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After Midnight
Tamie Ray

Verified Verified Artist

Tamie Ray
A staple in the riveting New York music scene and an embodiment of the city's ever pulsating rhythm, Tamie Ray is an artist who has imprinted her unique voice and interpretative prowess on the pages of modern jazz history. Born in the heart of Manhattan to a family of musicians, she was raised amid a symphony of sounds that reverberated through the walls of her childhood home, echoing from her parents' rehearsals, her brother's trumpet practice, and the vintage tunes from her grandmother's record player. The melting pot of New York, coupled with her musical lineage, became a cauldron where Tamie's music fervor was stoked, simmered, and metamorphosed into an intense passion for jazz vocals.

Tall, ebony-haired, Tamie Ray, known for her entrancing stage presence and sultry vocals, emerged in the New York jazz scene during the late 1980s. She began her journey as a vocalist in small jazz clubs, with talent that stood in stark contrast to her humble beginnings. Reminiscent of jazz greats like Ella Fitzgerald and Billie Holiday, Tamie's voice was a captivating amalgamation of richness, power, and vulnerability—a voice that bore the uncanny ability to pluck at the chords of one's heart with the gentleness of a seasoned harpist. Her rendition of classic songs garnered her respect within the music community, while her original compositions firmly established her as a dynamic artist with an intuition for imagery and metaphor that transcended through her lyrics.

In the prime of her career, Tamie Ray was revered as one of the eminent jazz vocalists of her time. Still, she kept evolving, never allowing the accolades to lull her into complacency. As the shifting current of music trends started to lean towards modern genres, so did Tamie, artfully redefining her approach while never losing her jazz roots. Today, she continues to reign supreme in her beloved city, sharing her unique musical blend of traditional jazz and contemporary influences while passing on her wisdom to the next generation through her mentorship and teaching.

Despite the passage of time, Tamie's love for New York, both as her muse and her home, has remained unaltered. From the kaleidoscopic whirl of colors, cultures, and sounds within its streets, she continually draws inspiration. Her music—a metaphorical canvas splashed with the hues of her NYC experiences—resonates with both the nostalgia of jazz's golden era and the vibrant beats of today's New York. Regardless of where the winds of change might lead, one can always find Tamie Ray, the emblem of New York jazz, right where she belongs—under the shimmering city lights, swaying to the overwhelming rhythm of the metropolis, and singing tales poured straight from her heart.
Track(s)
After Midnight 682 03:06

After Midnight

Tamie Ray


Sweet sugar on the dancefloor
Our eyes locked in love and war
Goodbye to real life now
Let's do it like we're supposed to

Twinkle in the dead of night
We do it like the rhythm's a sacrifice
I see your eyes right here
And I know you'll never leave

After midnight (After midnight)
After midnight (After midnight)

We lose ourselves in paradise
We're lost like a
Mirage that's not lookin' right
Now we're far from care

Honey
The light is dimming
Our hips move like it's beginning
Be gone with inhibition
Let's groove as one

After midnight (After midnight)
After midnight (After midnight)

CREDITS
Performer: Tamie Ray
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2025 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

The Sweetest Tornado
Blake Felton

Verified Verified Artist

Blake Felton
Despite sounding like a comic book alter ego, Blake Felton is anything but fictitious. Sure, the moniker is a cheeky assent to his fervent admiration for Blake Shelton, but our guy Felton wears his alias with a tireless charm that’s just as compelling as his given name, Alex. Drawing inspiration and maybe even a little mischievous wit from his country idol, he weaves an intrinsic thread of twang into his unique sound, establishing an undeniable presence in the rootsy pop-rock arena.

