Soulful indie magic and panache from the heart of France, Liora Senvelle has more to her than what meets the eyes and hits the ears. You may not have heard of her until now, but this French enchantress wants to change that—the independent music world's ultimate contradiction, Senvelle is both peculiarly familiar and enthrallingly foreign.

Hailing from the romantic city of Paris, Liora interprets music like a Monet painting—dabbling melodies and harmonies amidst her sonic tapestry. Clear your mind, put your feet up, and watch the Eiffel Tower in the distance as you lose yourself in Senvelle's sonic portraits. With a humor as rich as a freshly baked croissant and a voice warmer than the French Riviera, she's not your typical chanteuse.

Her standout ballad 'You Crash' is an invitation to a dramatic tête-à-tête with raw, unfiltered emotion. Reminiscent of your first wine-soaked heartbreak, it hits you with a wallop of an oh là là!. Senvelle is climbing that Parisian cobblestone hill to stardom, and it won't be long before she's basking in the glow of the independent music scene's city lights.

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Surviving on honeycomb cereal and iced coffee, Nana Bear is a dance-obsessed maestro from the city of the Grizzlies: Memphis, Tennessee. Conquering every beat with unabated joy, this indie artist possesses an unmatched ability to tickle your serotonin receptors!

Spending her days daydreaming in Elvis Presley's birthplace turned her into a storyteller with rhythm in her veins. Nana Bear’s journey weaves a tale of a wistful girl who tamed the wild heartbeats of Memphis, transformed them into 'Dance' symphonies, and offered them to the world. All this while under the umbrella of Filodyo, which has given her the freedom to paint her rhythmic dreams on the canvas of life.

"Chasing The Rhythm" is an enchanting melody that best represents Nana Bear; it’s as if she's inviting you to a game of tag through a field of beat blossoms, evoking a sense of joy which bubbles up until you're grinning like an imbecile. A crossover between Dirty Dancing and Fun House, her musical offering is like a kaleidoscope of energetic and euphoric sound waves.

Creativity and humor ride shotgun as she explores the multifaceted realms of the dance genre, infusing it with a joyous twinkle that only a Nana Bear can. Armed with unadulterated enthusiasm, Nana Bear serves a musical feast fostering the happiest mood, inviting you to let your guard down and simply embrace the melody. It's impossible not to be swept up in the vibrant current of this supremely gifted Memphis Grizzly.

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Hailing from the sprawling city of Chicago, known for its gusty winds and hearty deep-dish pizzas, the one and only Nico Laurent has been making waves in the musical landscape with his undeniable talent and contagious energy. Born to an imaginative mother who weaved narratives that enchanted Nico's world and a meticulous father whose precision for constructing circuit boards was only matched by his love for the blues. You could say Nico was born to rhythm, melody, and a healthy dose of storytelling. He began his magical sonic journey right there, in the sweet-spot between abstraction and engineering, affectionately known as creativity.

That journey led Nico to pen one of his most notable songs, "I'm Not The One," a tune that dances delightfully between heartbreak and hope, two relatable sides for many of his listeners. His songs mirror his life - filled with textures and nuances - which are as electrifyingly real as the Chicago skyline during a lightning storm. Perhaps it's his mother's storytelling gift that makes his lyrics so compelling, or his father's keen sense for balance that keeps his melodies ringing in your ear long after the song ends. Or maybe, just maybe, it's that cheeky grin of his that makes you think he might know a secret or two about life's grand design. Whatever the case, it's hard to resist the magnetic pull of Nico Laurent and his ever-evolving sound.

Equal parts witty word-spinner and evocative tunesmith, Nico proves that the apple doesn't fall far from the metaphoric tree (and by the sound of it, this apple picked up a guitar on its way down). Nico remembers sitting between piles of books and heaps of cables as a kid, writing stories about robot musicians or sketching out designs for flying guitars, and that imaginative spirit still fuels his music today. So, buckle in and hold onto your hat (the wind in Chicago doesn’t mess around, you know), because Nico Laurent is just getting started, and this is one ride you won't want to miss.

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“If it doesn’t ask questions, it’s not music.”

LYA (pronounced “Lie-uh”) is a genre-defying artist from Berlin whose roots stretch from conservatory string quartets to the depths of fog-drenched warehouse raves. A classically trained violinist who once performed Vivaldi at age nine, she left formal music behind in her early 20s to pursue something more fractured, more real. What emerged was a sound as delicate as it is defiant—where harpsichords coexist with 2-step beats, and questions matter more than answers.

Her music exists in a liminal zone: somewhere between dance and disassociation, pop and poetry, cathedral and club. LYA often weaves spoken-word passages into her songs, transforming internal monologues into melodic mantras. Vocals—sometimes her own, sometimes spliced and AI-shifted—glide over textured layers of cello, muted synths, and ambient distortion. Think: if Imogen Heap grew up listening to Burial and wrote haikus in code.

