Wade Hollis doesn’t chase the spotlight — he moves through the world like a shadow at dusk, quietly carving songs out of silence and sand. Born somewhere between the border towns of New Mexico and West Texas, he grew up surrounded by static-filled radio, motel ceilings, and the hum of distant freight trains.

His voice is weathered, like desert wood — raw, honest, and unpolished. Every lyric he writes feels like a road he’s driven a hundred times and still doesn’t fully understand. There’s no big team behind him, no hometown hero narrative. Just a guitar, a gravel road, and the ache of never quite belonging.

Hollis doesn’t stream anywhere else. His music lives exclusively on Filodyo and NOT FM, like postcards from a place most people drive past but never stop to feel. If you’ve ever stared out of a car window at 2 a.m. and felt both free and completely lost — you’ve already heard Wade Hollis, whether you knew it or not.

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Brooklyn-born duo Riko & Tay are here to shake up the music scene with their infectious blend of funk, afrobeat, and modern dance-pop. Combining bold charisma with undeniable chemistry, these two childhood friends grew up surrounded by the rhythms of the city, and their music is a reflection of that vibrant, multicultural energy.

Their debut single, "Da Da Dara (Move Your Body)," released under Filodyo Records, is a high-octane anthem designed to get people on their feet. Featuring a driving beat, playful call-and-response vocals, and an irresistible chorus packed with their signature “da da dara” hook, the song became an instant crowd favorite. Critics have called it a “party-starter for a new generation,” and fans can’t get enough of the duo’s electrifying energy.

Riko brings a bold, fiery edge with his commanding vocals and lively stage presence, while Tay balances it with smooth harmonies and a magnetic charm. Together, they create music that’s all about joy, movement, and connection, celebrating the power of rhythm to bring people together.

With their debut EP on the way, Riko & Tay are set to take their place as the new kings of dancefloor funk, proving that when they say “move your body,” you really can’t resist.

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Born and raised in Amsterdam, Lucas Hale is a rising singer-songwriter blending modern pop with cinematic, atmospheric sounds. His passion for music started early, but it wasn’t until he moved to Prague for university that he truly embraced his artistry. While studying digital media, Lucas spent nights crafting melodies in his dorm room and performing at underground venues across the city.

Aside from music, Lucas also works as a model, bringing his sharp features and effortless style to fashion campaigns across Europe. His debut single, Falling Faster, captures the electrifying rush of youthful adventure, blending deep beats with haunting melodies. With a voice that carries both power and emotion, Lucas Hale is an artist on the verge of something big.

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Feeding off the neon pulse of Las Vegas, Adam Lamo has boogie-wired our hearts to irresistible dance beats like no one else. His music is more infectious than a hangover from an all-night disco party, and just as unforgettable.

Picture this: a youthful Adam, prowling the technicolor streets of Vegas, the city's rhythm flowing through his veins like liquid gold. With "Keep Me In That", Lamo masterfully bottled that dazzling, Frank Sinatra meets Calvin Harris vibe. The beats are sunnier than a Vegas summer heatwave and guaranteed to lift any moody blackjack player off their stool and onto the dancefloor.

Mr. Lamo whips up melodies that make choosing to sit out not an option, but a crime against fun itself. His music's joy factor hits harder than a final-round knockout; it's not just dance, it's happiness in audio form. Consider yourselves officially warned: surrender to the irresistible allure of Adam Lamo's beat, or risk a lifetime of being a total party pooper. Our lad from Vegas didn't just show up; he's here to make us dance 'til sunrise and beyond.

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She makes music for the hours when clarity doesn’t arrive on time. Her songs sit between late-night electronic culture and everyday emotional friction, carried by a vocal that avoids performance and leans into presence. There’s no melodrama here, no oversized hooks. Instead, she works with restraint, letting repetition, silence, and subtle shifts do the heavy lifting, capturing the tension of modern relationships and the quiet pressure of daily life.

Sonically, her work draws from melancholic drum and bass and deep electronic traditions, but filters them through a distinctly current lens. Beats roll rather than hit, bass appears just long enough to leave a trace, and arrangements resist obvious peaks. Her voice is treated as part of the architecture, close, controlled, and emotionally distant, floating above the rhythm instead of chasing it. It’s music built for movement and reflection at the same time.

