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Only Ashes Know My ...
Julian Hartman
Verified Artist
Julian Hartman
Julian Hartman; a magical melody weaving prodigy, hailing from the exquisite alpine landscapes of Switzerland. Raised on Ticino truffles and Emmental cheese chunks, Julian is the offspring of Switzerland’s savviest real estate tycoon (eh-hem, his dad, if you didn't catch that). But instead of joining the family business, Julian took the scenic route, stating that the only thing he's interested in constructing are heart-stirring ballads full of intricate harmony and soulful chords, and, well, who can argue with that?
A graduate of Communication Studies, Julian uses his academic background to strike a chord with his fan base. He also resumes a dual life as an activist. One moment, he's delivering soul-stirring tunes, sending listeners on a roller-coaster ride of emotions, the next he’s making profound impacts advocating for human rights. His hit track, "Only Ashes Know My Name," feels like poetically walking face-first into a blast of empathy and introspection, and rumour has it, it's a subconscious ode to the countless times he's forgotten his own name after an all-nighter at Geneva’s cheese fondue parties.
Julian Hartman, this activist-cum-singer, is more than a musical maestro with a magnetic presence. He's the compelling sonic storyteller with a forgettable real-estate lineage who exceeds all expectations with each guitar strum, proving that the best path is often the road less travelled, paved with cheese and a master's degree in communication.
Only Ashes Know My Name
Julian Hartman
Falling hours crooked roads
Lanterns flicker stories fold
Traces left in borrowed sand
Nowhere feels like where we stand
Wind moves slow but pulls apart
Empty rooms still hold a spark
Pull the thread and watch it fray
All we built just fades away
Running circles chasing flame
Only ashes know my name
Voices hum in window panes
Summers lost in silver rain
Names dissolve like ink in tide
Leaving nothing left to hide
Wind moves slow but pulls apart
Empty rooms still hold a spark
Pull the thread and watch it fray
All we built just fades away
Running circles chasing flame
Only ashes know my name
No more echoes down the line
Only shadows drawn in time
Pull the thread and watch it fray
All we built just fades away
Running circles chasing flame
Only ashes know my name
CREDITS
Performer: Julian Hartman
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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All That Shine
Paint the Moon Slow
Verified Artist
Paint the Moon Slow
For those whose hearts beat a little faster after dark, meet Paint the Moon Slow, the genre-defying trio lighting up the dance floor with rhythmically pulsating songs brimming with late-night sparkle. The group draws its moniker from a whimsical mix of cosmic awe and the unhurried charm from their native city, the lunar-graced town of Slowville.
Even though their name might lead you to believe they're about slow, soul-crushing tunes, don't be fooled; they're far from a slowcore. Instead, they intertwine cosmic shimmers into their globally influenced, mid-tempo funk-pop. Frontwoman Cleo Maren delivers vocals both gruff and rosy, a blend of smoky lounge and roller-rink diva, backed by synth maestro Rhea Dax and rhythm fanatic Jo "Kicks" Tanaka, creating anthems that twinkle with retro beats and lyrical audacity under neon lights.
Their most notable song, "All That Shine", is a dashing number that perfectly embodies their sonic aesthetic, brimming with upbeat rhythms that evoke a cheeky, happy-go-lucky mood. As contract artists with Filodyo, Paint the Moon Slow are aligning the stars for a new era of dance music. Stay tuned for more luminous offerings from these maestros of mirth, groove, and exceptional starlit tunes. Welcome to the Paint the Moon Slow universe – it’s a happy place.
All That Shine
Paint the Moon Slow
Every win costs more than it shows
Smiles on screens but nobody knows
Counting steps in designer doubt
Applause fades when the lights go out
All that shine (yeah)
burns cold by dawn (so cold)
Still I move (keep it movin’)
still I’m gone (I’m gone I’m gone)
I built a world from nothing at all (from the ground up)
Paved my name on a silent wall (can you see it?)
