the floor
No less no more I ask for

When the noise fades
I see you clear
No masks remain
No need to steer
In that still shade
You draw me near

I don’t believe in grand goodbyes
Just simple truths behind the eyes
Not every tale begins with fire
Some just flicker then inspire

When the noise fades
I see you clear
No masks remain
No need to steer
In that still shade
You draw me near

CREDITS
Performer: The Absents
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

Things I Never Said
Bruno Galvez

Bruno Galvez

Bruno Galvez was born to a working-class Spanish family in Valencia, where the scent of orange blossoms mixed with the sound of distant flamenco was part of everyday life. Raised in a modest apartment above a small tapas bar, Bruno’s earliest memories include the strum of his grandfather’s old guitar and the rhythm of heels tapping against the tiled floor. Music wasn't just tradition — it was identity.

To support himself through school, Bruno played guitar on the streets and metro stations of Madrid, his case open for coins, his eyes always scanning for inspiration. These years shaped both his sound and his soul. The rawness of performing for strangers taught him to listen deeply to people’s silence — and to fill it with something honest. His fingers spoke when words failed, and soon his name became familiar in the underground corners of the city.

He studied Anthropology at the Universidad Autónoma de Madrid, drawn to human stories, rituals, and rhythms — the same themes that echo in his music. By night he was a student of culture; by day, a transmitter of it, blending traditional flamenco with the urgency of the modern world. His academic lens gave new depth to his compositions, adding layers that resonated beyond melody.

Today, Bruno Galvez is no longer just a street performer. He’s a storyteller, a cultural bridge, and a reminder that music — especially flamenco — is not meant to be caged. It is meant to move, to cry, to celebrate, and most importantly, to survive.

Track(s)
Silbando Tu Nombre	115646	03:34
Things I Never Said	133981	03:48

Things I Never Said

Bruno Galvez

I kept your name in a quiet drawer
Where I hide the things I can't restore
Every word I wrote I burned unread
I'm still haunted by the things I never said

I didn't scream I didn't cry
I let you leave without asking why
But in my bones I broke and bled
From all the things I never said

[Guitar Break]

I smiled like silence was my friend
But silence never helps in the end
You touched my back I turned instead
And buried deep the things I never said

I didn't scream I didn't cry
I let you leave without asking why
But in my bones I broke and bled
From all the things I never said

[Instrumental Break]

There were nights I danced just to forget
Lips on mine but no regret
Still I feel you in my breath—
A ghost that never left

[Final Chorus]
I didn't scream I let you go
But now the quiet hurts me more
I should’ve loved I should’ve pled
Instead I kept the things I never said

CREDITS
Performer: Bruno Galvez
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

Dance Without You
Lucía

Lucía

Lucía doesn’t raise her voice — she lets silence lean toward her.

Born in Ciudad Juárez, where the wind carries both prayers and warnings, Lucía learned early that strength doesn’t shout — it stands still. Her music wasn’t born in studios. It was carved in alleyways, border bars, long walks home. She didn’t grow up dreaming of stages. She grew up walking away from things that didn’t serve her.

Her voice carries the weight of absence — low, textured, unhurried. With influences rooted in ranchera, flamenco, and tango, she weaves stories that don’t plead, but remember. Every note she sings is a scar that glows.

In recent years, Lucía has emerged as one of Filodyo’s most enigmatic voices — fierce, private, unforgettable. On her latest collaboration with Wade Hollis, the gravel-toned American guitarist, Lucía sings over strings like rusted fences in the sun. The song doesn’t comfort. It confronts — just like her.

The connection began far from stages. While Wade Hollis was recording new material with Filodyo, he mentioned a woman he had once heard playing in a dim-lit cantina near the border. “She sings like she’s been through three lifetimes,” he said. It was during a late-night Zoom call with Hakan E., the creative engine behind Filodyo, that Lucía’s name resurfaced.

By chance — or something heavier — Hakan had just expressed his search for a voice that wasn’t sweet, wasn’t polished — but true. “I need someone who sounds like she doesn’t need anyone,” he had said. A few weeks later, their first conversation took place across a flickering Zoom screen. Lucía, seated on a balcony in Mexico, cigarette in hand. No makeup. No pretenses. Just presence.

That was enough.

Now, her voice travels far from the cantinas — but it never left the dust behind.

You don’t listen to Lucía to feel better.
You listen to feel seen.

