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Bad Timing
Romeo Vane

Verified Verified Artist

Romeo Vane
"Romeo Vane: at the ripe age of 25, this American pop-rock comet is shooting across the Alternative universe, spreading hope with doses of edgy authenticity. Born and bred in the sonic heartland of the Windy City, he’s a Chicagoan with an unapologetic knack for compelling narratives and an obsession for truth.

Whether it's life's sharp corners or the soft bruises of love, Romeo Vane's got a knack for rolling them into tunes that blend breezy alt-rock melodies with the raw, gritty flavor of pop. His stage name isn't for show; Romeo comes with a romantic bravado that'd make Shakespeare blush, and the barbed tongue of a true Windy City native. Just tune into "Kiss Me When I'm Lying" - it's less of a song, more a rollercoaster ride through hope, heartbreak, and hilariously serious self-deprecation.

Despite his youth, he's seen more than enough of life's ups and downs, packaging the human experience into easily digestible nuggets of melodic wisdom. Romeo Vane’s music is the kind that makes you call your ex at 2 a.m., cry a little, laugh a lot, and still believe in the dream of a better dawn. Now, how's that for a self-made, alternative songwriter from the city that never sleeps?"
Track(s)
Your Side of the City 157445 03:54
Glass Heart Radio 177467 04:19
The Rest of My Life 197661 04:49
Stay Like This 160530 03:56
Sugar on the Blade 138047 03:18
Slow Fire 132057 03:06
Bad Timing 156082 03:56
Don’t Make Me Wonder 163467 04:01
Kiss Me When I’m Lying (Symphonic Ballad Version) 148859 03:38
Kitchen Light 121027 02:52
All the Ways We Fall 228109 05:46
Kiss Me When I'm Lying 179223 03:15

Bad Timing

Romeo Vane


Bad timing
Good kiss
Bad timing
Good kiss

Yeah
That’s the problem isn’t it?
Always the wrong time

You came in late
With your hair still wet
Said you only stopped by
To forget what you regret

Sure you did

I was on my way out
You were on your way in
Two wrong doors open
And the room starts spinning

You laugh like trouble
Talk like rain
I should know better
But I like your name

I really do

And I keep saying
This is nothing
This is nothing
This is nothing

But your hand on my sleeve
Says something
Says something
Says something

Don’t look at me like that

Bad timing
Good kiss
Wrong night
Can’t miss

Your lips hit me
Like a favorite song
I know I should leave
But I stay too long

Bad timing
Good kiss
One touch
Like this

If we’re a mistake
Then make it mine
You feel so right
At the wrong damn time

Bad timing
Good kiss
Ba-ba-bad timing
Good kiss

See?
That’s how it starts

You keep your secrets
In a silver chain
I keep my distance
Till you say my name

There’s a little bit of danger
In the way you move
Like every red flag
Looks better on you

And that’s not fair

We don’t need forever
We don’t need a plan
Just a stolen minute
And a shaking hand

And I keep saying
This is nothing
This is nothing
This is nothing

But your eyes in the dark
Say something
Say something
Say something

Say it again

Bad timing
Good kiss
Wrong night
Can’t miss

Your lips hit me
Like a favorite song
I know I should leave
But I stay too long

Bad timing
Good kiss
One touch
Like this

If we’re a mistake
Then make it mine
You feel so right
At the wrong damn time

Maybe we burn
Maybe we don’t
Maybe we call it love
Maybe we won’t

I know I know

Maybe tomorrow
We disappear
But tonight you’re close
And the line is clear

I shouldn’t want you
I know that’s true
But bad timing looks better
When it walks in with you

And there you are

Bad timing
Good kiss
Wrong night
Can’t miss

Your lips hit me
Like a favorite song
I know I should leave
But I stay too long

Bad timing
Good kiss
One touch
Like this

If we’re a mistake
Then make it mine
You feel so right
At the wrong damn time

Bad timing
Good kiss
Ba-ba-bad timing
Good kiss

Wrong damn time
Right damn kiss

Wrong time
Yeah
But not wrong enough

CREDITS
Performer: Romeo Vane
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Call Dropped at 3 AM
Eli Varnish

Verified Verified Artist

Eli Varnish
Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.

