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Brave New World
Clara
Verified Artist
Clara
Clara, a Toronto-based artist, has carved out a space in the contemporary music scene with her captivating blend of alternative, electronic, and pop sounds. With roots steeped in the city’s vibrant club culture, she emerged from obscurity by transforming personal demos into polished tracks infused with emotion and resonance. Her latest offering, “Brave New World,” showcases her ability to weave poignant narratives through immersive soundscapes, resonating with themes of vulnerability and resilience that echo throughout her catalog.
Her music delves into the bittersweet and dreamy realms of human experience, often reflecting feelings of isolation and self-discovery. The lyrical intensity in her work invites listeners into her world, where she grapples with expectations and identity amidst the chaos of modern life. Tracks like “Brave New World” capture the essence of feeling exposed “in the center of the ring,” embodying a sense of defiance wrapped in vulnerability. The production style draws on EDM and dance influences, creating infectious beats that both uplift and evoke introspection.
Clara’s artistic identity continues to evolve as she embraces new collaborations and dives deeper into experimental sounds. Each song is a chapter in her ongoing exploration of self, inviting fans to join her in navigating the complexities of existence. With a growing repertoire that reflects her journey, Clara stands poised to redefine the boundaries of pop-infused electronic music, capturing hearts with every note she shares.
Brave New World
Clara
All eyes on me in the center of the ring
Like a criminal with a smoking gun
Like a boy with a thorn in his side
I'm like a fish out of water
All eyes on me
Like a gun to the head
Like a head on a plate
Like a lamb to the slaughter
But they don't know what I've seen
The coldest winter in twenty-three
Don't know what I've seen
But I don't wanna die
But I don't wanna die
But I don't wanna die
But I don't wanna die
In this brave new world
In this brave new world
In this brave new world
In this brave new world
CREDITS
Performer: Clara
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Mystery
Leo Kensington
Verified Artist
Leo Kensington
Leo Kensington, hailing from the sunflower fields of Kansas, has been lighting up local music stages as a pop-funk artist. This sprightly talent is especially known for his catchy tune, "Mystery," which has been described by fans as "a melodious enigma wrapped in quirkiness."
Kensington started his journey nimbly, strumming his makeshift cereal-box guitar while still in diapers (although not particularly in tune). His love for beats and rhythms was nurtured by the swaying wheat fields around his childhood home. Thus, bread was not the only good thing that came out of the humble Kansas wheat fields; they also gave us this ear-popping, funky melody maker.
In the local circuit, Kensington is revered for his dynamic performances which are akin to watching a tornado onstage - wildly exciting, immensely entertaining, yet always leaving you with a sense of awe. Ever the unpredictable, Kensington spiced up a rather bland Tuesday evening when he performed "Mystery" dressed as a unicorn. Yes, an actual unicorn. It was this sort of playful, eccentric ambiance that set Kensington apart.
Leo continues to electrify the local Kansas music scene, his songs resonating from every corner bar to county fair. His energy, stage presence, and charming charisma, accompanied by the unforgettable riff of "Mystery", ensures that one never forgets the name Leo Kensington. His exciting rise and the captivating persona undoubtedly make him one to watch. After all, who can resist a funktastic unicorn from Kansas?
Mystery
Leo Kensington
Why does it hurt
To hope? (Mmm ooh ooh ooh)
Why does it hurt?
(Let it out)
To hope? (Ayy ayy)
Why does it hurt
Why does it hurt?
(Ooh ooh ooh)
I love you like the segments
On the news
Cut between the stories of the hood
The heroes
And the glues
Seen and see-through
I could
Read the room
The sky turned red
The stage was vast
The moon took center view
And so did you
Why does it hurt
To hope? (Mmm ooh ooh ooh)
Why does it hurt?
(Let it out)
To hope?
(Ayy ayy)
Why does it hurt?
Why I'm supposed to hope
That things will change?
Keep thinkin' things will settle
As I get older with age
Huh but nothin's never been the same
So in the meantime
Might as well let 'em know my name
And I ain't gon' waste a second
So baby
Show me somethin' that I need for now
I don't mean to use you till I turn around
But maybe you might find you wanna stick
Around
Got so many skeletons inside my closet
That I don't go past October
'Cause if I start lookin' around
Might not come back till the fall is over
Like ooh ooh ooh
CREDITS
Performer: Leo Kensington
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Calor De Junio (ft ...
