Lucía doesn’t raise her voice — she lets silence lean toward her.

Born in Ciudad Juárez, where the wind carries both prayers and warnings, Lucía learned early that strength doesn’t shout — it stands still. Her music wasn’t born in studios. It was carved in alleyways, border bars, long walks home. She didn’t grow up dreaming of stages. She grew up walking away from things that didn’t serve her.

Her voice carries the weight of absence — low, textured, unhurried. With influences rooted in ranchera, flamenco, and tango, she weaves stories that don’t plead, but remember. Every note she sings is a scar that glows.

In recent years, Lucía has emerged as one of Filodyo’s most enigmatic voices — fierce, private, unforgettable. On her latest collaboration with Wade Hollis, the gravel-toned American guitarist, Lucía sings over strings like rusted fences in the sun. The song doesn’t comfort. It confronts — just like her.

The connection began far from stages. While Wade Hollis was recording new material with Filodyo, he mentioned a woman he had once heard playing in a dim-lit cantina near the border. “She sings like she’s been through three lifetimes,” he said. It was during a late-night Zoom call with Hakan E., the creative engine behind Filodyo, that Lucía’s name resurfaced.

By chance — or something heavier — Hakan had just expressed his search for a voice that wasn’t sweet, wasn’t polished — but true. “I need someone who sounds like she doesn’t need anyone,” he had said. A few weeks later, their first conversation took place across a flickering Zoom screen. Lucía, seated on a balcony in Mexico, cigarette in hand. No makeup. No pretenses. Just presence.

That was enough.

Now, her voice travels far from the cantinas — but it never left the dust behind.

You don’t listen to Lucía to feel better.
You listen to feel seen.

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Born and raised in Ventura, California, Jett Ralston grew up in a garage that smelled like motor oil, vinyl records, and his father’s hair pomade. While other kids watched cartoons, Jett memorized the Grease soundtrack and tried to mirror Elvis's hip sway in the hallway mirror. His voice—low, smoky, and just a little rough around the edges—carries the DNA of that golden age, but never feels stuck in it.

Jett’s debut single “Through Me” (feat. Dolores Queen) is a cinematic slow-burn: part lost love, part lounge confession. Produced exclusively for Filodyo, the track fuses analog charm with subtle modern edges, pairing his velvet baritone with Dolores Queen’s haunting harmonies. He doesn’t try to be Elvis — but he sings like someone who misses that kind of honesty on stage.

With a sound caught somewhere between a flickering jukebox and a midnight highway, Jett Ralston is not here for nostalgia — he's here to make old souls feel seen again.

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The Absents are a four-piece synth-pop and modern disco-pop band hailing from Brighton, on the south coast of the United Kingdom. The lineup consists of Elliot Kane (vocals), Ryan Whitford (keyboards & production), Callum Price (bass guitar & synth bass), and Jamie Harlow (guitar & backing vocals). The four met in 2018 at a local music festival, where a late-night jam session revealed a shared passion for blending the melodic elegance of 80s synth-pop with the energy and polish of modern pop production.

Deeply influenced by the infectious hooks and emotive energy of Erasure, The Absents quickly began writing together, crafting songs that pair bright synth textures with tight bass grooves and subtle funk undertones. Their early rehearsals took place in a modest studio near Brighton’s seafront, a space that soon became their creative sanctuary and the birthplace of their signature sound.

In 2019, the band released their debut single, which found its way onto local radio playlists and began circulating through London’s club scene. Known for their vivid light shows, charismatic stage presence, and danceable, high-energy sets, The Absents built a reputation as one of the most exciting new acts in the UK’s pop landscape.

Today, The Absents continue to bridge nostalgia and modernity, reaching audiences far beyond the British Isles. Elliot’s commanding yet soulful vocals, Ryan’s shimmering synth arrangements, Callum’s deep, driving grooves, and Jamie’s melodic guitar lines come together to create a live experience that is as unforgettable as it is electrifying.

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Hailing from the sun-soaked shores of Miami, Ocean Girls are your new favorite indie-pop queens on the horizon. Drenched in sun, surf, and ceaseless cheer, their music is the audio equivalent of a ray of sunshine in what can sometimes be the storm of life.