That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.

Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.

Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.

Call Dropped at 3 AM

Eli Varnish


Alright…
Yeah yeah don’t tune it too much
Let it breathe
Okay… one two…

Woke up late with the room still shaking
Ashtray full of things I didn’t say
Mirror asks me for an explanation
I tell it “man not today”

Shoes by the door still smell like last night
Clock keeps lying I let it talk
City hums in a crooked rhythm
Like it learned that walk from me

Hey bass… keep it walking
Yeah like that
Don’t rush it

Every plan I make shows up half dressed
Every promise comes out second best
If I fall behind the beat again
Just leave some space I’ll land it then

This ain’t a straight line it sways and bends
It trips on truth then calls it a friend
If I sound wrong don’t fix it too soon
That’s where the story sneaks through

Yeah this ain’t clean this ain’t controlled
It’s a loose wire looking for a soul
Play it wrong play it loud play it true
That’s all this blues knows how to do

Hold up…
Let the horn say something
Yeah… go on

(long slide in slightly late)

Mmm… listen

Man… that thing’s complaining
Let him talk

I’m almost done… almost

Sorry… not sorry

(rimshot)

There’s a voice in my head clapping off time
Says “You always push you never wait”
I said “If I slow down I might notice
Everything I try to escape”

Barroom light keeps flickering jokes
Like it knows where I’ve been
Every sound wants a turn at the mic
Even the quiet wants in

Yeah… that’s it
Don’t smooth it out
No no

If this night’s a gamble I roll it bent
Lose my balance call it intent
Break the rule then play it twice
Mess it up till it sounds right

This ain’t a straight line it sways and bends
Falls apart then stands again
If my voice cracks just let it through
That’s what it came here to do

Yeah this ain’t neat this ain’t polite
It’s just breath fighting with the night
Play it wrong play it loud play it true
That’s all this blues knows how to do

Alright…
Don’t stop it
Let it ring
Yeah… that’s enough

CREDITS
Performer: Eli Varnish
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

All for One Y.
Ayvenn

Verified Verified Artist

Ayvenn
Ayvenn was born and raised in Clearwater Heights, a quiet hillside town in Georgia where music wasn’t just background noise — it was how people coped, celebrated, and remembered. From Sunday gospel choirs to late-night Latin radio, the sounds around him shaped a boy who rarely spoke, but always listened. In silence, he learned to interpret the world. And when he began writing lyrics, it wasn’t about performance — it was about decoding feelings he couldn’t name.

Fusing Pop and R&B with understated Latin textures, Ayvenn crafts music that feels more like film than formula. His voice is warm, restrained, and precise — a narrator of emotional undercurrents rather than explosions. Each track unfolds slowly, deliberately, like memories coming into focus. There’s clarity in his subtlety, weight in his pauses.

His breakout song, “All for One Y.” was born from an unexpected connection. Hakan E — the mind behind Filodyo, known for his instinct in spotting rare talent — reached out after hearing early demos from Ayvenn. He sent a short message and a concept: “This isn’t a love song. It’s a math problem.” That idea resonated deeply. To Ayvenn, the X’s weren’t just variables — they were past mistakes, unanswered questions, the people he couldn’t quite hold onto. And the “Y”? The reason he kept trying.

Ayvenn recorded the song in a single late-night session, layering vocals with surgical attention, pulling tension from silence, and shaping each detail until it echoed with something intimate and real. To Solve for Y isn’t just a debut — it’s an internal dialogue turned outward, crafted for anyone who’s ever tried to explain a feeling they didn’t fully understand.

Now, Ayvenn is building a sound that’s emotionally meticulous, sonically immersive, and unmistakably his own. Every track is a quiet revelation. Every heartbreak, every wrong turn — part of the formula. And somewhere, at the end of it, is the answer. Always her.
Track(s)
All for One Y. 358334 04:18

All for One Y.