Rio Vane
Verified Artist
Rio Vane
With a name like Rio Vane, you could only expect a backstory as steamy and vibrant as the city itself. He is a self-made, independent dance artist that ignites the music stage with an energy so potent it could power Miami's nightlife for a calendar year.
Vane emerged from modest beginnings, the son of a pizza maker family in the sultry heart of Miami—delivering not only the finest pies but also a flair for Latin dance music since his youth. You could say the rhythm coursed through his veins, or that he sweated salsa beats instead of conventional teenage angst. Either way, his childhood was a simmering paella of musical influences that later shaped his unique sound.
"Calor De Junio (ft Zuri)", one of his most notable tracks, pulsates with rowdy beats and sultry rhythms that would make even the most reluctant wallflower throw some shapes. It's akin to being caught in a storm—clouds thick with his rich vocals, lightning strikes of dance beats, and downpours of sultry Latin rhythms—it's cathartic, climatic, and a hell of a dance workout.
When Vane isn't lighting up the dance scene, you'll find him scribbling beats on pizza boxes or sharing his demos with Hakan E. from Filodyo. It's through these humble endeavours that he landed the opportunity to share his musical creations with Not FM and the world. The magic of Rio Vane lies not just with his infectious sounds but that he is as spicy, whimsical, and intense as the Miami city he hails from. To listen to his music is to lose yourself in the rhythm, embrace the heat, and move with the beat. As they say in Miami, 'dale!'
Calor De Junio (ft Zuri)
Rio Vane
Yeah
Rio Vane
Zuri Vanta
not FM in the mix
Filodyo
Summer starts right here
Ay
Turn it up turn it up
We outside tonight
Calor de junio
You already know
You came through with the sun on your shoulder
New dress old smile little bit closer
City too hot but you make it colder
When you move like that I lose control yeah
Got your friends in the backseat singing
Windows down whole boulevard listening
No plans just a night worth living
One look and the whole thing switching
Don’t say forever
Just say tonight
Meet me where the music
Touches the sky
I got that feeling
You got that fire
One more step and we’re dancing
Past desire
Calor de junio
Body like a radio
Turn me up don’t let me go
Baila baila slow
Calor de junio
Sunset on your stereo
One kiss and we lose control
Baila baila oh
Ay ay ay
Don’t cool me down
Ay ay ay
Summer starts now
Gold chain white tee you know the story
But you don’t move like the boys before me
You talk sweet but your eyes say more things
I might stay if the night keeps calling
No drama no pressure no questions
Just rhythm bare feet good intentions
If this is trouble I like the direction
You and me look good in reflection
Don’t say forever
Just say tonight
Meet me where the music
Touches the sky
You got that feeling
I got that fire
One more step and we’re dancing
Past desire
Calor de junio
Body like a radio
Turn me up don’t let me go
Baila baila slow
Calor de junio
Sunset on your stereo
One kiss and we lose control
Baila baila oh
Ay ay ay
Don’t cool me down
Ay ay ay
Summer starts now
She don’t need a ticket she’s the destination
He don’t need a reason just imagination
Palm trees moving like they know our names
If we disappear don’t put out the flame
Not tomorrow
Not too late
Right now right here
Let the summer wait
not FM
Filodyo
Zuri tell ’em
Ay ay ay
Move it like the heat is talking
Ay ay ay
No more waiting no more stopping
Calor de junio
Body like a radio
Turn me up don’t let me go
Baila baila slow
Calor de junio
Sunset on your stereo
One kiss and we lose control
Baila baila oh
Calor de junio
Body like a radio
Turn me up don’t let me go
Baila baila slow
Calor de junio
Sunset on your stereo
One kiss and we lose control
Baila baila oh
Ay ay ay
Don’t cool me down
notFM
Filodyo
Summer starts now
CREDITS
Performer: Rio Vane
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Tell Me (ft Ali M)
Toni Royale
Verified Artist
Toni Royale
Toni Royale, aka "The Crown Jewel of Arkansas," is an artist who has gracefully stretched across genres, maintaining just enough mystery to keep us hooked. Born and bred in the land of deep-fried chicken and endless cornfields, her musical journey began beside the grand piano in her grandmother's parlor, a sanctuary of nostalgia and creativity that royally embarked her on the road to stardom. From plucking smoky blues licks on the guitar during high school to touring national stages with her iconic powerhouse vocals, her tale is as diverse as her robust discography.