Track(s)
Dance Without You	132713	03:43

Dance Without You

Lucía

No more tears in my mirror frame
No more whispering your name
Got a new dress and a different fire
Tonight I dance through the wire

I gave too much forgot my flame
You left but I reclaimed my name
Now I’m glowing in my golden shoes
And this beat don’t play the blues

I dance without you — I don’t break I burn! (burn!)
Watch me spinning as the tables turn (turn!)
I got the rhythm don’t need your tune
I own this night I own this room!

I dance without you — I don’t beg I fly! (fly!)
You were a storm but I’m the sky
I let go with every move
Freedom fits me better than you

Champagne sparks in the flashing light
New perfume and my steps feel right
I lost your voice but found my sound
And baby I’m not slowing down

You thought I'd fade…
But I bloom in bass
You took your shot…
And missed my grace

I dance without you — I don’t break I burn!
No more silence I return
Every beat rewrites my truth
And this floor don’t cry for you

Dance…
without you
Shine…
without you
Live…
without you

CREDITS
Performer: Lucía
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

Fire in the Open Air
James Rolly

James Rolly

Born in 1989 in Dayton, Ohio, James Rolly’s life was anything but straightforward. Growing up in a working-class neighborhood, he found himself drawn to music at an early age, learning his first guitar chords from an older cousin who played in local bars. But his teenage years spiraled into turbulence — run-ins with the law, school expulsions, and a revolving door of juvenile detention centers and rehabilitation programs marked his adolescence.

It was during a six-month stay at a rehab facility in Cleveland that James began writing his own songs, using music as a way to process his frustration and loneliness. The stark, confessional style of those early lyrics became the foundation of his artistic voice. He often says the rehab’s battered common-room piano was “the first place I ever told the truth.”

By his mid-20s, James was performing in small clubs across the Midwest, blending gritty Americana storytelling with modern soul and rock influences. His husky voice, commanding presence, and refusal to glamorize his troubled past earned him a loyal following. The shaved head, beard, and head tattoos became part of his unflinching image — a visual reminder of where he’s been and how far he’s come.

Today, James Rolly’s music reflects both the scars and the survival. From intimate acoustic sets to explosive full-band performances, he channels every ounce of his history into a sound that’s raw, magnetic, and unapologetically real.

Track(s)
Fire in the Open Air	130317	03:05

Fire in the Open Air

James Rolly

I’m walking through the noise and color
Every face feels like a secret sign
My heart’s a drum that won’t keep quiet
Every beat says “Boy this ain’t your time”

But I move I move with the rhythm
Even when the words don’t fit in

I got this fire burning in the open air
Every step says I belong somewhere
Don’t need a map I’ll find my line
Turning every street into my design

There’s laughter rolling out of doorways
Music pouring from a midnight band
I don’t know the song but I’m singing
Clapping to the beat like I understand

And I move I move with the rhythm
Even when the words don’t fit in

I got this fire burning in the open air
Every step says I belong somewhere
Don’t need a map I’ll find my line
Turning every street into my design

Maybe I’m lost but it feels like winning
Every wrong turn keeps my story spinning
If this is the game then I’m all in
Every note’s a place I’ve never been

I got this fire burning in the open air
Every step says I belong somewhere
Don’t need a map I’ll find my line
Turning every street into my design

And I move…
I move with the rhythm

CREDITS
Performer: James Rolly
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

JINGLE

FILODYO
TRENDING NOW

00:00 / 00:00

But North Keeps
The Absents

The Absents

The Absents are a four-piece synth-pop and modern disco-pop band hailing from Brighton, on the south coast of the United Kingdom. The lineup consists of Elliot Kane (vocals), Ryan Whitford (keyboards & production), Callum Price (bass guitar & synth bass), and Jamie Harlow (guitar & backing vocals). The four met in 2018 at a local music festival, where a late-night jam session revealed a shared passion for blending the melodic elegance of 80s synth-pop with the energy and polish of modern pop production.

Deeply influenced by the infectious hooks and emotive energy of Erasure, The Absents quickly began writing together, crafting songs that pair bright synth textures with tight bass grooves and subtle funk undertones. Their early rehearsals took place in a modest studio near Brighton’s seafront, a space that soon became their creative sanctuary and the birthplace of their signature sound.