Ayvenn


Uuuh
Aaaa
I had the chalk I had the board
Thought I knew what I was fighting for

I mapped it out like a perfect line
Variables dancing in my mind
Tried to graph where you might be
But love don’t fit no geometry

Slopes and curves they lied to me
No formula for what you see
You’re that value off the grid
And I solved what no one ever did

Every X I tried to crack
Led me closer no way back
Thought I had it all misread
But you were waiting up ahead

You don’t know how many Xs I had to break
To get one inch closer to Y (uh-huh)
I carried numbers like they were names
Till the moment you met my eye (ooooh)
It’s a mess of signs and endless tries
But now your logic redefines (yeaaah)
You don’t know how many Xs I had to face
Just to solve for a single Y

(Uuh uuh — that single Y)
(Aaah all those Xs I tried)

Circle back erase the trace
You’re the answer that now holds its place
I tried dividing all the pain
But you were constant in the rain

Was it sine or just a sign?
You curved in at the perfect time
I drew a heart inside the square
And this time you were really there

I factored in the nights alone
Calculated love unknown
But this equation found its truth
When all the numbers pointed to you

I reduced and simplified
You multiplied what’s deep inside
Left the questions in the dust
Now the formula is us

You don’t know how many Xs I had to break
To find the one and only Y (yeah yeah)
I carried numbers like they were names
But you gave meaning to the why (no no)
It’s a mess of signs and endless tries
Now it all aligns no need to lie (uh-huh)
You don’t know how many Xs I had to face
Just to solve for a single Y

(Uuh that final Y)
(Aaaah no more Xs I…)

Maybe you were undefined
In the limits of my mind
An asymptote I chased in vain
Till you stood right in the frame

You don’t know how many Xs I had to break
To stand here holding onto Y
I carried numbers like they were weights
But now the answer meets the sky
The signs were loud the tries were wild
But now I see the reason why
You don’t know how many Xs I had to face
Just to know that Y was you

(Uuh you’re my Y)
(Aaaah it’s always been you)

So I drop the pen the work is done
You were the proof the only one
No more math no more try
You’re my answer — you’re my Y

CREDITS
Performer: Ayvenn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Rise Up and Shine
Party Starters

Verified Verified Artist

Party Starters
Get your dancing shoes on and your party hats ready–here comes Party Starters, Canada's dynamite DJ duo primed to kick-start your weekend. Sending electronic pulses through the Maple Leaf country's veins, these two lads have nailed the happy-go-round ride of the dance genre.

The duo, known for their contagious beats, hail from the frosty yet fiery streets of Toronto. Putting the 'art' in 'party', they're no strangers to the late-night club scene, often seen spinning grooves till the break of dawn like caffeine-fuelled squirrels on a workout wheel. And while these gents are the core of the group, they also collaborate with several vocalists, adding that sprinkle of pizzazz on top. One such partnership gifted the world with their touted masterstroke, "Last Chance"—a euphoric anthem that would make even the gloomiest Gus tap his foot.

With "Last Chance," and its soul-stirring female vocals, Party Starters remind us that every party, every moment is a 'last chance' to let loose and celebrate life. And they aren't about to let us forget it. Their music is a shot of happiness delivered straight to your eager eardrums, wrapped in a rhythm too intoxicating to resist. So, next time you're looking for a good time, remember, Party Starters is always ready to hit 'play' on your fun.
Track(s)
Last Chance 118797 03:33
Rise Up and Shine 33542 03:22

Rise Up and Shine

Party Starters



(Shake it now!) Wake up in the morning
Feelin’ strong
Lights out
Shadows gone
It’s where we belong
(oo-yeah!)
We got that fire
No extinguishin' the flame
Every queen here knows she's playin' the game

(Pump it up!) High heels
Bright smiles
We own the night
Chasin' dreams
Side by side in the spotlight
(woo!)
Rhythms in our feet
Let the groove unfold
Hear that guitar strum
Let your story be told

(Rise up!) Hey
Hey
Don't you ever back down
We got the groove
Wearin’ confidence like a crown
Lift your head high
Shine brighter than the sun
Together we stand strong
All as one

(Bounce with me!) Look at you
Mighty bold
Ownin' your style
Every step you take
You're runnin' the mile
(come on!)
Got that funk in your soul
Let it break free
Singin' loud and proud
That's the key

Yeah
Yeah
Don’t stop now
Keep movin’ and groovin’
Feel the power
Baby
There’s no losin’
(woooo!)
Guitar jam in the back
Let it lay the track
Heads up
Shine bright
There's no turnin' back!