Blake Felton stories often come with a touch of humor, just like his catchy, because-why-not song titles. Take, for example, his hit single "The Sweetest Tornado”. It's as if he baptizes every storm he crosses paths with in the sugariest syrup, then serenades it with an infectious melody until it becomes more pop-chart-whirlwind than natural disaster. But don't let that fool you; beneath his nimble storytelling and pun-laden lyrics, Blake showcases a robust, soulful voice that conveys a depth of emotion beyond the jovial exterior. Immensely captivating, a bit heartbreakingly sweet, and always full of unexpected fun - that's Blake Felton in a nutshell. He certainly isn't Blake Shelton, but in a twist of fate tinged with irony, he just might end up becoming more talked-about than his namesake.
Track(s)
The Sweetest Tornado 806 03:06

The Sweetest Tornado

Blake Felton


She blows into town on a street bike
With her hair done up in cornrows
Gets off the gas like a hot dam
Wearing all pink head to toe

She steps into the bar like a cannonball
All the folks turn around like an old saw
She orders three shots
Honey on the rocks
And a Manhattan in her straw

She ain't here for long but she still shows
People come and go but she always knows
She ain't one for crowds and she never bows
But she still sold every row

Said a bad word one time in a nightclub
Said "Oops
That's too far"
Always says thank you to the bartender
Always says "Please
" "Oops
That's too far"

She steps into the bar like a cannonball
All the folks turn around like an old saw
She orders three shots
Honey on the rocks
And a Manhattan in her straw

She ain't here for long but she still shows
People come and go but she always knows
She ain't one for crowds and she never bows
But she still sold every row

The summer nights
They call her name
The winter months
They call in vain
When she's there
People can't complain
The streets are flooded from the rain

She ain't here for long but she still shows
People come and go but she always knows
She ain't one for crowds and she never bows
But she still sold every row

CREDITS
Performer: Blake Felton
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2025 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Glass of Love
Harper Quinn

Verified Verified Artist

Harper Quinn
Meet Harper Quinn, the embodiment of a Chinatown fairytale with a beats-filled twist. Born and raised amidst the flurry of noodle houses and dim sum joints in NYC's throbbing heartbeat, Harper is every bit a child of the Big Apple and the city’s ceaseless rhythm pulses through her music.

Harper is the oldest daughter of a Chinese immigrant family, her father a wizard of culinary arts in one of the busiest kitchens in Manhattan. Her music is a distinct fusion of her rich cultural heritage and the neon grit of New York - think Peking duck served with a side of just-spun electro. With catchy tracks like "Summer Romance", she’s setting the dance genre ablaze and, inadvertently, becoming the sovereign of store playlists nationwide, thanks to a serendipitous contract with Filodyo.

Infused with radiating positivity, Harper’s tunes have the power to transform even the dreariest grocery aisles into club-worthy catwalks. Expect a dose of her irreplaceable mirth in every single beat – the Harper Quinn experience is a joyride on a candy-colored dragon, soaring through the summer's neon haze!
Track(s)
Summer Romance 904 02:46
Glass of Love 652 03:22

Glass of Love

Harper Quinn


I'm feeling selfish
Seeing myself through your wreckage
Chivalry forgetting its relics
It's only confusing
Such dramatic illusion
You've got me making like Cupid
Your eyes are aiming at me
Baby
We're an endangered species

I can't do this to you
I can't bring you down too when I fall down there
I can't bring you down
I can't bring you down too with me when I feel this way
I mean
I don't know what's wrong with me
Like
I just have to do this
I don't know why
I just have to

Lead filled glass of love
It's gotta go
It's gotta go
Go slow
Way down
It's gonna go

On muddy waters
Drip out-ter
Be water
Oh
Blood of my mother's tears
Make seas of love on this ground
Through overwater
Bears doubt and fog
Where do we go?