Assuming their name from the very city they call home, these beach-town belles serve up chart-topping hits faster than a Florida diner slings hashbrowns. They've got the sass of the Spice Girls, the attitude of Madonna and just a pinch of Miami's own Gloria Estefan sizzling through each track. Ocean Girls have got a knack for taking even the most mundane moments, chucking them full of pizzazz, and dishing out feel-good anthems that simply command you to "Stay Happy."

Stick an Ocean Girls track on, and suddenly you're cruising down Ocean Drive, hair flapping in the breeze, and the somewhat distant memory of work drowned out by catchy choruses and sparkling melodies. These girls are more than just a band - they're a one-way ticket to a beach-front pop utopia where the vibe is always good, the beats are always flowing, and frowns are most certainly not allowed. When life hands you lemons, Ocean Girls hands you a margarita. Now, that's the kind of exchange rate we can get behind!

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Mark Martian is one of the most elusive figures in the music world, and his mysterious persona has left many fans wondering—could he really be from Mars?

Known for using the alias Martian Mark during his collaborations, this enigmatic producer has somehow managed to evade the spotlight completely. No interviews, no photos, no videos—Mark is practically a ghost. Some say it’s part of his brand, while others speculate wildly. Who knows?

Maybe while Elon Musk dreams of building colonies on Mars, Mark’s already here, quietly making beats after hitching a ride from the Red Planet’s first neighborhood.

Despite the secrecy surrounding him, one thing’s clear: Mark’s music speaks volumes. His deep house tracks pulse with interstellar vibes, his pop productions are out-of-this-world catchy, and his funk grooves are, well, otherworldly.

Whether he’s blending cosmic synths with soulful beats or dropping funk-infused rhythms, his style keeps listeners hooked and guessing. You can hear his work across platforms, but his music truly shines on Filodyo, where you might catch the next great Martian anthem—if he doesn’t beam it up first.

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Born from the concrete veins of New York City’s underground, The 5th Exit is not just a band — it's a warning siren echoing through the alleys of Brooklyn. Blending the unapologetic grit of East Coast punk with the swagger of early-2000s hip-hop, their music punches through the noise like a subway train in a blackout.

The band was formed in late 2023 in a condemned warehouse turned DIY venue in Bushwick, after a street brawl-turned-jam-session between strangers. The result? Five misfits who had no plan — just noise, energy, and something to scream.

Members:
🎤 Jayno Blakk (Lead Vocals / Chaos Designer)
A former graffiti artist with a voice like broken glass in a hurricane. Born in Flatbush, Jayno spits lyrics like they’re Molotovs, laced with rage and raw truth. Known for performing barefoot and bleeding by the end of every show.

🎸 Noelle "Nox" Vega (Lead Guitar / FX Wizard)
Puerto Rican shredder with a physics degree and a pedalboard built from junkyard parts. She speaks three languages — four if you count distortion. Her solos? They don’t melt faces; they dissolve them.

🥁 Koda Rinz (Drums / Street Philosopher)
Half-poet, half-brawler. Raised by subway dancers and vinyl collectors, Koda’s beats sound like trash cans getting kicked down tenement stairwells — in perfect time. Always drumming, even in his sleep.

🎹 Echo Rowe (Synths / Scream Textures / Visuals)
The silent one. Echo doesn’t talk much, but his synth work sounds like a riot at 3AM. Also responsible for their chaotic visuals and the recurring raven motif in their shows. Rumor has it he lives in an abandoned radio tower in Queens.

🎸 Twitchy Lex (Bass / Vibe Damage Control)
Lex is the glue, or maybe the duct tape. Raised on R&B but corrupted by noise rock, he brings the groove — the dangerous kind that gets under your skin and sets off car alarms.

Their Breakout Track: "Get Out My Way"
A sonic punch to the throat, "Get Out My Way" is a war cry against complacency, gentrification, and anyone walking slow on a New York sidewalk. With a chorus that hits like a riot chant and verses that spit pure venom, it’s already being banned from small-town radio — which only makes it louder.

