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Glass Rain
Liora Venn
Verified Artist
Liora Venn
Liora Venn makes melodic deep house for late rooms, wet windows and the small hours when city lights start to feel personal. Her sound is built around warm analog bass, airy pads and restrained piano motifs, with vocals that move like a memory rather than a spotlight.
Glass Rain captures that world clearly: intimate, nocturnal and quietly hypnotic, balancing club pulse with a melancholy human center. Venn's music avoids oversized drops in favor of atmosphere, motion and emotional detail.
Glass Rain
Liora Venn
I saw your face in the glass rain
Sliding down the window line
City lights were losing color
But your shadow still found mine
You said nothing lasts forever
Like forever was a crime
I kept counting every silence
Like it might give back the time
We don't have to call it love
We don't have to name the fire
Just stay close enough tonight
To feel the wire
If the morning takes you
Let it take you slow
Leave a little echo
Where the blue lights glow
I'll be moving through the glass rain
With your heartbeat in the floor
Every street becomes an ocean
Every door becomes your door
We were never made for answers
Only signals in the dark
Two lost satellites turning
Round the same electric spark
We don't have to call it love
We don't have to name the fire
Just stay close enough tonight
To feel the wire
If the morning takes you
Let it take you slow
Leave a little echo
Where the blue lights glow
And if the night forgets us
I will still know
How your voice became the rhythm
Under everything below
If the morning takes you
Let it take you slow
Leave a little echo
Where the blue lights glow
CREDITS
Performer: Liora Venn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Waves of Laughter
Common Holiday
Verified Artist
Common Holiday
Common Holiday is an independent music project crafted by Berlin-based artist Sam Turner, whose vibrant soundscape blends folk, indie, pop, and rock into an energetic tapestry. With a passion for storytelling through music, Sam wields his acoustic guitar to create playful melodies that invite listeners to embrace the joy of life’s little moments. His catalog showcases a compelling blend of bright major keys and lively rhythms, encapsulated in tracks like "Waves of Laughter," where the warmth of analog tape meets playful instrumentation, from strummed guitars to the buoyant tones of trombone and violin.
Growing up surrounded by diverse musical influences in the heart of Berlin, Sam found inspiration in the city’s rich cultural scene. He began writing songs as a means to express his experiences and emotions while fostering connections with others. The collaborative spirit of Berlin brought together like-minded musicians who shared his vision, leading to a creative partnership that would eventually shape Common Holiday. Together, they craft songs that resonate with an uplifting energy, encouraging listeners to dance away their worries and celebrate life’s joys.
"Waves of Laughter" perfectly embodies the essence of Common Holiday's ethos—spreading optimism and connection through music. The track's playful singalong quality draws audiences in, providing a sense of community and shared experience. As Sam continues to develop his artistic identity, expect more tracks that fuse heartfelt lyrics with high-energy production, inviting everyone to join in the uplifting journey he offers through his music.
Waves of Laughter
Common Holiday
Got my feet up sun on my face
Life is a ride let’s pick up the pace
With a strum of the guitar the world feels right
Let’s dance on the clouds from morning till night
LAUGHING LOUD we chase the sun
Rolling on waves oh we’re gonna have fun!
With a trombone blast we’re breaking the rules
Together we shine just a couple of fools!
Running through fields with laughter in tow
A violin sings as we steal the show
Time is a game we play it so bright
With every note played we’re taking flight
LAUGHING LOUD we chase the sun
Rolling on waves oh we’re gonna have fun!
With a trombone blast we’re breaking the rules
Together we shine just a couple of fools!
LAUGHING LOUD we chase the sun
Rolling on waves oh we’re gonna have fun!
With a trombone blast we’re breaking the rules
Together we shine just a couple of fools!
CREDITS
Performer: Common Holiday
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Velvet Circuits
Mara Vale
Verified Artist
Mara Vale
Mara Vale makes sleek night-drive pop with a disco pulse: live bass lines, clean rhythm guitar, warm strings, and hooks that feel lit by streetlights. Her songs balance playful movement with a bittersweet city glow, built for listeners who want groove, melody, and a little electricity under the skin.
Her sound sits between classic dance-floor craft and modern pop polish, with soulful female vocals carrying stories of late buses, rooftop coffee, open city windows, and small moments that suddenly feel cinematic. Mara Vale keeps the arrangements bright and human: tight drums, handclaps, piano stabs, and choruses designed to move without turning into a cliché.
Velvet Circuits
Mara Vale
I saw your name in the window light
spelled out backwards on a passing bus
city heat on a borrowed bike
and a little bit of trouble looking back at us
You had a laugh like a camera flash
gone too soon but it burned the room
I had a heart with a broken latch
swinging open to a silver moon
We don't need forever to feel electric
just a little voltage under the skin
You move like velvet circuits
turning all my lonely lights on again
If the night tries to sell us silence
we'll answer with a melody and grin
You move like velvet circuits
and I keep coming back to begin
Coffee cold on a rooftop stair
bassline leaking from a taxi door
You tied a ribbon in your midnight hair
said the future isn't hungry anymore
I was counting every exit sign
making maps out of ways to leave
Then you put your hand inside of mine
like a rhythm that remembered me
We don't need forever to feel electric
just a little voltage under the skin
You move like velvet circuits
turning all my lonely lights on again
If the night tries to sell us silence
we'll answer with a melody and grin
You move like velvet circuits
and I keep coming back to begin
All my static turns to motion
all my caution learns to shine
There's a pulse beneath the pavement
keeping perfect crooked time
We don't need forever to feel electric
just a little voltage under the skin
You move like velvet circuits
turning all my lonely lights on again
If the night tries to sell us silence
we'll answer with a melody and grin
You move like velvet circuits
and I keep coming back to begin
Velvet circuits in the crosswalk glow
Velvet circuits and the city knows
Velvet circuits when the morning spins
I keep coming back to begin
CREDITS
Performer: Mara Vale
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Margin of Error
Susan Hall
Verified Artist
Susan Hall
Susan Hall emerges from the vibrant backdrop of New York City, where late-night writing sessions fuel her introspective explorations into the human experience. Infusing elements of Lo-Fi, Pop, and Trip-Hop, Susan crafts soundscapes that oscillate between playful and melancholic. Her track "Margin of Error" encapsulates this duality, featuring smoky vocals layered over a pulsating sub-bass and ethereal Fender Rhodes chords. With a penchant for the poetic, her lyrics explore themes of longing and uncertainty, often wrapped in an enigmatic embrace that resonates deeply with listeners.
The sonic threads within her catalog weave together a compelling narrative, each track a reflection of her artistic identity marked by subtle contrasts. From the dark trip-hop influences that shape her beats to the epic yet intimate moods she conjures, Susan's music reveals a world where vulnerability meets resilience. With tracks like "Margin of Error," she invites audiences to navigate through the shadows of love and loss while offering an unexpected playfulness that lingers long after the last note fades.
