Julian Hartman; a magical melody weaving prodigy, hailing from the exquisite alpine landscapes of Switzerland. Raised on Ticino truffles and Emmental cheese chunks, Julian is the offspring of Switzerland’s savviest real estate tycoon (eh-hem, his dad, if you didn't catch that). But instead of joining the family business, Julian took the scenic route, stating that the only thing he's interested in constructing are heart-stirring ballads full of intricate harmony and soulful chords, and, well, who can argue with that?

A graduate of Communication Studies, Julian uses his academic background to strike a chord with his fan base. He also resumes a dual life as an activist. One moment, he's delivering soul-stirring tunes, sending listeners on a roller-coaster ride of emotions, the next he’s making profound impacts advocating for human rights. His hit track, "Only Ashes Know My Name," feels like poetically walking face-first into a blast of empathy and introspection, and rumour has it, it's a subconscious ode to the countless times he's forgotten his own name after an all-nighter at Geneva’s cheese fondue parties.

Julian Hartman, this activist-cum-singer, is more than a musical maestro with a magnetic presence. He's the compelling sonic storyteller with a forgettable real-estate lineage who exceeds all expectations with each guitar strum, proving that the best path is often the road less travelled, paved with cheese and a master's degree in communication.

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Callum Hayes, known to many as the life of the party and to some as simply "that crazy guy with the decks," is a Swedish DJ and music producer. Crafting infectious beats and dance anthems is his forte, with his breakthrough track "Dancing The Pain Away" causing quite a stir in the local music scene.

Callum's journey into the world of music production began somewhat unexpectedly, in the adrenaline-fueled arena of advertising music. After one too many late nights tweaking jingles for brands too dull to mention, he decided to take his talents to the club scene instead. Hayes' wicked sense of humor is reflected in his artistic process; he often jokes about resigning from his ad gig with a dramatic flip of his work desk only to realize he was working from home – no audience, no theatrical exit.

Collaborating with various vocalists, Callum has brewed a wide range of flavors in the grand cauldron of his music. Be it power-packed EDM or chilled-out trance music, Hayes serves his listeners an exotic buffet of tunes. He has managed to carve out a niche within the competitive domain of independent artists, becoming a regular feature at local Swedish venues where he inevitably brings the house down.

In the spunky and tenacious spirit of indie artistry, Callum Hayes continues to dance his pain and ours away. His energetic personality and infectious tracks make every night feel like a weekend and with Hayes at the helm, the party rages on. Callum Hayes might not be a global name just yet, but those Swedish nights have never grooved harder.

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If sugar, spice, and a foot-tapping bass were a person, they'd invariably shape-shift into Maelith. The indie dance sensation hails from the mythical city of her namesake – a place as enigmatic, vibrant, and pulsating as her music.

Coming from a realm where the sunrise paints the sky in a symphony of techno hues, Maelith's city of origin is as enigmatic and infectious as her tunes and just as impossible to tune out. It only makes sense then, that her celebratory dance beats make even the grumpiest of granddads do a head bob or two.

Her notable track "Butterflies" will make a surprising entrance, landing in your heart with the grace and charm of a thousand of the colourful creatures, evoking smiles usually reserved for sunbeams and unexpected tax refunds. It's like eating candy in a club - tooth-achingly sweet, and deliciously intoxicating.

Maelith's music isn't just happy—it's a spontaneous euphoria packed into dance beats. Each track, a flawless mesh of elevating melodies sure to paint a bright, neon smile on your face. It never rains in Maelith's city. So, grab an umbrella because you're about to get showered with joy bombs!

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Brimming with techno energy and crispy beats, Sandra Johanson will make even the stiffest wallflower sway. She is not just your next-door DJ, but rather the queen of EDM who knows how to heal souls through rhythm.

With a backstory as intricate as her synth lines, Sandra hails from a tiny town in North Dakota, where cornfields outnumber dance clubs. Just when her life was about to be earmarked by an inevitable career in poultry farming, destiny gifted her an antique turntable. It's said that turkeys ran wild with delight in her mix of The Chicken Dance, and Sandra knew she had found her calling. Trading hens for headphones, she burst onto the underground scene with distinctive fresh sounds, uplifting energy, and a disquieting affinity for bird-themed track titles.

Over time, Sandra has built a loyal following with her spirited mixes. Her quintessential creation "My Soul Is Healed" masterfully marries muted basslines, playful rhythms, and ethereal vocals, delivering pure ecstasy to every dance floor it touches. A mash-up of disco, house and electronica elements, it sways, it soars, and it heals- just as the title promises.