Get up
Lead filled glass of love
It's gotta go
It's gotta go
Go slow
Way down
It's gonna go

If you are companion
It's R
Not safe where you're standing with me
You are one of the mansions of Mars
In a bar through the stars that I see
If you are companion
It's R
Not safe where you're standing with me
You are one of the mansions of Mars
In a bar through the stars that I see

CREDITS
Performer: Harper Quinn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2025 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Gravity
Celeste Rowan

Verified Verified Artist

Celeste Rowan
Celeste Rowan is an emerging voice in the world of alternative pop, blending atmospheric synths with evocative storytelling. With a sound that merges dreamy electronic textures and raw emotion, Celeste crafts songs that feel both intimate and cinematic. Her latest release, "Gravity," explores the inescapable pull of connection—where love, fate, and desire intertwine in a hypnotic dance. Drawing inspiration from modern electronic influences and timeless melodies, she delivers a sound that lingers long after the music fades.
Track(s)
Gravity 1402 02:54

Gravity

Celeste Rowan


Shadows flicker on the midnight screen
A message left where the city leans
Fingertips trace static lines
Falling into coded signs

Signals bending hearts in motion
Lost between the waves devotion
A silent spark a hidden door
Something pulls us back for more

Feel the current pulling closer
Gravity can’t hold us over
Every second a new collision
No escape from this decision

Glitches hum beneath our breath
Distant voices dance with death
Mirrors show what we can’t see
Phantom touch electric dreams

Signals bending hearts in motion
Lost between the waves devotion
A silent spark a hidden door
Something pulls us back for more

Feel the current pulling closer
Gravity can’t hold us over
Every second a new collision
No escape from this decision

No words left just motion
Wired deep in this devotion
If we break we break together
Nothing’s built to last forever

Feel the current pulling closer
Gravity can’t hold us over
Every second a new collision
No escape from this decision

CREDITS
Performer: Celeste Rowan
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2025 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

What's Going On (Cl...
Brick Lords

Verified Verified Artist

Brick Lords
Hailing straight from the heart of Harlem, the notorious quintet, Brick Lords, has been serving up a potent cocktail of old school rap since their genesis.

An assemblage teeming with character, within this unique ensemble, we find Biggie Bricks (real name, Jamal Thompson), the de-facto leader and lyricist; Lil' Grout (born Angel Martinez), the charismatic hype man; Bricksy Ross (truly known as Desmond Jones), the mysterious trap-lord; Mortar Mike (Mike Johnson in the real world), the laid-back beat master, and Cinder "the Block" Parker (dubbed Clara Parker at birth), the feisty and soulful female vocalist who adds a unique twist to the group's sound.

The Brick Lords was born out of a shared love for rhythm, rhymes, and the raw, gritty atmosphere of their native Harlem streets, baptizing themselves Brick Lords because, well, they were originally just some kids slamming beats and rhymes on brick walls. And just as bricks fit one on top of the other, building something substantial, so too did the Brick Lords build something substantial out of their close-knit group dynamic.

Their music, a delightful blend of old school rap with a hint of modern-day flair, is lauded for its authenticity and palpable energy, resonating with audiences worldwide. Notably, their signature song "What's Going On (Clean)" quickly escalated to become an anthem for their generation, showcasing their genuine artistry while divulging the realities of life in Harlem.

Amidst punchy beats, witty lyricism, and a touch of brick-and-mortar realness, the story of the Brick Lords is as engaging as their music. Resolute in their ambitious deliverance of old school rap, these urban poets have cemented themselves into the solid foundation of Harlem's music scene, and dare we say it, they're brickin' amazing!
Track(s)
Hard Knock Life 3494 02:15
What's Going On (Clean) 714 02:26
Tales from Harlem 461 03:58

What's Going On (Clean)

Brick Lords


Yes
Way down
Way down
Way down
Way down
Whoo!
Way down
Way down
This a freeway song
We sell work
Bruh
We ain't on "wei chong"
We let 'em die homie
We don't weigh Chong
Way down
Way down
Battle [Allen?]
Way down
Way down
Don't take no breaks

Dawg
Bring them red eyes along
Dawgs 'sleep' on me
I prolly woke they moms
Homies reach on me then that's just close they arms
Way down
Way down
Y'all do this once a month

All my dawgs be trappin' like homies exiting pr-on
I used to play with that heart and made a pocket off strong arm
If I try to be LeBron then I ain't talkin' bout bron-bron [LeBron?]
Why you Qbs playing bond
We wanna salt again
On what?

