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The Only Good Julio...
Eli Varnish
Verified Artist
Eli Varnish
Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.
That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.
Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.
Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.
The Only Good Julio I Ever Knew Was Don (They Never Meant It)
Eli Varnish
He said “brother” like it cost him nothin’
Smiled wide and stole my coat
Asked for time asked for money
Left me short and called it hope
The waitress said I had nice eyes
While stackin' bills that weren’t mine
The preacher swore we’d all be saved
But his watch was gold and mine was fake
They never meant it
Not the cheers not the names
All them kind words
Were just poker games
But I knew a man once—
Did what he said he’d do
The only good Julio I ever knew
Was Don
The boss shook hands with dirty gloves
Said “You're family” then raised the flood
And mama prayed through gritted teeth
While sellin' things we couldn't eat
They never meant it
All that “brother” all that “son”
They toast your wins
Then load their guns
But I knew a man once—
Quiet as a Sunday pew
The only good Julio I ever knew
Was Don
They’ll write your name on birthday cake
And scratch it off the will
They’ll hug you at the front door
While makin’ copies of the deed still
They never meant it
It was polish on a stone
But that old man with the cracked hat
Said “take your time or take it alone”
I knew a man once—
Didn’t lie to get through
The only good Julio I ever knew
Was Don
CREDITS
Performer: Eli Varnish
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Call Dropped at 3 AM
Eli Varnish
Verified Artist
Eli Varnish
Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.
That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.
Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.
Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.
Call Dropped at 3 AM
Eli Varnish
Alright…
Yeah yeah don’t tune it too much
Let it breathe
Okay… one two…
Woke up late with the room still shaking
Ashtray full of things I didn’t say
Mirror asks me for an explanation
I tell it “man not today”
Shoes by the door still smell like last night
Clock keeps lying I let it talk
City hums in a crooked rhythm
Like it learned that walk from me
Hey bass… keep it walking
Yeah like that
Don’t rush it
Every plan I make shows up half dressed
Every promise comes out second best
If I fall behind the beat again
Just leave some space I’ll land it then
This ain’t a straight line it sways and bends
It trips on truth then calls it a friend
If I sound wrong don’t fix it too soon
That’s where the story sneaks through
Yeah this ain’t clean this ain’t controlled
It’s a loose wire looking for a soul
Play it wrong play it loud play it true
That’s all this blues knows how to do
Hold up…
Let the horn say something
Yeah… go on
(long slide in slightly late)
Mmm… listen
Man… that thing’s complaining
Let him talk
I’m almost done… almost
Sorry… not sorry
(rimshot)
There’s a voice in my head clapping off time
Says “You always push you never wait”
I said “If I slow down I might notice
Everything I try to escape”
Barroom light keeps flickering jokes
Like it knows where I’ve been
Every sound wants a turn at the mic
Even the quiet wants in
Yeah… that’s it
Don’t smooth it out
No no
If this night’s a gamble I roll it bent
Lose my balance call it intent
Break the rule then play it twice
Mess it up till it sounds right
This ain’t a straight line it sways and bends
Falls apart then stands again
If my voice cracks just let it through
That’s what it came here to do
Yeah this ain’t neat this ain’t polite
It’s just breath fighting with the night
Play it wrong play it loud play it true
That’s all this blues knows how to do
Alright…
Don’t stop it
Let it ring
Yeah… that’s enough
CREDITS
Performer: Eli Varnish
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Gravity Override
Lina Mour
Verified Artist
Lina Mour
Lina Mour is a French-born vocalist and songwriter blending high-octane Eurodance energy with the emotional weight of soulful pop. Growing up in the suburbs of Lyon, Lina was raised on a steady mix of gospel vocals, ‘90s dance anthems, and gritty French rap. This eclectic influence shaped her bold sonic identity — where throbbing 4/4 beats meet orchestral stabs, and where raw emotion finds its home on the dancefloor.
Her latest single, “Gravity Override,” is a high-energy anthem that collides hip house rap verses with a soaring, mantra-like chorus. It’s a throwback to the golden age of Eurodance, but with modern production and an unapologetic attitude. With pounding kicks, aggressive synths, and trance-tinged melodic layers, the track is built for sweaty club nights, neon-lit workouts, and every moment when reality feels too heavy to carry.
Lina describes the track as “not just about defying gravity — but defying expectation.” Behind the infectious hook lies a personal story of reclaiming freedom, breaking out of everyday repetition, and choosing joy over inertia. In her words: “It’s about walking down the street with a storm in your chest but a beat in your step.”
Beyond music, Lina is quickly becoming a visual icon in her own right. Her streetwear aesthetic, nostalgic references, and empowering live shows are drawing comparisons to the likes of Technotronic and Crystal Waters — yet Lina’s vision is firmly rooted in the present. She isn’t here to recreate the past. She’s here to override it.
Gravity Override
Lina Mour
Blast the gate override the stream
No peace mode just kerosene
We don’t stop — we ventilate
Plug into the surge detonate!
Code in flames!
Rise untamed!
Spin that truth
Like a hurricane!
Gravity override!
We don’t fall — we multiply
No more silence no more shade
We break the sound — unafraid!
Gravity override!
Sky is fake so we collide
Raise your pulse amplify—
We’re the glitch they can’t deny!
Rip that signal break the chain
Upload thunder through your brain
We’re the myth the freak the spark
We turn neon into dark
No maps!
No brakes!
No kings!
No fakes!
We twist!
We crack!
We vanish—
Then attack!
Gravity override!
Truth distorted we decide
Bounce that static crash the grid—
This is not your mother’s beat!
Gravity override!
Laws erased we redesign
Now scream loud redefine—
We’re the beat they can’t confine!