LYA’s debut EP “Syntax of Sleep” was a quiet cult success among insomniac circles on Bandcamp, praised for its “introspective maximalism.” Her live sets, often accompanied by generative visuals and interactive lighting that reacts to audience movement, blur the line between concert and hallucination. She isn’t afraid of silence, nor of noise. Both, to her, are forms of rhythm.

LYA doesn’t write songs to explain. She writes them to wonder. “What’s It Made Of?”—her latest single via notfm—isn’t just a title. It’s a dare. A whisper in the hallway between thoughts. A reminder that meaning isn’t always the point.

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When the orb of the music industry introduces another jewel into its glittering galaxy, it isn't often you come across a gem like Aria Collins – an "Alternative" genre artist painting our auditory landscape with hues of hope. The artist who owns the spotlight of the Season’s Closure single is notorious for her upbeat, hopeful aura which she insists on weaving into all her melodies.

Collins hails from a cacophonic family of eight, each deciphering their own tune in the bustling soundscape of Las Vegas. It’s in this familial symphony that she picked up her love for music. Accidentally grabbing her brother’s guitar instead of the fireplace poker one winter, a flicker of rhythm flowed through her. Half a strum in, and Aria knew how to summon the smoky, soulful voice that would encapsulate her entire musical career. They always say art comes from chaos. With seven siblings, Aria had plenty to tap into.

Collins is as unpredictable as a shuffling playlist; the appealing paradox of straying from the status quo, yet seamlessly syncing with her audience's vibe. Expect everything from thought-provoking lyrics, a platter of chaotic, raw emotion delivered with such polish, it'll make the silver spoon look like a teaspoon. And dare we mention, her humor dances on the fine line between I-can't-breathe-laughing and appalling. She once staged a mini concert on a hitchhiker’s bus ride only to end it with a dramatic pantomime of “tactical falling”, much to the intrigue of the passengers. Aria Collins, ladies and gentlemen, a small package carrying a vast musical universe within her, promising a journey you won’t forget.

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Cold Empires is a high-energy trio from London whose music fuses hip-hop bravado with EDM’s explosive power. The group is made up of rapper Jamal Rivers, lyricist/MC Ethan Cole, and powerhouse vocalist Sienna Brooks. Together, they bring an unstoppable mix of raw verses, soaring hooks, and chant-driven crowd anthems designed for the biggest stages.

Jamal grew up in Brixton, raised on a steady diet of UK grime and American hip-hop, perfecting his rapid-fire delivery in underground battles. Ethan, born in Manchester, came from a background in electronic production, cutting his teeth as a DJ before stepping forward as both a writer and performer. Sienna, the daughter of a jazz pianist from Brighton, grew up singing gospel and soul before embracing the adrenaline of modern pop performance.

The trio met during a festival workshop in Ibiza, instantly recognizing their shared obsession with blending rap, electronic drops, and big-room hooks. Their debut single, Turn It Over, is the result: a bold, festival-ready anthem built for dance floors, packed with call-and-response energy, pounding kicks, and chant-style hooks that keep the crowd locked in.

Available exclusively on Filodyo and NOT FM, Cold Empires are carving out their own lane—one that thrives on intensity, collaboration, and the unstoppable spirit of the party.

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Lina Mour is a French-born vocalist and songwriter blending high-octane Eurodance energy with the emotional weight of soulful pop. Growing up in the suburbs of Lyon, Lina was raised on a steady mix of gospel vocals, ‘90s dance anthems, and gritty French rap. This eclectic influence shaped her bold sonic identity — where throbbing 4/4 beats meet orchestral stabs, and where raw emotion finds its home on the dancefloor.

Her latest single, “Gravity Override,” is a high-energy anthem that collides hip house rap verses with a soaring, mantra-like chorus. It’s a throwback to the golden age of Eurodance, but with modern production and an unapologetic attitude. With pounding kicks, aggressive synths, and trance-tinged melodic layers, the track is built for sweaty club nights, neon-lit workouts, and every moment when reality feels too heavy to carry.

Lina describes the track as “not just about defying gravity — but defying expectation.” Behind the infectious hook lies a personal story of reclaiming freedom, breaking out of everyday repetition, and choosing joy over inertia. In her words: “It’s about walking down the street with a storm in your chest but a beat in your step.”

Beyond music, Lina is quickly becoming a visual icon in her own right. Her streetwear aesthetic, nostalgic references, and empowering live shows are drawing comparisons to the likes of Technotronic and Crystal Waters — yet Lina’s vision is firmly rooted in the present. She isn’t here to recreate the past. She’s here to override it.

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Coral Harmony is a dynamic duo from Spain, formed by two young men who met by chance while performing on the streets of Madrid. Both were passionate about music and quickly realized their chemistry as performers.