They cheer the rise not the climb (uh-huh)
But I’ve been bleeding into time (so deep so long)
[Instrumental Break]
Phone full of names I don’t call
Rooms packed tight but I feel small
I keep my truth behind gold frames
Success is a house with shifting names
All that shine (yeah)
burns cold by dawn (so cold)
Still I move (keep it movin’)
still I’m gone (I’m gone I’m gone)
I built a world from nothing at all (from the ground up)
Paved my name on a silent wall (can you see it?)
They cheer the rise not the climb (uh-huh)
But I’ve been bleeding into time (so deep so long)
Don’t envy thrones you’ve never sat
You won’t feel full chasing that
I built a world from nothing at all
Paved my name on a silent wall
They cheer the rise not the climb
CREDITS
Performer: Paint the Moon Slow
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Wannabe Off
Lily Green
Verified Artist
Lily Green
Lily Green is a vibrant nu-disco artist with a deep love for cars and the open road.
Hailing from Los Angeles, Lily grew up with the sounds of synth beats and funky basslines, which fueled her passion for creating danceable, feel-good music.
Her fascination with cars started in childhood, spending weekends at car shows with her dad and dreaming of road trips across the country. This love for automobiles often finds its way into her music, with themes of freedom, speed, and adventure.
Known for her infectious energy and groovy tunes, Lily Green’s tracks are the perfect soundtrack for cruising down the highway with the windows down.
Wannabe Off
Lily Green
We could be from anywhere
But I want the right approach
Could be what you never thought
Could be what you thought the most
I could use a dinner date
I wanna eat you raw
Now take a look at me
Tell me what you saw
Would you wanna be off for the summer?
Out in the country
Drivin' a Hummer
We could be getting my number
My name is Eve and I'm just a soul you couldn't handle
Would you wanna be off?
Could share with me a memory
Or win me a teddy bear
Could you be something I can't be
Or something we all were
(Could be) It's not you
It's me
Or maybe it's him
But don't believe anything
If it goes on a whim
Would you wanna be off for the summer?
Out in the country
Drivin' a Hummer
We could be getting my number
My name is Eve and I'm just a soul you couldn't handle
Would you wanna be off?
A manatee
Amnesty
Deodorant
Detorant
Casanova
Castanova
Here's another
Here's another
Would you wanna be off for the summer?
Out in the country
Drivin' a Hummer
We could be getting my number
My name is Eve and I'm just a soul you couldn't handle
Would you wanna be off?
CREDITS
Performer: Lily Green
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Wake Up, Gary
Wrong Floor Cinema
Verified Artist
Wrong Floor Cinema
Wrong Floor Cinema is a four-piece alternative rock band formed in 2025 by Orson Vell, Marlow Pin, Crispin Dayrate, and Niles Weatherby. The group came together through a series of badly organized rehearsal-room bookings, after repeatedly being assigned the same basement studio by mistake. They kept the name Wrong Floor Cinema because it matched their shared taste for overlooked places, awkward situations, and things that feel slightly out of sequence.
Their music blends sharp pop-punk guitars, dry spoken-sung vocals, clipped rhythms, melodic bass lines, and an offbeat sense of humor. Although their sound draws heavily from 1990s alternative rock, they avoid straightforward nostalgia, mixing that influence with modern production, restrained arrangements, and lyrics built around mundane frustrations, social discomfort, bad timing, and small personal disasters.
Orson handles vocals and rhythm guitar, Marlow plays lead guitar, Crispin plays bass, and Niles is on drums. Together, they have built a reputation for tightly controlled live performances that still feel unpredictable, balancing catchy melodies with deadpan delivery and a slightly detached stage presence. Wrong Floor Cinema sounds like a band that arrived late, entered through the wrong door, and decided to stay anyway.
Wake Up, Gary
Wrong Floor Cinema
Gary’s got a corkboard on the bedroom wall
Red strings running from the big to the small
Says the moon’s a movie on a giant screen
“NASA hired Stanley back in ‘69” he’s keen
Won’t eat cereal with a barcode line
Reads expiration dates like secret signs
Says the pigeons blink in binary
Then whispers “Buddy… they’re watching me”
Every answer needs another question
Every fact becomes a new obsession
Wake up Gary what did you find?
Another secret hidden in your mind?
