Melly Rich, born to a Lebanese family in Amsterdam, grew up surrounded by two worlds: the culinary brilliance of her father, Chef Khaled Rich, and the rich cultural heritage of the Middle East. Her father is the head chef of La Maison des Délices, one of France’s most prestigious Michelin-starred restaurants, known for its fusion of French and Middle Eastern flavors. Despite her father's fame in the culinary world, Melly's passion led her down a different path.

Though her family assumed she would follow in her father’s footsteps, Melly was captivated by music from a young age. With her father’s full support, she began singing, though her formal education took her into the world of architecture at the University of Amsterdam.

Balancing her studies with her love for music, Melly began to develop a unique sound, blending her Middle Eastern roots with the vibrant energy of Western pop. Her breakthrough single, "Damn, I Wish I Were in Istanbul", captures this fusion perfectly. The song carries hints of oud and traditional Arabic rhythms, interwoven with modern pop beats, creating a bridge between two worlds. It’s not just a catchy tune—it’s a love letter to her cultural identity, filled with nostalgia for the warmth and chaos of the Middle East, while reflecting her cosmopolitan life in Europe.

The song quickly gained attention, especially for its atmospheric vibes that pull listeners into a dreamlike vision of Istanbul, with its bustling bazaars and shimmering Bosphorus views.

Melly's ability to infuse her music with Middle Eastern influences sets her apart in the global music scene, and though she’s still juggling her architectural studies, there’s no doubt that music is where her heart truly lies. With the world now watching, Melly Rich is on her way to becoming an international sensation, blending cultures and genres like her father blends flavors at his famous restaurant.

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There’s a certain stillness in Celeste Raye’s voice — the kind that turns crowded rooms quiet and late-night drives cinematic. Born and raised in South London, she grew up mimicking the elegance of old soul singers and the cool detachment of ‘90s club divas. On stage, Celeste doesn’t reach for the spotlight — it finds her.

Her latest release, Velvet Switch, is a slow-burning club anthem soaked in longing. Produced by NOT FM and available exclusively on Filodyo, the track pulses with quiet intensity — as if it’s remembering something you forgot you missed. Celeste’s voice doesn’t cry out. It hovers, suspended above the beat, tracing the shape of absence with each note.

People don’t come to her sets just to dance. They come to feel understood — in dim lights, with their eyes closed, mouthing words they’ve never said out loud. Velvet Switch captures that moment between stillness and surrender, when the music takes over and you stop pretending you’re fine.

Celeste Raye isn’t trying to be timeless. She already is — not because she sounds like someone else, but because she sounds like a feeling you’ve had before, but never named.

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“If it doesn’t ask questions, it’s not music.”

LYA (pronounced “Lie-uh”) is a genre-defying artist from Berlin whose roots stretch from conservatory string quartets to the depths of fog-drenched warehouse raves. A classically trained violinist who once performed Vivaldi at age nine, she left formal music behind in her early 20s to pursue something more fractured, more real. What emerged was a sound as delicate as it is defiant—where harpsichords coexist with 2-step beats, and questions matter more than answers.

Her music exists in a liminal zone: somewhere between dance and disassociation, pop and poetry, cathedral and club. LYA often weaves spoken-word passages into her songs, transforming internal monologues into melodic mantras. Vocals—sometimes her own, sometimes spliced and AI-shifted—glide over textured layers of cello, muted synths, and ambient distortion. Think: if Imogen Heap grew up listening to Burial and wrote haikus in code.

LYA’s debut EP “Syntax of Sleep” was a quiet cult success among insomniac circles on Bandcamp, praised for its “introspective maximalism.” Her live sets, often accompanied by generative visuals and interactive lighting that reacts to audience movement, blur the line between concert and hallucination. She isn’t afraid of silence, nor of noise. Both, to her, are forms of rhythm.

LYA doesn’t write songs to explain. She writes them to wonder. “What’s It Made Of?”—her latest single via notfm—isn’t just a title. It’s a dare. A whisper in the hallway between thoughts. A reminder that meaning isn’t always the point.

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Meet Felix Dobrev, Sofia's best-kept secret, "dance" virtuoso extraordinaire, and ultimate purveyor of auditory happiness. An independent artist with charisma thicker than his grandmother's Bulgarian yogurt, he's ready to make the world "Recognize."