Toni's signature blend of soulful blues, heart-wrenching ballads and toe-tapping pop tunes has made her an undeniable force in the music industry. She first captured our ears (and hearts) with the moving ballad, "Tell Me (ft Ali M)" – a track that fans and critics alike have deemed pure royal magic. The song climbed the charts with ease, testament to the undeniable magnetism of her voice, her talent and that sweet southern charm sprinkled all throughout her catalogue.
Like a musical chameleon, Toni Royale has an uncanny ability to adapt her sound and style to the times, fusing modern blues and cutting-edge pop with the rhythm and soul bred in her Arkansas roots. Her appeal extends beyond her extensive vocal prowess, firmly grounded in her eclectic personal style, her fierce dedication to her craft, and her adamant refusal to wear anything without a hint of sequin sparkle. One thing is certain about Toni Royale: she rules the stage with a mix of glitter and grit, reflecting the diverse flavors of her craft.
As we continue to track Toni's fascinating ascension in the music industry, one thing is crystal clear: the crown definitely fits. Whether leaving listeners awestruck with her deep, resonant voice, or entrancing audiences with her intense, sparkly onstage antics, the reign of Toni Royale is far from over. Long live the queen of Arkansas blues-pop!
Tell Me (ft Ali M)
Toni Royale
Uhh
Mmm
Mm-hmm
Mmm-mm mm-mm mm-mm (Mm-mm)
Mm-mm-mm-mm mm (Ayy)
Mm-mm-mm-mm-mm-mm
And when the night comes
Baby
You won't be long (Mm-mm)
And when the morning come
Pssh
Ugh!
You're gone (You're gone aye)
W-w-when the dark clouds open
The lights will burn (Burn)
Tell me
Yah-yah
Yah-yah
What's goin' on? (Tell me yah-yah-yah-yah)
And you're hiding in the dark on a mountain
And you're slowin' down—uh—because you're busy
Busy
Wow-wow
And you swipe it
Swipe it
Down-up-up
Down-up-down
And you're so hot
Hotter than the Buenos Mama (Ah)
Mmm-mm mm-mm mm-mm (Mm-mm)
Mm-mm-mm-mm mm (Ayy)
Mm-mm-mm-mm-mm-mm
Yeah movin’ through the night got my mind on the run
Shadows in the rearview but I ain't the one
Swipe left swipe right I ain't playin’ no games
Every step that I take I be switchin’ the lanes
Got a call from the past but I let it decline
Ain’t no time for the fake I be chasin’ the shine
Skyline glowin’ yeah the city stay alive
When the dark clouds break man the stars gotta rise
Tell me yah-yah what's goin’ on?
Took a leap of faith now the fear is gone
Lights too bright but I play along
When the morning comes I’ll be movin’ on
When the night comes
Baby
You won't be long (Uh-)
When the morning come
Pssh
Ugh!
He's gone (He's gone he's gone)
W-w-when the dark clouds open
The lights will burn
Tell me
Yah-yah
Three
Four
What's goin' on? (Tell me yah-yah-yah-yah)
Tell me
Yah-yah
What's goin' on?
Tell me
Yah-yah
What's goin' on?
Tell me
Yah-yah
What's goin' on?
Tell me
Yah-yah
What's goin' on?
CREDITS
Performer: Toni Royale
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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No Tomorrow Needed
Roxelle
Verified Artist
Roxelle
Roxelle is a Romanian-born singer and songwriter currently based in the United Kingdom. Growing up between Eastern European traditions and Western pop culture, she developed an early fascination with rhythm, melody, and visual storytelling. Her background gave her a distinctive sense of contrast, mixing emotional depth with bold self-expression, something that would later become central to her artistic identity.