Margin of Error
Susan Hall
You filed my name under maybe
Kept one hand near delete
Your sentences came pre-approved
Every promise wore a barcode
I read the terms across your face
A firm refusal dressed as grace
You kept my number off the page
Then called it love at your own rate
I learned the cost of being near
A private charge renewed each year
Your figures never could align
You changed the units every time
You took the sum removed the source
Then called the damage normal loss
Call me your margin of error
The number you round to zero
You kept me close to the ledger
But never part of the total
Call me your margin of error
Your almost your after your spare
I won’t be filed under maybe
I won’t be useful then erased
You wore affection like a pass
Valid until somebody asked
My place was marked with pencil lead
Easy to alter hard to read
You built a room from access codes
The door unlocked when you chose
I left the key beside your name
No final speech no claim to blame
Your figures never could align
You changed the units every time
You took the sum removed the source
Then called the damage normal loss
Call me your margin of error
The number you round to zero
You kept me close to the ledger
But never part of the total
Call me your margin of error
Your almost your after your spare
I won’t be filed under maybe
I won’t be useful then erased
I was never hard to measure
You preferred uncertain scales
A person turned to useful data
A pulse reduced to monthly sales
Now every digit has an owner
Every loss can state its cause
You can keep your perfect record
I have left your private laws
Call me your margin of error
The number you rounded to zero
You kept me close to the ledger
But never part of the total
Call me your margin of error
The flaw that refused to behave
Cross out the file marked as maybe
I won’t be useful then erased
Delete my name from your system
The error has learned its own weight
CREDITS
Performer: Susan Hall
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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She Owns The Night
Dora The Clone
Verified Artist
Dora The Clone
Imagine a futuristic pop diva hailing from the chromatic labs of Clone City, and you're partway to encapsulating the vibrant phenomenon known as Dora The Clone. This independent artist dances to the beat of her own drum machine, captivating audiences with her disco-dusted, cybernetic symphonies.
Dora's music, a technicolour dream of dance-floor beats and electrifying melodies, is as enigmatic as her origins in the post-apocalyptic streets of Clone City. With a sound that weaves together the energy of club culture and the pulsing heart of electro-pop, her tunes are guaranteed to make neural pathways light up like a Friday night in Blade City.
Every single one of her infectious grooves seems to command, "Beam me up, Scotty!" Of special note is her big hit "She Owns The Night," an anthem for audacious androids and human party-goers alike. The track throbs with vibrant synth and stuttering beats, overlaid with Dora's crystal-clear vocals, making every listener feel like they're cruising through the neon-soaked metropolis under a night sky of silver stars.
With Dora The Clone, expect the unexpected: a tantalizing futuristic world brought to life through pulsing dance heaters and shimmering pop anthems. Underneath the cosmic glitz and glamour, you'll find a heart that beats in binary and a soul that vibrates at gigahertz frequency. Hold onto your hoverboards folks, because Dora The Clone is here to redefine the future of pop – and she's doing it in binary code.
She Owns The Night
Dora The Clone
She walks in slow
But the room moves first
No crown no show
Still they know her worth
She don’t ask for permission
She don’t wait by the door
Got a heart made of rhythm
And a name they can’t ignore
Red lips calm eyes
Turning silence into gold
She’s been through the fire
Now she wears it like a coat
You can’t dim her down
She’s already light
She don’t chase the crowd
She owns the night
She owns the night
Moves like the bassline
Cool under pressure
Danger in the waistline
She owns the night
No need to prove it
One look one step
Everybody feels the music
She don’t need love to feel alive
She don’t need stars to make her shine
She owns the night
She owns the night
Oh-oh she owns it
Oh-oh she knows it
Oh-oh she owns it
She owns the night
No tears on the dance floor
She left them in the rain
Put her pain in a black dress
Turned it into champagne
They said “Stay smaller”
She said “Watch me rise”
Now the mirror gets jealous
When she looks inside
You can’t dim her down
She’s already light
She don’t chase the crowd
She owns the night
She owns the night
Moves like the bassline
Cool under pressure
Danger in the waistline
She owns the night
No need to prove it
One look one step
Everybody feels the music
She don’t need love to feel alive
She don’t need stars to make her shine
She owns the night
She owns the night
Every heartbreak made her louder
Every goodbye gave her power
Now she dances on the hour
Like the world is hers to devour
No more waiting
No more hiding
She’s the thunder
She’s the lightning
She owns the night
Moves like the bassline
Cool under pressure
Danger in the waistline
She owns the night
No need to prove it
One look one step
Everybody feels the music
She don’t need love to feel alive
She don’t need stars to make her shine
She owns the night
She owns the night
Oh-oh she owns it
Oh-oh she knows it
Oh-oh she owns it
She owns the night
CREDITS
Performer: Dora The Clone
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Borrowed Cutlery
Asha Monroex
Verified Artist
Asha Monroex
Asha Monroex, a New York native, is a self-made artist carving out her own niche in the world of Independent Pop. Best known for her hit single "New York, I Loved You," Monroex is as much a part of the city's fabric as its yellow taxis and insomniac lifestyle.
A craftswoman of melancholic melodies, Asha's artistry spirals on downbeat rhythms and swirls of synth-driven soundscapes that resonate with her heartfelt lyricism. She's the type of artist who pens her poignant prose amidst the organized chaos of her Lower East Side apartment, making her music feels as personal as being let in on a closely guarded secret.
Inherently prolific, Monroex is a master at evoking emotional responses with her emotionally charged tracks. She captures the long teary taxi rides home and 3 am heartbreak with a quiet grace and majesty that far surpasses her fellow indie pop peers. Her melodies come through not as songs, but as anthems for those who've experienced love and loss in the city that never sleeps.
Always genuine and undeniably relatable, Asha endears herself to her listeners by turning sorrow into swagger, one resonating note at a time. Her music isn't just a catalogue of songs; it's a journey through the ups and downs of life in the big city, wrapped up in a soulful pop package. And trust us, once you're on this ride, you're not going to want to get off.
