Meet The Blackouts: a vibrant rock quartet, hailing from America's city of all-nighters – Las Vegas. Armed with hopeful melodies and a thumping backbeat, they're your personal cheerleaders in the game of life.

Made up of charismatic front-man, Johnny "Nightlife" O'Reilly, dynamite drummer Tommy "Percussion" Knox, maverick bassist Ricky "Heartbeat" Steele and fiery guitarist Jimmy "Riffmaster" Adams, The Blackouts have been belting out rock anthems in the spirit of the 80s, but with a refreshing 21st century twist. O'Reilly's vocals may reminisce of a neon-tinted past but trust us, they've got their boots firmly planted in today's grit.

Their anthem, "Oh, Back Then" epitomizes their message — a nostalgia-infused ballad that somehow makes you want to throw back a shot of hope with a chaser of rock rebellion. When you're feeling low, The Blackouts are the human equivalent of the Vegas Strip: colorful, loud, and almost annoyingly optimistic.

Under contract with Filodyo, they're potentially the smallest act to ever hold residency in shopping mall speaker systems nationwide. But hey, if The Blackouts can make your grocery run feel like a concert, they're doing something right. Here's to them, turning life's mundane moments into a cause for celebration. Rock on!

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Camila Reyes was born in Seville, Spain, in 1992, and has spent most of her life surrounded by the vibrant rhythms and colors of Andalusia. By profession, she is a skilled ceramic artist, known for her intricate hand-painted tiles inspired by Moorish patterns and flamenco motifs. Her work has been exhibited in boutique galleries across Spain, yet music has always been her truest form of self-expression.

Raised in a family where boleros and rancheras echoed through the kitchen, Camila began singing at small local gatherings, blending traditional Latin folk with her own soulful touch. Over the years, her voice became a bridge between the streets of Seville and the broader Latin diaspora, carrying both joy and melancholy in every note.

Today, Camila records all of her music exclusively for Filodyo, preserving an intimate connection with her listeners. Her latest release, Ya No Me Duele, is a testament to resilience and emotional rebirth, capturing the strength of moving on without bitterness.

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Minerva Sound is a five-piece from Bristol, UK, blending glossy disco-pop, neo-soul harmonies, and tight live grooves. The lineup: Malik Rhodes (lead vocal), Tyrone Ellis (vocal/MC), Owen Calder (guitar/bass), Emily Price (vocal/keys), and producer Felix Dunn (drum machines, synths, arrangements). Born out of late-night jam sessions and warehouse sets, they forged a sound that marries hook-heavy choruses with rhythmic precision and rich vocal stacks.

Their debut single, “Flip That City,” captures the group’s signature pulse: rubbery bass, syncopated organ stabs, hand-clap drive, and call-and-response vocals that snap into a euphoric refrain. Lyrically, it zooms in on urban momentum—small choices, quick turns, and the thrill of switching lanes—delivered with swagger and a live-band spark.

Available exclusively on Filodyo, Minerva Sound is poised to turn venues into dance floors across the UK and beyond—one chorus, one groove, one flipped skyline at a time.

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Scoot over, Marley, there’s a new reggae sheriff in town. Straight from the sunny sidewalks of Kingston, Jamaica, the Dreadlock Boys are laying down fresh beats in the reggae scene.

This pair of plaited prodigies isn't your grandma's reggae. Combining traditional roots rhythms with just a hint of ska spice and a not-so-subtle sprinkle of dancehall energy, these boys aren't just playing by the book – they’re writing their own. And don't let that laid-back island vibe fool you; these guys are as serious about making you laugh as they are about perfecting the offbeat.

Their standout single "Riddim of Peace" might just be the happiest jam this side of Montego Bay. With its earworm melody and bouncy bassline, it’s as infectious as a belly laugh in a silent library. It's the kind of track that leaves the grumpiest of gurners grinning like a Cheshire cat at an all-you-can-eat fish buffet.