After relocating to the UK in her early twenties, Roxelle immersed herself in the underground pop and electronic scenes, refining her sound and performance style. Influenced by modern pop, dance, and subtle R&B textures, she crafts songs that balance confidence with vulnerability. Her vocals move effortlessly between smooth, controlled delivery and striking, attitude-driven hooks, creating a sound that feels both intimate and commanding.
Roxelle’s music explores themes of independence, desire, and emotional resilience, often framed through sleek, contemporary production. Known for her strong visual aesthetic and fashion-forward presence, she approaches music as a complete artistic experience rather than just sound. With a growing catalog of releases, Roxelle positions herself as a new-generation pop artist shaped by movement, migration, and self-definition.
No Tomorrow Needed
Roxelle
Heels hit the floor I feel it start
Bass in my chest steady and sharp
No explanations no excuse
I move the room just how I choose
Eyes follow motion not my name
I don’t repeat I don’t stay same
One step closer to the sound
I don’t wait I turn around
I’m on my own tempo
Don’t tell me when to go
I set it I control
Every move every role
I’m on my own tempo
Too fast too slow I know
I hit it right on time
Watch me cross the line
Disco strings rise
Bass keeps talking
Hands in the air
No words just timing
Mirrors shake when I pass through
Every angle feels brand new
No permission no delay
I decide how long I stay
Heat is building in the crowd
I don’t need to say it loud
Count it in feel it land
Everything is in my hands
I’m on my own tempo
Don’t tell me when to go
I set it I control
Every move every role
I’m on my own tempo
Too fast too slow I know
I hit it right on time
Watch me cro
Jacket on I leave it open
Streetlight glow my focus broken
Every sound pulls me in
I don’t ask where we’ve been
I don’t read the signs twice
I move once that’s my advice
If it feels right I don’t slow down
I let the night spin me around
No tomorrow needed
Say it again I mean it (mean it)
No tomorrow needed
I don’t pause I don’t overthink it (no no)
No tomorrow needed
Feel it hit me feel it beat me (beat me)
No tomorrow needed
If I’m in it I’m in it (yeah)
Every step is calculated
Still it looks so effortless
I don’t wait to be invited
I arrive I don’t impress
Crowd reacts I don’t chase
I just take up space
Hear my name inside the bass
I don’t rush I keep my pace
Yeah
She don’t plan it she appear
Whole room shift when she near
No tomorrow in her mind
Only now perfect time
She don’t promise she decide
Every move amplified
I’m just watching from the side
Tryna keep up with her stride
No delay no rewind
She already crossed the line
When she move place complies
That’s the signal that’s the sign
No tomorrow needed
Say it again I mean it (mean it)
No tomorrow needed
I don’t pause I don’t overthink it (no no)
No tomorrow needed
Feel it hit me feel it beat me (beat me)
No tomorrow needed
If I’m in it I’m in it (yeah)
No tomorrow (no tomorrow)
Needed (needed)
No tomorrow (no tomorrow)
I don’t need it (don’t need it)
No tomorrow (no tomorrow)
Needed (needed)
If I want it (if I want it)
I’m in it (I’m in it)
CREDITS
Performer: Roxelle
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Call Dropped at 3 AM
Eli Varnish
Verified Artist
Eli Varnish
Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.
That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.
Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.
Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.
