Miles Rennick is an electro-pop singer and songwriter whose music blends playful irony with slick, club-ready production. With a cheeky, half-sung and half-spoken vocal style, he brings a unique personality to the modern indie-pop scene.

His debut track “Cooler Than My Tears” captures this spirit perfectly — a quirky yet infectious anthem built on groovy basslines, crisp synth riffs, and a sarcastic lyrical edge. Both tongue-in-cheek and danceable, the track reflects Rennick’s ability to turn irony into a hook.

Dedicated to staying independent and unconventional, Miles Rennick has chosen to release his music exclusively through Filodyo and NOT FM, highlighting his close collaboration with platforms that value originality and artistic freedom.

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Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.

That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.

Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.

Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.

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Zuriq Stone is a rising Afrobeat pop artist blending African rhythmic heritage with modern global pop energy. Born into a city shaped by street music, dance, and late-night radio sounds, he developed a style rooted in groove and movement rather than trends. His music balances infectious dance rhythms with a confident vocal presence, carrying a natural African accent that feels raw, warm, and unmistakably authentic.

Drawing inspiration from everyday urban life, Zuriq Stone creates songs built for motion. Whether it is the pulse of a crowded street or the freedom of a packed dance floor, his sound focuses on connection and momentum. English lyrics form the core of his songwriting, often joined by short phrases in African languages that turn his choruses into shared chants rather than just hooks.

Zuriq Stone releases his music on Filodyo, where his tracks are curated as part of a new wave of global pop shaped by African rhythms and contemporary production. Designed for both digital platforms and real-world listening environments, his songs move seamlessly from playlists to dance floors, reflecting Filodyo’s vision of modern, forward-moving music culture.

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Born in 1996 in Antwerp, Belgium, Dennise began her creative career not as a singer, but as a voice-over artist. With a warm, expressive tone and remarkable control, she became a sought-after voice in commercials, audiobooks, and animated films across Europe. For years, her voice was instantly recognizable, even if her face stayed out of the spotlight.

Music had always been quietly present in her life. Between recording sessions, she would write melodies and lyrics, experimenting with harmonies and vocal textures in her small home studio. Her path into music took a decisive turn when Filodyo producer Hakan E. heard one of her demos and invited her to record an original track.

Since that moment, Dennise has worked exclusively with Filodyo, creating songs that combine her precise vocal technique with a modern pop sensibility shaped by European dance rhythms. Guided by Hakan E.’s production, her tracks carry both the polish of a seasoned professional and the intimacy of a storyteller.

Outside the studio, Dennise is an avid cyclist and urban wanderer, often finding lyrical inspiration on her rides through city streets and coastal paths. For her, music is simply another way to tell a story — but now, her voice takes center stage.

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Yuna Lee is a rising K-Pop solo artist whose magnetic voice and vibrant style are capturing hearts across the globe. Born and raised in Seoul, she grew up surrounded by music, blending traditional Korean influences with the modern pop and R&B sounds she discovered online. Her artistry reflects both her cultural roots and her forward-looking vision, creating songs that are as emotionally resonant as they are irresistibly catchy.

Her debut single, Golden Run, is a high-energy anthem that fuses shimmering synths, punchy beats, and uplifting melodies. The track captures Yuna’s fearless spirit—celebrating ambition, self-belief, and the unstoppable momentum of chasing one’s goals.

Available exclusively on Filodyo, Golden Run introduces Yuna Lee as a fresh and dynamic voice in the K-Pop scene. With her powerful performances and captivating stage presence, she is set to become one of the most exciting new names to watch.

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Checkmate formed in London out of restlessness rather than intention. Different neighborhoods, different backgrounds, same impulse: to move, to react, to play music that refuses to stand still. Ska was never a costume for them, it was a language. Fast rhythms, sharp turns, humor used as defiance. They grew up surrounded by noise, contradictions, and crowded streets, and their sound reflects that constant motion.

Their music is playful but not careless, political without slogans, chaotic but precise. Each member brings a different energy, and none of them try to smooth those edges out.

Checkmate thrives on contrast: bright melodies against nervous tension, joy next to disruption. What comes out is loud, physical, and alive. Their releases are heard only on Filodyo and NOT FM, where movement matters more than polish and nothing is forced to sit quietly in the background.

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Minerva Sound is a five-piece from Bristol, UK, blending glossy disco-pop, neo-soul harmonies, and tight live grooves. The lineup: Malik Rhodes (lead vocal), Tyrone Ellis (vocal/MC), Owen Calder (guitar/bass), Emily Price (vocal/keys), and producer Felix Dunn (drum machines, synths, arrangements). Born out of late-night jam sessions and warehouse sets, they forged a sound that marries hook-heavy choruses with rhythmic precision and rich vocal stacks.

Their debut single, “Flip That City,” captures the group’s signature pulse: rubbery bass, syncopated organ stabs, hand-clap drive, and call-and-response vocals that snap into a euphoric refrain. Lyrically, it zooms in on urban momentum—small choices, quick turns, and the thrill of switching lanes—delivered with swagger and a live-band spark.

Available exclusively on Filodyo, Minerva Sound is poised to turn venues into dance floors across the UK and beyond—one chorus, one groove, one flipped skyline at a time.

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She makes music for the hours when clarity doesn’t arrive on time. Her songs sit between late-night electronic culture and everyday emotional friction, carried by a vocal that avoids performance and leans into presence. There’s no melodrama here, no oversized hooks. Instead, she works with restraint, letting repetition, silence, and subtle shifts do the heavy lifting, capturing the tension of modern relationships and the quiet pressure of daily life.