Lizard kings and laser skies
Birds with government eyes
Wake up Gary take a day off please
Not everything’s a global mystery
Maybe life is just… okay
But don’t tell Gary anyway
He says Elvis orders food at night
Bigfoot’s blurry on purpose right?
Paul was switched back in ‘64
“Look at the eyebrows!” — he’s got thirty more
Area Fifty-One’s a holiday camp
Atlantis powers every desk lamp
Chemtrails spell my middle name
And squirrels? “Yeah… they’re in the game”
Every headline proves his theory
Coffee makes him documentary
Wake up Gary what did you find?
Another secret hidden in your mind?
Lizard kings and laser skies
Birds with government eyes
Wake up Gary take a day off please
Not everything’s a global mystery
Maybe life is just… okay
But don’t tell Gary anyway
Yesterday he called at half past two
Said “I’ve got something huge for you!”
I held my breath… this must be big…
“They changed the shape… of Pringles lids”
…
He wasn’t joking
Wake up Gary what did you find?
Another rabbit hole to pass the time?
Flat Earth aliens secret files
He can talk for seventeen miles
Wake up Gary you’re one of a kind
You make conspiracy sound sublime
If the truth comes out one day
We’ll let Gary say “I told you mate!”
CREDITS
Performer: Wrong Floor Cinema
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Mystery
Leo Kensington
Verified Artist
Leo Kensington
Leo Kensington, hailing from the sunflower fields of Kansas, has been lighting up local music stages as a pop-funk artist. This sprightly talent is especially known for his catchy tune, "Mystery," which has been described by fans as "a melodious enigma wrapped in quirkiness."
Kensington started his journey nimbly, strumming his makeshift cereal-box guitar while still in diapers (although not particularly in tune). His love for beats and rhythms was nurtured by the swaying wheat fields around his childhood home. Thus, bread was not the only good thing that came out of the humble Kansas wheat fields; they also gave us this ear-popping, funky melody maker.
In the local circuit, Kensington is revered for his dynamic performances which are akin to watching a tornado onstage - wildly exciting, immensely entertaining, yet always leaving you with a sense of awe. Ever the unpredictable, Kensington spiced up a rather bland Tuesday evening when he performed "Mystery" dressed as a unicorn. Yes, an actual unicorn. It was this sort of playful, eccentric ambiance that set Kensington apart.
Leo continues to electrify the local Kansas music scene, his songs resonating from every corner bar to county fair. His energy, stage presence, and charming charisma, accompanied by the unforgettable riff of "Mystery", ensures that one never forgets the name Leo Kensington. His exciting rise and the captivating persona undoubtedly make him one to watch. After all, who can resist a funktastic unicorn from Kansas?
Mystery
Leo Kensington
Why does it hurt
To hope? (Mmm ooh ooh ooh)
Why does it hurt?
(Let it out)
To hope? (Ayy ayy)
Why does it hurt
Why does it hurt?
(Ooh ooh ooh)
I love you like the segments
On the news
Cut between the stories of the hood
The heroes
And the glues
Seen and see-through
I could
Read the room
The sky turned red
The stage was vast
The moon took center view
And so did you
Why does it hurt
To hope? (Mmm ooh ooh ooh)
Why does it hurt?
(Let it out)
To hope?
(Ayy ayy)
Why does it hurt?
Why I'm supposed to hope
That things will change?
Keep thinkin' things will settle
As I get older with age
Huh but nothin's never been the same
So in the meantime
Might as well let 'em know my name
And I ain't gon' waste a second
So baby
Show me somethin' that I need for now
I don't mean to use you till I turn around
But maybe you might find you wanna stick
Around
Got so many skeletons inside my closet
That I don't go past October
'Cause if I start lookin' around
Might not come back till the fall is over
Like ooh ooh ooh
CREDITS
Performer: Leo Kensington
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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HOT TRACK
Les Petites Choses ...
Mina Cazal
Verified Artist
Mina Cazal
Mina Cazal is a French pop singer and songwriter known for turning ordinary days into sharply observed little stories. Her songs move through missed buses, supermarket queues, unfinished conversations and small domestic disasters, finding humor in moments most people barely notice. Instead of writing about perfect romances or dramatic escapes, she focuses on the strange comedy of simply getting through the day.
