Say 'Hallå' to Amanda Lear, the queen of dance beats hailing from Stockholm, Sweden. With her infectiously happy tunes and unapologetic love for the dance genre, she's made Swedes pause their ABBA records to tune in to her vibe.

Now, some musicians find their inspiration in love, others in heartbreak, but for Amanda, it's all in the meatballs. Yes, that's right, she swears by a hearty bowl of traditional Swedish meatballs before any recording session. She credits this peculiar routine for the untamed joy that bubbles up in songs like her renowned hit, "Unbreakable Rhythm".

As you listen to the exhuberant rhythms of Amanda's music, brace yourself. It's not just the catchy hooks that will make you tap your feet and bob your head, it's the incredibly positive energy that leaves you smiling, no matter what kind of day you've had. So, whether you're kick-starting a boujee house party or enduring a soul-draining commute, Amanda Lear has the tunes to keep your spirits up, your feet moving, and - for lack of a better word - the 'rytm' unbreakable.

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Born from the concrete veins of New York City’s underground, The 5th Exit is not just a band — it's a warning siren echoing through the alleys of Brooklyn. Blending the unapologetic grit of East Coast punk with the swagger of early-2000s hip-hop, their music punches through the noise like a subway train in a blackout.

The band was formed in late 2023 in a condemned warehouse turned DIY venue in Bushwick, after a street brawl-turned-jam-session between strangers. The result? Five misfits who had no plan — just noise, energy, and something to scream.

Members:
🎤 Jayno Blakk (Lead Vocals / Chaos Designer)
A former graffiti artist with a voice like broken glass in a hurricane. Born in Flatbush, Jayno spits lyrics like they’re Molotovs, laced with rage and raw truth. Known for performing barefoot and bleeding by the end of every show.

🎸 Noelle "Nox" Vega (Lead Guitar / FX Wizard)
Puerto Rican shredder with a physics degree and a pedalboard built from junkyard parts. She speaks three languages — four if you count distortion. Her solos? They don’t melt faces; they dissolve them.

🥁 Koda Rinz (Drums / Street Philosopher)
Half-poet, half-brawler. Raised by subway dancers and vinyl collectors, Koda’s beats sound like trash cans getting kicked down tenement stairwells — in perfect time. Always drumming, even in his sleep.

🎹 Echo Rowe (Synths / Scream Textures / Visuals)
The silent one. Echo doesn’t talk much, but his synth work sounds like a riot at 3AM. Also responsible for their chaotic visuals and the recurring raven motif in their shows. Rumor has it he lives in an abandoned radio tower in Queens.

🎸 Twitchy Lex (Bass / Vibe Damage Control)
Lex is the glue, or maybe the duct tape. Raised on R&B but corrupted by noise rock, he brings the groove — the dangerous kind that gets under your skin and sets off car alarms.

Their Breakout Track: "Get Out My Way"
A sonic punch to the throat, "Get Out My Way" is a war cry against complacency, gentrification, and anyone walking slow on a New York sidewalk. With a chorus that hits like a riot chant and verses that spit pure venom, it’s already being banned from small-town radio — which only makes it louder.

The 5th Exit isn’t asking for your attention. They’re taking it.
You can either move... or get run over.

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Dave Martin was born in Toronto to a Dutch family, growing up with a deep appreciation for both his cultural roots and the vibrant city around him.

A passionate activist, Dave uses his platform to advocate for social and environmental causes, often organizing community events and rallies. Alongside his activism, he found his calling in music, becoming a well-known DJ in the local club scene.

His sets are a dynamic blend of electronic beats and world music, reflecting his diverse background and global outlook.

Dave Martin's dual roles as a DJ and activist make him a unique and influential figure in both the music and social justice communities.

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She makes music for the hours when clarity doesn’t arrive on time. Her songs sit between late-night electronic culture and everyday emotional friction, carried by a vocal that avoids performance and leans into presence. There’s no melodrama here, no oversized hooks. Instead, she works with restraint, letting repetition, silence, and subtle shifts do the heavy lifting, capturing the tension of modern relationships and the quiet pressure of daily life.

Sonically, her work draws from melancholic drum and bass and deep electronic traditions, but filters them through a distinctly current lens. Beats roll rather than hit, bass appears just long enough to leave a trace, and arrangements resist obvious peaks. Her voice is treated as part of the architecture, close, controlled, and emotionally distant, floating above the rhythm instead of chasing it. It’s music built for movement and reflection at the same time.