Override complete
System: liberated
CREDITS
Performer: Lina Mour
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Clean and Proud
Aliza Steel 44
Clean and Proud
Aliza Steel 44
Midnight moves across the floor
Steps align we need no more
Every motion syncs in time
Signals crossing clean and fine
No directions no control
Just a pattern taking hold
Hold it right don’t push too fast
Let the second stretch and last
Keep me on a steady frequency
Where the sound stays close to me
Nothing sharp nothing loud
Just the rhythm clean and proud
Stay aligned let it be
No escape no urgency
Every tone exactly right
On this steady frequency tonight
Low pulse breathing
Filtered chords drifting
Time dissolving
Nothing spoken
Faces blur in moving light
Seconds fold into the night
No reflections no disguise
Just the motion multiplying
We don’t question where it leads
Only trust the space we keep
Hold the line stay inside
Let the moment open wide
Keep me on a steady frequency
Where the sound stays close to me
Nothing sharp nothing loud
Just the rhythm clean and proud
Stay aligned let it be
No escape no urgency
Every tone exactly right
On this steady frequency tonight
No beginning no release
Only waves in slow repeat
CREDITS
Performer: Aliza Steel 44
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Fire in the Open Air
James Rolly
Verified Artist
James Rolly
Born in 1989 in Dayton, Ohio, James Rolly’s life was anything but straightforward. Growing up in a working-class neighborhood, he found himself drawn to music at an early age, learning his first guitar chords from an older cousin who played in local bars. But his teenage years spiraled into turbulence — run-ins with the law, school expulsions, and a revolving door of juvenile detention centers and rehabilitation programs marked his adolescence.
It was during a six-month stay at a rehab facility in Cleveland that James began writing his own songs, using music as a way to process his frustration and loneliness. The stark, confessional style of those early lyrics became the foundation of his artistic voice. He often says the rehab’s battered common-room piano was “the first place I ever told the truth.”
By his mid-20s, James was performing in small clubs across the Midwest, blending gritty Americana storytelling with modern soul and rock influences. His husky voice, commanding presence, and refusal to glamorize his troubled past earned him a loyal following. The shaved head, beard, and head tattoos became part of his unflinching image — a visual reminder of where he’s been and how far he’s come.
Today, James Rolly’s music reflects both the scars and the survival. From intimate acoustic sets to explosive full-band performances, he channels every ounce of his history into a sound that’s raw, magnetic, and unapologetically real.
Fire in the Open Air
James Rolly
I’m walking through the noise and color
Every face feels like a secret sign
My heart’s a drum that won’t keep quiet
Every beat says “Boy this ain’t your time”
But I move I move with the rhythm
Even when the words don’t fit in
I got this fire burning in the open air
Every step says I belong somewhere
Don’t need a map I’ll find my line
Turning every street into my design
There’s laughter rolling out of doorways
Music pouring from a midnight band
I don’t know the song but I’m singing
Clapping to the beat like I understand
And I move I move with the rhythm
Even when the words don’t fit in
I got this fire burning in the open air
Every step says I belong somewhere
Don’t need a map I’ll find my line
Turning every street into my design
Maybe I’m lost but it feels like winning
Every wrong turn keeps my story spinning
If this is the game then I’m all in
Every note’s a place I’ve never been
I got this fire burning in the open air
Every step says I belong somewhere
Don’t need a map I’ll find my line
Turning every street into my design
And I move…
I move with the rhythm
CREDITS
Performer: James Rolly
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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But North Keeps
The Absents
Verified Artist
The Absents
The Absents are a four-piece synth-pop and modern disco-pop band hailing from Brighton, on the south coast of the United Kingdom. The lineup consists of Elliot Kane (vocals), Ryan Whitford (keyboards & production), Callum Price (bass guitar & synth bass), and Jamie Harlow (guitar & backing vocals). The four met in 2018 at a local music festival, where a late-night jam session revealed a shared passion for blending the melodic elegance of 80s synth-pop with the energy and polish of modern pop production.
Deeply influenced by the infectious hooks and emotive energy of Erasure, The Absents quickly began writing together, crafting songs that pair bright synth textures with tight bass grooves and subtle funk undertones. Their early rehearsals took place in a modest studio near Brighton’s seafront, a space that soon became their creative sanctuary and the birthplace of their signature sound.
In 2019, the band released their debut single, which found its way onto local radio playlists and began circulating through London’s club scene. Known for their vivid light shows, charismatic stage presence, and danceable, high-energy sets, The Absents built a reputation as one of the most exciting new acts in the UK’s pop landscape.
Today, The Absents continue to bridge nostalgia and modernity, reaching audiences far beyond the British Isles. Elliot’s commanding yet soulful vocals, Ryan’s shimmering synth arrangements, Callum’s deep, driving grooves, and Jamie’s melodic guitar lines come together to create a live experience that is as unforgettable as it is electrifying.
But North Keeps
The Absents
Rust runs along the rails to nowhere
Morning stations breathe a scent of iron
Words melt in my hands like shards of ice
Even when I speak it’s someone else’s song
Foreign clocks drag their feet
The wind calls me by names I’ve never worn
This city feels like a mirror I’ve never owned
My steps fall on stones that don’t remember me
I drew a map with the length of my shadow
But north keeps pointing somewhere else
Cracked windows hold the faces of other lives
Salted bread is torn with prayers I can’t translate
I keep the roofs of distant houses in my eyes
But the mailbox stays empty — no one arrives
Foreign clocks drag their feet
The wind calls me by names I’ve never worn
This city feels like a mirror I’ve never owned
My steps fall on stones that don’t remember me
I drew a map with the length of my shadow
But north keeps pointing somewhere else
A ticket in my pocket
Its destination still a stranger
Maybe it’s one-way out
Or just another foreign land
Rust runs along the rails to nowhere
And I keep walking without a border to cross
CREDITS
Performer: The Absents
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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No Tomorrow Needed
Roxelle
Verified Artist
Roxelle
Roxelle is a Romanian-born singer and songwriter currently based in the United Kingdom. Growing up between Eastern European traditions and Western pop culture, she developed an early fascination with rhythm, melody, and visual storytelling. Her background gave her a distinctive sense of contrast, mixing emotional depth with bold self-expression, something that would later become central to her artistic identity.