Raised between Lyon and the southern town of Sète, Mina grew up around theatre rehearsals, second-hand records and long family dinners where everyone spoke at once. She began writing songs as miniature scenes, combining conversational French lyrics with bright basslines, playful keyboards and understated dance-pop rhythms. Her vocal style is expressive and intimate, often shifting between singing, speaking and half-smiling observations.
Her music feels polished but never overly controlled. Beneath the cheerful arrangements, there is always a trace of fatigue, doubt or quiet affection for imperfect people. Mina Cazal writes pop songs for listeners who lose their keys, forget why they entered a shop and still manage to make something memorable out of the day.
Les Petites Choses de Travers
Mina Cazal
Sept heures douze le réveil insiste
Je négocie encore quatre minutes
Le chat me regarde comme une huissière
Il connaît déjà toutes mes excuses
Une chaussette noire une chaussette bleue
Je déclare que c’est volontaire
Le pain a brûlé pendant que je lisais
Un message marqué « très prioritaire »
Dans l’ascenseur Madame Lefèvre
Me raconte son ficus malade
Je hoche la tête avec gravité
Comme une spécialiste des salades
J’avais prévu d’être impeccable
Organisée presque admirable
Mais le mardi connaît mon adresse
Et vient toujours semer le désordre
La vie c’est souvent de travers
Un bus raté des pâtes trop cuites
Un grand discours dans ma tête
Puis « oui bien sûr » quand on m’invite
La vie c’est rarement comme prévu
Mais franchement tant mieux peut-être
Je perds mes clés je gagne une histoire
Et ça suffit pour tenir debout
À dix heures trente réunion d’équipe
Quelqu’un partage trente-six tableaux
Je dessine un poisson sur mon carnet
Il a l’air plus compétent que nous
À midi Sonia commande léger
Puis vole la moitié de mes frites
Elle dit : « Ça ne compte pas vraiment
Quand ça vient de l’assiette d’une copine »
Le serveur oublie mon dessert
Je décide que c’est philosophique
Certaines choses arrivent en retard
D’autres jamais et c’est très pratique
J’avais prévu d’être raisonnable
De répondre vite d’être joignable
Mais mon téléphone tombe à trois pour cent
Et soudain le monde se débrouille
La vie c’est souvent de travers
Un bus raté des pâtes trop cuites
Un grand discours dans ma tête
Puis « oui bien sûr » quand on m’invite
La vie c’est rarement comme prévu
Mais franchement tant mieux peut-être
Je perds mes clés je gagne une histoire
Et ça suffit pour tenir debout
Dix-neuf heures six petite supérette
Je prends du lait des tomates du savon
Je repars avec un ananas
Et sans aucune explication
Le caissier demande si j’ai la carte
Je réponds oui puis cherche longtemps
Derrière moi personne ne soupire
C’est probablement un miracle local
Chez moi je cuisine en musique
Le chat refuse toute participation
Je mange debout près de l’évier
Comme une reine sans administration
On nous apprend les grandes décisions
Les beaux départs les lendemains utiles
Mais personne ne parle assez souvent
Du bonheur discret d’annuler un dîner
D’enlever ses chaussures trop tôt
De rire seule pour une phrase idiote
De trouver au fond d’un vieux sac
Le bonbon qu’on croyait disparu
La vie c’est souvent de travers
Un rendez-vous puis une autre route
Une mauvaise journée bien racontée
Devient presque une journée réussie
La vie c’est rarement comme prévu
Et c’est peut-être tout son talent
Je ferme les volets je laisse la vaisselle
Demain fera mieux… ou différemment
Minuit vingt-deux le réveil est prêt
Je promets d’être sérieuse demain
Le chat me regarde sans rien dire
Il connaît déjà très bien la fin
CREDITS
Performer: Mina Cazal
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Waves of Laughter
Common Holiday
Verified Artist
Common Holiday
Common Holiday is an independent music project crafted by Berlin-based artist Sam Turner, whose vibrant soundscape blends folk, indie, pop, and rock into an energetic tapestry. With a passion for storytelling through music, Sam wields his acoustic guitar to create playful melodies that invite listeners to embrace the joy of life’s little moments. His catalog showcases a compelling blend of bright major keys and lively rhythms, encapsulated in tracks like "Waves of Laughter," where the warmth of analog tape meets playful instrumentation, from strummed guitars to the buoyant tones of trombone and violin.