So come, sit, and sway to the soothing sounds of the Dreadlock Boys. They'll be your pint-sized purveyors of peace, your lyrical lifesavers when the going gets tough. After all, joy does come in the morning and the Dreadlock Boys are here to serve it up with a side of reggae, none of those nasty grimaces, thank you very much.

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Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.

That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.

Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.

Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.

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Yuna Lee is a rising K-Pop solo artist whose magnetic voice and vibrant style are capturing hearts across the globe. Born and raised in Seoul, she grew up surrounded by music, blending traditional Korean influences with the modern pop and R&B sounds she discovered online. Her artistry reflects both her cultural roots and her forward-looking vision, creating songs that are as emotionally resonant as they are irresistibly catchy.

Her debut single, Golden Run, is a high-energy anthem that fuses shimmering synths, punchy beats, and uplifting melodies. The track captures Yuna’s fearless spirit—celebrating ambition, self-belief, and the unstoppable momentum of chasing one’s goals.

Available exclusively on Filodyo, Golden Run introduces Yuna Lee as a fresh and dynamic voice in the K-Pop scene. With her powerful performances and captivating stage presence, she is set to become one of the most exciting new names to watch.

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Hailing from the sultry soundscape of Miami, Ricky Daz is the coastal city's keeper of infectious dance beats & lively tunes. With his most notable track "Contando los Minutos (feat Rome K)", Daz's feel-good grooves have placed him firmly on the indie dance radar.

Born and bred under the sweat-soaked dancehalls and neon nights of Miami, Ricky embodies the very essence of the city - hot, vibrant, and indulgent. His music isn't just made for glittering nights out, but also for cool mornings where last night's adrenaline still hums in your veins. The boy's got rhythm in his blood, and Miami's heart in his tracks.

With "Contando los Minutos", Ricky has combined relatable tale-telling with hard-hitting choreography, creating an irresistible dance floor pull. Using a radiant tonal palette, Daz evokes the pulsating rhythms of his city, blending soulful Latin beats with a punchy EDM undercurrent. Each beat hits like the Florida sun - vibrant and full of life.

Our man Daz isn't just an artist; he's a soundtrack to a city that never sleeps - always moving, always dancing, and forever happy. With every new release, he continues to develop a pulsating landscape of indulgent dance music, turning fleeting moments into timeless melodies. Ricky Daz, remember the name, because he's writing the rhythm of Miami, one beat at a time.

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There’s a certain stillness in Celeste Raye’s voice — the kind that turns crowded rooms quiet and late-night drives cinematic. Born and raised in South London, she grew up mimicking the elegance of old soul singers and the cool detachment of ‘90s club divas. On stage, Celeste doesn’t reach for the spotlight — it finds her.

Her latest release, Velvet Switch, is a slow-burning club anthem soaked in longing. Produced by NOT FM and available exclusively on Filodyo, the track pulses with quiet intensity — as if it’s remembering something you forgot you missed. Celeste’s voice doesn’t cry out. It hovers, suspended above the beat, tracing the shape of absence with each note.

People don’t come to her sets just to dance. They come to feel understood — in dim lights, with their eyes closed, mouthing words they’ve never said out loud. Velvet Switch captures that moment between stillness and surrender, when the music takes over and you stop pretending you’re fine.

Celeste Raye isn’t trying to be timeless. She already is — not because she sounds like someone else, but because she sounds like a feeling you’ve had before, but never named.

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Where Parisian glamour meets electro-pop dance diva, you'll find the enchanting artist, Manon Vallois. Traipsing down a yellow brick road of pulsing beats and bold impressions, Vallois' irresistible tunes are the epitome of joy and joie de vivre.

This delightful, quirky Parisienne is the lovechild of the City of Love's rich artistry and throbbing nightlife, a lass always found a hop, skip, and pirouette away from the nearest beat drop. With her signature track, "My Dreaming Life", Vallois provides the escapism we all need from time to time. She takes listeners on a whimsical journey, backed by high-energy rhythms and melodies that would make even the Eiffel Tower shake its steel self, setting hearts aflutter quicker than you can say "Croissant".