(Rise up!) Hey
Hey
Don't you ever back down
We got the groove
Wearin’ confidence like a crown
Lift your head high
Shine brighter than the sun
Together we stand strong
All as one

CREDITS
Performer: Party Starters
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Albion
Erik Lindholm

Verified Verified Artist

Erik Lindholm
Swedish born and dance-floor dominator, Erik Lindholm, boasts a temperament as lively as his pulsating bass lines. His sonic sensibilities, threaded through every groove in his heart-thumping dance maestro, are as intriguing as the tale of his journey to the top of the beat kingdom.

Raised in the heart of Gothenburg, Lindholm's coming-of-age could be likened to a groovy scandi-noir episode spiced with Abba tracks. His gruff but supportive Fishmonger father, Olaf, served up his son's first taste of rhythm with the flick of his filleting knife, while his samba-loving mother, Ingrid, nurtured his love for infectious cadence. Schooldays were filled with misadventures involving tin-can drum sets, impromptu corridor concerts, and confiscated mixtapes. Bet his bemused math teacher never guessed this rebel with a cause would rise as a dance music sovereign.

Advertising his outright refusal to be pigeonholed, Lindholm's "Albion" is more than an axiom of his sound, it's a representation of his relentless pursuit of reinvention. This dance-infused ode to joy, shimmers with synths, pulsates with kinetic beats and is as intoxicating as a round of round-the-clock-midsummer-Swedish-sunshine. It's a rollicking auditory journey aptly capturing his carpe diem approach to making people move and groove.

Erik Lindholm's music vividly paints a colorful backdrop of effervescent vibes and infectious enthusiasm. And while we could end this with something delightfully corny like, "this Scandinavian sensation is dancing to the beat of his own drum machine," let's leave it at this - Lindholm lives to make hearts thump in sync with his beats, and folks, he sure succeeds.
Track(s)
Albion 31511 03:17

Albion

Erik Lindholm


Why do great times feel so silent
Why do doormen wear rags
Why do women in love
Feel so dead

In a dead world why do great times feel so silent
Over ripped sheet music why do doormen wear rags
On the Pavonia sewers why do women in love
Feel so dead in a dead world
Where Albion is silent where Albion is silent

Why do great times feel so silent
Why do doormen wear rags
Why do women in love
Feel so dead

Why is our pretty nurse standing there
Why that sorry expression on the face of her lover
So I spake to him of womankind
I said here council's floral it svours like the thyme

He said
How could you blame me when I told you it was her
I said
And we know the truth
You're a lover like your father

Later in the painting room as Ripper's painting light
Comes the lover placed by my hand
On the canvas of our wedding night
There a similitude derues your lover's blush tonight
As her florescent eyes explore mine
So remember even flowers are suseptible to night

CREDITS
Performer: Erik Lindholm
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Meant To Be
Violette Storm

Verified Verified Artist

Violette Storm
Violette Stoem doesn’t just sing—she floats. Hailing from Rotterdam’s rainy streets and raised on a mix of French electronic minimalism and UK garage, her music exists in the space between dancefloor euphoria and solitary late-night reflection. With a voice that’s equal parts smoke and sunlight, she crafts tracks that pull you in slowly—then never let go.

Her breakout single “Meant To Be” is a hypnotic blend of deep house rhythms and shimmering pop clarity. Anchored by a driving low-end and crisp four-on-the-floor pulse, the track features syncopated synth stabs, airy pads, and a vocal hook that lands straight in your bloodstream. It’s the kind of track that feels equally at home in Berlin’s underground or a coastal sunset set in Ibiza.

