×
Swipe
00:00 / 00:00

Memory Lane
Nico Laurent

Verified Verified Artist

Nico Laurent
Hailing from the sprawling city of Chicago, known for its gusty winds and hearty deep-dish pizzas, the one and only Nico Laurent has been making waves in the musical landscape with his undeniable talent and contagious energy. Born to an imaginative mother who weaved narratives that enchanted Nico's world and a meticulous father whose precision for constructing circuit boards was only matched by his love for the blues. You could say Nico was born to rhythm, melody, and a healthy dose of storytelling. He began his magical sonic journey right there, in the sweet-spot between abstraction and engineering, affectionately known as creativity.

That journey led Nico to pen one of his most notable songs, "I'm Not The One," a tune that dances delightfully between heartbreak and hope, two relatable sides for many of his listeners. His songs mirror his life - filled with textures and nuances - which are as electrifyingly real as the Chicago skyline during a lightning storm. Perhaps it's his mother's storytelling gift that makes his lyrics so compelling, or his father's keen sense for balance that keeps his melodies ringing in your ear long after the song ends. Or maybe, just maybe, it's that cheeky grin of his that makes you think he might know a secret or two about life's grand design. Whatever the case, it's hard to resist the magnetic pull of Nico Laurent and his ever-evolving sound.

Equal parts witty word-spinner and evocative tunesmith, Nico proves that the apple doesn't fall far from the metaphoric tree (and by the sound of it, this apple picked up a guitar on its way down). Nico remembers sitting between piles of books and heaps of cables as a kid, writing stories about robot musicians or sketching out designs for flying guitars, and that imaginative spirit still fuels his music today. So, buckle in and hold onto your hat (the wind in Chicago doesn’t mess around, you know), because Nico Laurent is just getting started, and this is one ride you won't want to miss.
Track(s)
I’m Not The One 28273 02:48
Raindrops In Ruby 36026 03:19
Memory Lane 25158 02:24

Memory Lane

Nico Laurent


This town is no stranger to me
No new pastures
Just better pasture memories
Human nature calling my name
Lights goin' out faster than 747's

Summers are colder now
Air feels dangerous
Small town stranger for now

Russian doll suitcase says one thing
That a lifetime of memories could never bring

They say she don't have much
You need weight to float things
Car's filling up

One thing she entertains
Swimmin' in Godlight
Floating down memory lane

Maps and posters
Letters from interstate
She gathers and disseminates
Board her plane
She watches her past
Nothing's meant to last

Russian doll suitcase says one thing
That a lifetime of memories could never bring

CREDITS
Performer: Nico Laurent
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Waves of Laughter
Common Holiday

Verified Verified Artist

Common Holiday
Common Holiday is an independent music project crafted by Berlin-based artist Sam Turner, whose vibrant soundscape blends folk, indie, pop, and rock into an energetic tapestry. With a passion for storytelling through music, Sam wields his acoustic guitar to create playful melodies that invite listeners to embrace the joy of life’s little moments. His catalog showcases a compelling blend of bright major keys and lively rhythms, encapsulated in tracks like "Waves of Laughter," where the warmth of analog tape meets playful instrumentation, from strummed guitars to the buoyant tones of trombone and violin.

Growing up surrounded by diverse musical influences in the heart of Berlin, Sam found inspiration in the city’s rich cultural scene. He began writing songs as a means to express his experiences and emotions while fostering connections with others. The collaborative spirit of Berlin brought together like-minded musicians who shared his vision, leading to a creative partnership that would eventually shape Common Holiday. Together, they craft songs that resonate with an uplifting energy, encouraging listeners to dance away their worries and celebrate life’s joys.