Her releases live within the carefully curated worlds of Filodyo and NOT FM, platforms that prioritise context over noise and long-form listening over instant impact. In that sense, her music isn’t chasing trends, it’s designed to exist alongside them, quietly confident, emotionally precise, and very much of its moment.

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Sofia Lindqvist is a unique musical tour de force born to an engineer father in Slovakia. Raised in the heart of Bratislava, she embodies an enviable fusion of technical brilliance and ebullient creativity.

Growing up, Sofia was the kind of kid who hummed symphonies while dismantling radios—much to her father's chagrin, and her mother's delight. From a young age, she fell under the spell of electronic music, a passion fuelled by her father's meticulous engineering and the city's vibrant music scene. Early whispers say that Sofia was so entranced by the metropolis' sounds she would insist to recreate the rhythm of the city traffic during her piano lessons.

However, it wouldn't be until her tenure as a kindergarten teacher that Sofia really began melding the worlds of sound and circuitry. After realizing that her classroom renditions of 'Old MacDonald' paled in comparison to a foot-stomping techno beat, Sofia decided to combine her love of electronics with her obsession for music. Her electrifying rhythms and harmonic melodies soon saw her swapping out nursery rhymes for nightclubs, becoming the city's beloved "Techno Teacher."

Sofia's song "Liberate", a hypnotic blend of thumping base and riveting electronic sounds, has become the most treasured track in her musical repertoire. It tells a captivating story of liberation, evoking the freedom Sofia found when she ditched the training wheels of traditional music and glided into the world of electronica. Whether she's blasting tunes at Bratislava's liveliest venues or tinkering with a sequencer in the back of her classroom, Sofia Lindqvist continues her symphony of life, one pulsating techno beat at a time.

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Lyra Luxx, the eternal songbird of California, hails from a unique lineage of performers and artistic savants. A vibrant fount of melodies, with a story as colorful as her repertoire, Luxx's journey toward musical prominence took root in the sunny courtyards of Laguna Beach High School (LBHS). Here, amidst the bustling crowd of students and the cacophony of crashing lockers, Lyra carved out a refuge with her schoolmates in an all-girl band. The only remaining member from that original lineup, Luxx had an added feather in her high school cap, holding the esteemed position of a cheerleader. Who else, after all, could champion the school spirit better than the musical prodigy herself?

With a name as resplendent as ‘Lyra Luxx,’ you might expect a pivotal star moment or a dramatic twist. In a plot worthy of a Broadway production, her golden opportunity struck beneath the glaring halogens and amidst the simulated fog of LBHS’s annual talent extravaganza. The only thing missing was a superhero cape as she delivered an iconic rendition of her now famous single, "My Happy Song". The ensuing applause could have rivaled any seismic activity in California, thus turning a new page in her journey. Today, Luxx is recognized far beyond the confines of LBHS, solidifying her star status with each melodious offering. And as for that erstwhile all-girls band? It exists now only in memory, as a significant stepping stone in the rise and rise of Lyra Luxx, California's own glamorous diva. But remember folks, beneath all the glitter and the vocals, she remains the invincible cheerleader from Laguna Beach High School. Go, team!

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Enter Dionne, a maverick of the dance scene and purveyor of pop perfection hailing from the heart-thrum of Las Vegas, aptly nicknamed Sin City. Unsurprisingly, Dionne's music puts the heart back into the heartland of America's entertainment playground with every thumping beat.

A regular backstage presence at the glittering Strip casinos from a young age, Dionne honed her craft amid the mesmerizing hum of slot machines and the relentless energy of SinCity's pulsating nightlife. Now she's smashing the charts harder than a high roller on a lucky streak, with her notably infectious hit "Every Heartbeat."

Dionne has become synonymous with creating an ecstasy of sound you can’t help but move to, weaving happy harmonies like a nimble-fingered croupier dealing a hand of high-stakes poker. Her music doesn't just evoke a happy mood; no, it screws up happiness into a confetti ball and throws it high into the Nevada night sky – a neon rainbow explosion against the backdrop of the Vegas lights.

