Hamartia, born Juliet Steiner, grew up in a strict Catholic family in Dublin, where expectations were high, and tradition ran deep. From an early age, Juliet knew she was different, but her family’s reaction to her sexual orientation was anything but supportive.

Feeling isolated and misunderstood, she sought solace in Greek mythology, where she discovered the concept of hamartia—a tragic flaw that often leads to downfall in ancient stories. Embracing the name Hamartia became her way of owning her identity and turning pain into strength, using it as a symbol of defiance against the societal norms that tried to suppress her.

Her move to Dublin’s vibrant underground music scene gave her the freedom to truly explore her voice. Hamartia quickly stood out for her unique vocal techniques, blending haunting tones with an emotive, almost ethereal quality that captivates listeners.

Her style, a mesmerizing fusion of Amplified Heart and pop dance, reflects both her inner turmoil and resilience. Each performance feels like a cathartic release, with her vocals carrying the weight of her past while moving toward something liberating and triumphant.

Hamartia's music doesn’t shy away from the complexities of love, loss, and self-discovery. Tracks like "I Don' Know" and "Eyes Wide Open" speak to the tension between vulnerability and empowerment, a delicate balance she has mastered through her songwriting.

Now a rising figure in Dublin’s pop dance scene, her unapologetic artistry resonates with fans who find strength in her journey. And as she continues to perform in venues across the city, Hamartia’s star keeps rising, proving that sometimes our flaws, real or perceived, are what make us truly extraordinary.

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Melly Rich, born to a Lebanese family in Amsterdam, grew up surrounded by two worlds: the culinary brilliance of her father, Chef Khaled Rich, and the rich cultural heritage of the Middle East. Her father is the head chef of La Maison des Délices, one of France’s most prestigious Michelin-starred restaurants, known for its fusion of French and Middle Eastern flavors. Despite her father's fame in the culinary world, Melly's passion led her down a different path.

Though her family assumed she would follow in her father’s footsteps, Melly was captivated by music from a young age. With her father’s full support, she began singing, though her formal education took her into the world of architecture at the University of Amsterdam.

Balancing her studies with her love for music, Melly began to develop a unique sound, blending her Middle Eastern roots with the vibrant energy of Western pop. Her breakthrough single, "Damn, I Wish I Were in Istanbul", captures this fusion perfectly. The song carries hints of oud and traditional Arabic rhythms, interwoven with modern pop beats, creating a bridge between two worlds. It’s not just a catchy tune—it’s a love letter to her cultural identity, filled with nostalgia for the warmth and chaos of the Middle East, while reflecting her cosmopolitan life in Europe.

The song quickly gained attention, especially for its atmospheric vibes that pull listeners into a dreamlike vision of Istanbul, with its bustling bazaars and shimmering Bosphorus views.

Melly's ability to infuse her music with Middle Eastern influences sets her apart in the global music scene, and though she’s still juggling her architectural studies, there’s no doubt that music is where her heart truly lies. With the world now watching, Melly Rich is on her way to becoming an international sensation, blending cultures and genres like her father blends flavors at his famous restaurant.

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Known for producing groovy beats that put a wiggle in your walk, Zahna Krouphouse is the hidden gem of the electronica scene with a penchant for igniting spontaneous kitchen dance parties. To the unassuming listener, Zahna's refreshing sound spells out freedom, exhilaration, and well... sheer joy!

Zahna got the break they've been waiting for when they were scouted by Filodyo. What started as a soundtrack for the aisle wanderers in stores turned out to be the foot-tapping, head-bobbing anthem for headphone warriors worldwide. Zahna's style? Think a vibrant fusion of Aphex Twin’s heart-thumping rhythm with Daft Punk's rhapsodic harmonies. But they punctuate it with a zesty twist of their own, stirring up their Krouphouse magic that flip-flops your heart and has your toes tapping a Morse code of elation.

Their crowning jewel? The catchy ditty christened "Self Mastery". Proving to be more than a hyped-up joyride, it's an electronic odyssey that weaves in the pulse of self-discovery, self-love, and well, mastering one's self. As Zahna says, it's the "digital lullaby of the self-actualized soul," if that doesn't make you double-click on their playlist, what will? On that happy note, may Zahna Krouphouse's music echo in your heart, head, and, inevitably, hips. Could you ask for a more funky companionship on your journey of self-mastery?