Borrowed Cutlery
Asha Monroex
You came in late
With a theory about forks and fate
I kept my coat
You said my silence needed one more note
Your drink went warm
While you described your personal reform
I changed my mind
Halfway through a sentence you redesigned
Too neat
You make good manners sound incomplete
Too sure
You diagnose the waiter and the furniture
Give me the crooked part
The bit that never learned to behave
Skip the polished start
I’d rather hear what you forgot to save
Don’t make it beautiful
Make it useful for a minute or two
Something disputable
Something that could only come from you
The bass moved first
You called it elegant then called it cursed
I missed the beat
You drew a diagram across the receipt
Your mouth said “fine”
Your eyebrows filed an appeal against mine
The plates were cleared
But somehow your complaint just reappeared
One step
Then a paragraph with nothing left
Two sips
And now we’re arguing about eclipse
No script
Just brass behaving badly at the hip
Give me the crooked part
The bit that never learned to behave
Skip the polished start
I’d rather hear what you forgot to save
Don’t make it beautiful
Make it useful for a minute or two
Something disputable
Something that could only come from you
You want a verdict
I brought a question with no proper ending
You want precision
I brought a rhythm that resents explaining
Call it defective
Call it a habit with excellent shoes
Call it selective
I call it knowing what not to refuse
Stay odd
Let all the tidy couples blame the odds
Stay sharp
Keep one good insult hidden after dark
Give me the crooked part
The one you never put on display
No ceremonial heart
No careful phrase rehearsed on the way
Keep it improbable
Keep it a little too clever to prove
Almost impossible
But still with enough nerve left to move
You took the spoon
I took the story
Fair enough
You looked less boring
CREDITS
Performer: Asha Monroex
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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New York, I Loved You
Asha Monroex
Verified Artist
Asha Monroex
Asha Monroex, a New York native, is a self-made artist carving out her own niche in the world of Independent Pop. Best known for her hit single "New York, I Loved You," Monroex is as much a part of the city's fabric as its yellow taxis and insomniac lifestyle.
A craftswoman of melancholic melodies, Asha's artistry spirals on downbeat rhythms and swirls of synth-driven soundscapes that resonate with her heartfelt lyricism. She's the type of artist who pens her poignant prose amidst the organized chaos of her Lower East Side apartment, making her music feels as personal as being let in on a closely guarded secret.
Inherently prolific, Monroex is a master at evoking emotional responses with her emotionally charged tracks. She captures the long teary taxi rides home and 3 am heartbreak with a quiet grace and majesty that far surpasses her fellow indie pop peers. Her melodies come through not as songs, but as anthems for those who've experienced love and loss in the city that never sleeps.
Always genuine and undeniably relatable, Asha endears herself to her listeners by turning sorrow into swagger, one resonating note at a time. Her music isn't just a catalogue of songs; it's a journey through the ups and downs of life in the big city, wrapped up in a soulful pop package. And trust us, once you're on this ride, you're not going to want to get off.
New York, I Loved You
Asha Monroex
Seventh Avenue 2 AM
You had your jacket on I had nowhere to be then
Yellow cabs blurring past the rain
You said my name like it was something you wanted to keep
Rooftop views and corner store wine
You made this city feel like it was only mine
But New York doesn't stop for anyone
And neither did you when you were done
I still hear the subway underground
Every time I'm trying not to think about
The way you laughed when the lights went out
New York I loved you
But I loved him more
And he left like the L train
Through a closing door
I still got the skyline
I still got the rain
But baby loving you was my
Most beautiful pain
Brooklyn bridge on a Saturday
You took my picture like you planned to stay
I framed it hung it on the wall
Took it down in November when the leaves would fall
You were Harlem jazz at midnight
I was trying to be your home
But some men love a city
More than they'll ever love you alone
I still walk the same blocks we used to share
Turn the corner half-expecting you'd be there
(yeah…)
But the city just stares
(just stares…)
New York I loved you
But I loved him more
And he left like the L train
Through a closing door
I still got the skyline
I still got the rain
But baby loving you was my
Most beautiful pain
(most beautiful…)
This city taught me everything I know
How to hold on
(hold on)
How to let go
(let go)
How to stand in the middle of a million souls
And still feel whole
(feel whole…)
New York didn't break me
He just set the scene
(mm)
And I was never really lost
I just hadn't found me
(found me…)
(ohhhh)
New York I loved you
(loved you)
And I love me now
(now)
Traded in the heartbreak
For my own vow
(yeah)
Still got the skyline
Still got the rain
(the rain…)
And baby — that pain
Made me everything
(everything…)
mmmh…
CREDITS
Performer: Asha Monroex
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Call Me Expensive
Fonx Prime
Verified Artist
Fonx Prime
Fonx Prime is an emerging artist from London, known for his infectious blend of funk and pop that captures the vibrancy of the city’s music scene. Currently honing his craft as a conservatoire student, Fonx brings a youthful exuberance to his work, drawing inspiration from both classic influences and contemporary trends. His debut track "Call Me Expensive" showcases this dynamic approach, effortlessly merging upbeat rhythms with playful lyrics that resonate with themes of hope and confidence.
With a sound that is both energetic and uplifting, Fonx's music invites listeners into a world where joy is paramount. Each composition reflects his ability to create engaging melodies that linger in the mind long after the last note fades. Beyond the lively grooves of "Call Me Expensive," future releases are expected to expand upon this tapestry, exploring the interplay between funk-driven beats and pop sensibilities while maintaining an overall sense of optimism.
Fonx Prime’s artistic identity is rooted in authenticity, as he embraces his journey with sincerity and passion. His music not only serves as a reflection of his personal experiences but also invites audiences to celebrate life’s moments of happiness and playfulness. As he continues to develop his catalog, Fonx aims to connect with fans through relatable themes and an infectious energy that encourages everyone to embrace their individuality.
Call Me Expensive
Fonx Prime
Ow
Mm
Don’t act cheap with my heart
You got style
But you talk too much
You got taste
But you rush too much
I don’t need
A golden key
I just need
You next to me
No long speech
No big parade
Just that look
That you can’t fake
You say maybe
I say no
Pick a side
Or let me go
I’m not hard to love
I’m hard to fool
You play so sweet
But I know you
If you want my time
Spend it right
Don’t bring drama
To my Friday night
Call me expensive
Call me too much
Call me whenever
You need real love
Call me electric
Call me your type
Call me before you
Change your mind
You don’t need money
You need attention
I don’t want diamonds
I want intention
Call me expensive
Baby that’s fine
Cheap talk never
Gets my time
You wear cool
Like a second skin
But I see nerves
When I walk in
You try smooth
I try honest
You want games
I want promise
Don’t send flowers
Send the truth
I got better
Things to do
You say maybe
I say please
Don’t waste rhythm
On your knees
I’m not hard to love
I’m hard to fool
You play so sweet
But I know you
If you want my time
Spend it right
Don’t bring drama
To my Friday night
Call me expensive
Call me too much
Call me whenever
You need real love
Call me electric
Call me your type
Call me before you
Change your mind
You don’t need money
You need attention
I don’t want diamonds
I want intention
Call me expensive
Baby that’s fine
Cheap talk never
Gets my time
Less conversation
More dedication
Less explanation
More demonstration
I don’t need perfect
I don’t need rich
I need somebody
Who knows what this is
Say it cleaner
Stand up straighter
Love me now
Or miss me later
Call me expensive
Call me too much
Call me whenever
You need real love
Call me electric
Call me your type
Call me before you
Change your mind
You don’t need money
You need attention
I don’t want diamonds
I want intention
Call me expensive
Baby that’s fine
Cheap talk never
Gets my time
Ow
Don’t act cheap with my heart
Call me expensive
That’s a good start
CREDITS
Performer: Fonx Prime
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Les Petites Choses ...