"Waves of Laughter" perfectly embodies the essence of Common Holiday's ethos—spreading optimism and connection through music. The track's playful singalong quality draws audiences in, providing a sense of community and shared experience. As Sam continues to develop his artistic identity, expect more tracks that fuse heartfelt lyrics with high-energy production, inviting everyone to join in the uplifting journey he offers through his music.
Track(s)
Waves of Laughter 30016 02:30

Waves of Laughter

Common Holiday


Got my feet up sun on my face
Life is a ride let’s pick up the pace
With a strum of the guitar the world feels right
Let’s dance on the clouds from morning till night

LAUGHING LOUD we chase the sun
Rolling on waves oh we’re gonna have fun!
With a trombone blast we’re breaking the rules
Together we shine just a couple of fools!

Running through fields with laughter in tow
A violin sings as we steal the show
Time is a game we play it so bright
With every note played we’re taking flight

LAUGHING LOUD we chase the sun
Rolling on waves oh we’re gonna have fun!
With a trombone blast we’re breaking the rules
Together we shine just a couple of fools!

LAUGHING LOUD we chase the sun
Rolling on waves oh we’re gonna have fun!
With a trombone blast we’re breaking the rules
Together we shine just a couple of fools!

CREDITS
Performer: Common Holiday
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Pencil-Thin Skin
Lora Kin

Verified Verified Artist

Lora Kin
Hailing from the vibrant streets of Toronto, Lora Kin is an energetic pop artist known for her confident and seductive vocal delivery. Drawing inspiration from the pulsating nightlife around her, she began crafting her signature sound during late-night writing sessions that often lasted until dawn. This eclectic backdrop informs her music, blending modern pop disco elements with catchy basslines, funky guitar riffs, and glittery production that exudes nightclub energy. Lora's catalog reflects a thematic consistency of empowerment and self-acceptance, beautifully showcased in tracks like "Pencil-Thin Skin," where she transforms vulnerability into strength.

Lora's artistry thrives on a playful yet assertive approach to songwriting. Her lyrics resonate with listeners who have faced challenges in relationships, capturing the essence of resilience and growth. The motifs of self-discovery and empowerment shine through her work, inviting audiences to join her on a journey of personal evolution. As she explores these themes with a groovy four-on-the-floor beat, Lora delivers anthems that are stylish and glamorous, marrying infectious melodies with uplifting messages.

With a growing catalog that includes tracks carefully designed to uplift and inspire, Lora Kin is carving out a distinct space in the pop landscape. Each song reflects both her struggles and triumphs, painting a vivid picture of a woman unafraid to embrace her identity. As she continues to solidify her presence within the industry, Lora's music promises to keep listeners engaged, dancing, and empowered—perfect for those nights when confidence reigns supreme.
Track(s)
Pencil-Thin Skin 22307 01:52

Pencil-Thin Skin

Lora Kin


Wasn't long ago I tried to change for ya
But my spirit wouldn't bend
So I clipped your wings and your balloon burst
And now you're back again

You came like a lamb and left like a lion
Couldn't stick to the deal
But my pencil-thin skin has thickened since then
I don't care how you feel

You called my bluff and left me stranded
Like a lighthouse with no light
So I sent up a flare
And I was saved
Now I don't care if you care

You came like a lamb and left like a lion
Couldn't stick to the deal
But my pencil-thin skin has thickened since then
I don't care how you feel

Now I don't care if you care

You came like a lamb and left like a lion
Couldn't stick to the deal
But my pencil-thin skin has thickened since then
I don't care how you feel

CREDITS
Performer: Lora Kin
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Left Me Dancing
Velvet Tax

Verified Verified Artist

Velvet Tax
Velvet Tax is a young female singer hailing from Poland, infusing her music with a vibrant sense of self and personal narrative. With her single "Left Me Dancing," she introduces listeners to her raw, emotive vocal style that draws from her life experiences and the complexities of modern relationships. Her approach to songwriting is deeply personal, often blending introspection with relatable themes, which resonates well with a diverse audience seeking authenticity in music.