Born and bred in the heart of Bulgaria, Felix bloomed amid the lively buskers and the distinctive throb of the Balkan music scene, watching, learning, and nursing his own musical genius. This maestro of merriment can put a rhythm into anything quicker than a Baba slinging banitsa, and he is already proving to be the 'estest' of Sofia (fastest, and funniest) to hit the independent dance scene.

His most popular song, "Recognize," has the potent magic of turning gloomy Mondays into radiant Fridays, real Sofia-style. The track has genuine Dobrev charm: infectious beats that tug at your heartstrings as powerfully as they force your feet into grooves, making you feel like you're bouncing on the clouds above Vitosha Mountain.

Felix Dobrev isn't just any go-to party playlist contender. He's better. A creator of endorphin-evoking dance tracks that sparkle with joy and jive with wit, Felix is setting musical trends faster than the city’s tramcars. Prepare yourself to get caught up in his upbeat, unmistakable rhythm... just remember to "Recognize" where you first heard it!

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Kai Spectrum is a wizard of the turntables, a maestro of the mixing decks, hailing straight from the vibrant music scene of Almanya. He's not your ordinary DJ, in fact, he may be the only one in history who'd dare to use 'various' and 'vocals' in the same sentence with nothing but charm. Often found nestled in his Almanya studio, Spectrum spends his days (and let's be honest, most of his nights) crafting pulsating beats solely for the ears of his loyal listeners on the enigmatic platform, filodyo.

One of Spectrum's most notable conquests in the music sphere is "With Whom I'm Meeting". A brainchild of Spectrum's unconventional brilliance, this track shows off his knack for layering unexpected vocals over his signature groovy beats. But much like the man himself, this song proves that there's more than meets the eye - or in this case, the ear. For those who listen closely, "With Whom I'm Meeting" whispers a tale of Spectrum's uncanny ability to blur the lines between the sonic and the narrative, making the audience question, just who are they meeting? Rest assured, dear reader, the answer will always be - the music, their own imagination, and the whimsical humor of Kai Spectrum.

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She makes music for the hours when clarity doesn’t arrive on time. Her songs sit between late-night electronic culture and everyday emotional friction, carried by a vocal that avoids performance and leans into presence. There’s no melodrama here, no oversized hooks. Instead, she works with restraint, letting repetition, silence, and subtle shifts do the heavy lifting, capturing the tension of modern relationships and the quiet pressure of daily life.

Sonically, her work draws from melancholic drum and bass and deep electronic traditions, but filters them through a distinctly current lens. Beats roll rather than hit, bass appears just long enough to leave a trace, and arrangements resist obvious peaks. Her voice is treated as part of the architecture, close, controlled, and emotionally distant, floating above the rhythm instead of chasing it. It’s music built for movement and reflection at the same time.

Her releases live within the carefully curated worlds of Filodyo and NOT FM, platforms that prioritise context over noise and long-form listening over instant impact. In that sense, her music isn’t chasing trends, it’s designed to exist alongside them, quietly confident, emotionally precise, and very much of its moment.

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Jenny Star is a British pop-dance artist known for her electrifying performances, powerhouse vocals, and emotionally charged songwriting. Blending syncopated rhythms with deep lyrical storytelling, she has carved out a unique space in the music industry, delivering high-energy tracks that pulse with raw intensity.

Born in London, Jenny grew up surrounded by a fusion of underground breakbeat and mainstream pop influences. From an early age, she displayed a fierce passion for music, writing her first songs as a teenager and experimenting with vocal phrasing that would later become her signature. Her breakthrough came when she independently released a viral track on social media, catching the attention of producers drawn to her hard-hitting vocal delivery and undeniable stage presence.

Her latest single, "Lost Inside" is a high-octane anthem that perfectly encapsulates her sound—driving breakbeat percussion, emotionally gripping verses, and a chorus that hits with syncopated fire. The song explores themes of identity, escape, and the struggle to find clarity in a chaotic world, resonating deeply with fans who connect with its hypnotic energy and heartfelt lyricism.

With a growing fanbase and a reputation for mesmerizing live performances, Jenny Star is not just another pop act—she’s a force redefining the boundaries of emotional dance music. Her music is a sonic rollercoaster, filled with tension, release, and a fearless authenticity that sets her apart in the modern music scene.

Jenny Star is more than just a rising star—she’s a movement, and the world is ready to listen.