Their unique blend of harmonies and energetic style caught the attention of passersby, and soon they moved from street performances to club stages across the country. Coral Harmony’s sound is a fusion of Spanish pop and electronic beats, creating a vibrant atmosphere wherever they perform.

Known for their engaging live shows, they’ve become regulars in Spain's nightlife scene, captivating audiences with their fresh, upbeat sound.

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Born and bred in the heart of Italy, Sienna Marlowe is a singer whose voice echoes with the rich history and timeless elegance of her homeland. As a child, Sienna would trespass into deserted train stations, her little voice echoing off the crumbling walls and intertwining with the rusted whispers of the forgotten railways. Her imagination would paint these forlorn shrieks of metal and dust into an imagined symphony of applause, encouraging her to believe in a world where silence spoke volumes and the stillness of an abandoned platform could become her music's grandest stage.

Passionate and prodigiously talented, Marlowe saw the world through a unique lens, where dreams danced in every corner. Her breakthrough hit, "I'm Not The One," captures this spirit perfectly, weaving a tale of love and perhaps a dash of Italian dramatic flair into an unforgettable, raw, powerful ballad. This song, much like Marlowe's career, is a testament to her innate ability to turn the ordinary into the extraordinary, transforming everyday experiences into melodies that tug on heartstrings and tickle the soul. As a music biographer, you can't help but tip your hat to Sienna, who just might shout "Bravissimo!" at a rust-caked railway track, and you'd better believe it would be the most melodious cheer you've ever heard.

The heart of Sienna Marlowe's story is as simple and as complicated as a rusted railway line - it's about finding beauty in the abandoned, and a voice in the silence. Her journey from that deserted train station in Italy to the glamorous spotlight of international fame is a captivating symphony in itself. Hopping on this train of her musical journey, it's impossible not to sway along to the endearing rhythm of Sienna's life, one that serenades us with the notion that music truly knows no bounds – not even a "Do Not Enter" sign at an old train station.

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Sofia Lindqvist is a unique musical tour de force born to an engineer father in Slovakia. Raised in the heart of Bratislava, she embodies an enviable fusion of technical brilliance and ebullient creativity.

Growing up, Sofia was the kind of kid who hummed symphonies while dismantling radios—much to her father's chagrin, and her mother's delight. From a young age, she fell under the spell of electronic music, a passion fuelled by her father's meticulous engineering and the city's vibrant music scene. Early whispers say that Sofia was so entranced by the metropolis' sounds she would insist to recreate the rhythm of the city traffic during her piano lessons.

However, it wouldn't be until her tenure as a kindergarten teacher that Sofia really began melding the worlds of sound and circuitry. After realizing that her classroom renditions of 'Old MacDonald' paled in comparison to a foot-stomping techno beat, Sofia decided to combine her love of electronics with her obsession for music. Her electrifying rhythms and harmonic melodies soon saw her swapping out nursery rhymes for nightclubs, becoming the city's beloved "Techno Teacher."

Sofia's song "Liberate", a hypnotic blend of thumping base and riveting electronic sounds, has become the most treasured track in her musical repertoire. It tells a captivating story of liberation, evoking the freedom Sofia found when she ditched the training wheels of traditional music and glided into the world of electronica. Whether she's blasting tunes at Bratislava's liveliest venues or tinkering with a sequencer in the back of her classroom, Sofia Lindqvist continues her symphony of life, one pulsating techno beat at a time.

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Dora Corr is an EDM vocalist and songwriter born and raised in Dublin, Ireland. Before her debut single, she worked at a small, weathered music shop tucked away in Rathmines — a place where synths came in half-broken and left humming again, usually thanks to her.

By day, she tuned old keyboards and restocked trance CDs. By night, she recorded vocal sketches on her cracked laptop, blending soft-spoken Irish melancholy with pulsing beats she never planned to share.

That changed in early 2025, when renowned electronic producer Mark Martian visited Dublin for a creative summit. While killing time between panels, he wandered into Dora’s shop — and found her quietly looping vocal takes in the back room.

Struck by the raw emotion and unusual cadence of her sound, Mark simply asked, “Have you ever thought about making something bigger?” She shrugged. “Not really. But I’d like to.” Energized, Mark immediately called Hakan E., the creative force behind Filodyo.

“I just found someone. We need to get into a studio, fast,” he said. Intrigued, Hakan asked to hear her demos. Mark sent over a few scratch recordings that same night.

Within days, Dora was in a temporary studio above the River Liffey, recording "Paper Moon" — a haunting, minimalist debut that floats somewhere between whispered confession and late-night dance floor, co-produced by Mark Martian for a new Filodyo project.

Dora Corr isn’t chasing pop formulas or peak-hour builds. She’s carving a lane where fragility can still make you move — and where “na na na na” says more than a chorus ever could.

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