The 5th Exit isn’t asking for your attention. They’re taking it.
You can either move... or get run over.

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Hailing straight from the heart of Harlem, the notorious quintet, Brick Lords, has been serving up a potent cocktail of old school rap since their genesis.

An assemblage teeming with character, within this unique ensemble, we find Biggie Bricks (real name, Jamal Thompson), the de-facto leader and lyricist; Lil' Grout (born Angel Martinez), the charismatic hype man; Bricksy Ross (truly known as Desmond Jones), the mysterious trap-lord; Mortar Mike (Mike Johnson in the real world), the laid-back beat master, and Cinder "the Block" Parker (dubbed Clara Parker at birth), the feisty and soulful female vocalist who adds a unique twist to the group's sound.

The Brick Lords was born out of a shared love for rhythm, rhymes, and the raw, gritty atmosphere of their native Harlem streets, baptizing themselves Brick Lords because, well, they were originally just some kids slamming beats and rhymes on brick walls. And just as bricks fit one on top of the other, building something substantial, so too did the Brick Lords build something substantial out of their close-knit group dynamic.

Their music, a delightful blend of old school rap with a hint of modern-day flair, is lauded for its authenticity and palpable energy, resonating with audiences worldwide. Notably, their signature song "What's Going On (Clean)" quickly escalated to become an anthem for their generation, showcasing their genuine artistry while divulging the realities of life in Harlem.

Amidst punchy beats, witty lyricism, and a touch of brick-and-mortar realness, the story of the Brick Lords is as engaging as their music. Resolute in their ambitious deliverance of old school rap, these urban poets have cemented themselves into the solid foundation of Harlem's music scene, and dare we say it, they're brickin' amazing!

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Hailing from the sultry soundscape of Miami, Ricky Daz is the coastal city's keeper of infectious dance beats & lively tunes. With his most notable track "Contando los Minutos (feat Rome K)", Daz's feel-good grooves have placed him firmly on the indie dance radar.

Born and bred under the sweat-soaked dancehalls and neon nights of Miami, Ricky embodies the very essence of the city - hot, vibrant, and indulgent. His music isn't just made for glittering nights out, but also for cool mornings where last night's adrenaline still hums in your veins. The boy's got rhythm in his blood, and Miami's heart in his tracks.

With "Contando los Minutos", Ricky has combined relatable tale-telling with hard-hitting choreography, creating an irresistible dance floor pull. Using a radiant tonal palette, Daz evokes the pulsating rhythms of his city, blending soulful Latin beats with a punchy EDM undercurrent. Each beat hits like the Florida sun - vibrant and full of life.

Our man Daz isn't just an artist; he's a soundtrack to a city that never sleeps - always moving, always dancing, and forever happy. With every new release, he continues to develop a pulsating landscape of indulgent dance music, turning fleeting moments into timeless melodies. Ricky Daz, remember the name, because he's writing the rhythm of Miami, one beat at a time.

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Wade Hollis doesn’t chase the spotlight — he moves through the world like a shadow at dusk, quietly carving songs out of silence and sand. Born somewhere between the border towns of New Mexico and West Texas, he grew up surrounded by static-filled radio, motel ceilings, and the hum of distant freight trains.

His voice is weathered, like desert wood — raw, honest, and unpolished. Every lyric he writes feels like a road he’s driven a hundred times and still doesn’t fully understand. There’s no big team behind him, no hometown hero narrative. Just a guitar, a gravel road, and the ache of never quite belonging.

Hollis doesn’t stream anywhere else. His music lives exclusively on Filodyo and NOT FM, like postcards from a place most people drive past but never stop to feel. If you’ve ever stared out of a car window at 2 a.m. and felt both free and completely lost — you’ve already heard Wade Hollis, whether you knew it or not.

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Ayvenn was born and raised in Clearwater Heights, a quiet hillside town in Georgia where music wasn’t just background noise — it was how people coped, celebrated, and remembered. From Sunday gospel choirs to late-night Latin radio, the sounds around him shaped a boy who rarely spoke, but always listened. In silence, he learned to interpret the world. And when he began writing lyrics, it wasn’t about performance — it was about decoding feelings he couldn’t name.