Violette isn’t chasing trends. She’s building a sound world of her own—emotive, minimalist, and endlessly danceable. Her sets are known for their intimacy, her lyrics for their vulnerability, and her production for its razor-sharp elegance. Quiet by nature, loud by design.
Track(s)
Meant To Be 109332 03:26

Meant To Be

Violette Storm



Last night I met you at the party
And we were strangers at the start
But when you touched me I could hardly
Hardly believe the way you felt

It was like I've known you all my life
And you fit perfectly with me
Like we were meant to be together
We were meant to be
And it was like I've known you all my life
And you fit perfectly with me
Like we were meant to be together
We were meant to be

Last night you caught me at the party
And you came right up to my heart
And I knew right away
Darling
That you would never break it apart

And it was like I've known you all my life
And you fit perfectly with me
Like we were meant to be together
We were meant to be
And it was like I've known you all my life
And you fit perfectly with me
Like we were meant to be together
We were meant to be

And then you kissed me at the party
And that's when I fell in love
And I was waiting for you
Darling
And I know that you were too
And then you kissed me at the party
And that's when I fell in love
And I was waiting for you
Darling
And I know that you were too

And it was like I've known you all my life
And you fit perfectly with me
Like we were meant to be together
We were meant to be
And it was like I've known you all my life
And you fit perfectly with me
Like we were meant to be together
We were meant to be
And it was like I've known you all my life
And you fit perfectly with me
Like we were meant to be together
We were meant to be
And it was like I've known you all my life
And you fit perfectly with me
Like we were meant to be together
We were meant to be

CREDITS
Performer: Violette Storm
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Fire on the Floor
Zuriq Stone

Verified Verified Artist

Zuriq Stone
Zuriq Stone is a rising Afrobeat pop artist blending African rhythmic heritage with modern global pop energy. Born into a city shaped by street music, dance, and late-night radio sounds, he developed a style rooted in groove and movement rather than trends. His music balances infectious dance rhythms with a confident vocal presence, carrying a natural African accent that feels raw, warm, and unmistakably authentic.

Drawing inspiration from everyday urban life, Zuriq Stone creates songs built for motion. Whether it is the pulse of a crowded street or the freedom of a packed dance floor, his sound focuses on connection and momentum. English lyrics form the core of his songwriting, often joined by short phrases in African languages that turn his choruses into shared chants rather than just hooks.

Zuriq Stone releases his music on Filodyo, where his tracks are curated as part of a new wave of global pop shaped by African rhythms and contemporary production. Designed for both digital platforms and real-world listening environments, his songs move seamlessly from playlists to dance floors, reflecting Filodyo’s vision of modern, forward-moving music culture.
Track(s)
Fire on the Floor 262765 03:03

Fire on the Floor

Zuriq Stone


Yeah yeah
Mm listen now
We don’t slow down tonight

Sun drop low on the city line
Heart beat sync with the bass this time
No map no rules no rewind
We move as one no border signs

I came up from the rhythm street
Barefoot dreams and a hungry beat
Every scar got a story loud
Every move say I’m here right now

When the drums talk I obey
Feel it rise under my skin
No fear when the lights go red
This is where we begin

Moto moto fire on the floor
Songa mbele give me more
Twende pamoja don’t let go
Tonight we burn tonight we glow

Moto moto hear them say
Maisha ni sasa now not someday
Body talk when the words say no
Tonight we burn tonight we glow

Eh eh eh
Move it closer
Eh eh eh
Right here

Gold chain swing with the tempo fast
Every step make the moment last
DJ spin that truth so loud
From Lagos nights to the London crowd

No sleep when the vibe too strong
Whole world sing when the hook come on
If you feel lost follow sound
This beat gonna hold you down

When the drums talk I obey
Feel it rise under my skin
No fear when the lights go red
This is where we begin

Moto moto fire on the floor
Songa mbele give me more
Twende pamoja don’t let go
Tonight we burn tonight we glow