After relocating to the UK in her early twenties, Roxelle immersed herself in the underground pop and electronic scenes, refining her sound and performance style. Influenced by modern pop, dance, and subtle R&B textures, she crafts songs that balance confidence with vulnerability. Her vocals move effortlessly between smooth, controlled delivery and striking, attitude-driven hooks, creating a sound that feels both intimate and commanding.
Roxelle’s music explores themes of independence, desire, and emotional resilience, often framed through sleek, contemporary production. Known for her strong visual aesthetic and fashion-forward presence, she approaches music as a complete artistic experience rather than just sound. With a growing catalog of releases, Roxelle positions herself as a new-generation pop artist shaped by movement, migration, and self-definition.
No Tomorrow Needed
Roxelle
Heels hit the floor I feel it start
Bass in my chest steady and sharp
No explanations no excuse
I move the room just how I choose
Eyes follow motion not my name
I don’t repeat I don’t stay same
One step closer to the sound
I don’t wait I turn around
I’m on my own tempo
Don’t tell me when to go
I set it I control
Every move every role
I’m on my own tempo
Too fast too slow I know
I hit it right on time
Watch me cross the line
Disco strings rise
Bass keeps talking
Hands in the air
No words just timing
Mirrors shake when I pass through
Every angle feels brand new
No permission no delay
I decide how long I stay
Heat is building in the crowd
I don’t need to say it loud
Count it in feel it land
Everything is in my hands
I’m on my own tempo
Don’t tell me when to go
I set it I control
Every move every role
I’m on my own tempo
Too fast too slow I know
I hit it right on time
Watch me cro
Jacket on I leave it open
Streetlight glow my focus broken
Every sound pulls me in
I don’t ask where we’ve been
I don’t read the signs twice
I move once that’s my advice
If it feels right I don’t slow down
I let the night spin me around
No tomorrow needed
Say it again I mean it (mean it)
No tomorrow needed
I don’t pause I don’t overthink it (no no)
No tomorrow needed
Feel it hit me feel it beat me (beat me)
No tomorrow needed
If I’m in it I’m in it (yeah)
Every step is calculated
Still it looks so effortless
I don’t wait to be invited
I arrive I don’t impress
Crowd reacts I don’t chase
I just take up space
Hear my name inside the bass
I don’t rush I keep my pace
Yeah
She don’t plan it she appear
Whole room shift when she near
No tomorrow in her mind
Only now perfect time
She don’t promise she decide
Every move amplified
I’m just watching from the side
Tryna keep up with her stride
No delay no rewind
She already crossed the line
When she move place complies
That’s the signal that’s the sign
No tomorrow needed
Say it again I mean it (mean it)
No tomorrow needed
I don’t pause I don’t overthink it (no no)
No tomorrow needed
Feel it hit me feel it beat me (beat me)
No tomorrow needed
If I’m in it I’m in it (yeah)
No tomorrow (no tomorrow)
Needed (needed)
No tomorrow (no tomorrow)
I don’t need it (don’t need it)
No tomorrow (no tomorrow)
Needed (needed)
If I want it (if I want it)
I’m in it (I’m in it)
CREDITS
Performer: Roxelle
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Control
Mateo Lux
Verified Artist
Mateo Lux
Mateo Lux is a rising voice in contemporary electronic pop, blending sleek production with raw emotional intensity. Born with a natural flair for performance, he crafts music that balances dancefloor energy with lyrical depth. His debut single, Control, showcases a magnetic mix of pulsing rhythms and hypnotic melodies, setting the tone for a bold artistic journey ahead.
Discovered by Hakan E. for Filodyo, Mateo brings an unapologetic confidence to every note he sings. His style captures both vulnerability and power, creating an atmosphere that draws listeners into his world. With Control, he isn’t just introducing himself—he’s making a statement, marking the arrival of a distinctive new talent destined to leave a lasting imprint on modern music.
Control
Mateo Lux
Yeah
Mm-hmm
Turn it up
Uh
Let’s go
Step in — heat rise
No rules — my side
You move — I lead
One look — you’re mine
Hands on — don’t hide
We ride — midnight
Your pulse — my beat
You fall — my feet
I got control control control control
You want it slow slow slow slow
I make you go go go go
You lose it — oh oh oh oh
Eyes lock — no doubt
Lights fade — we’re loud
One step — we burn
Two steps — return
Your breath — my flame
No fear — no shame
Your hands — can’t stay
My voice — your way
I got control control control control
You want it slow slow slow slow
I make you go go go go
You lose it — oh oh oh oh
You say you ready — I say prove it
You say you steady — I say move it
You cross the line — I pull you closer
One more time — game over
Control (control)
Control (control)
Control (control)
Control (control)
I got control control control control (yeah)
You want it slow slow slow slow (uh-huh)
I make you go go go go (let’s go)
You lose it — oh oh oh oh (yeah yeah)
Yeah…
Control
Mm-hmm
Fade out…
CREDITS
Performer: Mateo Lux
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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HOT TRACK
Still Holding On
6 Brokens
Verified Artist
6 Brokens
6 Broken came together in New York through chance encounters, shared apartments, and long conversations that stretched past midnight. None of them arrived with a plan to form a band. They met through friends, studios, and half-finished ideas, slowly realizing they were circling the same emotional territory. New York shaped them not as a backdrop, but as a pressure. The noise, the distance, the constant sense of movement seeped into how they wrote and how they listened.