Call Dropped at 3 AM
Eli Varnish
Alright…
Yeah yeah don’t tune it too much
Let it breathe
Okay… one two…
Woke up late with the room still shaking
Ashtray full of things I didn’t say
Mirror asks me for an explanation
I tell it “man not today”
Shoes by the door still smell like last night
Clock keeps lying I let it talk
City hums in a crooked rhythm
Like it learned that walk from me
Hey bass… keep it walking
Yeah like that
Don’t rush it
Every plan I make shows up half dressed
Every promise comes out second best
If I fall behind the beat again
Just leave some space I’ll land it then
This ain’t a straight line it sways and bends
It trips on truth then calls it a friend
If I sound wrong don’t fix it too soon
That’s where the story sneaks through
Yeah this ain’t clean this ain’t controlled
It’s a loose wire looking for a soul
Play it wrong play it loud play it true
That’s all this blues knows how to do
Hold up…
Let the horn say something
Yeah… go on
(long slide in slightly late)
Mmm… listen
Man… that thing’s complaining
Let him talk
I’m almost done… almost
Sorry… not sorry
(rimshot)
There’s a voice in my head clapping off time
Says “You always push you never wait”
I said “If I slow down I might notice
Everything I try to escape”
Barroom light keeps flickering jokes
Like it knows where I’ve been
Every sound wants a turn at the mic
Even the quiet wants in
Yeah… that’s it
Don’t smooth it out
No no
If this night’s a gamble I roll it bent
Lose my balance call it intent
Break the rule then play it twice
Mess it up till it sounds right
This ain’t a straight line it sways and bends
Falls apart then stands again
If my voice cracks just let it through
That’s what it came here to do
Yeah this ain’t neat this ain’t polite
It’s just breath fighting with the night
Play it wrong play it loud play it true
That’s all this blues knows how to do
Alright…
Don’t stop it
Let it ring
Yeah… that’s enough
CREDITS
Performer: Eli Varnish
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Memories That Stay
Dax Merrill
Verified Artist
Dax Merrill
Imagine the grit and spirit of Seattle's best alternative music, colored with the blues of an often-drizzly city. Enter Dax Merrill, an artist who manages to distill the emotional richness of his surroundings into his melancholic masterpieces.
Dax hails from the birthplace of grunge, drawing upon the city's legacy with his murky, atmospheric guitar riffs and a voice that's gravelly yet beautiful. His music is an evocative blend of the gloomy skies and evergreen optimism of Seattle, weaved seamlessly within the fabric of his melancholic melodies.
From his mother's garage, he first strummed out the notes of a self-taught spells. His most notable song, "Memories That Stay", is a haunting testament to his past—a cathartic narration of his journey and a tribute to his resilient spirit.
Dax Merrill is as real as it gets, mates—unapologetically raw, generously insightful, undeniably talented. He's your heart's post-rain fog, the echoing muse on those sleepless nights. Listening to Dax is like tracing the outline of your own emotions, one chord at a time. So grab your headphones and let this Seattle-sound virtuoso take you on a sonorous adventure of an indie kind.
Memories That Stay
Dax Merrill
If it was just about the missing
Then I'd be long gone
'Cause no one else has got me feeling
The way you did all along
But I'm holding on
'Cause in my mind
You're never far gone
Yeah
And I'm holding on
'Cause in my mind
You're never far gone
And it's those little things that make me smile
Yeah
I feel it every time you cross my mind
'Cause it's not about the things we could've been
It's about the memories we made
The memories that stay
You used to hate my bad decisions
And that I made 'em on my own
And all my efforts at forgiveness
I should've shown all along
But I'm holding on
'Cause in my mind
You're never far gone
Yeah
And I'm holding on
'Cause in my mind
You're never far gone
And it's those little things that make me smile
Yeah
I feel it every time you cross my mind
'Cause it's not about the things we could've been
It's about the memories we made
The memories that stay
CREDITS
Performer: Dax Merrill
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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We Built A World
Elias Thoreau
Verified Artist
Elias Thoreau
Elias Thoreau: the lesser known, wonderfully flamboyant cousin of Walden's man himself, who swapped the solitude of nature for the wild shenanigans of the indie music scene. Hailing from a small town in France where his famous relative lived, he's been spinning tales about love, loss, and large vegetable patches since the turn of the millennium in his own alternative style.
There's a certain brooding melancholy about his music that lingers long after the last note has been played – think Joy Division in a neverending existential crisis, only slightly offset by the enchanting sounds of accordion. His flagship hit, "We Built a World," still gives us Feels-a-go-go, as it paints a vivid storytelling frontier, each sad cadence wrapped in lush instrumentation and poignant lyrics about the construction and subsequent demolition of emotional walls.
Guided by a deep-rooted philosophy that in order to truly feel alive you need to swing from the heights of joy and dip into the dark valleys of sorrow, Elias Thoreau’s music truly embodies this. So next time you feel like embarking on a soul-touching flight of emotions, with a sidestep into the vegetable patch, grab a glass of fine wine, crank up the volume, and let Monsieur Thoreau serenade you. After all, who needs Prozac when there's the sweet, sweet melancholy of Elias Thoreau around?