Her releases live within the carefully curated worlds of Filodyo and NOT FM, platforms that prioritise context over noise and long-form listening over instant impact. In that sense, her music isn’t chasing trends, it’s designed to exist alongside them, quietly confident, emotionally precise, and very much of its moment.

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Brimming with techno energy and crispy beats, Sandra Johanson will make even the stiffest wallflower sway. She is not just your next-door DJ, but rather the queen of EDM who knows how to heal souls through rhythm.

With a backstory as intricate as her synth lines, Sandra hails from a tiny town in North Dakota, where cornfields outnumber dance clubs. Just when her life was about to be earmarked by an inevitable career in poultry farming, destiny gifted her an antique turntable. It's said that turkeys ran wild with delight in her mix of The Chicken Dance, and Sandra knew she had found her calling. Trading hens for headphones, she burst onto the underground scene with distinctive fresh sounds, uplifting energy, and a disquieting affinity for bird-themed track titles.

Over time, Sandra has built a loyal following with her spirited mixes. Her quintessential creation "My Soul Is Healed" masterfully marries muted basslines, playful rhythms, and ethereal vocals, delivering pure ecstasy to every dance floor it touches. A mash-up of disco, house and electronica elements, it sways, it soars, and it heals- just as the title promises.

Sandra Johanson is more than a name; she is your everyday superhero with a mixer, who graces the dance scene with joyous vibrance. Keeping it casual with a cap and oversized sweater, and a personality full of wit that shines brighter than any disco ball, Sandra highlights that happy beats don’t necessitate flashy clobbers and ostentatious attitudes. Just press play, let the groove take over, and feel your soul heal at the hands of this musical maestro.

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"You've probably never heard of Mira Jensen, but then again, who has?" says Mira Jensen in a witty repartee to obscurity. This indie-goddess, hailing from the ink-blotted margins of the music world, brandishes her raw talent like a broadsword, cutting through the monotony of manufactured pop.

Behind her calming blue eyes and spaghetti disaster of blonde curls spirals the complex mind of a poet, busily spinning threads of everyday life into lyrical gold. Her music is a veritable tonic for the soul, born from the bittersweet marriage of late-night introspections and forgotten childhood memories. And "A Song Left Unwritten", her pièce de résistance, seizes your heart only to turn it into an errant marionette, dancing to its heartrending symphony.

Yet, don't let her philosophical musings fool you. Mira is as unpredictable as a jack-in-the-box, as exemplified by her impromptu concert inside an empty fish tank in the heart of Hackney (that’s right, you heard it here first). Whether she's spinning out profound ballads or making magic in the most peculiar of venues, Mira Jensen's authenticity shines brighter than her neon pink Converse.

In the music industry, where mimicking the familiar often spells success, Mira's candidness is as refreshing as a summer breeze in the Sahara. Though her nom de guerre might not yet line the billboards, something tells us Mira Jensen's footnotes in the annuls of music are just a few jamming sessions away from becoming headline-worthy annotations. Watch this space!

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Born and bred in the heart of Italy, Sienna Marlowe is a singer whose voice echoes with the rich history and timeless elegance of her homeland. As a child, Sienna would trespass into deserted train stations, her little voice echoing off the crumbling walls and intertwining with the rusted whispers of the forgotten railways. Her imagination would paint these forlorn shrieks of metal and dust into an imagined symphony of applause, encouraging her to believe in a world where silence spoke volumes and the stillness of an abandoned platform could become her music's grandest stage.

Passionate and prodigiously talented, Marlowe saw the world through a unique lens, where dreams danced in every corner. Her breakthrough hit, "I'm Not The One," captures this spirit perfectly, weaving a tale of love and perhaps a dash of Italian dramatic flair into an unforgettable, raw, powerful ballad. This song, much like Marlowe's career, is a testament to her innate ability to turn the ordinary into the extraordinary, transforming everyday experiences into melodies that tug on heartstrings and tickle the soul. As a music biographer, you can't help but tip your hat to Sienna, who just might shout "Bravissimo!" at a rust-caked railway track, and you'd better believe it would be the most melodious cheer you've ever heard.

The heart of Sienna Marlowe's story is as simple and as complicated as a rusted railway line - it's about finding beauty in the abandoned, and a voice in the silence. Her journey from that deserted train station in Italy to the glamorous spotlight of international fame is a captivating symphony in itself. Hopping on this train of her musical journey, it's impossible not to sway along to the endearing rhythm of Sienna's life, one that serenades us with the notion that music truly knows no bounds – not even a "Do Not Enter" sign at an old train station.