Vallois' music is the couture of the dance genre—handcrafted, energetic, and unafraid to be avant-garde. Each beat an homage to Paris, the pulsing rhythm of her home injected into pulsating electro melodies. Yet, no matter how vivacious her bass line or infectious her hook, it's the inherent optimism in her music, the joy she infuses in every track that transforms listeners into undeniably happy dancers—a task only possible by someone as enchanting as Manon Vallois.

Afterall, Vallois is not just a sonic maven, she's essentially happiness personified. The dictionary people are just slackin' by not placing her picture beside the word 'happy' by now. So, if you're feeling downhearted, just press play on a Manon Vallois track and dance like a Parisian; it's the quickest route from gloom to groove central.

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Introducing the globe-trotting dance dynamo, Sebastian, affectionally dubbed the 'Duke of Disco'. Born and raised among the vibrant and pulsating rhythms of Ibiza's legendary nightlife, Sebastian’s music etches smiles on the faces of anyone within earshot.

Sharpening his musical teeth on the sun-baked terraces of Spain's party capital, our indie ingénue soon became a stalwart figure within the local music scene. Known as much for his wicked sense of humor as for his irresistible beats, Sebastian's talent lies not only in songwriting but also in adding an auditory zest that’s like a surprise party for your eardrums.

His magnum opus, "Master Plan (feat Nora)", is the sparkling crown jewel of his dance floor couture. As unpredictable as a bull in a china shop and as spectacular as a shooting star, the track bursts with contagious energy. You’ll find yourself irresistibly entwined in a rhythmical rave, whether you’re shaking it out on the dance floor or boom-bombing your tedious Tuesday.

A maestro of merriment and melody, Sebastian serves up an infectious blend of dance with a generous side of joy. Get ready, disco divas and groove gurus alike, the 'Duke of Disco’ is in town, dishing out fresh altitude to your attitude, one beat at a time.

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Mark Martian is one of the most elusive figures in the music world, and his mysterious persona has left many fans wondering—could he really be from Mars?

Known for using the alias Martian Mark during his collaborations, this enigmatic producer has somehow managed to evade the spotlight completely. No interviews, no photos, no videos—Mark is practically a ghost. Some say it’s part of his brand, while others speculate wildly. Who knows?

Maybe while Elon Musk dreams of building colonies on Mars, Mark’s already here, quietly making beats after hitching a ride from the Red Planet’s first neighborhood.

Despite the secrecy surrounding him, one thing’s clear: Mark’s music speaks volumes. His deep house tracks pulse with interstellar vibes, his pop productions are out-of-this-world catchy, and his funk grooves are, well, otherworldly.

Whether he’s blending cosmic synths with soulful beats or dropping funk-infused rhythms, his style keeps listeners hooked and guessing. You can hear his work across platforms, but his music truly shines on Filodyo, where you might catch the next great Martian anthem—if he doesn’t beam it up first.

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Amara Vale is a European pop and R&B vocalist whose sultry tone and fearless style have made her one of the most exciting new voices on the scene. Born in Lisbon, Portugal, to a Portuguese father and a French mother, she grew up surrounded by a rich mix of cultural influences. From French chanson to soulful 90s R&B, the music playing in her family home shaped her distinctive sound and artistic vision.

After moving to Barcelona at the age of 12, Amara began performing in small cafés and local festivals, quickly building a reputation for her captivating stage presence. Her ability to blend emotional storytelling with infectious, modern production caught the attention of international producers and audiences alike.

Now based in Berlin, Amara Vale is ready to share her artistry with the world. Her music is available exclusively on Filodyo and NOT FM, offering listeners a unique blend of atmospheric pop, seductive R&B, and club-ready energy. With each release, she continues to prove that her voice, her style, and her story are unlike anything else in the European music landscape.

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Wade Hollis doesn’t chase the spotlight — he moves through the world like a shadow at dusk, quietly carving songs out of silence and sand. Born somewhere between the border towns of New Mexico and West Texas, he grew up surrounded by static-filled radio, motel ceilings, and the hum of distant freight trains.