Uhn
Folding s**t
Origami if you trynna front
Race a stripper booted up and make her come in the front
If I'd a buck on my homie
We'd a been done up the one

What's going on
Dawgies?
What's happening
Slim?
Why these motherfu***ers actin' like they're leupsum qualm?
Actin' like I ain't in here playing with scary homeboys
Actin' like they wanna go bat below on this

Yeah
Dawgs
We home
Ay yo
Get your girl
Dawgy
E'rybody came
Huh
Get your girl
Dawgy
Monday through Sunday
And I'm going out crazy me
Like 21 7 6 5 4 3
And I'm going off

I said
I was learning my numbers when yugonna stop playing (when you gonna stop playing)
Taking all of this time
Fuh? you're coming with me (you're coming with me)
What you think I'm for

Yes
Babygirl finally reaching on
Like twinkle twinkle
Little star
What you think
Huh
For me?

What's going on
Dawgies?
What's happening
Slim?
Why these motherfu***ers actin' like they're leupsum qualm?
Actin' like I ain't in here playing with scary homeboys
Actin' like they wanna go bat below on this

Oh
Babydoll finally reached the bottom
And nobody was alarmed
"Babygirl
It ain't that deep"
And now
Now look at the past
And they didn't pray at first

CREDITS
Performer: Brick Lords
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2025 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Liberate
Sofia Lindqvist

Verified Verified Artist

Sofia Lindqvist
Sofia Lindqvist is a unique musical tour de force born to an engineer father in Slovakia. Raised in the heart of Bratislava, she embodies an enviable fusion of technical brilliance and ebullient creativity.

Growing up, Sofia was the kind of kid who hummed symphonies while dismantling radios—much to her father's chagrin, and her mother's delight. From a young age, she fell under the spell of electronic music, a passion fuelled by her father's meticulous engineering and the city's vibrant music scene. Early whispers say that Sofia was so entranced by the metropolis' sounds she would insist to recreate the rhythm of the city traffic during her piano lessons.

However, it wouldn't be until her tenure as a kindergarten teacher that Sofia really began melding the worlds of sound and circuitry. After realizing that her classroom renditions of 'Old MacDonald' paled in comparison to a foot-stomping techno beat, Sofia decided to combine her love of electronics with her obsession for music. Her electrifying rhythms and harmonic melodies soon saw her swapping out nursery rhymes for nightclubs, becoming the city's beloved "Techno Teacher."

Sofia's song "Liberate", a hypnotic blend of thumping base and riveting electronic sounds, has become the most treasured track in her musical repertoire. It tells a captivating story of liberation, evoking the freedom Sofia found when she ditched the training wheels of traditional music and glided into the world of electronica. Whether she's blasting tunes at Bratislava's liveliest venues or tinkering with a sequencer in the back of her classroom, Sofia Lindqvist continues her symphony of life, one pulsating techno beat at a time.
Track(s)
Liberate 851 02:36
Call My Name 1192 02:33

Liberate

Sofia Lindqvist


Feel the ground as it trembles underfoot
Steps are getting faster now I know I never should
See the tide as it pulls me out to sea
Waves are getting higher but it’s where I wanna be
Liberate

Feel the ground as it trembles underfoot
Steps are getting faster now I know I never should
See the tide as it pulls me out to sea
Waves are getting higher but it’s where I wanna be
Liberate

Liberate
Liberate
Liberate
Liberate

Once you leap there's no turning back
Once you leap there's no turning back
Once you leap there's no turning back
Once you leap there's no turning back
Once you leap there's no turning back
Take the dive
Once you leap there's no turning back
Take the dive

Feel the ground as it trembles underfoot
Steps are getting faster now I know I never should
See the tide as it pulls me out to sea
Waves are getting higher but it’s where I wanna be
Liberate

Liberate
Liberate

CREDITS
Performer: Sofia Lindqvist
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2025 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Run Gone Call Still
Nate Kessler

Verified Verified Artist

Nate Kessler
Nate Kessler was born in 2003 in Billings, Montana, a place where the highways stretch for miles and the nights feel too quiet. He grew up in a rundown house on the edge of town, where his father worked as a mechanic and his mother sang old folk songs at a roadside bar. Music was always around—not in studios or lessons, but in the hum of car engines, the crackle of old radio stations, and the late-night melodies his mother would hum when she thought no one was listening.