Mina Cazal
Verified Artist
Mina Cazal
Mina Cazal is a French pop singer and songwriter known for turning ordinary days into sharply observed little stories. Her songs move through missed buses, supermarket queues, unfinished conversations and small domestic disasters, finding humor in moments most people barely notice. Instead of writing about perfect romances or dramatic escapes, she focuses on the strange comedy of simply getting through the day.
Raised between Lyon and the southern town of Sète, Mina grew up around theatre rehearsals, second-hand records and long family dinners where everyone spoke at once. She began writing songs as miniature scenes, combining conversational French lyrics with bright basslines, playful keyboards and understated dance-pop rhythms. Her vocal style is expressive and intimate, often shifting between singing, speaking and half-smiling observations.
Her music feels polished but never overly controlled. Beneath the cheerful arrangements, there is always a trace of fatigue, doubt or quiet affection for imperfect people. Mina Cazal writes pop songs for listeners who lose their keys, forget why they entered a shop and still manage to make something memorable out of the day.
Les Petites Choses de Travers
Mina Cazal
Sept heures douze le réveil insiste
Je négocie encore quatre minutes
Le chat me regarde comme une huissière
Il connaît déjà toutes mes excuses
Une chaussette noire une chaussette bleue
Je déclare que c’est volontaire
Le pain a brûlé pendant que je lisais
Un message marqué « très prioritaire »
Dans l’ascenseur Madame Lefèvre
Me raconte son ficus malade
Je hoche la tête avec gravité
Comme une spécialiste des salades
J’avais prévu d’être impeccable
Organisée presque admirable
Mais le mardi connaît mon adresse
Et vient toujours semer le désordre
La vie c’est souvent de travers
Un bus raté des pâtes trop cuites
Un grand discours dans ma tête
Puis « oui bien sûr » quand on m’invite
La vie c’est rarement comme prévu
Mais franchement tant mieux peut-être
Je perds mes clés je gagne une histoire
Et ça suffit pour tenir debout
À dix heures trente réunion d’équipe
Quelqu’un partage trente-six tableaux
Je dessine un poisson sur mon carnet
Il a l’air plus compétent que nous
À midi Sonia commande léger
Puis vole la moitié de mes frites
Elle dit : « Ça ne compte pas vraiment
Quand ça vient de l’assiette d’une copine »
Le serveur oublie mon dessert
Je décide que c’est philosophique
Certaines choses arrivent en retard
D’autres jamais et c’est très pratique
J’avais prévu d’être raisonnable
De répondre vite d’être joignable
Mais mon téléphone tombe à trois pour cent
Et soudain le monde se débrouille
La vie c’est souvent de travers
Un bus raté des pâtes trop cuites
Un grand discours dans ma tête
Puis « oui bien sûr » quand on m’invite
La vie c’est rarement comme prévu
Mais franchement tant mieux peut-être
Je perds mes clés je gagne une histoire
Et ça suffit pour tenir debout
Dix-neuf heures six petite supérette
Je prends du lait des tomates du savon
Je repars avec un ananas
Et sans aucune explication
Le caissier demande si j’ai la carte
Je réponds oui puis cherche longtemps
Derrière moi personne ne soupire
C’est probablement un miracle local
Chez moi je cuisine en musique
Le chat refuse toute participation
Je mange debout près de l’évier
Comme une reine sans administration
On nous apprend les grandes décisions
Les beaux départs les lendemains utiles
Mais personne ne parle assez souvent
Du bonheur discret d’annuler un dîner
D’enlever ses chaussures trop tôt
De rire seule pour une phrase idiote
De trouver au fond d’un vieux sac
Le bonbon qu’on croyait disparu
La vie c’est souvent de travers
Un rendez-vous puis une autre route
Une mauvaise journée bien racontée
Devient presque une journée réussie
La vie c’est rarement comme prévu
Et c’est peut-être tout son talent
Je ferme les volets je laisse la vaisselle
Demain fera mieux… ou différemment
Minuit vingt-deux le réveil est prêt
Je promets d’être sérieuse demain
Le chat me regarde sans rien dire
Il connaît déjà très bien la fin
CREDITS
Performer: Mina Cazal
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Run Into Summer
August Marlow
Verified Artist
August Marlow
August Marlow is a 25-year-old artist hailing from Toronto, whose music encapsulates the essence of youth and optimism. With a focus on pop, his debut track "Run Into Summer" radiates a hopeful and uplifting vibe, perfectly reflecting the playful spirit of summer. Marlow's sound is characterized by vibrant melodies and heartfelt lyrics, inviting listeners into a world where inspiration and joy intertwine seamlessly.
Though currently his catalog includes just this one track, "Run Into Summer" sets a promising tone for what is to come. Marlow's artistic identity is shaped by themes of positivity and aspiration, elements that are likely to resonate throughout his future work. As he continues to explore and expand his musical horizons, fans can anticipate a collection of songs that celebrate life's lighter moments while maintaining an authentic connection to his artistic roots.
Run Into Summer
August Marlow
You showed up late with your hair still wet
Said “don’t ask where I’ve been”
I had two cold drinks and a nervous smile
You had trouble on your skin
We left our phones in the corner booth
Ran out before the bill
You said “I know a road where the city ends”
I said “show me I will”
And I don’t know
Where this thing is going
But your hand’s in mine
And the night keeps rolling
You say my name
Like a song you’re learning
Then you pull me close
And the whole street’s turning
So let’s run into summer
Like we don’t know better
Heartbeats loud
In the hot bad weather
You and me
Getting gone together
If we fall too fast
We can blame it on forever
Run run
Into the blue
I don’t need a plan
When I’m running with you
Run run
Like lovers do
I don’t need the world
I just need one more minute with you
You kicked your shoes off by the seaside bar
Danced on the pavement line
I tried to act like I didn’t care
But I was losing my mind
You stole my cap I stole your look
We were laughing too loud
Somebody played that old guitar
And you sang to the crowd
And I don’t know
If this is a warning
But your eyes say stay
Till the blue of morning
You say my name
Like you mean it maybe
Then you smile like that
And the night goes crazy
So let’s run into summer
Like we don’t know better
Heartbeats loud
In the hot bad weather
You and me
Getting gone together
If we fall too fast
We can blame it on forever
Run run
Into the blue
I don’t need a plan
When I’m running with you
Run run
Like lovers do
I don’t need the world
I just need one more minute with you
Oh-oh-oh
One more minute with you
Oh-oh-oh
One more minute with you
**[Bridge - Half Time]**
Maybe September comes too soon
Maybe this all disappears
Maybe we’re just two hearts
Making too much noise out here
But I don’t wanna slow down
I don’t wanna be right
I just wanna keep you
For the rest of tonight
So let’s run into summer
Like we don’t know better
Heartbeats loud
In the hot bad weather
You and me
Getting gone together
If we fall too fast
We can blame it on forever
Run run
Into the blue
I don’t need a plan
When I’m running with you
Run run
Like lovers do
I don’t need the world
I just need one more minute with you
Oh-oh-oh
One more minute with you
Oh-oh-oh
Run into summer with you
CREDITS
Performer: August Marlow
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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No Replay
Mara Vey
Verified Artist
Mara Vey
Mara Vey is a pop and electronic vocalist whose songs pair clear melodic writing with sleek dance production and emotionally direct storytelling. Her sound moves between modern dance-pop, refined house rhythms and intimate electronic textures, giving reflective themes an immediate radio-ready lift.