In Dionne, we found our music equivalent to a Vegas jackpot - always unexpected, always exhilarating. She's placing Dance back on the frontline and hitting the jackpot not with poker chips, but with every electrifying, happy heartbeat resonating in her tunes. And let's say this; she's just getting warmed up.

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Bruno Galvez was born to a working-class Spanish family in Valencia, where the scent of orange blossoms mixed with the sound of distant flamenco was part of everyday life. Raised in a modest apartment above a small tapas bar, Bruno’s earliest memories include the strum of his grandfather’s old guitar and the rhythm of heels tapping against the tiled floor. Music wasn't just tradition — it was identity.

To support himself through school, Bruno played guitar on the streets and metro stations of Madrid, his case open for coins, his eyes always scanning for inspiration. These years shaped both his sound and his soul. The rawness of performing for strangers taught him to listen deeply to people’s silence — and to fill it with something honest. His fingers spoke when words failed, and soon his name became familiar in the underground corners of the city.

He studied Anthropology at the Universidad Autónoma de Madrid, drawn to human stories, rituals, and rhythms — the same themes that echo in his music. By night he was a student of culture; by day, a transmitter of it, blending traditional flamenco with the urgency of the modern world. His academic lens gave new depth to his compositions, adding layers that resonated beyond melody.

Today, Bruno Galvez is no longer just a street performer. He’s a storyteller, a cultural bridge, and a reminder that music — especially flamenco — is not meant to be caged. It is meant to move, to cry, to celebrate, and most importantly, to survive.

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Just when you thought the boot-shaped country of Italy couldn’t gift us anything more delightful than pizza, espresso, and the Colosseum, here come Milano Roads to drop the beat and turn your world upside-down. A duo as dynamic as a perfectly pulled shot of espresso, they're serving dance music so hot it could cook your Margherita.

Our main men of Milano Roads are two fellas who embody the high-octane power of their music in every vivacious vein. Raised on hearty servings of pasta and classic dance records, they grew up amidst the backdrop of Italy's pulsating club scene, dreaming of transmitting their irrepressible energy into a sound system near you. They now dish out tracks that are creamy, rich, and pack a punch like a perfectly crafted Italian espresso - with "You And I" being their creamiest hit to date.

Stirring up a potent cocktail of head-spinning synths and pulsating rhythms, they’ve singlehandedly put the ‘dance’ in the Italian Renaissance. Their music is like a Vespa ride through the crowded streets of Milan, it's fast, flashy, a little nerve-wracking but oh so exhilarating. The brotherhood dish out beats as lively as the Italian nightlife, evoking an energetic mood that goes beyond the realm of EDM, turning even the shyest of wallflowers into groove-loving party animals.

With Milano Roads on the decks, you'll find yourself shimmying like you’re shaking off a stubborn linguine stain. Just don't blame us when you can't get their infectious beats out of your head - or when you find yourself inexplicably craving a cannoli. Brace yourselves, music lovers, because these Italian maestros are stealing the dance scene, one pulsating beat at a time.

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Elyra Dawn was born in Rotterdam, raised between ferry horns and late-night radio static. Music wasn’t a choice — it was everywhere. Her mother sang quietly while folding laundry, her older brother blasted trance through paper-thin walls, and Elyra? She listened. Carefully. Absorbing melodies like secondhand sunlight.

She spent her teenage years bouncing between school choirs, bedroom recordings, and weekend trips to Amsterdam’s record stores. The moment she first heard Robyn’s Dancing On My Own on a train platform at dusk, something clicked. It wasn’t just about sadness or joy — it was how you could wear both in the same voice. That duality, the push and pull between euphoria and vulnerability, would become Elyra’s signature.

After performing in local clubs and uploading small demos online, she received an unexpected email from Filodyo’s Hakan E — a message that simply said: “You sound like you’ve lived a little. Let’s talk.” What followed was a slow, careful collaboration: late-night file exchanges, voice memos from backstage, moments captured between flights. Elyra didn’t rush it. She never does.

Today, her voice balances two worlds — the sweaty rush of the dancefloor and the quiet ache of a Sunday morning alone. Her hooks stick, her delivery stings, and her presence on stage feels at once intimate and cinematic. Elyra Dawn isn’t here to be loud. She’s here to be heard.

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