Although her catalog currently features only "Left Me Dancing," Velvet Tax's artistry hints at a promising evolution. With the ability to weave intricate melodies and poignant lyrics, she creates a sonic landscape that reflects both melancholy and joy. This duality sets the stage for future projects that are likely to explore various moods and genres, showcasing her versatility as an artist. Each subsequent track is anticipated to build upon the foundation laid by this debut, further enriching her identity as a musician.

As Velvet continues to develop her sound and expand her repertoire, her potential for growth is evident. Whether through collaborations with fellow artists or exploring different musical styles, she is poised to make a significant mark within the independent music scene. With every new release, fans can expect her captivating storytelling and expressive vocals to flourish even more, inviting them along on her artistic journey.
Track(s)
Left Me Dancing 48471 04:28

Left Me Dancing

Velvet Tax


You left me crying
But I came back dancing
Mm
I came back dancing

You took the keys
But not the door
You took your coat
But not the storm

I kept the dress
You never liked
Put on my heels
And killed the lights

You thought I’d call
You thought I’d break
You thought my heart
Would learn your name

But I found myself
At half past two
In a crowded room
Not missing you

I let the mirror see me
With my makeup running
Then I wiped it clean
Like I saw you coming

You were the lesson
I was the flame
You left the woman
But she changed her name

You left me lonely
Left me hurting
Left me standing in the rain

Now I’m moving
Now I’m burning
Now I’m dancing through the pain

You don’t get to hold me
When I’m finally free
You don’t get the old me
She don’t answer for me

You left me crying
But I came back dancing
You left me dying
But I came back dancing

Da-da-da-dancing
I came back dancing
Da-da-da-dancing
I came back dancing

I saw your friends
They looked surprised
Like I should hide
Like I should cry

I smiled so sweet
They looked away
I guess revenge
Can wear a face

No angry texts
No midnight scene
No begging you
To come to me

I changed the song
I changed the room
I changed the girl
Who waited for you

I let the mirror see me
With my heart wide open
Then I sewed it up
With a little gold thread

You were the reason
I hit the ground
But I’m the reason
I’m rising now

You left me lonely
Left me hurting
Left me standing in the rain

Now I’m moving
Now I’m burning
Now I’m dancing through the pain

You don’t get to hold me
When I’m finally free
You don’t get the old me
She don’t answer for me

You left me crying
But I came back dancing
You left me dying
But I came back dancing

Da-da-da-dancing
I came back dancing
Da-da-da-dancing
I came back dancing

I was a house with the windows open
You were the match in a careless hand
I was the girl who kept forgiving
Now I’m the woman you can’t command

I don’t hate you
That’s too easy
I don’t need you
That’s the twist

I don’t want you
To come save me
I just want you
To see this

You left me lonely
Left me hurting
Left me standing in the rain

Now I’m moving
Now I’m burning
Now I’m dancing through the pain

You don’t get to hold me
When I’m finally free
You don’t get the old me
She don’t answer for me

You left me crying
But I came back dancing
You left me dying
But I came back dancing

You left me lonely
But I came back shining
You left me broken
But I came back diamond

You left me crying
But I came back dancing

Da-da-da-dancing
I came back dancing

CREDITS
Performer: Velvet Tax
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Ya No Me Duele
Camila Reyes

Verified Verified Artist

Camila Reyes
Camila Reyes was born in Seville, Spain, in 1992, and has spent most of her life surrounded by the vibrant rhythms and colors of Andalusia. By profession, she is a skilled ceramic artist, known for her intricate hand-painted tiles inspired by Moorish patterns and flamenco motifs. Her work has been exhibited in boutique galleries across Spain, yet music has always been her truest form of self-expression.

Raised in a family where boleros and rancheras echoed through the kitchen, Camila began singing at small local gatherings, blending traditional Latin folk with her own soulful touch. Over the years, her voice became a bridge between the streets of Seville and the broader Latin diaspora, carrying both joy and melancholy in every note.