As a kid, Nate spent hours in his father’s garage, picking up discarded metal and turning them into makeshift instruments, fascinated by the way sound traveled through objects. He taught himself to play guitar on a beat-up acoustic he found at a flea market, learning songs by ear and scribbling lyrics in a tattered notebook.

By the time he was 16, he was playing small gigs at diners and bars, earning just enough for gas money and late-night coffee. At 18, he packed his life into a backpack and left Montana, hitchhiking from state to state, crashing on strangers' couches, and performing anywhere that would let him. Cities blurred together—Seattle, Portland, Denver—until he found himself in a tiny basement studio in Chicago, recording a song with borrowed time and borrowed gear.

That song, Run Gone Call Stil, wasn’t perfect—it was rough, restless, and raw. But it caught fire. People connected to its unpolished honesty, its sense of movement with no clear destination. Now, Nate’s music carries that same energy—a mix of wanderlust, late-night reflections, and the quiet weight of leaving things behind. He’s not chasing fame. He’s chasing the next song, the next road, the next moment that feels real.
Track(s)
Run Gone Call Still 885 03:29

Run Gone Call Still

Nate Kessler


Clock blinks—red light low glow
Hands shake—cold air don’t know
Steps loud—empty street bends
Phone rings—breathe in no send

Wait—too long night turns grey
Still—no sound lost my way

Run—feet numb sky don’t care (yeah)
Gone—no map just thin air (whoa)
Call—no name no one there
Still—keep on nowhere (oh-oh yeah)

Glass cracks—rain hits won’t stay
Doors close—fast moves one way
Head down—loud thoughts won’t end
Heart skips—wrong turn not then

Why stop?—no time no place
Keep on—no past no trace

CREDITS
Performer: Nate Kessler
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2025 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Another Shot
Melly Rich

Verified Verified Artist

Melly Rich
Melly Rich, born to a Lebanese family in Amsterdam, grew up surrounded by two worlds: the culinary brilliance of her father, Chef Khaled Rich, and the rich cultural heritage of the Middle East. Her father is the head chef of La Maison des Délices, one of France’s most prestigious Michelin-starred restaurants, known for its fusion of French and Middle Eastern flavors. Despite her father's fame in the culinary world, Melly's passion led her down a different path.

Though her family assumed she would follow in her father’s footsteps, Melly was captivated by music from a young age. With her father’s full support, she began singing, though her formal education took her into the world of architecture at the University of Amsterdam.

Balancing her studies with her love for music, Melly began to develop a unique sound, blending her Middle Eastern roots with the vibrant energy of Western pop. Her breakthrough single, "Damn, I Wish I Were in Istanbul", captures this fusion perfectly. The song carries hints of oud and traditional Arabic rhythms, interwoven with modern pop beats, creating a bridge between two worlds. It’s not just a catchy tune—it’s a love letter to her cultural identity, filled with nostalgia for the warmth and chaos of the Middle East, while reflecting her cosmopolitan life in Europe.

The song quickly gained attention, especially for its atmospheric vibes that pull listeners into a dreamlike vision of Istanbul, with its bustling bazaars and shimmering Bosphorus views.