His voice is weathered, like desert wood — raw, honest, and unpolished. Every lyric he writes feels like a road he’s driven a hundred times and still doesn’t fully understand. There’s no big team behind him, no hometown hero narrative. Just a guitar, a gravel road, and the ache of never quite belonging.

Hollis doesn’t stream anywhere else. His music lives exclusively on Filodyo and NOT FM, like postcards from a place most people drive past but never stop to feel. If you’ve ever stared out of a car window at 2 a.m. and felt both free and completely lost — you’ve already heard Wade Hollis, whether you knew it or not.

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Wade Hollis doesn’t chase the spotlight — he moves through the world like a shadow at dusk, quietly carving songs out of silence and sand. Born somewhere between the border towns of New Mexico and West Texas, he grew up surrounded by static-filled radio, motel ceilings, and the hum of distant freight trains.

His voice is weathered, like desert wood — raw, honest, and unpolished. Every lyric he writes feels like a road he’s driven a hundred times and still doesn’t fully understand. There’s no big team behind him, no hometown hero narrative. Just a guitar, a gravel road, and the ache of never quite belonging.

Hollis doesn’t stream anywhere else. His music lives exclusively on Filodyo and NOT FM, like postcards from a place most people drive past but never stop to feel. If you’ve ever stared out of a car window at 2 a.m. and felt both free and completely lost — you’ve already heard Wade Hollis, whether you knew it or not.

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Elyra Dawn was born in Rotterdam, raised between ferry horns and late-night radio static. Music wasn’t a choice — it was everywhere. Her mother sang quietly while folding laundry, her older brother blasted trance through paper-thin walls, and Elyra? She listened. Carefully. Absorbing melodies like secondhand sunlight.

She spent her teenage years bouncing between school choirs, bedroom recordings, and weekend trips to Amsterdam’s record stores. The moment she first heard Robyn’s Dancing On My Own on a train platform at dusk, something clicked. It wasn’t just about sadness or joy — it was how you could wear both in the same voice. That duality, the push and pull between euphoria and vulnerability, would become Elyra’s signature.

After performing in local clubs and uploading small demos online, she received an unexpected email from Filodyo’s Hakan E — a message that simply said: “You sound like you’ve lived a little. Let’s talk.” What followed was a slow, careful collaboration: late-night file exchanges, voice memos from backstage, moments captured between flights. Elyra didn’t rush it. She never does.

Today, her voice balances two worlds — the sweaty rush of the dancefloor and the quiet ache of a Sunday morning alone. Her hooks stick, her delivery stings, and her presence on stage feels at once intimate and cinematic. Elyra Dawn isn’t here to be loud. She’s here to be heard.

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Get your dancing shoes on and your party hats ready–here comes Party Starters, Canada's dynamite DJ duo primed to kick-start your weekend. Sending electronic pulses through the Maple Leaf country's veins, these two lads have nailed the happy-go-round ride of the dance genre.

The duo, known for their contagious beats, hail from the frosty yet fiery streets of Toronto. Putting the 'art' in 'party', they're no strangers to the late-night club scene, often seen spinning grooves till the break of dawn like caffeine-fuelled squirrels on a workout wheel. And while these gents are the core of the group, they also collaborate with several vocalists, adding that sprinkle of pizzazz on top. One such partnership gifted the world with their touted masterstroke, "Last Chance"—a euphoric anthem that would make even the gloomiest Gus tap his foot.

With "Last Chance," and its soul-stirring female vocals, Party Starters remind us that every party, every moment is a 'last chance' to let loose and celebrate life. And they aren't about to let us forget it. Their music is a shot of happiness delivered straight to your eager eardrums, wrapped in a rhythm too intoxicating to resist. So, next time you're looking for a good time, remember, Party Starters is always ready to hit 'play' on your fun.

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“If it doesn’t ask questions, it’s not music.”