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Ryder James is a rising pop-soul artist whose warm vocals and timeless style bridge the gap between classic soul storytelling and modern pop production. With a voice that carries both grit and grace, he creates songs that feel instantly familiar yet refreshingly new.

His debut single, Static on the Line, is a captivating blend of heartfelt lyricism and smooth, groove-driven instrumentation. Produced by Filodyo and released exclusively on NOT FM, the track showcases Ryder’s ability to turn everyday moments into powerful musical narratives.

Raised on a steady diet of soul legends and contemporary pop innovators, Ryder brings authenticity and emotional depth to every performance. Static on the Line is more than just a song—it’s an introduction to an artist who is here to connect, move, and inspire listeners worldwide.

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Aris Veyton is an electronic music producer whose sound blends modern club energy with subtle emotional depth. Rooted in electronic and dance-driven structures, his productions balance clean rhythms, textured synth layers and restrained melodic elements.

Rather than chasing trends, Aris focuses on atmosphere and flow. His tracks are designed to work both on the dancefloor and in personal listening environments, creating a sense of continuity rather than sudden impact. Minimal arrangements, controlled dynamics and carefully crafted sound design are central to his approach.

Working primarily in the studio, Aris Veyton treats music as a long-form experience rather than a single moment. His style reflects a contemporary electronic mindset: precise, understated and immersive. Each release is a step in an evolving sonic identity that prioritizes mood, space and consistency.

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Imagine the grit and spirit of Seattle's best alternative music, colored with the blues of an often-drizzly city. Enter Dax Merrill, an artist who manages to distill the emotional richness of his surroundings into his melancholic masterpieces.

Dax hails from the birthplace of grunge, drawing upon the city's legacy with his murky, atmospheric guitar riffs and a voice that's gravelly yet beautiful. His music is an evocative blend of the gloomy skies and evergreen optimism of Seattle, weaved seamlessly within the fabric of his melancholic melodies.

From his mother's garage, he first strummed out the notes of a self-taught spells. His most notable song, "Memories That Stay", is a haunting testament to his past—a cathartic narration of his journey and a tribute to his resilient spirit.

Dax Merrill is as real as it gets, mates—unapologetically raw, generously insightful, undeniably talented. He's your heart's post-rain fog, the echoing muse on those sleepless nights. Listening to Dax is like tracing the outline of your own emotions, one chord at a time. So grab your headphones and let this Seattle-sound virtuoso take you on a sonorous adventure of an indie kind.

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With a name synonymous with the hauntingly beautiful waters of Ohrid, North Macedonia, Elira Vayne is your go-to dance diva with a twist. Part French, part Albanian, and 100% maverick, Vayne gives dance music a refreshing Balkan edge.

Born to the lullaby of a mandolin on Ohrid's shores, Elira was raised with the zest of Albania and the charm of France running through her veins. As if algae-ridden waters and sun-lit picnic spots out of posters whispered into her ears, everyone wondered, "Does Ohrid govern the sounds she creates?" And in a quaint voice, she would almost always blush and say, "Mais oui, and a bit of Marseille jazz too."

By the time teenage took over, the rhythm of the mandolin turned to jazz in the pulsating heart of Marseille. There, in a music sklearnamediciabacked alley bistro turned vocal studio, she trained some more in the gallant art of French jazz vocals. Little did she know that her cultural potpourri would give birth to a new music sensation: the vivacious tones of French Electronica blended with raw Balkan folklore.

Never leaving her roots far behind, each album cover of Elira's embroiders a rich tapestry of Balkan texture. In contrast, her songs hum with the vibe of French electronic dance music, mostly with her biggest hit yet, "I'm The Lighter". You can feel the happy energy as potent as the Ohrid sun, making her music a cocktail of infectious melodies under the umbrella contract of Filodyo. And quite frankly, it's this sun-soaked, high spirited party in the Byzantines' backyard that sets Elira Vayne on a league above your usual dance floor DJs.

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“If it doesn’t ask questions, it’s not music.”

LYA (pronounced “Lie-uh”) is a genre-defying artist from Berlin whose roots stretch from conservatory string quartets to the depths of fog-drenched warehouse raves. A classically trained violinist who once performed Vivaldi at age nine, she left formal music behind in her early 20s to pursue something more fractured, more real. What emerged was a sound as delicate as it is defiant—where harpsichords coexist with 2-step beats, and questions matter more than answers.