Fusing Pop and R&B with understated Latin textures, Ayvenn crafts music that feels more like film than formula. His voice is warm, restrained, and precise — a narrator of emotional undercurrents rather than explosions. Each track unfolds slowly, deliberately, like memories coming into focus. There’s clarity in his subtlety, weight in his pauses.

His breakout song, “All for One Y.” was born from an unexpected connection. Hakan E — the mind behind Filodyo, known for his instinct in spotting rare talent — reached out after hearing early demos from Ayvenn. He sent a short message and a concept: “This isn’t a love song. It’s a math problem.” That idea resonated deeply. To Ayvenn, the X’s weren’t just variables — they were past mistakes, unanswered questions, the people he couldn’t quite hold onto. And the “Y”? The reason he kept trying.

Ayvenn recorded the song in a single late-night session, layering vocals with surgical attention, pulling tension from silence, and shaping each detail until it echoed with something intimate and real. To Solve for Y isn’t just a debut — it’s an internal dialogue turned outward, crafted for anyone who’s ever tried to explain a feeling they didn’t fully understand.

Now, Ayvenn is building a sound that’s emotionally meticulous, sonically immersive, and unmistakably his own. Every track is a quiet revelation. Every heartbreak, every wrong turn — part of the formula. And somewhere, at the end of it, is the answer. Always her.

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Lily Green is a vibrant nu-disco artist with a deep love for cars and the open road.

Hailing from Los Angeles, Lily grew up with the sounds of synth beats and funky basslines, which fueled her passion for creating danceable, feel-good music.

Her fascination with cars started in childhood, spending weekends at car shows with her dad and dreaming of road trips across the country. This love for automobiles often finds its way into her music, with themes of freedom, speed, and adventure.

Known for her infectious energy and groovy tunes, Lily Green’s tracks are the perfect soundtrack for cruising down the highway with the windows down.

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Meet Sophie Weak, the daintier and infinitely more coordinated cousin of the beloved Weeble Wobble. Hailing from the cultural cauldron that is London, indie dance maven Weak has a knack for composing euphorically buoyant tracks that'll get your feet tapping and heart thumping.

She first made waves in the indie scene with the high-voltage hit, "Dancing It All Off". Weak's signature style effortlessly blends cheeky, tongue-in-cheek lyrics with electric rhythms and synthed-up beats that are sure to ignite even the most lead-footed listener's lust for dance. She's a bit like the Mary Poppins of the music world; if Mary Poppins swapped her umbrella for a sequined leotard and developed an insatiable appetite for disco balls, that is.

Sophie's sound is no mere illusion of joy, but genuine, unadulterated happiness put to a beat. Often, her tracks can be found playing in hipster cafes across the city, causing spontaneous, caffeinated dance-offs amongst bearded barristers and laptop warriors. So, brace yourself, your Bluetooth speakers, and possibly your pets (because they have sensitive ears); Sophie Weak is here to shake up your playlists with her infectious beats and infectious spirit!

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With a sound as vibrant and electric as the city skyline, Emberlight sparkles atop the New York music scene like a well-placed disco ball. This dazzling fem duo is crafting dance-centric eargasms in a city that never sleeps, and admirers say the afterbuzz is real.

Maybe it's the infectious charm of Jade and Sapphire, the synth-crafting mavens behind Emberlight - a happy byproduct of insomnia spent pumping out beats and laughing into the eternity of the early dawn. Or perhaps it's the uncanny ability to paint every corner of your brain with catchy hooks and foot-shaking rhythms, the kind that leaves you humming in the bathroom mirror, hours after the party ends.

"The secret?" Jade says, turning a knob on her mixer, before glancing up with twinkling eyes of mischief, "is pizza slices at 3am. New York's finest greased cardboard cuisine. That's where the magic happens." Sapphire rolls her eyes, fiddling with a tangled synth cable, "It's synesthesia," she corrects, "Our music tastes like a pepperoni pizza."