Today, Camila records all of her music exclusively for Filodyo, preserving an intimate connection with her listeners. Her latest release, Ya No Me Duele, is a testament to resilience and emotional rebirth, capturing the strength of moving on without bitterness.
Track(s)
Ya No Me Duele 348140 03:15

Ya No Me Duele

Camila Reyes


Ya no me tiembla la taza del té
cuando tu nombre se cruza en mi piel
La casa cruje igual que ayer
pero mi sombra ya no te ve

Dejé tus cartas en el alfeizar
el viento sabrá si las quiere llevar
Mis manos no piden no quieren cerrar
lo que no abraza… no vuelve a entrar

Ya no me duele
ni tu voz ni tu eco
El silencio en mi mesa
es mejor que tu juego

Ya no me duele
ni la flor ni el invierno
Yo me quedo de pie
y tú te vas con el viento

Me dolió
pero no me rompió

Ya no me duele
ni el reloj ni el destino
Mis pasos no buscan
ya tienen su camino

CREDITS
Performer: Camila Reyes
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Split Frequency
Aris Veyton

Verified Verified Artist

Aris Veyton
Aris Veyton is an electronic music producer whose sound blends modern club energy with subtle emotional depth. Rooted in electronic and dance-driven structures, his productions balance clean rhythms, textured synth layers and restrained melodic elements.

Rather than chasing trends, Aris focuses on atmosphere and flow. His tracks are designed to work both on the dancefloor and in personal listening environments, creating a sense of continuity rather than sudden impact. Minimal arrangements, controlled dynamics and carefully crafted sound design are central to his approach.

Working primarily in the studio, Aris Veyton treats music as a long-form experience rather than a single moment. His style reflects a contemporary electronic mindset: precise, understated and immersive. Each release is a step in an evolving sonic identity that prioritizes mood, space and consistency.
Track(s)
Between Our Time 324538 03:31
Split Frequency 334354 03:29

Split Frequency

Aris Veyton


There’s a pulse that keeps dividing me
Two rhythms fighting underneath

One side wants order keeps the lines so straight
The other sparks fires wants to detonate
I move through the evening with a crowded mind
Trying to decode what I can’t define

I’m standing at the center
Where signals overlap
Trying not to surrender
To the louder half

Tune me to a steady wave
Pull me where the noise behaves
I’m drifting through a world I crave
But breaking when the signals change
Tune me to a steady wave
Balance all the parts I save
I’m fading into what I brave
When both of me collide again

Thoughts turn metallic when the pressure grows
Patterns fall apart then they recompose
I’m chasing a structure that I can’t commit
Every time I form it something ruins it

I’m standing at the center
Where signals overlap
Trying not to surrender
To the louder half

Tune me to a steady wave
Pull me where the noise behaves
I’m drifting through a world I crave
But breaking when the signals change
Tune me to a steady wave
Balance all the parts I save
I’m fading into what I brave
When both of me collide again

If there’s a place between the sides
I’ll walk the thin divide
Waiting for the moment
Both frequencies align

CREDITS
Performer: Aris Veyton
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Tales from Harlem
Brick Lords

Verified Verified Artist

Brick Lords
Hailing straight from the heart of Harlem, the notorious quintet, Brick Lords, has been serving up a potent cocktail of old school rap since their genesis.

An assemblage teeming with character, within this unique ensemble, we find Biggie Bricks (real name, Jamal Thompson), the de-facto leader and lyricist; Lil' Grout (born Angel Martinez), the charismatic hype man; Bricksy Ross (truly known as Desmond Jones), the mysterious trap-lord; Mortar Mike (Mike Johnson in the real world), the laid-back beat master, and Cinder "the Block" Parker (dubbed Clara Parker at birth), the feisty and soulful female vocalist who adds a unique twist to the group's sound.

The Brick Lords was born out of a shared love for rhythm, rhymes, and the raw, gritty atmosphere of their native Harlem streets, baptizing themselves Brick Lords because, well, they were originally just some kids slamming beats and rhymes on brick walls. And just as bricks fit one on top of the other, building something substantial, so too did the Brick Lords build something substantial out of their close-knit group dynamic.