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Born from the concrete veins of New York City’s underground, The 5th Exit is not just a band — it's a warning siren echoing through the alleys of Brooklyn. Blending the unapologetic grit of East Coast punk with the swagger of early-2000s hip-hop, their music punches through the noise like a subway train in a blackout.

The band was formed in late 2023 in a condemned warehouse turned DIY venue in Bushwick, after a street brawl-turned-jam-session between strangers. The result? Five misfits who had no plan — just noise, energy, and something to scream.

Members:
🎤 Jayno Blakk (Lead Vocals / Chaos Designer)
A former graffiti artist with a voice like broken glass in a hurricane. Born in Flatbush, Jayno spits lyrics like they’re Molotovs, laced with rage and raw truth. Known for performing barefoot and bleeding by the end of every show.

🎸 Noelle "Nox" Vega (Lead Guitar / FX Wizard)
Puerto Rican shredder with a physics degree and a pedalboard built from junkyard parts. She speaks three languages — four if you count distortion. Her solos? They don’t melt faces; they dissolve them.

🥁 Koda Rinz (Drums / Street Philosopher)
Half-poet, half-brawler. Raised by subway dancers and vinyl collectors, Koda’s beats sound like trash cans getting kicked down tenement stairwells — in perfect time. Always drumming, even in his sleep.

🎹 Echo Rowe (Synths / Scream Textures / Visuals)
The silent one. Echo doesn’t talk much, but his synth work sounds like a riot at 3AM. Also responsible for their chaotic visuals and the recurring raven motif in their shows. Rumor has it he lives in an abandoned radio tower in Queens.

🎸 Twitchy Lex (Bass / Vibe Damage Control)
Lex is the glue, or maybe the duct tape. Raised on R&B but corrupted by noise rock, he brings the groove — the dangerous kind that gets under your skin and sets off car alarms.

Their Breakout Track: "Get Out My Way"
A sonic punch to the throat, "Get Out My Way" is a war cry against complacency, gentrification, and anyone walking slow on a New York sidewalk. With a chorus that hits like a riot chant and verses that spit pure venom, it’s already being banned from small-town radio — which only makes it louder.

The 5th Exit isn’t asking for your attention. They’re taking it.
You can either move... or get run over.

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Meet Logan Vance: the rock and roll laureate of our generation and an audaciously independent artist from, where else, but the sin city itself, Las Vegas. This guitar slinging, wordsmithing, intergalactic hero seems to have been born solely to make his own harmonic storms in the very desert that taught him the rock and roll parlance.

His tunes are like his town - rife with stories about right turns in the wrong places, the neon gleam of casino nights, and the recurrent theme of chasing after reckless dreams. Our heady hero doesn’t just play music, he lives it, injecting every chord with a potent mix of knowledge, regret, passion, and a punchy dash of Vegas glitter.

All of which has found a strangely harmonious home on his signature track, "Unholy Race," a raging electrified commentary on social struggle depicting life as a grand, if unholy, race! This isn’t just music, it’s a heart on a sleeve diary from a guy who got hip to life in the neon haze of a Vegas sunrise.

But don't be fooled by his 'city of sins' background — on stage and in the studio, it’s all about the music for Vance. He might climb the heights of hedonism, but he always does it with a guitar in his hand, eyes on the sky, and feet firmly rooted in the arid, undying love for his music. Enter the Vance-Verse: equal parts witty, gritty, and every bit as glitzy as a Vegas-strip marquee.

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Mark Martian is one of the most elusive figures in the music world, and his mysterious persona has left many fans wondering—could he really be from Mars?

Known for using the alias Martian Mark during his collaborations, this enigmatic producer has somehow managed to evade the spotlight completely. No interviews, no photos, no videos—Mark is practically a ghost. Some say it’s part of his brand, while others speculate wildly. Who knows?

Maybe while Elon Musk dreams of building colonies on Mars, Mark’s already here, quietly making beats after hitching a ride from the Red Planet’s first neighborhood.

Despite the secrecy surrounding him, one thing’s clear: Mark’s music speaks volumes. His deep house tracks pulse with interstellar vibes, his pop productions are out-of-this-world catchy, and his funk grooves are, well, otherworldly.

Whether he’s blending cosmic synths with soulful beats or dropping funk-infused rhythms, his style keeps listeners hooked and guessing. You can hear his work across platforms, but his music truly shines on Filodyo, where you might catch the next great Martian anthem—if he doesn’t beam it up first.

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