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Camila Reyes was born in Seville, Spain, in 1992, and has spent most of her life surrounded by the vibrant rhythms and colors of Andalusia. By profession, she is a skilled ceramic artist, known for her intricate hand-painted tiles inspired by Moorish patterns and flamenco motifs. Her work has been exhibited in boutique galleries across Spain, yet music has always been her truest form of self-expression.

Raised in a family where boleros and rancheras echoed through the kitchen, Camila began singing at small local gatherings, blending traditional Latin folk with her own soulful touch. Over the years, her voice became a bridge between the streets of Seville and the broader Latin diaspora, carrying both joy and melancholy in every note.

Today, Camila records all of her music exclusively for Filodyo, preserving an intimate connection with her listeners. Her latest release, Ya No Me Duele, is a testament to resilience and emotional rebirth, capturing the strength of moving on without bitterness.

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Melly Rich, born to a Lebanese family in Amsterdam, grew up surrounded by two worlds: the culinary brilliance of her father, Chef Khaled Rich, and the rich cultural heritage of the Middle East. Her father is the head chef of La Maison des Délices, one of France’s most prestigious Michelin-starred restaurants, known for its fusion of French and Middle Eastern flavors. Despite her father's fame in the culinary world, Melly's passion led her down a different path.

Though her family assumed she would follow in her father’s footsteps, Melly was captivated by music from a young age. With her father’s full support, she began singing, though her formal education took her into the world of architecture at the University of Amsterdam.

Balancing her studies with her love for music, Melly began to develop a unique sound, blending her Middle Eastern roots with the vibrant energy of Western pop. Her breakthrough single, "Damn, I Wish I Were in Istanbul", captures this fusion perfectly. The song carries hints of oud and traditional Arabic rhythms, interwoven with modern pop beats, creating a bridge between two worlds. It’s not just a catchy tune—it’s a love letter to her cultural identity, filled with nostalgia for the warmth and chaos of the Middle East, while reflecting her cosmopolitan life in Europe.

The song quickly gained attention, especially for its atmospheric vibes that pull listeners into a dreamlike vision of Istanbul, with its bustling bazaars and shimmering Bosphorus views.

Melly's ability to infuse her music with Middle Eastern influences sets her apart in the global music scene, and though she’s still juggling her architectural studies, there’s no doubt that music is where her heart truly lies. With the world now watching, Melly Rich is on her way to becoming an international sensation, blending cultures and genres like her father blends flavors at his famous restaurant.

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Elias Thoreau: the lesser known, wonderfully flamboyant cousin of Walden's man himself, who swapped the solitude of nature for the wild shenanigans of the indie music scene. Hailing from a small town in France where his famous relative lived, he's been spinning tales about love, loss, and large vegetable patches since the turn of the millennium in his own alternative style.

There's a certain brooding melancholy about his music that lingers long after the last note has been played – think Joy Division in a neverending existential crisis, only slightly offset by the enchanting sounds of accordion. His flagship hit, "We Built a World," still gives us Feels-a-go-go, as it paints a vivid storytelling frontier, each sad cadence wrapped in lush instrumentation and poignant lyrics about the construction and subsequent demolition of emotional walls.

Guided by a deep-rooted philosophy that in order to truly feel alive you need to swing from the heights of joy and dip into the dark valleys of sorrow, Elias Thoreau’s music truly embodies this. So next time you feel like embarking on a soul-touching flight of emotions, with a sidestep into the vegetable patch, grab a glass of fine wine, crank up the volume, and let Monsieur Thoreau serenade you. After all, who needs Prozac when there's the sweet, sweet melancholy of Elias Thoreau around?

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Ryder James is a rising pop-soul artist whose warm vocals and timeless style bridge the gap between classic soul storytelling and modern pop production. With a voice that carries both grit and grace, he creates songs that feel instantly familiar yet refreshingly new.

His debut single, Static on the Line, is a captivating blend of heartfelt lyricism and smooth, groove-driven instrumentation. Produced by Filodyo and released exclusively on NOT FM, the track showcases Ryder’s ability to turn everyday moments into powerful musical narratives.

Raised on a steady diet of soul legends and contemporary pop innovators, Ryder brings authenticity and emotional depth to every performance. Static on the Line is more than just a song—it’s an introduction to an artist who is here to connect, move, and inspire listeners worldwide.

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