Their music, a delightful blend of old school rap with a hint of modern-day flair, is lauded for its authenticity and palpable energy, resonating with audiences worldwide. Notably, their signature song "What's Going On (Clean)" quickly escalated to become an anthem for their generation, showcasing their genuine artistry while divulging the realities of life in Harlem.

Amidst punchy beats, witty lyricism, and a touch of brick-and-mortar realness, the story of the Brick Lords is as engaging as their music. Resolute in their ambitious deliverance of old school rap, these urban poets have cemented themselves into the solid foundation of Harlem's music scene, and dare we say it, they're brickin' amazing!
Track(s)
Hard Knock Life 76544 02:15
What's Going On (Clean) 25883 02:26
Tales from Harlem 38046 03:58

Tales from Harlem

Brick Lords


Yeah
'bout to enter
A new era of Harlem hip-hop
The streets of Harlem
They tell these stories to me

Struggle
Life movin' fast
Juggle
It's spiral now
That's my soul jumpin' over puddles
Walks down 110th
Whispers of lost lovers
We stand in the midst of the band's discovery
Temptation's just a calm life away from survival
Only thang stay in focus is my rival
Need you
Know what I mean
We shifted our tribe for a fiend
It was a trap but we alive
Need an electric boogaloo
Sippin' matcha tea in Malibu
Staying silent with the crew perhaps
The island be spinning last acts of greed
Gotta see that you may never be my speed

The streets of Harlem
They tell these stories told
With unpolished
Feel me
We gon' crack a code
Get that bag
And then we split it with the load
On Bodega cashers
They gon' know
The streets of Harlem
They tell these stories to me
Raw
From the heart
Straight organically
Get that bag
Then we split it with the family
Bodega cashers
They gon' see

Jump when them cops shout
Some came from outta town
And me
Right here been my home about thirty miles
From the central park
Harlem nights found a crown
Couple that got decrep' and shady with foul actions
I'm in the job that's got me screamin fuck rations
My two feet more than defeat over the soil
When parked up I'm getting spoiled
They had coals on 125th
It was real loyal
Bro goddamn
All of us are grinnin like
"What's your plan?"
Stayin solid down to it when we dead game's gettin a bit nuts
Even the air smellin' like glamour and envy
We bet not get stuck
But come and help us
When the universe give us the chance
We glowed up
New cloth
She said her grandma was elusive too
My gramps
Come see his tape too
He just turned dirt over with his right hand
Fill a pot with plants
Woke up the clan
Blue line

CREDITS
Performer: Brick Lords
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Out of Control
Sabrina G

Verified Verified Artist

Sabrina G
Sabrina G embodies the vibrant spirit of the nightlife, bringing a fearless energy to the dance-pop scene. Known for her glossy club-pop sound, she captures the essence of playful rebellion and empowerment through her music. With her independent songwriting approach, she crafts tracks that resonate with those looking to embrace their true selves, breaking free from societal norms on the dance floor.

Her recent single, "Out of Control," showcases Sabrina's ability to blend catchy hooks with pulsating beats, creating an anthem that reflects her dynamic persona. The track highlights her confident vocal delivery and knack for engaging live performances, drawing audiences into her electrifying world. Each song in her catalog echoes a commitment to celebrating individuality and self-expression.

As Sabrina G continues to evolve, she remains dedicated to pushing the boundaries of dance-pop while inviting listeners to join her in a celebration of life after dark. With every release, she cements her identity as a bold force within the genre, inspiring others to embrace their inner glow amidst the neon lights.
Track(s)
Out of Control 26759 02:22

Out of Control

Sabrina G


Yeah-eh uh-huh na-na-na-na
We’re outta control — oh!

Midnight city glitter eyes
I’m not your type but you still try
Too many stories on my phone
but tonight I’m writing my own

All my friends in slow-mo frames
dancing wild forgetting names
Heartbeat syncs with stereo —
I don’t care just let it go! (uh-huh)

Out of control (uh!)
I’m losing my halo (yeah!)
Lights are on fire (ah!)
don’t need no hero!
Spin me around let the rhythm roll —
we’re out of out of out of control!