Their music leans into restraint rather than release. Clean arrangements, patient melodies, and lyrics that leave space for interpretation. 6 Broken avoids obvious drama, letting tension live quietly inside the songs. There is an awareness of vulnerability without turning it into spectacle. Each member carries a different perspective, and those differences remain audible rather than polished away.
What defines 6 Broken is their refusal to rush. Songs unfold at their own pace, shaped by late-night demos, unfinished thoughts, and the feeling of standing still while a city moves around you. Their work is available exclusively on Filodyo and NOT FM, where subtlety has room to exist and music does not need to announce itself to be heard.
Still Holding On
6 Brokens
Morning hits the window late
Coffee’s cold but I feel awake
Your name’s still on my playlist
Didn’t mute it didn’t break it
I learned how silence sounds
When you’re not around
But it’s lighter than I thought
Guess I figured something out
I don’t need a sign tonight
No big speech no rewrite
Just walking straight ahead
With the things you never said
I don’t need a brand new heart
Mine still works just different parts
Some are louder some are calm
Still beating still holding on
I don’t need a clean restart
Just a little open space to start
I’m okay where I am
Yeah I’m better than I planned
City moves at normal speed
People laughing next to me
Nothing feels dramatic now
And that’s what I like about it somehow
Your jacket’s gone I kept the time
Not the fights not the lines
I don’t miss the way we broke
Just the jokes we never wrote
No more circling the same streets
No reruns in my head this week
I’m not running I’m not late
Just finally on my way
I don’t need a brand new heart
Mine still works just different parts
Some are louder some are calm
Still beating still holding on
I don’t need a clean restart
Just a little open space to start
I’m okay where I am
Yeah I’m better than I planned
If you ever wonder how I’ve been
I sleep fine I breathe fine
I learned how to let things end
Without losing who’s inside
I don’t need a brand new heart
No repair kit no fresh start
It’s been tested it’s been tried
Still alive on the inside
I don’t need to change the past
Just move forward slow and fast
I’m okay where I stand
Yeah I’m better than I planned
Better than I planned
Still here still me
Yeah I’m better than I planned
CREDITS
Performer: 6 Brokens
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Split Frequency
Aris Veyton
Verified Artist
Aris Veyton
Aris Veyton is an electronic music producer whose sound blends modern club energy with subtle emotional depth. Rooted in electronic and dance-driven structures, his productions balance clean rhythms, textured synth layers and restrained melodic elements.
Rather than chasing trends, Aris focuses on atmosphere and flow. His tracks are designed to work both on the dancefloor and in personal listening environments, creating a sense of continuity rather than sudden impact. Minimal arrangements, controlled dynamics and carefully crafted sound design are central to his approach.
Working primarily in the studio, Aris Veyton treats music as a long-form experience rather than a single moment. His style reflects a contemporary electronic mindset: precise, understated and immersive. Each release is a step in an evolving sonic identity that prioritizes mood, space and consistency.
Split Frequency
Aris Veyton
There’s a pulse that keeps dividing me
Two rhythms fighting underneath
One side wants order keeps the lines so straight
The other sparks fires wants to detonate
I move through the evening with a crowded mind
Trying to decode what I can’t define
I’m standing at the center
Where signals overlap
Trying not to surrender
To the louder half
Tune me to a steady wave
Pull me where the noise behaves
I’m drifting through a world I crave
But breaking when the signals change
Tune me to a steady wave
Balance all the parts I save
I’m fading into what I brave
When both of me collide again
Thoughts turn metallic when the pressure grows
Patterns fall apart then they recompose
I’m chasing a structure that I can’t commit
Every time I form it something ruins it
I’m standing at the center
Where signals overlap
Trying not to surrender
To the louder half
Tune me to a steady wave
Pull me where the noise behaves
I’m drifting through a world I crave
But breaking when the signals change
Tune me to a steady wave
Balance all the parts I save
I’m fading into what I brave
When both of me collide again
If there’s a place between the sides
I’ll walk the thin divide
Waiting for the moment
Both frequencies align
CREDITS
Performer: Aris Veyton
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Pages in the Groove
Ted Craft
Verified Artist
Ted Craft
Born in 1992 in Austin, Texas, Ted Craft grew up surrounded by a melting pot of musical influences — from the blues and country his father played on vinyl to the funk and disco his mother kept on repeat in the kitchen. By the age of 10, he was playing guitar and piano, and by 14 he was already performing at local open-mic nights. His natural stage charisma and ear for infectious melodies quickly set him apart from his peers.
After high school, Ted earned a scholarship to the prestigious Berklee College of Music in Boston, where he majored in Contemporary Writing and Production. During his time there, he immersed himself in pop and funk theory, honing his skills in arrangement, songwriting, and live performance. Berklee also gave him the opportunity to collaborate with musicians from all over the world, helping shape the eclectic yet polished sound he’s known for today.
Post-graduation, Ted moved to Los Angeles and began crafting his signature blend of sleek pop hooks, groovy basslines, and bright funk guitar riffs. His debut EP quickly caught the attention of both critics and streaming audiences, with its feel-good energy and polished musicianship.
On stage, Ted Craft is a showman through and through — dynamic, playful, and completely in command of his audience. Whether fronting a full band or delivering an intimate acoustic set, he brings the same infectious energy and precision that has made him one of the most exciting new names in the pop-funk scene.