We Built A World
Elias Thoreau
We’re tracing cracks across the floor
Where we danced before the walls wore thin
Time doesn’t heal it just rearranges
And I’m still finding pieces of where we’ve been
You said forever but forever’s a lie
A shadow that lingers when the sun says goodbye
I’m holding on but I’m losing my grip
On the edge of a memory I let it slip
We built a world that couldn’t last
A house of cards in a hurricane’s path
Now I’m sifting through the aftermath
Of a love that burned too bright too fast
(Oh-oh-oh oh-oh-oh)
The clock keeps ticking but it feels so slow
Every second’s a weight I can’t let go
I see your face in every crowded room
A ghost of a love that met its doom
You said forever but forever’s a lie
A shadow that lingers when the sun says goodbye
I’m holding on but I’m losing my grip
On the edge of a memory I let it slip
We built a world that couldn’t last
A house of cards in a hurricane’s path
Now I’m sifting through the aftermath
Of a love that burned too bright too fast
(Oh-oh-oh oh-oh-oh)
And if I could turn back the hands
Would I choose to love you again?
Or let the silence win
And never begin?
We built a world that couldn’t last
A house of cards in a hurricane’s path
Now I’m sifting through the aftermath
Of a love that burned too bright too fast
(Oh-oh-oh oh-oh-oh)
I’m tracing cracks across the floor
But I can’t find us there anymore
CREDITS
Performer: Elias Thoreau
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Disco Machiavelli (...
Herr Casino
Verified Artist
Herr Casino
Herr Casino, the enigmatic artist from Vienna, effortlessly blends the vibrant worlds of dance, disco, and electronic pop. With an uplifting energy that resonates through tracks like "Kaiser Tempo" and "Disco Machiavelli," his music invites listeners to revel in moments of joy and hope. Each song showcases his playful vocal identity, characterized by a male voice that carries a sense of infectious enthusiasm, making his work perfect for both lively dance floors and introspective evenings.
Across his catalog, Herr Casino's tracks are united by their energetic beats and evocative themes. Songs like "Kaiser Tempo" radiate happiness and inspiration, while "Disco Machiavelli" explores deeper emotional landscapes, balancing loneliness with uplifting melodies. This duality reflects his artistic vision, where joyous dance music meets introspective storytelling, creating a rich tapestry of sound that captivates and engages listeners. Whether you're looking to dance or reflect, Herr Casino's music provides the perfect backdrop for a variety of moods and moments.
Disco Machiavelli (ft Miss Voltage)
Herr Casino
Ladies and gentlemen
From Vienna to Miami
From the palace to the party
They call him
Disco Machiavelli
Not a prince
Not a saint
Just trouble in a velvet jacket
He walks in late with a golden cane
White silk shirt and a champagne stain
Everybody knows but nobody tells
He buys bad luck and sells it well
Midnight phone no caller ID
Three black cars on a one-way street
He says “my dear don’t follow the rules”
Then disappears by the swimming pool
He’s got the city on a string
He makes the mirror wanna sing
Too much charm too much heat
Dancing like a scandal in the street
Disco Machiavelli
Oh-oh he’s ready
Heart so heavy
But the beat so steady
Disco Machiavelli
Ciao baby ciao
Everybody wants him
Nobody knows how
Machiavelli
Machiavelli
Nicht so schnell mein Freund
She met him once at the Hotel Noir
Red wine smile and a stolen car
He said “love is politics darling you’ll see”
Then left her name on the balcony
Velvet gloves dangerous plans
Kissing rings on invisible hands
He don’t dance he negotiates
With the DJ and the city gates
He’s got the night under control
Silver shoes and a borrowed soul
Too much style too much speed
Living like the headline of the week
Disco Machiavelli
Oh-oh he’s ready
Heart so heavy
But the beat so steady
Disco Machiavelli
Ciao baby ciao
Everybody wants him
Nobody knows how
Signorina
Listen carefully
Power is a dance floor
And everybody pays entry
He said it with a smile
Then he vanished in the bassline
Machiavelli
Machiavelli
Dance with the devil
But dress like heaven
Machiavelli
Machiavelli
Too much drama
Too much leather
Disco Machiavelli
Oh-oh he’s ready
Heart so heavy
But the beat so steady
Disco Machiavelli
Ciao baby ciao
Everybody wants him
Nobody knows how
Disco Machiavelli
Oh-oh he’s ready
Velvet panic
Television confetti
Disco Machiavelli
Ciao baby ciao
He was here for a minute
He’s a legend now
From Vienna to Miami
From the palace to the party
Disco Machiavelli
Ciao baby ciao
CREDITS
Performer: Herr Casino
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Baby, Baby
Lily Green
Verified Artist
Lily Green
Lily Green is a vibrant nu-disco artist with a deep love for cars and the open road.