In 2019, the band released their debut single, which found its way onto local radio playlists and began circulating through London’s club scene. Known for their vivid light shows, charismatic stage presence, and danceable, high-energy sets, The Absents built a reputation as one of the most exciting new acts in the UK’s pop landscape.

Today, The Absents continue to bridge nostalgia and modernity, reaching audiences far beyond the British Isles. Elliot’s commanding yet soulful vocals, Ryan’s shimmering synth arrangements, Callum’s deep, driving grooves, and Jamie’s melodic guitar lines come together to create a live experience that is as unforgettable as it is electrifying.

Track(s)
When the Noise Fades	134074	04:00
But North Keeps	129632	03:46

But North Keeps

The Absents

Rust runs along the rails to nowhere
Morning stations breathe a scent of iron
Words melt in my hands like shards of ice
Even when I speak it’s someone else’s song

Foreign clocks drag their feet
The wind calls me by names I’ve never worn

This city feels like a mirror I’ve never owned
My steps fall on stones that don’t remember me
I drew a map with the length of my shadow
But north keeps pointing somewhere else

Cracked windows hold the faces of other lives
Salted bread is torn with prayers I can’t translate
I keep the roofs of distant houses in my eyes
But the mailbox stays empty — no one arrives

Foreign clocks drag their feet
The wind calls me by names I’ve never worn

This city feels like a mirror I’ve never owned
My steps fall on stones that don’t remember me
I drew a map with the length of my shadow
But north keeps pointing somewhere else

A ticket in my pocket
Its destination still a stranger
Maybe it’s one-way out
Or just another foreign land

Rust runs along the rails to nowhere
And I keep walking without a border to cross

CREDITS
Performer: The Absents
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

All for One Y.
Ayvenn

Ayvenn

Ayvenn was born and raised in Clearwater Heights, a quiet hillside town in Georgia where music wasn’t just background noise — it was how people coped, celebrated, and remembered. From Sunday gospel choirs to late-night Latin radio, the sounds around him shaped a boy who rarely spoke, but always listened. In silence, he learned to interpret the world. And when he began writing lyrics, it wasn’t about performance — it was about decoding feelings he couldn’t name.

Fusing Pop and R&B with understated Latin textures, Ayvenn crafts music that feels more like film than formula. His voice is warm, restrained, and precise — a narrator of emotional undercurrents rather than explosions. Each track unfolds slowly, deliberately, like memories coming into focus. There’s clarity in his subtlety, weight in his pauses.

His breakout song, “All for One Y.” was born from an unexpected connection. Hakan E — the mind behind Filodyo, known for his instinct in spotting rare talent — reached out after hearing early demos from Ayvenn. He sent a short message and a concept: “This isn’t a love song. It’s a math problem.” That idea resonated deeply. To Ayvenn, the X’s weren’t just variables — they were past mistakes, unanswered questions, the people he couldn’t quite hold onto. And the “Y”? The reason he kept trying.

Ayvenn recorded the song in a single late-night session, layering vocals with surgical attention, pulling tension from silence, and shaping each detail until it echoed with something intimate and real. To Solve for Y isn’t just a debut — it’s an internal dialogue turned outward, crafted for anyone who’s ever tried to explain a feeling they didn’t fully understand.

Now, Ayvenn is building a sound that’s emotionally meticulous, sonically immersive, and unmistakably his own. Every track is a quiet revelation. Every heartbreak, every wrong turn — part of the formula. And somewhere, at the end of it, is the answer. Always her.

Track(s)
All for One Y.	127911	04:18

All for One Y.

Ayvenn

Uuuh
Aaaa
I had the chalk I had the board
Thought I knew what I was fighting for

I mapped it out like a perfect line
Variables dancing in my mind
Tried to graph where you might be
But love don’t fit no geometry

Slopes and curves they lied to me
No formula for what you see
You’re that value off the grid
And I solved what no one ever did

Every X I tried to crack
Led me closer no way back
Thought I had it all misread
But you were waiting up ahead

You don’t know how many Xs I had to break
To get one inch closer to Y (uh-huh)
I carried numbers like they were names
Till the moment you met my eye (ooooh)
It’s a mess of signs and endless tries
But now your logic redefines (yeaaah)
You don’t know how many Xs I had to face
Just to solve for a single Y

(Uuh uuh — that single Y)
(Aaah all those Xs I tried)