Sandra Johanson is more than a name; she is your everyday superhero with a mixer, who graces the dance scene with joyous vibrance. Keeping it casual with a cap and oversized sweater, and a personality full of wit that shines brighter than any disco ball, Sandra highlights that happy beats don’t necessitate flashy clobbers and ostentatious attitudes. Just press play, let the groove take over, and feel your soul heal at the hands of this musical maestro.

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Ian Merrow is an alternative singer-songwriter from the misty shores of Brighton, UK, whose music lives quietly but powerfully—exclusively on Filodyo. Blending melancholic guitar textures with intimate, confessional lyrics, Ian crafts songs that feel like late-night thoughts you were never meant to say out loud. His sound walks the line between indie rock and cinematic pop, echoing the raw sensitivity of artists like Jeff Buckley and the atmospheric pull of early Radiohead.

Rather than chasing the mainstream, Ian chose to remain deliberately off-grid. He records in his small seaside flat, using second-hand gear and a notebook full of scribbled lines. For him, imperfection is part of the truth. His debut track "Runaway Light" introduced listeners to a world of quiet emotional urgency, where love, regret, and longing flicker like headlights in the fog.

Ian’s connection to Filodyo wasn’t just a distribution decision—it was an artistic choice. “It’s the only platform that lets me stay invisible and be heard at the same time,” he says. No social media, no interviews, no labels. Just music. And for those who find him, it's like stumbling upon a secret worth keeping.

With each release, Ian continues to prove that volume isn’t necessary to make an impact. His songs don’t shout — they haunt.

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“If it doesn’t ask questions, it’s not music.”

LYA (pronounced “Lie-uh”) is a genre-defying artist from Berlin whose roots stretch from conservatory string quartets to the depths of fog-drenched warehouse raves. A classically trained violinist who once performed Vivaldi at age nine, she left formal music behind in her early 20s to pursue something more fractured, more real. What emerged was a sound as delicate as it is defiant—where harpsichords coexist with 2-step beats, and questions matter more than answers.

Her music exists in a liminal zone: somewhere between dance and disassociation, pop and poetry, cathedral and club. LYA often weaves spoken-word passages into her songs, transforming internal monologues into melodic mantras. Vocals—sometimes her own, sometimes spliced and AI-shifted—glide over textured layers of cello, muted synths, and ambient distortion. Think: if Imogen Heap grew up listening to Burial and wrote haikus in code.

LYA’s debut EP “Syntax of Sleep” was a quiet cult success among insomniac circles on Bandcamp, praised for its “introspective maximalism.” Her live sets, often accompanied by generative visuals and interactive lighting that reacts to audience movement, blur the line between concert and hallucination. She isn’t afraid of silence, nor of noise. Both, to her, are forms of rhythm.

LYA doesn’t write songs to explain. She writes them to wonder. “What’s It Made Of?”—her latest single via notfm—isn’t just a title. It’s a dare. A whisper in the hallway between thoughts. A reminder that meaning isn’t always the point.

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Where Parisian glamour meets electro-pop dance diva, you'll find the enchanting artist, Manon Vallois. Traipsing down a yellow brick road of pulsing beats and bold impressions, Vallois' irresistible tunes are the epitome of joy and joie de vivre.

This delightful, quirky Parisienne is the lovechild of the City of Love's rich artistry and throbbing nightlife, a lass always found a hop, skip, and pirouette away from the nearest beat drop. With her signature track, "My Dreaming Life", Vallois provides the escapism we all need from time to time. She takes listeners on a whimsical journey, backed by high-energy rhythms and melodies that would make even the Eiffel Tower shake its steel self, setting hearts aflutter quicker than you can say "Croissant".

Vallois' music is the couture of the dance genre—handcrafted, energetic, and unafraid to be avant-garde. Each beat an homage to Paris, the pulsing rhythm of her home injected into pulsating electro melodies. Yet, no matter how vivacious her bass line or infectious her hook, it's the inherent optimism in her music, the joy she infuses in every track that transforms listeners into undeniably happy dancers—a task only possible by someone as enchanting as Manon Vallois.

Afterall, Vallois is not just a sonic maven, she's essentially happiness personified. The dictionary people are just slackin' by not placing her picture beside the word 'happy' by now. So, if you're feeling downhearted, just press play on a Manon Vallois track and dance like a Parisian; it's the quickest route from gloom to groove central.

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The Absents are a four-piece synth-pop and modern disco-pop band hailing from Brighton, on the south coast of the United Kingdom. The lineup consists of Elliot Kane (vocals), Ryan Whitford (keyboards & production), Callum Price (bass guitar & synth bass), and Jamie Harlow (guitar & backing vocals). The four met in 2018 at a local music festival, where a late-night jam session revealed a shared passion for blending the melodic elegance of 80s synth-pop with the energy and polish of modern pop production.