Growing up surrounded by diverse musical influences in the heart of Berlin, Sam found inspiration in the city’s rich cultural scene. He began writing songs as a means to express his experiences and emotions while fostering connections with others. The collaborative spirit of Berlin brought together like-minded musicians who shared his vision, leading to a creative partnership that would eventually shape Common Holiday. Together, they craft songs that resonate with an uplifting energy, encouraging listeners to dance away their worries and celebrate life’s joys.
"Waves of Laughter" perfectly embodies the essence of Common Holiday's ethos—spreading optimism and connection through music. The track's playful singalong quality draws audiences in, providing a sense of community and shared experience. As Sam continues to develop his artistic identity, expect more tracks that fuse heartfelt lyrics with high-energy production, inviting everyone to join in the uplifting journey he offers through his music.
Waves of Laughter
Common Holiday
Got my feet up sun on my face
Life is a ride let’s pick up the pace
With a strum of the guitar the world feels right
Let’s dance on the clouds from morning till night
LAUGHING LOUD we chase the sun
Rolling on waves oh we’re gonna have fun!
With a trombone blast we’re breaking the rules
Together we shine just a couple of fools!
Running through fields with laughter in tow
A violin sings as we steal the show
Time is a game we play it so bright
With every note played we’re taking flight
LAUGHING LOUD we chase the sun
Rolling on waves oh we’re gonna have fun!
With a trombone blast we’re breaking the rules
Together we shine just a couple of fools!
LAUGHING LOUD we chase the sun
Rolling on waves oh we’re gonna have fun!
With a trombone blast we’re breaking the rules
Together we shine just a couple of fools!
CREDITS
Performer: Common Holiday
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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HOT TRACK
Velvet Circuits
Mara Vale
Verified Artist
Mara Vale
Mara Vale makes sleek night-drive pop with a disco pulse: live bass lines, clean rhythm guitar, warm strings, and hooks that feel lit by streetlights. Her songs balance playful movement with a bittersweet city glow, built for listeners who want groove, melody, and a little electricity under the skin.
Her sound sits between classic dance-floor craft and modern pop polish, with soulful female vocals carrying stories of late buses, rooftop coffee, open city windows, and small moments that suddenly feel cinematic. Mara Vale keeps the arrangements bright and human: tight drums, handclaps, piano stabs, and choruses designed to move without turning into a cliché.
Velvet Circuits
Mara Vale
I saw your name in the window light
spelled out backwards on a passing bus
city heat on a borrowed bike
and a little bit of trouble looking back at us
You had a laugh like a camera flash
gone too soon but it burned the room
I had a heart with a broken latch
swinging open to a silver moon
We don't need forever to feel electric
just a little voltage under the skin
You move like velvet circuits
turning all my lonely lights on again
If the night tries to sell us silence
we'll answer with a melody and grin
You move like velvet circuits
and I keep coming back to begin
Coffee cold on a rooftop stair
bassline leaking from a taxi door
You tied a ribbon in your midnight hair
said the future isn't hungry anymore
I was counting every exit sign
making maps out of ways to leave
Then you put your hand inside of mine
like a rhythm that remembered me
We don't need forever to feel electric
just a little voltage under the skin
You move like velvet circuits
turning all my lonely lights on again
If the night tries to sell us silence
we'll answer with a melody and grin
You move like velvet circuits
and I keep coming back to begin
All my static turns to motion
all my caution learns to shine
There's a pulse beneath the pavement
keeping perfect crooked time
We don't need forever to feel electric
just a little voltage under the skin
You move like velvet circuits
turning all my lonely lights on again
If the night tries to sell us silence
we'll answer with a melody and grin
You move like velvet circuits
and I keep coming back to begin
Velvet circuits in the crosswalk glow
Velvet circuits and the city knows
Velvet circuits when the morning spins
I keep coming back to begin
CREDITS
Performer: Mara Vale
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Pages in the Groove
Ted Craft
Verified Artist
Ted Craft
Born in 1992 in Austin, Texas, Ted Craft grew up surrounded by a melting pot of musical influences — from the blues and country his father played on vinyl to the funk and disco his mother kept on repeat in the kitchen. By the age of 10, he was playing guitar and piano, and by 14 he was already performing at local open-mic nights. His natural stage charisma and ear for infectious melodies quickly set him apart from his peers.