Melly's ability to infuse her music with Middle Eastern influences sets her apart in the global music scene, and though she’s still juggling her architectural studies, there’s no doubt that music is where her heart truly lies. With the world now watching, Melly Rich is on her way to becoming an international sensation, blending cultures and genres like her father blends flavors at his famous restaurant.
Track(s)
Another Shot 3790 02:22
Damn, I wish I were in Istanbul 910 02:46

Another Shot

Melly Rich


do not be afraid- this is not fm
you're on filodyo

Sitting in my jail cell
Eating my beans
And I'm going to hell
If you know what I mean
'Cause I was guilty as charged
On that dark night
But now I'm here
And I want to make things right

I've been here before
Knocking on heaven's door
But I'm gonna try once more

It's my time to shine
And I ain't gonna stop
It's my time to shine
'Cause I got another shot
It's my time to shine
And I ain't gonna stop
It's my time to shine
'Cause I got another shot

I had my first day out
Back on the streets
With nothing in my pockets
But a pair of keys
So I put them in the ignition
Of a new Cadillac
And I went cruising
Down the tracks

I've been here before
Knocking on heaven's door
But I'm gonna try once more

It's my time to shine
And I ain't gonna stop
It's my time to shine
'Cause I got another shot
It's my time to shine
And I ain't gonna stop
It's my time to shine
'Cause I got another shot

CREDITS
Performer: Melly Rich
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2025 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Wannabe Off
Lily Green

Verified Verified Artist

Lily Green
Lily Green is a vibrant nu-disco artist with a deep love for cars and the open road.

Hailing from Los Angeles, Lily grew up with the sounds of synth beats and funky basslines, which fueled her passion for creating danceable, feel-good music.

Her fascination with cars started in childhood, spending weekends at car shows with her dad and dreaming of road trips across the country. This love for automobiles often finds its way into her music, with themes of freedom, speed, and adventure.

Known for her infectious energy and groovy tunes, Lily Green’s tracks are the perfect soundtrack for cruising down the highway with the windows down.
Track(s)
Baby, Baby 4545 02:53
Wannabe Off 1005 04:00
Truth And Lies 686 04:00

Wannabe Off

Lily Green


We could be from anywhere
But I want the right approach
Could be what you never thought
Could be what you thought the most

I could use a dinner date
I wanna eat you raw
Now take a look at me
Tell me what you saw

Would you wanna be off for the summer?
Out in the country
Drivin' a Hummer
We could be getting my number
My name is Eve and I'm just a soul you couldn't handle
Would you wanna be off?

Could share with me a memory
Or win me a teddy bear
Could you be something I can't be
Or something we all were

(Could be) It's not you
It's me
Or maybe it's him
But don't believe anything
If it goes on a whim

Would you wanna be off for the summer?
Out in the country
Drivin' a Hummer
We could be getting my number
My name is Eve and I'm just a soul you couldn't handle
Would you wanna be off?

A manatee
Amnesty
Deodorant
Detorant
Casanova
Castanova
Here's another
Here's another

Would you wanna be off for the summer?
Out in the country
Drivin' a Hummer
We could be getting my number
My name is Eve and I'm just a soul you couldn't handle
Would you wanna be off?

CREDITS
Performer: Lily Green
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2025 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

After the Signal
Apollo Frequency

Verified Verified Artist

Apollo Frequency
Apollo Frequency is a dynamic UK-based vocal trio bringing infectious grooves and bold stage energy to the modern disco-pop scene. The group consists of vocalists Marcus King and Devon Cole—both London-born with roots in gospel, soul, and street performance—and Brighton native Chloe Hart, whose bright, powerful voice adds a radiant pop edge to the group’s sound.

Formed in Manchester, Apollo Frequency quickly built a reputation for their electrifying live shows, blending tight harmonies with high-energy beats reminiscent of classic funk and disco, yet reimagined for today’s dancefloors. Their music celebrates unity, rhythm, and the thrill of collective movement, turning every performance into a celebration.