She writes about self-respect, changing patterns and the private decisions that reshape everyday life. Rather than turning heartbreak into spectacle, Mara focuses on the moment a person chooses clarity, sets a boundary and keeps moving.
“No Replay” captures that approach through a warm deep-house pulse, precise female vocals and a chorus built around leaving the past where it belongs. Its confident energy balances emotional honesty with a polished, forward-moving groove.
Mara Vey’s music is designed for late drives, crowded rooms and solitary resets alike—melodic, clean and direct, with hooks that stay memorable without losing their meaning.
No Replay
Mara Vey
One more message then I let it go
No hard feelings just a different road
You send a question past a quarter two
I read it twice but I already knew
We kept a habit long beyond its use
Now every answer feels like an excuse
I don't need a perfect ending
I just need a line that's true
No replay no replay
We can leave it where it changed
No replay no replay
I won't trade my peace for yesterday
Keep the good release the weight
No replay no replay
No no no replay
No no no replay
Friends keep asking if I miss the sound
I miss who I was when you came around
But missing isn't an instruction now
I know the exit and I know it counts
I don't need a perfect ending
I just need a line that's true
No replay no replay
We can leave it where it changed
No replay no replay
I won't trade my peace for yesterday
Keep the good release the weight
No replay no replay
Maybe closure isn't something said
Maybe it's the choice to step ahead
No villain no score no debt to pay
Just two people choosing separate ways
No replay no replay
We can leave it where it changed
No replay no replay
I won't trade my peace for yesterday
Keep the good release the weight
No replay no replay
No hard feelings no replay
I choose peace and walk away
CREDITS
Performer: Mara Vey
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Kaiser Tempo
Herr Casino
Verified Artist
Herr Casino
Herr Casino, the enigmatic artist from Vienna, effortlessly blends the vibrant worlds of dance, disco, and electronic pop. With an uplifting energy that resonates through tracks like "Kaiser Tempo" and "Disco Machiavelli," his music invites listeners to revel in moments of joy and hope. Each song showcases his playful vocal identity, characterized by a male voice that carries a sense of infectious enthusiasm, making his work perfect for both lively dance floors and introspective evenings.
Across his catalog, Herr Casino's tracks are united by their energetic beats and evocative themes. Songs like "Kaiser Tempo" radiate happiness and inspiration, while "Disco Machiavelli" explores deeper emotional landscapes, balancing loneliness with uplifting melodies. This duality reflects his artistic vision, where joyous dance music meets introspective storytelling, creating a rich tapestry of sound that captivates and engages listeners. Whether you're looking to dance or reflect, Herr Casino's music provides the perfect backdrop for a variety of moods and moments.
Kaiser Tempo
Herr Casino
Achtung
Herr Casino
Kaiser Tempo
No love story
No apology
Nur Rhythmus
He came in sharp
Black coat white face
Gold ring no name
One step two guards
Red wine fast cars
Cold smile big talk
Slow hands hard walk
Everybody said
Who is this man?
Nobody moved
Nobody ran
He smiled like a banker
Danced like a thief
Talked like a prince
With a knife in his sleeve
Kaiser Tempo
King of the room
Too much money
Not enough truth
Clickclick
Camera flash
Ticktick
Count the cash
Big talk
Small town
Lights up
Hands down
He don’t sing
He declares
He don’t love
He compares
Kaiser Tempo
Kaiser Tempo
He says yes
When the world says no
Kaiser Tempo
Kaiser Tempo
Velvet shoes
And a radio soul
Ohoh
Zu spät mein Freund
Ohoh
He never goes home
Kaiser Tempo
Kaiser Tempo
Everybody knows
But nobody knows
Hotel lobby
Three am
Same old story
New problem
Silver lighter
Foreign smoke
He tells the truth
Like it’s a joke
Listen darling
Life is a game
Change the rules
Then change your name
He signs the bill
With a fountain pen
Leaves no number
Comes back again
One hand waving
One hand cold
Too young to stop
Too rich to grow old
Clickclick
Camera flash
Ticktick
Count the cash
Big talk
Small town
Lights up
Hands down
He don’t run
He arrives
He don’t sleep
He survives
Kaiser Tempo
Kaiser Tempo
He says yes
When the world says no
Kaiser Tempo
Kaiser Tempo
Velvet shoes
And a radio soul
Ohoh
Zu spät mein Freund
Ohoh
He never goes home
Kaiser Tempo
Kaiser Tempo
Everybody knows
But nobody knows
In Vienna
They called him trouble
In Paris
They called him style
In Milan
They called him expensive
In Berlin
They just smiled
He said
Gentlemen
You can buy the ticket
But you cannot buy the entrance
Then the bass came in
Tempo
Kaiser
Tempo
Kaiser
No crown
No throne
Just a telephone
No heart
No fear
Just a mirror near
Tempo
Kaiser
Tempo
Kaiser
Talk fast
Walk slow
Never let the people know
Kaiser Tempo
Kaiser Tempo
He says yes
When the world says no
Kaiser Tempo
Kaiser Tempo
Velvet shoes
And a radio soul
Ohoh
Zu spät mein Freund
Ohoh
He never goes home
Kaiser Tempo
Kaiser Tempo
Everybody knows
But nobody knows
Achtung
The bill is paid
The room is empty
Kaiser Tempo
Has left the building
CREDITS
Performer: Herr Casino
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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HOT TRACK
Il Punto Piu Vivo
Milo Sartini
Verified Artist
Milo Sartini
Milo Sartini grew up near Italy’s Adriatic coast in a family where meals regularly became debates and kitchen utensils often became percussion instruments. That lively upbringing shaped an artist drawn to movement, language and the small absurdities of everyday life. His music combines quick-witted Italian storytelling with muscular funk bass, Mediterranean percussion and contemporary pop production.