Glitter lips and candy lies
you say forever I say “bye”
Mirror selfies broken heels
still look good — that’s how it feels

No regrets no morning calls
we own the night we take it all
Heartbeat syncs with stereo —
don’t slow down just let it go! (o-oh)

Out of control (uh!)
I’m losing my halo (yeah!)
Lights are on fire (ah!)
don’t need no hero!
Spin me around let the rhythm roll —
we’re out of out of out of control!

O-oh no rules tonight
we’re neon high on satellite
O-oh one touch I’m gone —
my chaos turns me on!

Out of control (uh!)
I’m losing my halo (yeah!)
No one to blame no one to know
we’re out of out of out of control!

CREDITS
Performer: Sabrina G
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Get Out My Way
The 5th Exit

Verified Verified Artist

The 5th Exit
Born from the concrete veins of New York City’s underground, The 5th Exit is not just a band — it's a warning siren echoing through the alleys of Brooklyn. Blending the unapologetic grit of East Coast punk with the swagger of early-2000s hip-hop, their music punches through the noise like a subway train in a blackout.

The band was formed in late 2023 in a condemned warehouse turned DIY venue in Bushwick, after a street brawl-turned-jam-session between strangers. The result? Five misfits who had no plan — just noise, energy, and something to scream.

Members:
🎤 Jayno Blakk (Lead Vocals / Chaos Designer)
A former graffiti artist with a voice like broken glass in a hurricane. Born in Flatbush, Jayno spits lyrics like they’re Molotovs, laced with rage and raw truth. Known for performing barefoot and bleeding by the end of every show.

🎸 Noelle "Nox" Vega (Lead Guitar / FX Wizard)
Puerto Rican shredder with a physics degree and a pedalboard built from junkyard parts. She speaks three languages — four if you count distortion. Her solos? They don’t melt faces; they dissolve them.

🥁 Koda Rinz (Drums / Street Philosopher)
Half-poet, half-brawler. Raised by subway dancers and vinyl collectors, Koda’s beats sound like trash cans getting kicked down tenement stairwells — in perfect time. Always drumming, even in his sleep.

🎹 Echo Rowe (Synths / Scream Textures / Visuals)
The silent one. Echo doesn’t talk much, but his synth work sounds like a riot at 3AM. Also responsible for their chaotic visuals and the recurring raven motif in their shows. Rumor has it he lives in an abandoned radio tower in Queens.

🎸 Twitchy Lex (Bass / Vibe Damage Control)
Lex is the glue, or maybe the duct tape. Raised on R&B but corrupted by noise rock, he brings the groove — the dangerous kind that gets under your skin and sets off car alarms.

Their Breakout Track: "Get Out My Way"
A sonic punch to the throat, "Get Out My Way" is a war cry against complacency, gentrification, and anyone walking slow on a New York sidewalk. With a chorus that hits like a riot chant and verses that spit pure venom, it’s already being banned from small-town radio — which only makes it louder.

The 5th Exit isn’t asking for your attention. They’re taking it.
You can either move... or get run over.
Track(s)
Get Out My Way 82049 02:08

Get Out My Way

The 5th Exit


Yo! Yo!
Watch out! I’m comin’ through!
MOVE!

I came to wreck it slam like a hammer
Stomp in your club like a Bronx bandana
Shake the floor make the ceiling drop
When I step in the room everybody go POP!

No chill I’m a wildfire loose
Bounce like a ball in a cage of abuse
Say my name say it LOUD like a chant
Whole block jumpin’ like a riot they can’t stand!

Get out my way! (Hey!)
I don’t play! (No!)
I came to JUMP!
You better pray! (Woo!)
Get out my way! (MOVE!)
I don’t play! (UH!)
I bring that heat
Like every day!