Moto moto hear them say
Maisha ni sasa now not someday
Body talk when the words say no
Tonight we burn tonight we glow

Hands up no delay
From the block to the cabana
Left foot right foot sway
We don’t need no permission

Heat jump crowd reply
Every face got a reason
One night one time
Let the rhythm make the decision

Moto moto fire on the floor
Songa mbele give me more
Twende pamoja don’t let go
Tonight we burn tonight we glow

Moto moto hear them say
Maisha ni sasa now not someday
Body talk when the words say no
Tonight we burn tonight we glow

Yeah
We don’t slow down
Mm
Africa to the world

CREDITS
Performer: Zuriq Stone
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Talk With Your Hands
Mateo Lux

Verified Verified Artist

Mateo Lux
Mateo Lux is a rising voice in contemporary electronic pop, blending sleek production with raw emotional intensity. Born with a natural flair for performance, he crafts music that balances dancefloor energy with lyrical depth. His debut single, Control, showcases a magnetic mix of pulsing rhythms and hypnotic melodies, setting the tone for a bold artistic journey ahead.

Discovered by Hakan E. for Filodyo, Mateo brings an unapologetic confidence to every note he sings. His style captures both vulnerability and power, creating an atmosphere that draws listeners into his world. With Control, he isn’t just introducing himself—he’s making a statement, marking the arrival of a distinctive new talent destined to leave a lasting imprint on modern music.
Track(s)
Talk With Your Hands 253204 02:40
Control 299535 02:48

Talk With Your Hands

Mateo Lux


[Intro]
Yeah
Uh
Listen

You say nothing still I hear it
Every move got its own meaning
Eyes talk first lips stay quiet
Room reacts when you get near it

No small talk no explanation
Body language translation

Don’t slow down don’t overthink
I read you faster than you blink

Don’t talk talk
Just move like that (like that)
Say less less
I’m cool with that (with that)

Don’t talk talk
Your hands do facts (do facts)
I see it all
When you move like that (yeah)

[Post-Chorus]
Left right
Pause rewind
One look
I’m already aligned

Every step feels intentional
Like you planned it accidental
No directions still you lead
I just follow what you mean

Crowd fades out when you step in
Whole place locked on your rhythm

No need words to complicate
I already got the message

Don’t talk talk
Just move like that (like that)
Say less less
I’m cool with that (with that)

Don’t talk talk
Your hands do facts (do facts)
I see it all
When you move like that (yeah)

[Bridge – Male Vocal / Spoken-Rap]
Hold up
She don’t speak she demonstrate
Every move communicate
No delay she regulate
Whole room shift when she rotate

I don’t guess I calculate
Every sign she generate
She don’t need to elevate
She arrive she dominate

Clap it
Stomp it
Freeze
Go

[Final Chorus]
Don’t talk talk (don’t talk)
Just move like that (move like that)
Say less less (say less)
I’m cool with that (yeah)

Don’t talk talk (don’t talk)
Your hands do facts (do facts)
I see it all
When you move like that (move like that)

No words
Still clear
You said it all
Right here

CREDITS
Performer: Mateo Lux
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Rich Man Pass the B...
Loch Ness Monsters

Verified Verified Artist

Loch Ness Monsters
Rising from the enigmatic allure of Brighton's coastal shores, Loch Ness Monsters are a four-piece band reshaping the contours of alternative rock and pop.

Comprised of the ethereal vocalist Isla "Izzy" McLeod, the enigmatic guitarist Finnegan "Finn" Hartley, the introspective bassist Leo Summers, and the rhythmically ingenious drummer Pippa Clarke, the band weaves together threads of myth and modernity. Their name pays homage to the legendary creature of the deep, symbolizing the hidden depths and untapped mysteries they explore through their music.

Their breakout single, "I Fall Too Deep," plunges listeners into a whirlpool of emotion with its irresistibly catchy chorus and haunting melodies.