Their debut single, After the Signal, is available exclusively on Filodyo, showcasing the trio’s signature mix of soulful hooks, driving basslines, and euphoric choruses. With undeniable chemistry both on and off stage, Apollo Frequency is poised to become one of the UK’s most exciting live acts—proving that when the signal hits, the dancefloor answers.
Track(s)
After the Signal 45748 03:42

After the Signal

Apollo Frequency


Yeah… signal’s live
Mmm… ah-ah-ah
Let it roll
Oh-oh-oh…

Frequency’s pulling us through the crowd
Pulse in the air it’s beating loud
Every turn you make cuts through the noise
Drawn to the tone in your voice

Step in closer rhythm on my side
Closer closer nothing left to hide
Can’t slow down we’re on this ride
This is the signal locked inside

After the signal (yeah)
We keep it in motion (uh-huh)
Time’s in a circle (come on)
Under devotion (yeah yeah)
After the signal (oh)
We keep it in motion (no no)
Time’s in a circle (mmm)
Under devotion

Lines keep crossing code runs deep
Every beat we share’s a vow we keep
Gravity shifts when you’re in the frame
Nothing tonight will be the same

Step in closer rhythm on my side
Closer closer nothing left to hide
Can’t slow down we’re on this ride
This is the signal locked inside

After the signal (yeah)
We keep it in motion (uh-huh)
Time’s in a circle (come on)
Under devotion (yeah yeah)
After the signal (oh)
We keep it in motion (no no)
Time’s in a circle (mmm)
Under devotion

Transmission’s clear — stay on the line
Stay on the line stay on the line
Turn it around — keep it aligned
Keep it aligned keep it aligned

After the signal
We don’t let go
After the signal
We take control

After the signal (yeah)
We keep it in motion (uh-huh)
Time’s in a circle (come on)
Under devotion (yeah yeah)

CREDITS
Performer: Apollo Frequency
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2025 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

With Whom I'm Meeting
Kai Spectrum

Verified Verified Artist

Kai Spectrum
Kai Spectrum is a wizard of the turntables, a maestro of the mixing decks, hailing straight from the vibrant music scene of Almanya. He's not your ordinary DJ, in fact, he may be the only one in history who'd dare to use 'various' and 'vocals' in the same sentence with nothing but charm. Often found nestled in his Almanya studio, Spectrum spends his days (and let's be honest, most of his nights) crafting pulsating beats solely for the ears of his loyal listeners on the enigmatic platform, filodyo.

One of Spectrum's most notable conquests in the music sphere is "With Whom I'm Meeting". A brainchild of Spectrum's unconventional brilliance, this track shows off his knack for layering unexpected vocals over his signature groovy beats. But much like the man himself, this song proves that there's more than meets the eye - or in this case, the ear. For those who listen closely, "With Whom I'm Meeting" whispers a tale of Spectrum's uncanny ability to blur the lines between the sonic and the narrative, making the audience question, just who are they meeting? Rest assured, dear reader, the answer will always be - the music, their own imagination, and the whimsical humor of Kai Spectrum.
Track(s)
With Whom I'm Meeting 328 02:39

With Whom I'm Meeting

Kai Spectrum


Sweat in patches drenching my hoodie
No seduction
Clear as it should be
Although too tired to exercise even
I can walk to the alley or even the other precinct

Was I (And did you even listen?)
Mad like Dad (When I wanted to hold on?)

With whom I'm meeting
On this earth of neon light
Under stardust
The past flickering
But it's getting cold outside

My third lollipop
A fabled bloodsucker
They make fun of me
But it's my true character
Jingle bells outside
Kids in the dark
Can't help but think of home and how it fell apart

Was I (And did you even listen?)
Mad like Dad (When I wanted to hold on?)

With whom I'm meeting
On this earth of neon light
Under stardust
The past flickering
But it's getting cold outside

Nothing's subtle
They've exposed the situation
Here's a summary of the monetization
Buy their cheap toys
Last year's commemorations
And throw it away to save another generation

With whom I'm meeting
On this earth of neon light
Under stardust
The past flickering
But it's getting cold outside

CREDITS
Performer: Kai Spectrum
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

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Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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