LYA (pronounced “Lie-uh”) is a genre-defying artist from Berlin whose roots stretch from conservatory string quartets to the depths of fog-drenched warehouse raves. A classically trained violinist who once performed Vivaldi at age nine, she left formal music behind in her early 20s to pursue something more fractured, more real. What emerged was a sound as delicate as it is defiant—where harpsichords coexist with 2-step beats, and questions matter more than answers.

Her music exists in a liminal zone: somewhere between dance and disassociation, pop and poetry, cathedral and club. LYA often weaves spoken-word passages into her songs, transforming internal monologues into melodic mantras. Vocals—sometimes her own, sometimes spliced and AI-shifted—glide over textured layers of cello, muted synths, and ambient distortion. Think: if Imogen Heap grew up listening to Burial and wrote haikus in code.

LYA’s debut EP “Syntax of Sleep” was a quiet cult success among insomniac circles on Bandcamp, praised for its “introspective maximalism.” Her live sets, often accompanied by generative visuals and interactive lighting that reacts to audience movement, blur the line between concert and hallucination. She isn’t afraid of silence, nor of noise. Both, to her, are forms of rhythm.

LYA doesn’t write songs to explain. She writes them to wonder. “What’s It Made Of?”—her latest single via notfm—isn’t just a title. It’s a dare. A whisper in the hallway between thoughts. A reminder that meaning isn’t always the point.

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Ian Merrow is an alternative singer-songwriter from the misty shores of Brighton, UK, whose music lives quietly but powerfully—exclusively on Filodyo. Blending melancholic guitar textures with intimate, confessional lyrics, Ian crafts songs that feel like late-night thoughts you were never meant to say out loud. His sound walks the line between indie rock and cinematic pop, echoing the raw sensitivity of artists like Jeff Buckley and the atmospheric pull of early Radiohead.

Rather than chasing the mainstream, Ian chose to remain deliberately off-grid. He records in his small seaside flat, using second-hand gear and a notebook full of scribbled lines. For him, imperfection is part of the truth. His debut track "Runaway Light" introduced listeners to a world of quiet emotional urgency, where love, regret, and longing flicker like headlights in the fog.

Ian’s connection to Filodyo wasn’t just a distribution decision—it was an artistic choice. “It’s the only platform that lets me stay invisible and be heard at the same time,” he says. No social media, no interviews, no labels. Just music. And for those who find him, it's like stumbling upon a secret worth keeping.

With each release, Ian continues to prove that volume isn’t necessary to make an impact. His songs don’t shout — they haunt.

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Axel Monroe was born on the edge of Athens, Georgia, where backroads hum with cicadas and old Fords rust under the southern sun. Raised by a single mother and a turntable, he grew up tracing guitar solos in the air before he ever held a six-string. His earliest memories are soaked in the sounds of Led Zeppelin’s "Physical Graffiti" and Thin Lizzy’s "Live and Dangerous"—records that spun endlessly in his living room, turning boyhood into something raw and electric.

He didn’t go to music school. He went to basements, pawn shops, and roadside dive bars—learning tone, timing, and truth the long way. Axel’s sound fuses the swagger of '70s rock giants with the cinematic punch of '80s anthems. There’s a southern drawl in his riffs, a touch of melancholy in his choruses, and a quiet confidence that only comes from living outside the algorithm.

His breakout track “Look At Them Dance” captures it all—a bittersweet anthem for anyone who’s watched joy from the sidelines, then decided to jump in anyway.

Now signed with NOT FM and releasing exclusively through Filodyo, Axel Monroe isn’t trying to bring back the past. He’s just making damn sure it never gets forgotten.

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Sofia Cruzado is a captivating Latin pop artist whose powerful voice and magnetic stage presence draw listeners in from the very first note. With a style reminiscent of modern Latin icons, she blends infectious rhythms with heartfelt storytelling, creating songs that ignite both emotion and movement.

Her debut single, Feel The Fire, captures her fiery spirit and undeniable charisma. Available exclusively on Filodyo and NOT FM, the track marks the beginning of a promising career that’s set to light up the Latin music scene. Sofia Cruzado doesn’t just perform—she commands attention, leaving an unforgettable impression on everyone who hears her.

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