Sartini studied cultural anthropology at the University of Bologna, focusing on music, public space and the rituals that bring strangers together. He later trained in contemporary composition, arrangement and studio production at a private music institute in Milan. His academic background still informs his work: every rhythm has a social purpose, every instrument enters for a reason, and humour is treated as seriously as melody.
His debut single, “Il Punto Più Vivo,” introduces Sartini as a singer, producer and observant narrator with an instinct for turning ordinary scenes into kinetic music. His delivery moves naturally between singing and rhythmic speech, supported by precise percussion, brass accents and tightly controlled electronic production. Intelligent without becoming academic and playful without becoming novelty, Milo Sartini makes pop music that notices how people actually live.
Il Punto Piu Vivo
Milo Sartini
Uno viene dal porto
Uno scende dal tram
Una ride da sola
Uno non sa dove va
Ma il tamburo li chiama
Senza chiedere chi sei
Questa sera la strada
Ha più nomi di noi
C’è chi arriva con tre parole
Chi ne porta tremila
Chi cucina sopra un balcone
Chi ripara una bicicletta
C’è una radio dietro una porta
Che trasmette da chissà dove
Una nonna detta la danza
A una banda di ventenni
Il tassista perde il turno
Per seguire quel contrabbasso
Un bambino batte il tempo
Con due cucchiai sopra un piatto
Nessun palco nessun padrone
Nessun posto riservato
Quando il ritmo prende la piazza
Ogni nome viene chiamato
Vieni qua
Non serve sapere perché
Vieni qua
Porta soltanto quello che c’è
Questo è il punto più vivo
Dove tutto fa tum tum
Dove il nord incontra il sud
E nessuno resta più
Questo è il punto più vivo
Mani in alto giù di nuovo
Se la terra gira ancora
Questa notte gira con noi
Tum tum gira con noi
Tum tum gira con noi
Ogni lingua cambia il suono
Ma il battito dice: noi
Una cuoca lascia il grembiule
Per un passo mezzo sbagliato
Un avvocato molto serio
Fa qualcosa mai studiato
Due turisti senza mappa
Hanno perso la prudenza
Una coppia che litigava
Ora balla la stessa frase
C’è chi viene per curiosare
Chi domani deve partire
Chi ha promesso “solo un minuto”
Ed è ancora qui alle tre
Non importa da quale tavolo
Da quale treno o quartiere
Siamo pezzi senza istruzioni
Che funzionano tutti insieme
Vieni qua
Non devi assomigliare a me
Vieni qua
Porta il tuo modo di stare in piedi
Questo è il punto più vivo
Dove tutto fa tum tum
Dove il nord incontra il sud
E nessuno resta più
Questo è il punto più vivo
Mani in alto giù di nuovo
Se la terra gira ancora
Questa notte gira con noi
Tum tum gira con noi
Tum tum gira con noi
Ogni lingua cambia il suono
Ma il battito dice: noi
Dimmi come batti il tempo
Con il palmo o con il mento
Con le scarpe sul cemento
Con un fiato preso al volo
Uno due — non basta ancora
Tre quattro — viene l’aurora
Cinque sei — cambia la storia
Sette miliardi nella stessa gola
Io dico: vicino
Tutti: più vicino
Io dico: più forte
Tutti: fino al mattino
Io dico: chi siamo?
Tutti: quelli che arrivano
Io dico: dove siamo?
Tutti: dove le cose cominciano
Questo è il punto più vivo
Dove tutto fa tum tum
Dove il nord incontra il sud
E nessuno resta più
Questo è il punto più vivo
Ogni passo trova il modo
Se la terra gira ancora
Questa notte gira con noi
Tum tum gira con noi
Tum tum gira con noi
Non c’è un centro sulla carta
Il centro siamo noi
Uno torna verso il porto
Uno aspetta ancora il tram
La mattina prende nota
Di chi non si fermerà
Tum tum
Il centro siamo noi
Tum tum
Il centro siamo noi
CREDITS
Performer: Milo Sartini
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Almost Beautiful
Sand Castle of Ma
Verified Artist
Sand Castle of Ma
Sand Castle of Ma is a vibrant four-member indie rock band hailing from the lush landscapes of Seattle. The group, consisting of the charismatic vocalist Eli Stratton, guitarist Finn Mercer, bassist Leo Keene, and drummer Jasper Quinn, formed in a local coffee shop where they bonded over their mutual love for music and the arts. With their diverse backgrounds and experiences, each member brings a unique flavor to the band’s collective sound, creating a harmonious blend that resonates deeply with listeners.
The band’s debut track, "Almost Beautiful," captures the essence of their style—an exploration of the complexities of beauty and imperfection. Drawing on themes of introspection and emotional depth, Sand Castle of Ma weaves together melodic guitar lines with earnest lyrics that invite listeners to reflect on their own experiences. Their sound artfully combines influences from classic rock and contemporary indie styles, allowing them to carve out a niche that feels both fresh and familiar.
As they continue to evolve, Sand Castle of Ma aims to expand their catalog with more tracks that reflect their evolving identity. The chemistry among Eli, Finn, Leo, and Jasper fuels their creativity, promising an exciting future filled with dynamic performances and heartfelt music. With a growing fanbase and a distinctive sound, they are quickly becoming a notable presence on the indie rock scene.