Their standout track "Afterglow" is proof enough - drenched in sunlight, the dance anthem bounces around your heart like a cute kick-ass kangaroo playing jump rope. It glistens and pops with precisely the kind of joy-sparking energy we need in these seriously grey times. Emberlight crafts electronic music that ignites the dancefloor, and keeps the embers burning long after last call. And isn't that a delicious nightcap to sip on?

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“If it doesn’t ask questions, it’s not music.”

LYA (pronounced “Lie-uh”) is a genre-defying artist from Berlin whose roots stretch from conservatory string quartets to the depths of fog-drenched warehouse raves. A classically trained violinist who once performed Vivaldi at age nine, she left formal music behind in her early 20s to pursue something more fractured, more real. What emerged was a sound as delicate as it is defiant—where harpsichords coexist with 2-step beats, and questions matter more than answers.

Her music exists in a liminal zone: somewhere between dance and disassociation, pop and poetry, cathedral and club. LYA often weaves spoken-word passages into her songs, transforming internal monologues into melodic mantras. Vocals—sometimes her own, sometimes spliced and AI-shifted—glide over textured layers of cello, muted synths, and ambient distortion. Think: if Imogen Heap grew up listening to Burial and wrote haikus in code.

LYA’s debut EP “Syntax of Sleep” was a quiet cult success among insomniac circles on Bandcamp, praised for its “introspective maximalism.” Her live sets, often accompanied by generative visuals and interactive lighting that reacts to audience movement, blur the line between concert and hallucination. She isn’t afraid of silence, nor of noise. Both, to her, are forms of rhythm.

LYA doesn’t write songs to explain. She writes them to wonder. “What’s It Made Of?”—her latest single via notfm—isn’t just a title. It’s a dare. A whisper in the hallway between thoughts. A reminder that meaning isn’t always the point.

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Sara Durian is Germany’s undisputed disco queen, electrifying dance floors since the early 2000s with her glitter-drenched beats and futuristic soul. Born in Düsseldorf and raised on a steady diet of Kraftwerk, Donna Summer, and underground Berlin house parties, Sara blends retro grooves with neon-drenched modernity. Her signature sound? A cosmic fusion of French touch, Eurodisco, and synth-heavy pop—unmistakably hers, instantly addictive.

From smoky Berlin clubs to Tokyo fashion runways, Sara has turned every stage into a mirrorball-lit sanctuary. Her voice—sultry, robotic, divine—has been sampled by countless DJs but never duplicated. Whether she’s spinning vinyl or headlining queer festivals across Europe, Sara owns the night like a shimmering phantom of funk.

Still active and more radiant than ever, her legacy is not nostalgia—it’s now. With platinum blond curls and chrome stilettos, she struts through time with a wink and a bass drop.

Her mantra? “All drama, all disco.”

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Melly Rich, born to a Lebanese family in Amsterdam, grew up surrounded by two worlds: the culinary brilliance of her father, Chef Khaled Rich, and the rich cultural heritage of the Middle East. Her father is the head chef of La Maison des Délices, one of France’s most prestigious Michelin-starred restaurants, known for its fusion of French and Middle Eastern flavors. Despite her father's fame in the culinary world, Melly's passion led her down a different path.

Though her family assumed she would follow in her father’s footsteps, Melly was captivated by music from a young age. With her father’s full support, she began singing, though her formal education took her into the world of architecture at the University of Amsterdam.

Balancing her studies with her love for music, Melly began to develop a unique sound, blending her Middle Eastern roots with the vibrant energy of Western pop. Her breakthrough single, "Damn, I Wish I Were in Istanbul", captures this fusion perfectly. The song carries hints of oud and traditional Arabic rhythms, interwoven with modern pop beats, creating a bridge between two worlds. It’s not just a catchy tune—it’s a love letter to her cultural identity, filled with nostalgia for the warmth and chaos of the Middle East, while reflecting her cosmopolitan life in Europe.

The song quickly gained attention, especially for its atmospheric vibes that pull listeners into a dreamlike vision of Istanbul, with its bustling bazaars and shimmering Bosphorus views.