After high school, Ted earned a scholarship to the prestigious Berklee College of Music in Boston, where he majored in Contemporary Writing and Production. During his time there, he immersed himself in pop and funk theory, honing his skills in arrangement, songwriting, and live performance. Berklee also gave him the opportunity to collaborate with musicians from all over the world, helping shape the eclectic yet polished sound he’s known for today.
Post-graduation, Ted moved to Los Angeles and began crafting his signature blend of sleek pop hooks, groovy basslines, and bright funk guitar riffs. His debut EP quickly caught the attention of both critics and streaming audiences, with its feel-good energy and polished musicianship.
On stage, Ted Craft is a showman through and through — dynamic, playful, and completely in command of his audience. Whether fronting a full band or delivering an intimate acoustic set, he brings the same infectious energy and precision that has made him one of the most exciting new names in the pop-funk scene.
Pages in the Groove
Ted Craft
I’ve walked into rooms where no one knew my name
Just a stranger with a pocket full of games
Every beat another chapter I could tell
Every move another spell I had to sell
Lights spin I’m reading the crowd
Hear my story as the bass gets loud
Oh-oh I’m not here to hide
I’m just letting my pages slide
These are the pages in the groove I’ve made
Pages in the groove yeah they never fade
Every step every night it’s a story played
Oh-oh that’s the life I’ve laid
There’s a bar in Berlin a floor in Madrid
Faces change but the rhythm never did
Bought a round for the table told a joke or two
They don’t know the truth but I gave them the view
Lights spin I’m reading the crowd
Hear my story as the bass gets loud
Oh-oh I’m not here to hide
I’m just letting my pages slide
These are the pages in the groove I’ve made
Pages in the groove yeah they never fade
Every step every night it’s a story played
Oh-oh that’s the life I’ve laid
If you read between the beats you’ll know my name
Every chorus is a frame in a bigger game
We all write on the floor tonight
And I’m just signing mine in the neon light [vocal run ad-lib]
These are the pages in the groove I’ve made
Pages in the groove yeah they never fade
Every step every night it’s a story played
Oh-oh that’s the life I’ve laid
Pages in the groove…
…and the night goes on
CREDITS
Performer: Ted Craft
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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La Ventana
Alba Serrin
Verified Artist
Alba Serrin
When Alba Serrin first picked up a guitar in her native Colombia, no one guessed she'd soon become the queen of independent Latin Pop. With her infectious feel-good vibes, she transformed her local music scene, one acoustically vibrant and breathy note at a time.
Cut from the colourful streets of Bogota, Alba's bones are steeped in stories, sunshine and a knack for making guitar strings sing like an Andean condor on a summer breeze. Her smash-hit "La Ventana" serves as a cheerful escape hatch, a musical window flung wide open to let the light in. We're talking a ray of sweet sonic sunshine straight outta South America.
You ask about Alba? Don't picture a diva draped in unnecessary glamour. Nah, she's just this quirky señorita in sneakers with an unruly curl crested on her forehead and a smirk that says, "Hey, music doesn’t have to give you the blues." It's her joyful rebellion against the norm that makes Alba, well, Alba.
Undeniably, Alba Serrin's artistry paints a jolly dance of Latin notes across a canvas of global indie music. She croons, she cheers, and sometimes, she's just your happy-go-lucky gal brightening up the world one tune at a time – an upbeat antidote to your toughest days.