Circle back erase the trace
You’re the answer that now holds its place
I tried dividing all the pain
But you were constant in the rain

Was it sine or just a sign?
You curved in at the perfect time
I drew a heart inside the square
And this time you were really there

I factored in the nights alone
Calculated love unknown
But this equation found its truth
When all the numbers pointed to you

I reduced and simplified
You multiplied what’s deep inside
Left the questions in the dust
Now the formula is us

You don’t know how many Xs I had to break
To find the one and only Y (yeah yeah)
I carried numbers like they were names
But you gave meaning to the why (no no)
It’s a mess of signs and endless tries
Now it all aligns no need to lie (uh-huh)
You don’t know how many Xs I had to face
Just to solve for a single Y

(Uuh that final Y)
(Aaaah no more Xs I…)

Maybe you were undefined
In the limits of my mind
An asymptote I chased in vain
Till you stood right in the frame

You don’t know how many Xs I had to break
To stand here holding onto Y
I carried numbers like they were weights
But now the answer meets the sky
The signs were loud the tries were wild
But now I see the reason why
You don’t know how many Xs I had to face
Just to know that Y was you

(Uuh you’re my Y)
(Aaaah it’s always been you)

So I drop the pen the work is done
You were the proof the only one
No more math no more try
You’re my answer — you’re my Y

CREDITS
Performer: Ayvenn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

Ashes in the Rain
Fallen Radio Kings

Fallen Radio Kings

Fallen Radio Kings is a three–piece rock band from Austin, Texas, born out of late–night jam sessions in a suburban garage. Frontman Ethan Cole (vocals, guitar), bassist Marcus Rivera, and drummer Daniel Hayes first crossed paths during their college years, sharing a love for raw guitars, driving rhythms, and the restless energy of American alternative rock. What began as casual weekend rehearsals soon grew into a band with a sound rooted in grit, melody, and the working–class reality of their lives.

Each member still balances music with day jobs — Ethan works as a theater sound technician, Marcus runs a coffee bar and record stand, and Daniel repairs cars at his family’s garage, the very place where the band practices. That mix of everyday grind and creative fire defines their character: ordinary guys chasing extraordinary noise. Their lyrics echo that duality, blending stories of heartbreak, resilience, and fleeting moments of joy with the raw punch of garage–born rock.

Their name, inspired by a broken flea–market radio, reflects their vision: even when the signal fades, the voice remains. With unpolished energy and heartfelt songwriting, Fallen Radio Kings carry the spirit of garage rock revival into a new generation. They’re not chasing polish or perfection — they’re chasing connection, turning the sound of their suburban nights into anthems for anyone who has ever felt like an outsider with a story to tell.

Track(s)
Ashes in the Rain	123957	03:40

Ashes in the Rain

Fallen Radio Kings

Shadows crawl across the wall…
Your voice lingers though it’s gone…

I held the sun but it slipped through my hand
Like broken glass scattered over sand
Every whisper a stone in my chest
Every memory I tried to forget

And the silence cuts deeper than words
Like a hymn that no one heard

Now I see ashes in the rain
Every color bleeds the same
You were fire I was the flame
But nothing’s left to carry the name

Your eyes were rivers I drowned within
A flood of shadows beneath my skin
I carved your name in the bones of the sky
But even the stars couldn’t tell me why

And the silence cuts deeper than words
Like a hymn that no one heard

Now I see ashes in the rain
Every color bleeds the same
You were fire I was the flame
But nothing’s left to carry the name

Oh-oh… can you hear me now?
Oh-oh… I can’t let you down…

Ashes in the rain…
Every color bleeds the same…
You were fire I was the flame…
But nothing’s left… nothing remains…

Shadows crawl… across the wall…

CREDITS
Performer: Fallen Radio Kings
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

Pages in the Groove
Ted Craft

Ted Craft

Born in 1992 in Austin, Texas, Ted Craft grew up surrounded by a melting pot of musical influences — from the blues and country his father played on vinyl to the funk and disco his mother kept on repeat in the kitchen. By the age of 10, he was playing guitar and piano, and by 14 he was already performing at local open-mic nights. His natural stage charisma and ear for infectious melodies quickly set him apart from his peers.

After high school, Ted earned a scholarship to the prestigious Berklee College of Music in Boston, where he majored in Contemporary Writing and Production. During his time there, he immersed himself in pop and funk theory, honing his skills in arrangement, songwriting, and live performance. Berklee also gave him the opportunity to collaborate with musicians from all over the world, helping shape the eclectic yet polished sound he’s known for today.