The song is a sonic journey, echoing the sensation of being submerged in one's feelings, fears, and desires. Izzy's haunting vocals glide over Finn's shimmering guitar riffs, while Leo's pulsating bass lines and Pippa's dynamic drumming create an undercurrent that pulls the audience into uncharted territories of sound. The track has become an anthem for those unafraid to delve beneath the surface, catching the attention of listeners in the stores where Filodyo broadcasts.

The band's origin story is as captivating as their music. Meeting by chance during a midnight swim on a dare at Brighton's pebble beach, the quartet bonded over shared tales of folklore, a love for genre-blending music, and a mutual sense of adventure.

Their performances are not just concerts but immersive experiences; they often incorporate visual art, storytelling, and atmospheric lighting to transform venues into mystical landscapes.

Loch Ness Monsters invite their audience to join them in the depths, challenging everyone to embrace the unknown and find beauty in the unexplored.
Track(s)
Rich Man Pass the Baton 28193 02:49
A Second Sun 35511 03:50
I Fall Too Deep 30494 03:00

Rich Man Pass the Baton

Loch Ness Monsters


We've all seen a Tom
Rich man pass the baton
Godspeed big shoe
Stay loose and make it move

Try not to escape
Practice neatness in penmanship
Absolutely no finder's fee
We're rolling long haul

In fifteen minutes it'll perturb me
And then in about a week it'll haunt me
In fifteen minutes it'll perturb me
Underneath the leaves slowly terminating

Creating a community without a dichotomy
Reject the king
Malefactor sing
Find your reality
Oh say church

I don't want to return to scorched earth
Or roll around in the dirt
Or skip over those who got hurt

In fifteen minutes it'll perturb me
And then in about a week it'll haunt me
In fifteen minutes it'll perturb me
Underneath the leaves slowly terminating

We are nice to be behind
But heavens no
We are not leading
And there's not much time left

In fifteen minutes it'll perturb me
And then in about a week it'll haunt me
In fifteen minutes it'll perturb me
Underneath the leaves slowly terminating

CREDITS
Performer: Loch Ness Monsters
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

No Tomorrow Needed
Roxelle

Verified Verified Artist

Roxelle
Roxelle is a Romanian-born singer and songwriter currently based in the United Kingdom. Growing up between Eastern European traditions and Western pop culture, she developed an early fascination with rhythm, melody, and visual storytelling. Her background gave her a distinctive sense of contrast, mixing emotional depth with bold self-expression, something that would later become central to her artistic identity.

After relocating to the UK in her early twenties, Roxelle immersed herself in the underground pop and electronic scenes, refining her sound and performance style. Influenced by modern pop, dance, and subtle R&B textures, she crafts songs that balance confidence with vulnerability. Her vocals move effortlessly between smooth, controlled delivery and striking, attitude-driven hooks, creating a sound that feels both intimate and commanding.

Roxelle’s music explores themes of independence, desire, and emotional resilience, often framed through sleek, contemporary production. Known for her strong visual aesthetic and fashion-forward presence, she approaches music as a complete artistic experience rather than just sound. With a growing catalog of releases, Roxelle positions herself as a new-generation pop artist shaped by movement, migration, and self-definition.
Track(s)
No Tomorrow Needed 389854 03:18
Share This Energy 113114 02:33

No Tomorrow Needed

Roxelle


Heels hit the floor I feel it start
Bass in my chest steady and sharp
No explanations no excuse
I move the room just how I choose

Eyes follow motion not my name
I don’t repeat I don’t stay same

One step closer to the sound
I don’t wait I turn around

I’m on my own tempo
Don’t tell me when to go
I set it I control
Every move every role

I’m on my own tempo
Too fast too slow I know
I hit it right on time
Watch me cross the line

Disco strings rise
Bass keeps talking
Hands in the air
No words just timing

Mirrors shake when I pass through
Every angle feels brand new
No permission no delay
I decide how long I stay

Heat is building in the crowd
I don’t need to say it loud

Count it in feel it land
Everything is in my hands

I’m on my own tempo
Don’t tell me when to go
I set it I control
Every move every role