Pages in the Groove
Ted Craft
I’ve walked into rooms where no one knew my name
Just a stranger with a pocket full of games
Every beat another chapter I could tell
Every move another spell I had to sell
Lights spin I’m reading the crowd
Hear my story as the bass gets loud
Oh-oh I’m not here to hide
I’m just letting my pages slide
These are the pages in the groove I’ve made
Pages in the groove yeah they never fade
Every step every night it’s a story played
Oh-oh that’s the life I’ve laid
There’s a bar in Berlin a floor in Madrid
Faces change but the rhythm never did
Bought a round for the table told a joke or two
They don’t know the truth but I gave them the view
Lights spin I’m reading the crowd
Hear my story as the bass gets loud
Oh-oh I’m not here to hide
I’m just letting my pages slide
These are the pages in the groove I’ve made
Pages in the groove yeah they never fade
Every step every night it’s a story played
Oh-oh that’s the life I’ve laid
If you read between the beats you’ll know my name
Every chorus is a frame in a bigger game
We all write on the floor tonight
And I’m just signing mine in the neon light [vocal run ad-lib]
These are the pages in the groove I’ve made
Pages in the groove yeah they never fade
Every step every night it’s a story played
Oh-oh that’s the life I’ve laid
Pages in the groove…
…and the night goes on
CREDITS
Performer: Ted Craft
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Through Me (feat Do...
Jett Ralston
Verified Artist
Jett Ralston
Born and raised in Ventura, California, Jett Ralston grew up in a garage that smelled like motor oil, vinyl records, and his father’s hair pomade. While other kids watched cartoons, Jett memorized the Grease soundtrack and tried to mirror Elvis's hip sway in the hallway mirror. His voice—low, smoky, and just a little rough around the edges—carries the DNA of that golden age, but never feels stuck in it.
Jett’s debut single “Through Me” (feat. Dolores Queen) is a cinematic slow-burn: part lost love, part lounge confession. Produced exclusively for Filodyo, the track fuses analog charm with subtle modern edges, pairing his velvet baritone with Dolores Queen’s haunting harmonies. He doesn’t try to be Elvis — but he sings like someone who misses that kind of honesty on stage.
With a sound caught somewhere between a flickering jukebox and a midnight highway, Jett Ralston is not here for nostalgia — he's here to make old souls feel seen again.
Through Me (feat Dolores Queen)
Jett Ralston
(verse 1)
You sit beside me
but your eyes
walk down a hallway
I can’t find
You ask me questions
with no wait
as if the answers
might hesitate
(verse 2)
You touch my hand
like it’s just air
like something’s there
but not quite where
I say your name
just to hear
if it still sounds
like you’re near
(chorus)
You move through me
like wind through cloth
like water shaped
by what it’s not
You don’t resist
but you don’t hold
You’re warm
but I’m cold
(verse 3)
The kitchen light
flickers twice
We laugh but
not with our eyes
The song that used to
make you sway
now plays like
furniture on replay
(chorus — repeat)
You move through me
without a sound
I feel you there
but not around
You’re close
but not slow
You’re mine
but I don’t know
(outro — quiet)
Love didn’t leave
but it learned
to disappear
CREDITS
Performer: Jett Ralston
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Golden Run
Yuna Lee
Verified Artist
Yuna Lee
Yuna Lee is a rising K-Pop solo artist whose magnetic voice and vibrant style are capturing hearts across the globe. Born and raised in Seoul, she grew up surrounded by music, blending traditional Korean influences with the modern pop and R&B sounds she discovered online. Her artistry reflects both her cultural roots and her forward-looking vision, creating songs that are as emotionally resonant as they are irresistibly catchy.
Her debut single, Golden Run, is a high-energy anthem that fuses shimmering synths, punchy beats, and uplifting melodies. The track captures Yuna’s fearless spirit—celebrating ambition, self-belief, and the unstoppable momentum of chasing one’s goals.
Available exclusively on Filodyo, Golden Run introduces Yuna Lee as a fresh and dynamic voice in the K-Pop scene. With her powerful performances and captivating stage presence, she is set to become one of the most exciting new names to watch.
Golden Run
Yuna Lee
Yeah… uh
Na na na na… na na na
Mmm let’s go
Step in the light all eyes on me
Walk through the crowd like destiny
Shadows move slow I move free
Every heartbeat’s my melody
Spin it turn it keep the pace
Golden fire on my face
Every step’s a little thrill
This is mine it always will
Na na na na… I’m on that golden run
Na na na na… my moment’s just begun
Na na na na… can’t stop what I’ve become
Na na na na… I’m on that golden run
Shine in my eyes glow in my mind
Nothing to lose only time
Every glance feels like a sign
World in my hands I align
Spin it turn it keep the pace
Golden fire on my face
Every step’s a little thrill
This is mine it always will
Na na na na… I’m on that golden run
Na na na na… my moment’s just begun
Na na na na… can’t stop what I’ve become
Na na na na… I’m on that golden run
Hold it feel it — I’m alive
Take it higher touch the sky
Move with me side by side
We’re forever in this vibe
Na na na na… I’m on that golden run
Na na na na… my moment’s just begun
Na na na na… can’t stop what I’ve become
Na na na na… I’m on that golden run
CREDITS
Performer: Yuna Lee
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Never Barefoot
The Syrphids
Verified Artist
The Syrphids
The Syrphids’ journey began in the vibrant streets of Birmingham, where their distinct sound emerged from a collision of personal influences and bold experimentation.