Step aside I’m the main event
Got bass in my chest I don’t need no rent
Spit fire like I’m breakin' a curse
One punchline put your crew in a hearse!

Hands up high like a stick-up move
Whole room shakes when I hit that groove
I ain’t calm I’m a chaos breed
Y’all better duck when I plant this seed!

Get out my way! (Hey!)
I don’t play! (No!)
I came to JUMP!
You better pray!
Get out my way!
I don’t play!
I bring that HEAT
Like every day!

Jump! Jump! Jump!
Till the roof caves in!
Jump! Jump! Jump!
Let the riot begin!
Jump! Jump! Jump!
No peace no sleep!
Jump! Jump! Jump!
We play for keeps!

CREDITS
Performer: The 5th Exit
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

What’s It Made Of?
LYA

Verified Verified Artist

LYA
“If it doesn’t ask questions, it’s not music.”

LYA (pronounced “Lie-uh”) is a genre-defying artist from Berlin whose roots stretch from conservatory string quartets to the depths of fog-drenched warehouse raves. A classically trained violinist who once performed Vivaldi at age nine, she left formal music behind in her early 20s to pursue something more fractured, more real. What emerged was a sound as delicate as it is defiant—where harpsichords coexist with 2-step beats, and questions matter more than answers.

Her music exists in a liminal zone: somewhere between dance and disassociation, pop and poetry, cathedral and club. LYA often weaves spoken-word passages into her songs, transforming internal monologues into melodic mantras. Vocals—sometimes her own, sometimes spliced and AI-shifted—glide over textured layers of cello, muted synths, and ambient distortion. Think: if Imogen Heap grew up listening to Burial and wrote haikus in code.

LYA’s debut EP “Syntax of Sleep” was a quiet cult success among insomniac circles on Bandcamp, praised for its “introspective maximalism.” Her live sets, often accompanied by generative visuals and interactive lighting that reacts to audience movement, blur the line between concert and hallucination. She isn’t afraid of silence, nor of noise. Both, to her, are forms of rhythm.

LYA doesn’t write songs to explain. She writes them to wonder. “What’s It Made Of?”—her latest single via notfm—isn’t just a title. It’s a dare. A whisper in the hallway between thoughts. A reminder that meaning isn’t always the point.
Track(s)
What’s It Made Of? 222134 02:36

What’s It Made Of?

LYA


Woke up in a sentence I don’t remember writing
(uhhh)
My name’s on the wall
but it’s spelled with a “Y” now
weird

I tried to fold the sunlight into thirds
but it keeps leaking through the creases
Like—
was that ever the point?
(Hey!)
Did we name the silence just to fill it?

A blue cup a red sock a key with no lock
Mom said dreams don’t rot
but I found mold on the corners of mine
(yeah uh-huh)

What’s it made of?
(Lie?)
What’s it made oooooof?
Is this glass or just slow ice?
(what’s the—yeah)
If I bite it will it crack or cry?
(Haha—cry?)
I asked the mirror but she blinked
Twice

My coat is full of exit signs
but none of them point north
I sleep in the hallway between thoughts—
and that’s fine
Or it was
(Was it?)

Someone keeps leaving me notes
in a handwriting I don't remember learning
“Simplify”
“Unwind”
“Don't trust the tulips”

What’s it made of?!
(don’t tell me it’s hope again)
What’s it maaaade of?!
If it’s love why’s it shaped like a chair leg?
If it’s truth
why does it taste like batteries?

Whoa whoa—
Don’t go there
Not now
(NOT NOW!)

CREDITS
Performer: LYA
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00
HOT TRACK

Les Petites Choses ...
Mina Cazal

Verified Verified Artist

Mina Cazal
Mina Cazal is a French pop singer and songwriter known for turning ordinary days into sharply observed little stories. Her songs move through missed buses, supermarket queues, unfinished conversations and small domestic disasters, finding humor in moments most people barely notice. Instead of writing about perfect romances or dramatic escapes, she focuses on the strange comedy of simply getting through the day.