I’m on my own tempo
Too fast too slow I know
I hit it right on time
Watch me cro

Jacket on I leave it open
Streetlight glow my focus broken
Every sound pulls me in
I don’t ask where we’ve been

I don’t read the signs twice
I move once that’s my advice

If it feels right I don’t slow down
I let the night spin me around

No tomorrow needed
Say it again I mean it (mean it)
No tomorrow needed
I don’t pause I don’t overthink it (no no)

No tomorrow needed
Feel it hit me feel it beat me (beat me)
No tomorrow needed
If I’m in it I’m in it (yeah)

Every step is calculated
Still it looks so effortless
I don’t wait to be invited
I arrive I don’t impress

Crowd reacts I don’t chase
I just take up space

Hear my name inside the bass
I don’t rush I keep my pace

Yeah
She don’t plan it she appear
Whole room shift when she near
No tomorrow in her mind
Only now perfect time

She don’t promise she decide
Every move amplified
I’m just watching from the side
Tryna keep up with her stride

No delay no rewind
She already crossed the line
When she move place complies
That’s the signal that’s the sign

No tomorrow needed
Say it again I mean it (mean it)
No tomorrow needed
I don’t pause I don’t overthink it (no no)

No tomorrow needed
Feel it hit me feel it beat me (beat me)
No tomorrow needed
If I’m in it I’m in it (yeah)

No tomorrow (no tomorrow)
Needed (needed)
No tomorrow (no tomorrow)
I don’t need it (don’t need it)

No tomorrow (no tomorrow)
Needed (needed)
If I want it (if I want it)
I’m in it (I’m in it)

CREDITS
Performer: Roxelle
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Weight On My Shoulders
Ashton Vance

Verified Verified Artist

Ashton Vance
Ashton Vance, an Algerian-born, France-raised musician, is a name that carries some weight in the local music scene. An undisputed pillar of the independent circuit, Vance ropes in audiences with his stunning knowledge of music and undeniable love for funk. Known as much for his beat-dropping basslines as his witty onstage banter, Vance strikes the perfect balance between intensity and humor, just like your favorite high school gym teacher.

A dedicated football enthusiast, Vance once had dreams of becoming a pro on the field. Unfortunately, an injury cut his budding football career short but gave rise to his musical pursuits, marking the beginning of an unexpected detour into melodic wonderland. In a strange twist of fate, Vance entered the limelight. but with a microphone rather than a football at his feet.

His hit indie song "Weight on My Shoulders" echoes the struggle and triumph of his journey - from a wannabe footballer to a sought-after musician. The track is a testament to his ability to turn the mundane and the melancholic into musical gold. Crafted with Filodyo, his unmatchable style and impressive lyrical depth have managed to shoulder the weight of acclaim without buckling.

Vance's love for music is written all over his work, receiving praise from critics and fans alike. He may not have made it to the football field, but in the realm of independent music, Ashton Vance is very much a superstar. And to think that all it took was a sprained ankle and a broken record to jumpstart the journey of this funk fanatic – talk about a sliding tackle right into fame's goalpost!
Track(s)
Weight On My Shoulders 26600 02:39

Weight On My Shoulders

Ashton Vance


She's a faded memory now
Faded like the sunset in the west
She's a faded memory now
I know there ain't no way that I'll forget

The road comes in and the road goes out
I'm driving this truck all alone again
Just letting time slip away
Feel the weight of the highway in every step

She's a faded memory now
Faded like the sunset in the west
She's a faded memory now
I know there ain't no way that I'll forget

There ain't nothing darker than the night away from her
But there ain't no sound louder than the silence in this town
I don't know a weaker man than the one that I became
But I know what I've been going through now

This ain't no way
Heaven ain't got no say
And they raise the rent in hell from week to week
Out here
Time stands still
All we have is what we need and
All we are is under our feet

The road comes in and the road goes out
I'm driving this truck all alone again
Just letting time slip away
Feel the weight of the highway in every step

CREDITS
Performer: Ashton Vance
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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