Each member brings a unique flavor to the band's overall dynamic—blending raw, emotive vocals with intricate guitar riffs, rhythmic basslines, and atmospheric synth layers. Their music strikes a balance between the unpredictability of alternative rock and the infectious melodies of indie pop, creating an eclectic sound that is both challenging and accessible.
What sets The Syrphids apart is their ability to navigate complex emotional themes, delivering lyrics that resonate deeply while still maintaining an undeniably catchy, crowd-pleasing vibe.
Their live performances are a spectacle of energy and emotion, where their chemistry as a band shines brightest. The Syrphids have a knack for turning intimate venues into electrifying spaces, with each song building on the momentum of the last.
Their setlists are carefully curated to take listeners on a journey—whether it's through soulful ballads that tug at heartstrings or high-octane anthems that ignite the crowd. This ability to command the stage has earned them a growing fanbase, not just in Birmingham but across the UK, with audiences captivated by their authenticity and musical craftsmanship.
As The Syrphids look toward the future, their ambitions are clear: to continue evolving their sound while staying true to the experimental roots that first brought them together. With several EPs already under their belt and plans for a full-length album on the horizon, the band is poised to break through to even broader audiences.
Their commitment to innovation, coupled with their undeniable talent, ensures that The Syrphids will continue to be a force in the indie music scene, challenging conventions and capturing the hearts of listeners around the world.
Never Barefoot
The Syrphids
I was barefoot in the silence
dreaming of laces I could never tie
They told me “Leave your shoes behind”
but my feet were burning on holy ground
Back then the glass windows whispered
shops were cathedrals I couldn’t enter
Every sneaker a forbidden scripture
every boot a sermon I couldn’t keep
I walked with shadows on the pavement
carrying blisters instead of crowns
Now every aisle feels like confession
plastic bags my rosaries
boxes stacked like psalms unspoken
I kneel but I never pray
I can’t walk barefoot anymore
the echoes of my hunger follow me
God once said “Take off your shoes”
but He never felt these cracks in me
So I buy another pair I’ll never wear
just to silence the ghost of that child staring
at the glass at the glass at the glass
Leather tongues speak louder than my own
rubber soles drown out my guilt
Every purchase is a broken hymn
every closet a confessional built
I don’t wear them I collect my scars
like trophies of battles I never fought
The past still laces up my ankles
pulling tight with phantom strings
No barefoot freedom in the morning
just a graveyard made of things
I can’t walk barefoot anymore
the echoes of my hunger follow me
God once said “Take off your shoes”
but He never felt these cracks in me
So I buy another pair I’ll never wear
just to silence the ghost of that child staring
at the glass at the glass at the glass
Empty shoes like empty prayers
lining up my hallway shrine
I am both thief and worshipper
stealing time wasting time
I can’t walk barefoot anymore
the pavement bleeds the silence roars
God once said “Take off your shoes”
but He never stood in this hunger before
So I’ll keep on buying keep on binding
never fitting never finding…
and the child in the glass walks with me still
CREDITS
Performer: The Syrphids
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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You Left Your Name ...
Wade Hollis
Verified Artist
Wade Hollis
Wade Hollis doesn’t chase the spotlight — he moves through the world like a shadow at dusk, quietly carving songs out of silence and sand. Born somewhere between the border towns of New Mexico and West Texas, he grew up surrounded by static-filled radio, motel ceilings, and the hum of distant freight trains.
His voice is weathered, like desert wood — raw, honest, and unpolished. Every lyric he writes feels like a road he’s driven a hundred times and still doesn’t fully understand. There’s no big team behind him, no hometown hero narrative. Just a guitar, a gravel road, and the ache of never quite belonging.
Hollis doesn’t stream anywhere else. His music lives exclusively on Filodyo and NOT FM, like postcards from a place most people drive past but never stop to feel. If you’ve ever stared out of a car window at 2 a.m. and felt both free and completely lost — you’ve already heard Wade Hollis, whether you knew it or not.
You Left Your Name Open
Wade Hollis
You never closed the salt jar tight
Your chair still leans to the left
The spoon you used is upside down
Like it forgot your breath
The balcony plant asks less light now
The floor knows where you stood
My shirts all hang a little wrong
Like fabric understood
You left your name open—
In the drawer in the rug in the swing
It creaks your rhythm
Not a ghost—just a string
You left your name open—
And it hums when I cook when I think
It’s not heartbreak
It’s ink
The fruit went soft before I ate
I saved it like a dare
The faucet sings in your old tone
Like grief pretending care
You left your name open—
Not screaming not lost not loud
Just tucked in sounds
That don’t need a crowd
You left your name open—
No frames no shrine no drink
Just weightless
But it sinks
I live around you
Like pages live around a word
Not erased
Just blurred
CREDITS
Performer: Wade Hollis
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Ashes in the Rain
Fallen Radio Kings
Verified Artist
Fallen Radio Kings
Fallen Radio Kings is a three–piece rock band from Austin, Texas, born out of late–night jam sessions in a suburban garage. Frontman Ethan Cole (vocals, guitar), bassist Marcus Rivera, and drummer Daniel Hayes first crossed paths during their college years, sharing a love for raw guitars, driving rhythms, and the restless energy of American alternative rock. What began as casual weekend rehearsals soon grew into a band with a sound rooted in grit, melody, and the working–class reality of their lives.
Each member still balances music with day jobs — Ethan works as a theater sound technician, Marcus runs a coffee bar and record stand, and Daniel repairs cars at his family’s garage, the very place where the band practices. That mix of everyday grind and creative fire defines their character: ordinary guys chasing extraordinary noise. Their lyrics echo that duality, blending stories of heartbreak, resilience, and fleeting moments of joy with the raw punch of garage–born rock.