Deeply influenced by the infectious hooks and emotive energy of Erasure, The Absents quickly began writing together, crafting songs that pair bright synth textures with tight bass grooves and subtle funk undertones. Their early rehearsals took place in a modest studio near Brighton’s seafront, a space that soon became their creative sanctuary and the birthplace of their signature sound.

In 2019, the band released their debut single, which found its way onto local radio playlists and began circulating through London’s club scene. Known for their vivid light shows, charismatic stage presence, and danceable, high-energy sets, The Absents built a reputation as one of the most exciting new acts in the UK’s pop landscape.

Today, The Absents continue to bridge nostalgia and modernity, reaching audiences far beyond the British Isles. Elliot’s commanding yet soulful vocals, Ryan’s shimmering synth arrangements, Callum’s deep, driving grooves, and Jamie’s melodic guitar lines come together to create a live experience that is as unforgettable as it is electrifying.

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Mark Martian is one of the most elusive figures in the music world, and his mysterious persona has left many fans wondering—could he really be from Mars?

Known for using the alias Martian Mark during his collaborations, this enigmatic producer has somehow managed to evade the spotlight completely. No interviews, no photos, no videos—Mark is practically a ghost. Some say it’s part of his brand, while others speculate wildly. Who knows?

Maybe while Elon Musk dreams of building colonies on Mars, Mark’s already here, quietly making beats after hitching a ride from the Red Planet’s first neighborhood.

Despite the secrecy surrounding him, one thing’s clear: Mark’s music speaks volumes. His deep house tracks pulse with interstellar vibes, his pop productions are out-of-this-world catchy, and his funk grooves are, well, otherworldly.

Whether he’s blending cosmic synths with soulful beats or dropping funk-infused rhythms, his style keeps listeners hooked and guessing. You can hear his work across platforms, but his music truly shines on Filodyo, where you might catch the next great Martian anthem—if he doesn’t beam it up first.

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Rosa Medina was born in 2001 in Porto, Portugal, to a family that carried both Iberian and Brazilian heritage. Her father, a fisherman from Aveiro, filled the house with fado records, while her Brazilian mother played MPB classics and samba on lazy Sunday mornings. Rosa grew up between two shores of the Portuguese-speaking world — absorbing the saudade of Amália Rodrigues and the sunny, syncopated joy of Gal Costa in equal measure.

At fourteen, she began performing small sets in riverside cafés, her voice effortlessly gliding between soft whispers and soaring notes. The intimacy of fado was her foundation, but Rosa was restless — she wanted her songs to dance. By blending Portuguese folk melodies with bossa nova chords, urban beats, and lush pop arrangements, she began to shape a style that felt both nostalgic and forward-looking.

In 2025, Rosa released her debut single "Fica no Quase" in collaboration with Filodyo, the independent music producer known for shaping fresh, original sounds for global audiences. The track — a bittersweet, mid-tempo anthem about love suspended in uncertainty — gained instant traction on streaming platforms. Its hypnotic chorus, sung entirely in Portuguese, became a signature moment in her live performances.

Today, Rosa Medina is part of a new generation redefining Lusophone pop, performing sold-out shows from Lisbon to São Paulo. Despite her growing fame, she keeps her songwriting process deeply personal — scribbling lyrics on napkins in Lisbon cafés, recording demos on her phone while walking along the Douro River. For Rosa, every performance is a bridge connecting continents, carrying the language and emotion of Portuguese music to the world stage.

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Zaharela B is a vibrant Latin artist whose music radiates the energy of the dancefloor and the streets alike. Born in San Juan, Puerto Rico, and raised between the Caribbean and Miami, she blends the infectious grooves of reggaeton with the warmth of Latin pop and the bold flair of carnival rhythms. Her sound is a celebration of movement, culture, and joy—rooted in tradition yet unapologetically modern.

Her debut single, Corazón en la Calle, bursts with a reggaeton/dembow pulse, playful sound effects, and call-and-response hooks that pull listeners straight into the party. Switching effortlessly between Spanish and English, Zaharela B brings an unmistakable charisma to every lyric, making her performances feel like a shared celebration.

Available exclusively on Filodyo, Zaharela B’s music is more than just a soundtrack for dancing—it’s an invitation to let go, live in the moment, and move with the beat. With her magnetic presence and unstoppable energy, she’s poised to become a defining voice in the next wave of Latin dance music.

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