Raised between Lyon and the southern town of Sète, Mina grew up around theatre rehearsals, second-hand records and long family dinners where everyone spoke at once. She began writing songs as miniature scenes, combining conversational French lyrics with bright basslines, playful keyboards and understated dance-pop rhythms. Her vocal style is expressive and intimate, often shifting between singing, speaking and half-smiling observations.

Her music feels polished but never overly controlled. Beneath the cheerful arrangements, there is always a trace of fatigue, doubt or quiet affection for imperfect people. Mina Cazal writes pop songs for listeners who lose their keys, forget why they entered a shop and still manage to make something memorable out of the day.
Track(s)
Les Petites Choses de Travers 378 03:04

Les Petites Choses de Travers

Mina Cazal


Sept heures douze le réveil insiste
Je négocie encore quatre minutes
Le chat me regarde comme une huissière
Il connaît déjà toutes mes excuses

Une chaussette noire une chaussette bleue
Je déclare que c’est volontaire
Le pain a brûlé pendant que je lisais
Un message marqué « très prioritaire »

Dans l’ascenseur Madame Lefèvre
Me raconte son ficus malade
Je hoche la tête avec gravité
Comme une spécialiste des salades

J’avais prévu d’être impeccable
Organisée presque admirable
Mais le mardi connaît mon adresse
Et vient toujours semer le désordre

La vie c’est souvent de travers
Un bus raté des pâtes trop cuites
Un grand discours dans ma tête
Puis « oui bien sûr » quand on m’invite

La vie c’est rarement comme prévu
Mais franchement tant mieux peut-être
Je perds mes clés je gagne une histoire
Et ça suffit pour tenir debout

À dix heures trente réunion d’équipe
Quelqu’un partage trente-six tableaux
Je dessine un poisson sur mon carnet
Il a l’air plus compétent que nous

À midi Sonia commande léger
Puis vole la moitié de mes frites
Elle dit : « Ça ne compte pas vraiment
Quand ça vient de l’assiette d’une copine »

Le serveur oublie mon dessert
Je décide que c’est philosophique
Certaines choses arrivent en retard
D’autres jamais et c’est très pratique

J’avais prévu d’être raisonnable
De répondre vite d’être joignable
Mais mon téléphone tombe à trois pour cent
Et soudain le monde se débrouille

La vie c’est souvent de travers
Un bus raté des pâtes trop cuites
Un grand discours dans ma tête
Puis « oui bien sûr » quand on m’invite

La vie c’est rarement comme prévu
Mais franchement tant mieux peut-être
Je perds mes clés je gagne une histoire
Et ça suffit pour tenir debout

Dix-neuf heures six petite supérette
Je prends du lait des tomates du savon
Je repars avec un ananas
Et sans aucune explication

Le caissier demande si j’ai la carte
Je réponds oui puis cherche longtemps
Derrière moi personne ne soupire
C’est probablement un miracle local

Chez moi je cuisine en musique
Le chat refuse toute participation
Je mange debout près de l’évier
Comme une reine sans administration

On nous apprend les grandes décisions
Les beaux départs les lendemains utiles
Mais personne ne parle assez souvent
Du bonheur discret d’annuler un dîner

D’enlever ses chaussures trop tôt
De rire seule pour une phrase idiote
De trouver au fond d’un vieux sac
Le bonbon qu’on croyait disparu

La vie c’est souvent de travers
Un rendez-vous puis une autre route
Une mauvaise journée bien racontée
Devient presque une journée réussie

La vie c’est rarement comme prévu
Et c’est peut-être tout son talent
Je ferme les volets je laisse la vaisselle
Demain fera mieux… ou différemment

Minuit vingt-deux le réveil est prêt
Je promets d’être sérieuse demain
Le chat me regarde sans rien dire
Il connaît déjà très bien la fin

CREDITS
Performer: Mina Cazal
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
Please switch to portrait mode