Hailing from Los Angeles, Lily grew up with the sounds of synth beats and funky basslines, which fueled her passion for creating danceable, feel-good music.
Her fascination with cars started in childhood, spending weekends at car shows with her dad and dreaming of road trips across the country. This love for automobiles often finds its way into her music, with themes of freedom, speed, and adventure.
Known for her infectious energy and groovy tunes, Lily Green’s tracks are the perfect soundtrack for cruising down the highway with the windows down.
Baby, Baby
Lily Green
You're always a second away
We never finish what we start
I think about it every day
I feel it in my broken heart
You do me dirty and then you say
It was an accident
But I've had enough
Oh
Babe
Baby
Baby
I've had enough
I've had enough
Oh
Baby
Baby
I've had enough
I've had enough
I've got the freedom to be alone
I've got my friends
But I never call
You say
"I miss you
" I hear the tone
And I don't feel like I know you at all
It's like a movie or a TV show
We were in love once
But now I can't remember
Babe
Baby
Baby
I've had enough
I've had enough
Oh
Baby
Baby
I've had enough
I've had enough
Oh
Baby
Baby
I've had enough
I've had enough
Oh
Baby
Baby
I've had enough
I've had enough
CREDITS
Performer: Lily Green
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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When the Noise Fades
The Absents
Verified Artist
The Absents
The Absents are a four-piece synth-pop and modern disco-pop band hailing from Brighton, on the south coast of the United Kingdom. The lineup consists of Elliot Kane (vocals), Ryan Whitford (keyboards & production), Callum Price (bass guitar & synth bass), and Jamie Harlow (guitar & backing vocals). The four met in 2018 at a local music festival, where a late-night jam session revealed a shared passion for blending the melodic elegance of 80s synth-pop with the energy and polish of modern pop production.
Deeply influenced by the infectious hooks and emotive energy of Erasure, The Absents quickly began writing together, crafting songs that pair bright synth textures with tight bass grooves and subtle funk undertones. Their early rehearsals took place in a modest studio near Brighton’s seafront, a space that soon became their creative sanctuary and the birthplace of their signature sound.
In 2019, the band released their debut single, which found its way onto local radio playlists and began circulating through London’s club scene. Known for their vivid light shows, charismatic stage presence, and danceable, high-energy sets, The Absents built a reputation as one of the most exciting new acts in the UK’s pop landscape.
Today, The Absents continue to bridge nostalgia and modernity, reaching audiences far beyond the British Isles. Elliot’s commanding yet soulful vocals, Ryan’s shimmering synth arrangements, Callum’s deep, driving grooves, and Jamie’s melodic guitar lines come together to create a live experience that is as unforgettable as it is electrifying.
When the Noise Fades
The Absents
You said it all without a sound
Eyes like rivers underground
No stage no sign no grand display
But still you took my breath away
When the noise fades
I see you clear
No masks remain
No need to steer
In that still shade
You draw me near
Curtains closed the world stands still
No rush no race no sudden thrill
Just quiet steps upon the floor
No less no more I ask for
When the noise fades
I see you clear
No masks remain
No need to steer
In that still shade
You draw me near
I don’t believe in grand goodbyes
Just simple truths behind the eyes
Not every tale begins with fire
Some just flicker then inspire
When the noise fades
I see you clear
No masks remain
No need to steer
In that still shade
You draw me near
CREDITS
Performer: The Absents
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