Her music exists in a liminal zone: somewhere between dance and disassociation, pop and poetry, cathedral and club. LYA often weaves spoken-word passages into her songs, transforming internal monologues into melodic mantras. Vocals—sometimes her own, sometimes spliced and AI-shifted—glide over textured layers of cello, muted synths, and ambient distortion. Think: if Imogen Heap grew up listening to Burial and wrote haikus in code.

LYA’s debut EP “Syntax of Sleep” was a quiet cult success among insomniac circles on Bandcamp, praised for its “introspective maximalism.” Her live sets, often accompanied by generative visuals and interactive lighting that reacts to audience movement, blur the line between concert and hallucination. She isn’t afraid of silence, nor of noise. Both, to her, are forms of rhythm.

LYA doesn’t write songs to explain. She writes them to wonder. “What’s It Made Of?”—her latest single via notfm—isn’t just a title. It’s a dare. A whisper in the hallway between thoughts. A reminder that meaning isn’t always the point.

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Kai Spectrum is a wizard of the turntables, a maestro of the mixing decks, hailing straight from the vibrant music scene of Almanya. He's not your ordinary DJ, in fact, he may be the only one in history who'd dare to use 'various' and 'vocals' in the same sentence with nothing but charm. Often found nestled in his Almanya studio, Spectrum spends his days (and let's be honest, most of his nights) crafting pulsating beats solely for the ears of his loyal listeners on the enigmatic platform, filodyo.

One of Spectrum's most notable conquests in the music sphere is "With Whom I'm Meeting". A brainchild of Spectrum's unconventional brilliance, this track shows off his knack for layering unexpected vocals over his signature groovy beats. But much like the man himself, this song proves that there's more than meets the eye - or in this case, the ear. For those who listen closely, "With Whom I'm Meeting" whispers a tale of Spectrum's uncanny ability to blur the lines between the sonic and the narrative, making the audience question, just who are they meeting? Rest assured, dear reader, the answer will always be - the music, their own imagination, and the whimsical humor of Kai Spectrum.

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Meet Greta Falk - a woman who writes letters to the world in the form of melody, one coffee cup at a time. Best known for her achingly beautiful duet, "Faded Picture of Us (Nova Grip)", Greta's music dares you not to feel.

Once a humble barista, Greta swapped her Americano for Allegros, her caramel macchiato for concertos. Working the espresso machine in a little café back in her hometown, she spent her spare time spinning a web of storytelling, uncovering the lyrical undercurrents in the daily grind of coffee beans. Vienna was just a faded picture on a postcard then, an elusive dream that seemed light years away.

Greta's big break came after an impromptu performance in the café, grabbing the heartstrings of a customer who happened to be a music producer on a caffeine kick. Next thing she knew, she was packing her passport alongside her piano sheet music. Soon after settling in Vienna, Greta would tie the knot with the city and her newfound love. So if you thought romance was only found in a Vienna coffee house with a slice of Sachertorte, allow “Faded Picture of Us (Nova Grip)” to change your mind.

In a world where pop music often relies on sugar-coated hooks, Greta Falk’s songwriting serves up a double espresso – unflinching, raw, and undeniably addictive. So here's to Greta, crafting symphonies one coffee bean — I mean note, at a time. This woman not only proves that it's never too latte to follow your dreams but also that behind every successful artist, there’s substantial amount of caffeine. Greta definitely knows her art just as well as her coffee art!

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She makes music for the hours when clarity doesn’t arrive on time. Her songs sit between late-night electronic culture and everyday emotional friction, carried by a vocal that avoids performance and leans into presence. There’s no melodrama here, no oversized hooks. Instead, she works with restraint, letting repetition, silence, and subtle shifts do the heavy lifting, capturing the tension of modern relationships and the quiet pressure of daily life.

Sonically, her work draws from melancholic drum and bass and deep electronic traditions, but filters them through a distinctly current lens. Beats roll rather than hit, bass appears just long enough to leave a trace, and arrangements resist obvious peaks. Her voice is treated as part of the architecture, close, controlled, and emotionally distant, floating above the rhythm instead of chasing it. It’s music built for movement and reflection at the same time.

Her releases live within the carefully curated worlds of Filodyo and NOT FM, platforms that prioritise context over noise and long-form listening over instant impact. In that sense, her music isn’t chasing trends, it’s designed to exist alongside them, quietly confident, emotionally precise, and very much of its moment.

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