Melly's ability to infuse her music with Middle Eastern influences sets her apart in the global music scene, and though she’s still juggling her architectural studies, there’s no doubt that music is where her heart truly lies. With the world now watching, Melly Rich is on her way to becoming an international sensation, blending cultures and genres like her father blends flavors at his famous restaurant.

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Imagine the grit and spirit of Seattle's best alternative music, colored with the blues of an often-drizzly city. Enter Dax Merrill, an artist who manages to distill the emotional richness of his surroundings into his melancholic masterpieces.

Dax hails from the birthplace of grunge, drawing upon the city's legacy with his murky, atmospheric guitar riffs and a voice that's gravelly yet beautiful. His music is an evocative blend of the gloomy skies and evergreen optimism of Seattle, weaved seamlessly within the fabric of his melancholic melodies.

From his mother's garage, he first strummed out the notes of a self-taught spells. His most notable song, "Memories That Stay", is a haunting testament to his past—a cathartic narration of his journey and a tribute to his resilient spirit.

Dax Merrill is as real as it gets, mates—unapologetically raw, generously insightful, undeniably talented. He's your heart's post-rain fog, the echoing muse on those sleepless nights. Listening to Dax is like tracing the outline of your own emotions, one chord at a time. So grab your headphones and let this Seattle-sound virtuoso take you on a sonorous adventure of an indie kind.

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Meet Camille Duret, the French femme fatale of the pop scene, who manifests the charm of Parisian streets and the sunlit magic of the French Rivier into her songs. She's not just another 'joie de vivre' gal, folks, her tunes will make you feel like dancing on the cobblestones with a warm croissant in hand!

Camille was made in France, quite literally, and her music is neither too rich, nor too thin, rather, much like the perfect crème brûlée. Her infectious pop anthems, dripping with sweet melodic lines, makes you question if sugar may run in her veins. She makes you believe that you're sip-sip-sipping champagne on the Seine, no matter where you are.

Surely, you've bopped your head, maybe even twirled a bit, to her banger “Never Too Late”. A cocktail of happy heartbeats, tasty hooks and irresistible refrains, laced with a sing-along chorus, it's classic Camille at her best. This melodious masterpiece is like a delightful dance with a macaron - sweet, colourful and leaves you wanting more.

So, let's raise our glasses to Camille Duret, the Parisian pop princess who consistently proves that pop can be served well done, medium rare or, occasionally, à la mode. Trust us, once you've had a bite of Camille’s music flambé, there's no going back – Bon Appétit!

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Mark Martian is one of the most elusive figures in the music world, and his mysterious persona has left many fans wondering—could he really be from Mars?

Known for using the alias Martian Mark during his collaborations, this enigmatic producer has somehow managed to evade the spotlight completely. No interviews, no photos, no videos—Mark is practically a ghost. Some say it’s part of his brand, while others speculate wildly. Who knows?

Maybe while Elon Musk dreams of building colonies on Mars, Mark’s already here, quietly making beats after hitching a ride from the Red Planet’s first neighborhood.

Despite the secrecy surrounding him, one thing’s clear: Mark’s music speaks volumes. His deep house tracks pulse with interstellar vibes, his pop productions are out-of-this-world catchy, and his funk grooves are, well, otherworldly.

Whether he’s blending cosmic synths with soulful beats or dropping funk-infused rhythms, his style keeps listeners hooked and guessing. You can hear his work across platforms, but his music truly shines on Filodyo, where you might catch the next great Martian anthem—if he doesn’t beam it up first.

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Skye is a Korean-born pop sensation who now calls California her home. With a voice that blends vulnerability and power, she quickly rose from uploading covers in her bedroom to headlining stages across the West Coast. Inspired by both K-pop precision and Western pop freedom, Skye creates a hybrid sound that defies borders.

From heartbreak anthems to confident bangers, her lyrics speak to a generation raised on contradictions — soft yet strong, bold yet uncertain. Having trained in Seoul during her early teens, she carries the discipline of her roots while embracing the expressive energy of LA's music scene.

Often dubbed the “Pop Queen of Both Worlds,” Skye’s performances are emotional rollercoasters filled with glitter, synths, and raw truth. She’s not just building a fanbase — she’s building a movement.

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