La Ventana
Alba Serrin
(La ciudad no duerme)
(And I don’t wait anymore)
ja
Dejé tu chaqueta
colgada en la silla
tu perfume barato
ya no me domina
You sent me a message
at quarter to three
I read it dancing
you lost that key
shh
No me preguntes
si duele todavía
me puse más linda
desde tu despedida
Tú querías fuego
pero sin quemarte
yo cerré la puerta
sin odiarte
Por la ventana
te vi pasar
con esa cara
de querer llamar
No digas nada
no mires atrás
yo ya no bajo
si tú no sabes amar
La-la-la ventana
I don’t go back
La-la-la ventana
I don’t do that
Compré flores rojas
pero no por ti
hoy brindo conmigo
porque sí porque sí
You loved the drama
I changed the scene
now my little black dress
looks better on me
ay
No me preguntes
si duele todavía
me puse más libre
desde tu cobardía
Tú querías luna
sin pasar la noche
yo cambié mi nombre
dentro de tu coche
[Chorus: Bigger Vocal Layering]
Por la ventana
te vi pasar
con esa cara
de querer llamar
No digas nada
no mires atrás
yo ya no bajo
si tú no sabes amar
La-la-la ventana
I don’t go back
La-la-la ventana
I don’t do that
(You thought I’d cry?)
[Mocking Laughter]
ja ja
Mira bien
mira bien
no era suerte
era mi piel
NO VUELVO MÁS
Por la ventana
te vi pasar
con esa cara
de querer llamar
No digas nada
no mires atrás
yo ya no bajo
si tú no sabes amar
La-la-la ventana
I don’t go back
La-la-la ventana
I don’t do that
(La ciudad sigue)
(pero yo no te sigo)
CREDITS
Performer: Alba Serrin
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Old Good Days
Calvin Ray Monroe
Verified Artist
Calvin Ray Monroe
Say hello to Calvin Ray Monroe, Manhattan's disco dynamo and independent music's best kept secret. He's a man turning his flat into a vibrant vortex of vinyl, vintage beats and vivacious zest.
Calvin's music is a love letter to brighter, cheerier and simpler times. Tucked away in his cosy, compact Manhattan studio, he's crafting sparkling dance tunes that taste like sunshine straight from an 8-track. Layers of lush, lighthearted beats laid with a playful, witty flair that gives his music a delightful "Happy Hour" allure all day long.
"Old Good Days", his juggernaut track, is the kind of song that'll huff, puff, and blow your cobwebs away. It tiptoes the line between nostalgic and novel - a dance-off with the past, in the present. Monroe's sound will make you groove, throw your hands up, and boogie - loving life even in your living room.
So, ladies and gentlemen, bring out your disco shoes and shine up your bright moods—the dance-floor awaits you with Calvin Ray Monroe's tunes. Whisked up on a whirlwind of happiness, we guarantee you'll forget all about yesterday and probably tomorrow too. Such is the magic of Calvin—the kind that's rare, real, and quite remarkably his own.
Old Good Days
Calvin Ray Monroe
I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"
I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"
They want that old me back
Now that version in the past
When I was a young kid
I just wanted me a bag
On the corner with my people
In the middle of the night
Everybody moving careful
Just trying to make it right
Man I been hot
I been on my own thing
Riding with a Taurus
I was on some horoscope thing
All my people winning
Man we don't ever forfeit
Me and my people never moving on no weak stuff
I'm in this place with my woadies
I'm in this place with my homies
I'm in this place with the people
That really been down
And the ones that really been knowing me
I'm in this place with the people
That said they would ride for me
And the ones that would've stood with me
I'm in this place with the people
That told me I couldn't do it
But now I be doing me
I'm on a different type time
Girl you know I been on my grind
Tryna move all of my people up out the hood
Get 'em out of the bind
I know that all of my people got demons
But that's why I keep all my angels around
I told all my people
"If you hold me down
Then I'ma hold you down"
I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"
I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"
I was on the block
I was on the block
Tell 'em I was hot
And they tell me
"Brother
What about the old good days?"
I was on the block
Tell 'em I was hot
And they tell me
"Brother
What about the old good days?"
CREDITS
Performer: Calvin Ray Monroe
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