Almost Beautiful
Sand Castle of Ma
Yeah
Almost beautiful
You left your shadow
On the passenger side
Like a quiet ending
At a red street light
I kept the moment
But I lost the weight
Of waiting for something
That was already late
Now days feel lighter
When the hope runs out
I hear my own voice
A little less loud
And I don’t hate you
That takes too much room
I just stopped turning
The sky into you
Maybe we were young
Maybe we were tired
Maybe love got lost
Somewhere in the wires
I don’t need a reason
I don’t need a sign
I just need tonight
To feel like mine
It was almost beautiful
Almost good enough
Almost like a movie
Almost like love
We were almost honest
Almost made it through
Almost had forever
Then forever moved
And I’m not broken
I’m just new
It was almost beautiful
Losing you
Oh-oh
Almost beautiful
Oh-oh
Almost beautiful
I saw your name
On a screen last night
It didn’t hurt me
Like I thought it might
Just a small old feeling
Passing through
Like a song from a car
That never stops for you
I walked for hours
Under changing signs
No big confession
No perfect line
Just a quiet freedom
I never planned
Like letting go
Without using my hands
Maybe we were close
Maybe we were blind
Maybe love looks better
From the other side
I don’t need an answer
I don’t need a fight
I just need my heart
To sleep tonight
It was almost beautiful
Almost good enough
Almost like a movie
Almost like love
We were almost honest
Almost made it through
Almost had forever
Then forever moved
And I’m not broken
I’m just new
It was almost beautiful
Losing you
I won’t call it wasted
I won’t call it wrong
Some people are chapters
That read too long
I won’t make you guilty
I won’t make me small
We were almost something
And that’s something after all
Almost beautiful
Almost true
Almost everything
I wanted with you
Almost beautiful
Almost gone
I can still remember
But I can move on
It was almost beautiful
Almost good enough
Almost like a movie
Almost like love
We were almost honest
Almost made it through
Almost had forever
Then forever moved
And I’m not broken
I’m just new
It was almost beautiful
Losing you
Oh-oh
Almost beautiful
Oh-oh
Almost beautiful
Mm
Almost beautiful
Losing you
CREDITS
Performer: Sand Castle of Ma
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Open Circuit
Mira Cade
Open Circuit
Mira Cade
I kept each feeling under glass
A private rule from years gone past
You saw the lock you did not push
You gave me room to choose enough
Now every reason feels too old
I want a life I do not hold
One honest move one steady start
A simple route from heart to heart
Open circuit let it run
No more hiding what we want
Every signal coming clear
I choose trust I choose you here
Open circuit no disguise
Read the answer from my eyes
We can let connection start
One direct route heart to heart
You kept your plans behind a grin
Afraid that I would not step near
But caution only served the past
We have a chance to make this last
Now every reason feels too old
We want a life we do not hold
One honest move one steady start
A simple route from heart to heart
Open circuit let it run
No more hiding what we want
Every signal coming clear
I choose trust I choose you here
Open circuit no disguise
Read the answer from my eyes
We can let connection start
One direct route heart to heart
No locked reply no coded test
We say the need and give our best
If fear returns we name it fast
Then choose what matters choose what lasts
Open circuit let it run
No more hiding what we want
Every signal coming clear
I choose trust I choose you here
Open circuit no disguise
Read the answer from my eyes
We can let connection start
One direct route heart to heart
CREDITS
Performer: Mira Cade
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Window Light After ...
Mara Vale
Verified Artist
Mara Vale
Mara Vale makes sleek night-drive pop with a disco pulse: live bass lines, clean rhythm guitar, warm strings, and hooks that feel lit by streetlights. Her songs balance playful movement with a bittersweet city glow, built for listeners who want groove, melody, and a little electricity under the skin.
Her sound sits between classic dance-floor craft and modern pop polish, with soulful female vocals carrying stories of late buses, rooftop coffee, open city windows, and small moments that suddenly feel cinematic. Mara Vale keeps the arrangements bright and human: tight drums, handclaps, piano stabs, and choruses designed to move without turning into a cliché.
Window Light After Eight
Mara Vale
The shutters lean half-open
On a street rinsed clean by rain
A receipt curls in my pocket
Like it wants to speak your name
Glass shelves hold the evening
Silver bracelets folded blue
Someone laughs by the mirrors
Then the echo thins to two
I keep the counter glowing
Soft enough to let you stay
Every little hour slows down
When the day unpins its gray
Window light after eight
Moves across the polished floor
Nothing loud nothing late
Just the bell above the door
If you come in from the weather
With your collar turned against the air
I'll be humming with the register
Like I knew you'd find me there
Elevator doors are breathing
In the mall across the square
Mannequins wear patient faces
Under amber fitting-room glare
There is music in the hangers
When they slide along the rail
Tiny moons in every button
Tiny ships in every sale
I keep the counter glowing
Soft enough to let you stay
Every little hour slows down
When the day unpins its gray
Window light after eight
Moves across the polished floor
Nothing loud nothing late
Just the bell above the door
If you come in from the weather
With your collar turned against the air
I'll be humming with the register
Like I knew you'd find me there
We don't have to call it waiting
We can call it closing slow
Let the streetlights choose the colors
Let the last few customers go
Window light after eight
A quiet gold along the door
Nothing loud nothing late
Just a rhythm asking for more
If you come in from the weather
With your collar turned against the air
I'll be humming with the register
Like I knew you'd find me there
CREDITS
Performer: Mara Vale
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Lost in the Sound
Alice Scott
Verified Artist
Alice Scott
Alice Scott emerges from the vibrant streets of New York, where the pulse of the city intertwines with her soulful melodies and jazzy rhythms. Her musical journey began in the cozy corners of local cafés, where she fine-tuned her craft amidst a backdrop of eclectic sounds and intimate performances. With genres ranging from jazz to lo-fi pop and soul, Alice's catalog is a tapestry of emotional exploration, where each track resonates with the bittersweet essence of life’s fleeting moments. Songs like "Lost in the Sound" capture her reflective nature, painting vivid pictures of nostalgia and longing through poignant lyrics and lush arrangements.
Her artistic identity is a fusion of old-school charm and contemporary sensibilities, often drawing inspiration from the rich history of jazz while seamlessly incorporating modern production techniques. Alice's work invites listeners into a world where chill vibes meet deep emotional currents, making every listening experience a personal reflection. As she continues to evolve, Alice Scott remains dedicated to expressing the complexities of the human experience, crafting soundscapes that linger long after the last note fades away.
Lost in the Sound
Alice Scott
Thoughts collide as I reflect
Searching for what I can't connect
Every chord brings back your smile
But it's just an empty aisle
Time keeps moving yet I'm here
Holding on to what was dear
Words unspoken cloud my view
Moments lost but still feel you
Hey can you hear me?
I'm lost in the sound
Gripping tight can't let go
Of the warmth of you
Will I find my way through?
Every twist brings back your name
Searching for a spark to reclaim
But I breathe I choose to dance
Finding strength in every chance
Letting go of what we've known
Building paths where love has grown
Every heartbeat every sound
New stories waiting to be found
Hey can you hear me?
I'm lost in the sound
Gripping tight can't let go
Of the warmth of you
Will I find my way through?
CREDITS
Performer: Alice Scott
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Wake Up, Gary
Wrong Floor Cinema
Verified Artist
Wrong Floor Cinema
Wrong Floor Cinema is a four-piece alternative rock band formed in 2025 by Orson Vell, Marlow Pin, Crispin Dayrate, and Niles Weatherby. The group came together through a series of badly organized rehearsal-room bookings, after repeatedly being assigned the same basement studio by mistake. They kept the name Wrong Floor Cinema because it matched their shared taste for overlooked places, awkward situations, and things that feel slightly out of sequence.
Their music blends sharp pop-punk guitars, dry spoken-sung vocals, clipped rhythms, melodic bass lines, and an offbeat sense of humor. Although their sound draws heavily from 1990s alternative rock, they avoid straightforward nostalgia, mixing that influence with modern production, restrained arrangements, and lyrics built around mundane frustrations, social discomfort, bad timing, and small personal disasters.
Orson handles vocals and rhythm guitar, Marlow plays lead guitar, Crispin plays bass, and Niles is on drums. Together, they have built a reputation for tightly controlled live performances that still feel unpredictable, balancing catchy melodies with deadpan delivery and a slightly detached stage presence. Wrong Floor Cinema sounds like a band that arrived late, entered through the wrong door, and decided to stay anyway.