Their name, inspired by a broken flea–market radio, reflects their vision: even when the signal fades, the voice remains. With unpolished energy and heartfelt songwriting, Fallen Radio Kings carry the spirit of garage rock revival into a new generation. They’re not chasing polish or perfection — they’re chasing connection, turning the sound of their suburban nights into anthems for anyone who has ever felt like an outsider with a story to tell.
Ashes in the Rain
Fallen Radio Kings
Shadows crawl across the wall…
Your voice lingers though it’s gone…
I held the sun but it slipped through my hand
Like broken glass scattered over sand
Every whisper a stone in my chest
Every memory I tried to forget
And the silence cuts deeper than words
Like a hymn that no one heard
Now I see ashes in the rain
Every color bleeds the same
You were fire I was the flame
But nothing’s left to carry the name
Your eyes were rivers I drowned within
A flood of shadows beneath my skin
I carved your name in the bones of the sky
But even the stars couldn’t tell me why
And the silence cuts deeper than words
Like a hymn that no one heard
Now I see ashes in the rain
Every color bleeds the same
You were fire I was the flame
But nothing’s left to carry the name
Oh-oh… can you hear me now?
Oh-oh… I can’t let you down…
Ashes in the rain…
Every color bleeds the same…
You were fire I was the flame…
But nothing’s left… nothing remains…
Shadows crawl… across the wall…
CREDITS
Performer: Fallen Radio Kings
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Fica no Quase
Rosa Medina
Verified Artist
Rosa Medina
Rosa Medina was born in 2001 in Porto, Portugal, to a family that carried both Iberian and Brazilian heritage. Her father, a fisherman from Aveiro, filled the house with fado records, while her Brazilian mother played MPB classics and samba on lazy Sunday mornings. Rosa grew up between two shores of the Portuguese-speaking world — absorbing the saudade of Amália Rodrigues and the sunny, syncopated joy of Gal Costa in equal measure.
At fourteen, she began performing small sets in riverside cafés, her voice effortlessly gliding between soft whispers and soaring notes. The intimacy of fado was her foundation, but Rosa was restless — she wanted her songs to dance. By blending Portuguese folk melodies with bossa nova chords, urban beats, and lush pop arrangements, she began to shape a style that felt both nostalgic and forward-looking.
In 2025, Rosa released her debut single "Fica no Quase" in collaboration with Filodyo, the independent music producer known for shaping fresh, original sounds for global audiences. The track — a bittersweet, mid-tempo anthem about love suspended in uncertainty — gained instant traction on streaming platforms. Its hypnotic chorus, sung entirely in Portuguese, became a signature moment in her live performances.
Today, Rosa Medina is part of a new generation redefining Lusophone pop, performing sold-out shows from Lisbon to São Paulo. Despite her growing fame, she keeps her songwriting process deeply personal — scribbling lyrics on napkins in Lisbon cafés, recording demos on her phone while walking along the Douro River. For Rosa, every performance is a bridge connecting continents, carrying the language and emotion of Portuguese music to the world stage.
Fica no Quase
Rosa Medina
Você fala devagar
Como quem quer ir embora
Mas deixa a porta entreaberta
E o perfume na demora
Se fosse pra ser já era
Mas ainda tem coisa no olhar
Fica no quase no meio
Nem céu nem chão inteiro
Fica no toque que não vem
Na saudade que não tem nome também
O silêncio entre a gente
É mais forte que um não
Você sorri com os lábios
Mas seus olhos dizem não
E eu finjo que entendo
Mas espero você ficar
Fica no quase no canto
Sem promessa sem pranto
Fica no gesto que não se dá
No abraço que não quer se fechar
Se um dia for tudo ou nada
Talvez eu escolha o nada
Mas até lá…
Fica no quase no meio
No tempo que é só receio
Fica no quase comigo
Mesmo que seja só perigo
CREDITS
Performer: Rosa Medina
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Feel The Fire
Sofia Cruzado
Verified Artist
Sofia Cruzado
Sofia Cruzado is a captivating Latin pop artist whose powerful voice and magnetic stage presence draw listeners in from the very first note. With a style reminiscent of modern Latin icons, she blends infectious rhythms with heartfelt storytelling, creating songs that ignite both emotion and movement.
Her debut single, Feel The Fire, captures her fiery spirit and undeniable charisma. Available exclusively on Filodyo and NOT FM, the track marks the beginning of a promising career that’s set to light up the Latin music scene. Sofia Cruzado doesn’t just perform—she commands attention, leaving an unforgettable impression on everyone who hears her.
Feel The Fire
Sofia Cruzado
Oh-oh oh-oh (yeah)
Mmm fuego
Let’s go
Your eyes pull me to the floor
Like the waves I can’t ignore
Every step you own the night
Body talkin’ feelin’ right
Baila lento take your time
One more step you’re in my mind
Heat is risin’ can’t disguise
Every move a paradise
Closer closer — feel that beat
Your hands your hips my heart skips
Rhythm’s takin’ over me
Baby set my body free
When you move like that I feel the fire
Heart’s in sync we’re climbing higher
Tu cuerpo dice lo que callas
I can read your soul in silence
Turn around the crowd goes wild
Every smile a little wild
Sunset glow on your skin
Dance begins we never end
Baila conmigo don’t let go
Every beat I need to know
Your shadow melts into mine
We get lost in perfect time
Closer closer — feel that beat
Your hands your hips my heart skips
Rhythm’s takin’ over me
Baby set my body free
When you move like that I feel the fire
Heart’s in sync we’re climbing higher
Tu cuerpo dice lo que callas
I can read your soul in silence
You say “come here” — I’m already gone
One step closer the night’s too long
You spin me ‘round — I lose control
Baila baila — let it flow
Oh-oh fuego fuego
Oh-oh fuego fuego
Move it move it
Lose it lose it
When you move like that I feel the fire (fuego)
Heart’s in sync we’re climbing higher (más alto)
Tu cuerpo dice lo que callas
I can read your soul in silence
Yeah oh-oh-oh
Mmm fuego…
CREDITS
Performer: Sofia Cruzado
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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I’m Unstoppable
Giulia Sereni
Verified Artist
Giulia Sereni
Giulia Sereni is an Italian-born pop artist whose name has become synonymous with modern disco-infused anthems and unapologetic confidence. Born in Florence in the mid-90s and raised between Rome and Milan, she grew up surrounded by both classical Italian melodies and the glossy, international sound of late-90s Euro-pop. That duality shaped her musical DNA: bold, cosmopolitan, and undeniably stylish.