Post-graduation, Ted moved to Los Angeles and began crafting his signature blend of sleek pop hooks, groovy basslines, and bright funk guitar riffs. His debut EP quickly caught the attention of both critics and streaming audiences, with its feel-good energy and polished musicianship.

On stage, Ted Craft is a showman through and through — dynamic, playful, and completely in command of his audience. Whether fronting a full band or delivering an intimate acoustic set, he brings the same infectious energy and precision that has made him one of the most exciting new names in the pop-funk scene.

Track(s)
Pages in the Groove	119603	03:09

Pages in the Groove

Ted Craft

I’ve walked into rooms where no one knew my name
Just a stranger with a pocket full of games
Every beat another chapter I could tell
Every move another spell I had to sell

Lights spin I’m reading the crowd
Hear my story as the bass gets loud
Oh-oh I’m not here to hide
I’m just letting my pages slide

These are the pages in the groove I’ve made
Pages in the groove yeah they never fade
Every step every night it’s a story played
Oh-oh that’s the life I’ve laid

There’s a bar in Berlin a floor in Madrid
Faces change but the rhythm never did
Bought a round for the table told a joke or two
They don’t know the truth but I gave them the view

Lights spin I’m reading the crowd
Hear my story as the bass gets loud
Oh-oh I’m not here to hide
I’m just letting my pages slide

These are the pages in the groove I’ve made
Pages in the groove yeah they never fade
Every step every night it’s a story played
Oh-oh that’s the life I’ve laid

If you read between the beats you’ll know my name
Every chorus is a frame in a bigger game
We all write on the floor tonight
And I’m just signing mine in the neon light [vocal run ad-lib]

These are the pages in the groove I’ve made
Pages in the groove yeah they never fade
Every step every night it’s a story played
Oh-oh that’s the life I’ve laid

Pages in the groove…
…and the night goes on

CREDITS
Performer: Ted Craft
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

00:00 / 00:00

Call Me Tonight
Amara Vale

Amara Vale

Amara Vale is a European pop and R&B vocalist whose sultry tone and fearless style have made her one of the most exciting new voices on the scene. Born in Lisbon, Portugal, to a Portuguese father and a French mother, she grew up surrounded by a rich mix of cultural influences. From French chanson to soulful 90s R&B, the music playing in her family home shaped her distinctive sound and artistic vision.

After moving to Barcelona at the age of 12, Amara began performing in small cafés and local festivals, quickly building a reputation for her captivating stage presence. Her ability to blend emotional storytelling with infectious, modern production caught the attention of international producers and audiences alike.

Now based in Berlin, Amara Vale is ready to share her artistry with the world. Her music is available exclusively on Filodyo and NOT FM, offering listeners a unique blend of atmospheric pop, seductive R&B, and club-ready energy. With each release, she continues to prove that her voice, her style, and her story are unlike anything else in the European music landscape.

Track(s)
Call Me Tonight	118753	03:01

Call Me Tonight

Amara Vale

Oh oh yeah…
Mmm… listen…

Every day I see your face in my mind
Every night I’m hoping you’ll give me a sign
The way you left it’s tearing me apart
But one word from you could restart my heart

I can’t hide this feeling inside
Boy you know I tried
Tell me why we’re playing this game
Call my name call my name

Call me tonight I’m losing my mind
Say you’re still mine don’t leave me behind
One more time I’ll make it all right
Call me tonight call me tonight

I remember every touch every smile
The way you made my world feel so worthwhile
I hear your voice in every song I play
It’s like you’re here but still so far away

I can’t hide this feeling inside
Boy you know I tried
Tell me why we’re playing this game
Call my name call my name

Call me tonight I’m losing my mind
Say you’re still mine don’t leave me behind
One more time I’ll make it all right
Call me tonight call me tonight

Baby I can’t sleep I’m wide awake
Every beat of my heart’s a mistake
Without you I’m not the same
So just call my name call my name

Call me…
Tonight…
One more time…

Call me tonight I’m losing my mind (yeah)
Say you’re still mine don’t leave me behind (oh no)
One more time I’ll make it all right (make it right)
Call me tonight call me tonight

Oh… call me tonight…

CREDITS
Performer: Amara Vale
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.

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