Wake Up, Gary
Wrong Floor Cinema
Gary’s got a corkboard on the bedroom wall
Red strings running from the big to the small
Says the moon’s a movie on a giant screen
“NASA hired Stanley back in ‘69” he’s keen
Won’t eat cereal with a barcode line
Reads expiration dates like secret signs
Says the pigeons blink in binary
Then whispers “Buddy… they’re watching me”
Every answer needs another question
Every fact becomes a new obsession
Wake up Gary what did you find?
Another secret hidden in your mind?
Lizard kings and laser skies
Birds with government eyes
Wake up Gary take a day off please
Not everything’s a global mystery
Maybe life is just… okay
But don’t tell Gary anyway
He says Elvis orders food at night
Bigfoot’s blurry on purpose right?
Paul was switched back in ‘64
“Look at the eyebrows!” — he’s got thirty more
Area Fifty-One’s a holiday camp
Atlantis powers every desk lamp
Chemtrails spell my middle name
And squirrels? “Yeah… they’re in the game”
Every headline proves his theory
Coffee makes him documentary
Wake up Gary what did you find?
Another secret hidden in your mind?
Lizard kings and laser skies
Birds with government eyes
Wake up Gary take a day off please
Not everything’s a global mystery
Maybe life is just… okay
But don’t tell Gary anyway
Yesterday he called at half past two
Said “I’ve got something huge for you!”
I held my breath… this must be big…
“They changed the shape… of Pringles lids”
…
He wasn’t joking
Wake up Gary what did you find?
Another rabbit hole to pass the time?
Flat Earth aliens secret files
He can talk for seventeen miles
Wake up Gary you’re one of a kind
You make conspiracy sound sublime
If the truth comes out one day
We’ll let Gary say “I told you mate!”
CREDITS
Performer: Wrong Floor Cinema
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Power Play (ft Dari...
Heather Davis
Verified Artist
Heather Davis
Heather Davis is a London-based artist whose music pulses with the vibrant energy of modern dance and disco. Infused with influences from the city’s club culture, her tracks like "Power Play (ft Darius Vale)" showcase her ability to blend nu-disco rhythms with electro-pop sensibilities. With a strong yet playful vocal delivery that echoes confidence, Heather’s music invites listeners to embrace their own strength and joy. Her songs evolve around themes of self-empowerment and celebration, creating an uplifting atmosphere that resonates in every beat.
Heather's catalog features an array of meticulously crafted tracks that reflect her unique artistic vision. Alongside "Power Play," listeners can explore other energetic anthems that ooze happiness and hopefulness, designed to keep spirits high on the dance floor. The synergy of tight four-on-the-floor drums, funky basslines, and glossy synths not only establishes her signature sound but also makes each track feel like a celebration of life’s joyous moments, capturing the essence of what it means to truly live in the moment.
Power Play (ft Darius Vale)
Heather Davis
Walking in I feel the shift
Confidence it’s my gift
No more waiting for a sign
I’m my own and I feel fine
Every glance they see the change
A subtle glow I rearrange
Moving through like I own the space
This is my time I’ll set the pace
I’m not here for your approval
Shining bright I’m my own fuel
Step aside feel the vibe let it sway
I’m alive in this power play
No more aftertone of what could be
I’m the story I’m the key
With each beat I redefine
Crafting moments I’m aligned
Every glance they see the change
A subtle glow I rearrange
Moving through like I own the space
This is my time I’ll set the pace
I’m not here for your approval
Shining bright I’m my own fuel
Step aside feel the vibe let it sway
I’m alive in this power play
Yeah I walk in cool no script no stunt
Clean cut low talk I don’t need the front
Hands in the pocket watch the room bend
Every small doubt I had I just left to end
Fresh on my feet let the floorboards talk
No borrowed shine I built my own walk
Look at me now no mask no delay
I move with the groove then I move out the way
Catch the rhythm let it flow
This is where I’ll let it show
No more doubt just clarity
This is my reality
I’m not here for your approval
Shining bright I’m my own fuel
Step aside feel the vibe let it sway
I’m alive in this power play
CREDITS
Performer: Heather Davis
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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HOT TRACK
The Wrong Daughter
Billie Arden
Verified Artist
Billie Arden
Billie Arden is an electrifying force in the modern dance-pop scene, hailing from Berlin, where her late-night writing sessions have breathed life into a catalog that pulsates with energy and emotion. With influences from funk and nu-disco, her music embodies a sleek, four-on-the-floor groove that promises to uplift spirits and get bodies moving. Tracks like "No Default Setting" showcase her confident vocal style—low and controlled in the verses, yet soaring and playful in the choruses—making each song feel like both a celebration and a personal manifesto. Through her polished production, which features tight rubbery basslines and glossy synth stabs, Arden crafts an infectious sound that captures the essence of joy and hope.
Exploring themes of authenticity and self-acceptance, Arden's lyrics reflect her determination to navigate a world that often seeks to confine individuality. While she embraces exuberance in her melodies, there's an undercurrent of defiance in tracks that challenge conventional norms and invite listeners to embrace their unique paths. Billie Arden's artistry extends beyond mere entertainment; it serves as an invitation to dance freely while celebrating one's true self, ensuring that each release resonates deeply with those seeking inspiration in both life and music.
The Wrong Daughter
Billie Arden
I left at seventeen before the bread was warm
took the blue suitcase nobody claimed
Mother stood polishing the same clean glass
Dad read the paper without turning a page
There was a woman’s name behind the pantry clock
written twice then crossed with a kitchen knife
I asked who she was
They asked why I was still awake
Huh
They said “You’ll understand when you’re older”
So I got older somewhere else
I was gone before the kettle sang
gone before they fixed their tale
Let them blame my age my temper
let them blame the morning train
I was gone gone gone—
they can call it running if they like
I didn’t leave because they hated me
I left because they knew me wrong
Years later a stranger stopped me near the docks
said “You walk exactly like she did”
I laughed and asked “Who?”
She looked at me as though I’d made a joke
Then she handed me a photograph:
my father younger one hand out of frame
and a girl with my uneven teeth
wearing the blue suitcase name tag
Huh Small world
Terrible handwriting
She said “Your mother tried her best”
I said “Which one?”
I was gone before the kettle sang
gone before they fixed their tale
Let them blame my age my temper
let them blame the morning train
I was gone gone gone—
they can call it running if they like
I didn’t leave because they hated me
I left because they knew me wrong
Maybe I was kept
Maybe I was traded
Maybe love gets very polite
when the truth is complicated
I never asked again
That keeps them nervous
I was gone before the kettle sang
gone before they fixed their tale
Let them polish every answer
I know where the story fails
I was gone gone gone—
huh they still insist I’m wild
I didn’t leave because I hated them
I left as someone else’s child
CREDITS
Performer: Billie Arden
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