Before pursuing music, Giulia studied fashion communication in Milan, a background that still influences her sharp sense of image, choreography, and performance aesthetic. She blends the elegance of Italian couture with the playful freedom of global pop, creating a persona that feels as at home in glossy editorials as she does on streaming playlists.
Her debut singles—produced exclusively for Filodyo and distributed only through NOT FM—instantly caught attention for their mix of shimmering synths, punchy basslines, and Giulia’s powerful yet intimate vocal delivery. Songs like “Undeniable” and “Crown” quickly became listener favorites, praised for their ability to balance disco nostalgia with forward-thinking production.
Giulia Sereni is more than just a singer—she is a storyteller of empowerment. Her lyrics celebrate independence, resilience, and the glamour of living life on your own terms. Critics have noted that her sound carries the sophisticated energy of continental Europe while embracing the universal accessibility of pop.
Despite growing international buzz, Giulia remains intentionally selective about her presence. She has chosen to keep her releases exclusive to Filodyo and NOT FM, building a cult-like following among music lovers who appreciate her refusal to conform to the mainstream industry model. This exclusivity has only amplified her allure: fans know that to hear Giulia, they must enter the Filodyo universe.
With her magnetic voice, fashion-forward style, and anthems designed for both the dancefloor and the headphones, Giulia Sereni stands as one of the most exciting fictional European exports in contemporary pop. For those tuned into Filodyo and NOT FM, she represents not just an artist, but a movement.
I’m Unstoppable
Giulia Sereni
Step aside I’m walking in
Glitter on my skin let the night begin
I built my fire from the ground
Every beat I own it shakes the crowd
No one’s gonna dim my shine
I write the rules the stage is mine
Raise your glass feel the heat
Every heartbeat moves your feet
Can you taste the victory?
It’s the sound of living free
I’m unstoppable unforgettable
Turn the lights up I’m electrical
Every move is loud unbreakable
This is my crown undeniable
(Oh oh oh… dance it dance it)
(Oh oh oh… can’t resist it)
I see reflections in the floor
Every step’s an open door
Breaking chains with every song
You can’t silence what is strong
Raise your glass feel the heat
Every heartbeat moves your feet
Can you taste the victory?
It’s the sound of living free
I’m unstoppable unforgettable
Turn the lights up I’m electrical
Every move is loud unbreakable
This is my crown undeniable
Clap your hands we won’t stop
Feel the rhythm watch it drop
Power surging through my veins
This empire knows my name
I’m unstoppable unforgettable
Turn the lights up I’m electrical
Every move is loud unbreakable
This is my crown undeniable
Let the night remember me
Queen of fire wild and free
Every echo every sound
This is where my heart is crowned
CREDITS
Performer: Giulia Sereni
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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On the Road Again
Sara Durian
Verified Artist
Sara Durian
Sara Durian is Germany’s undisputed disco queen, electrifying dance floors since the early 2000s with her glitter-drenched beats and futuristic soul. Born in Düsseldorf and raised on a steady diet of Kraftwerk, Donna Summer, and underground Berlin house parties, Sara blends retro grooves with neon-drenched modernity. Her signature sound? A cosmic fusion of French touch, Eurodisco, and synth-heavy pop—unmistakably hers, instantly addictive.
From smoky Berlin clubs to Tokyo fashion runways, Sara has turned every stage into a mirrorball-lit sanctuary. Her voice—sultry, robotic, divine—has been sampled by countless DJs but never duplicated. Whether she’s spinning vinyl or headlining queer festivals across Europe, Sara owns the night like a shimmering phantom of funk.
Still active and more radiant than ever, her legacy is not nostalgia—it’s now. With platinum blond curls and chrome stilettos, she struts through time with a wink and a bass drop.
Her mantra? “All drama, all disco.”
On the Road Again
Sara Durian
You had me sold with a whisper
Pulled me close
Said
"You're my best friend"
Now I'm standin' on the shoulder
Of the highway while you're leavin' again
Well
Baby
Don't worry about me
I got my boots and my keys
I got everything I need
And when my thumb gets me home
I'm gonna go out on my own
Gonna find my rainbow's end
And I'll be on the road again
You packed me up in the morning
After you picked me up in the night
And I know you didn't mean it
When you said you were my last ride
Well
Baby
Don't worry about me
I got my boots and my keys
I got everything I need
And when my thumb gets me home
I'm gonna go out on my own
Gonna find my rainbow's end
And I'll be on the road again
Well
When I get to heaven
I'm gonna know
'Cause it's gonna look like New Mexico
And
Baby
Don't worry about me
I got my boots and my keys
I got everything I need
And when my thumb gets me home
I'm gonna go out on my own
Gonna find my rainbow's end
And I'll be on the road again
Yeah
I'll be on the road again
Oh
Baby
I'll be on the road again
CREDITS
Performer: Sara Durian
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