Sonically, her work draws from melancholic drum and bass and deep electronic traditions, but filters them through a distinctly current lens. Beats roll rather than hit, bass appears just long enough to leave a trace, and arrangements resist obvious peaks. Her voice is treated as part of the architecture, close, controlled, and emotionally distant, floating above the rhythm instead of chasing it. It’s music built for movement and reflection at the same time.

Her releases live within the carefully curated worlds of Filodyo and NOT FM, platforms that prioritise context over noise and long-form listening over instant impact. In that sense, her music isn’t chasing trends, it’s designed to exist alongside them, quietly confident, emotionally precise, and very much of its moment.

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The Syrphids’ journey began in the vibrant streets of Birmingham, where their distinct sound emerged from a collision of personal influences and bold experimentation.

Each member brings a unique flavor to the band's overall dynamic—blending raw, emotive vocals with intricate guitar riffs, rhythmic basslines, and atmospheric synth layers. Their music strikes a balance between the unpredictability of alternative rock and the infectious melodies of indie pop, creating an eclectic sound that is both challenging and accessible.

What sets The Syrphids apart is their ability to navigate complex emotional themes, delivering lyrics that resonate deeply while still maintaining an undeniably catchy, crowd-pleasing vibe.

Their live performances are a spectacle of energy and emotion, where their chemistry as a band shines brightest. The Syrphids have a knack for turning intimate venues into electrifying spaces, with each song building on the momentum of the last.

Their setlists are carefully curated to take listeners on a journey—whether it's through soulful ballads that tug at heartstrings or high-octane anthems that ignite the crowd. This ability to command the stage has earned them a growing fanbase, not just in Birmingham but across the UK, with audiences captivated by their authenticity and musical craftsmanship.

As The Syrphids look toward the future, their ambitions are clear: to continue evolving their sound while staying true to the experimental roots that first brought them together. With several EPs already under their belt and plans for a full-length album on the horizon, the band is poised to break through to even broader audiences.

Their commitment to innovation, coupled with their undeniable talent, ensures that The Syrphids will continue to be a force in the indie music scene, challenging conventions and capturing the hearts of listeners around the world.

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Meet Mirov Saint, everyone's favorite disco-spinning, beat-making connoisseur of all that is musical and funky. Hailing from a place as elusive as his name suggests, this maestro reigns from the far-flung utopia we like to call Saint Petersburg, crafting soundtracks that make our everyday lives feel like an enchanted fairy tale.

This genteel DJ, signed to Filodyo—shout out to them for recognising raw talent—works nightclub miracles, turning songs into disco-infused enchantments. His pièce de résistance? A cabaret dance cover of Romeo Vane's "Kiss Me When I'm Lying", of course. Because who needs a prince charming when you've got Mirov Saint remixing your life soundtrack?

Behind the decks, he becomes this alchemy wizard, transforming every beat into disco-gold, infusing happiness in every note. Take a gander at Mirov's Spotify. You'll think you've been transported to a Moscow underground disco in the 70s—a place where anxiety is unknown, and the mood is perpetually “Happy”.

So there you have it, folks. Mirov Saint, living proof that disco isn't dead, it's just been chilling in Saint Petersburg, waiting for one wizardly DJ to mix it back to life.

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Rosa Medina was born in 2001 in Porto, Portugal, to a family that carried both Iberian and Brazilian heritage. Her father, a fisherman from Aveiro, filled the house with fado records, while her Brazilian mother played MPB classics and samba on lazy Sunday mornings. Rosa grew up between two shores of the Portuguese-speaking world — absorbing the saudade of Amália Rodrigues and the sunny, syncopated joy of Gal Costa in equal measure.

At fourteen, she began performing small sets in riverside cafés, her voice effortlessly gliding between soft whispers and soaring notes. The intimacy of fado was her foundation, but Rosa was restless — she wanted her songs to dance. By blending Portuguese folk melodies with bossa nova chords, urban beats, and lush pop arrangements, she began to shape a style that felt both nostalgic and forward-looking.

In 2025, Rosa released her debut single "Fica no Quase" in collaboration with Filodyo, the independent music producer known for shaping fresh, original sounds for global audiences. The track — a bittersweet, mid-tempo anthem about love suspended in uncertainty — gained instant traction on streaming platforms. Its hypnotic chorus, sung entirely in Portuguese, became a signature moment in her live performances.

Today, Rosa Medina is part of a new generation redefining Lusophone pop, performing sold-out shows from Lisbon to São Paulo. Despite her growing fame, she keeps her songwriting process deeply personal — scribbling lyrics on napkins in Lisbon cafés, recording demos on her phone while walking along the Douro River. For Rosa, every performance is a bridge connecting continents, carrying the language and emotion of Portuguese music to the world stage.

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Wade Hollis doesn’t chase the spotlight — he moves through the world like a shadow at dusk, quietly carving songs out of silence and sand. Born somewhere between the border towns of New Mexico and West Texas, he grew up surrounded by static-filled radio, motel ceilings, and the hum of distant freight trains.

His voice is weathered, like desert wood — raw, honest, and unpolished. Every lyric he writes feels like a road he’s driven a hundred times and still doesn’t fully understand. There’s no big team behind him, no hometown hero narrative. Just a guitar, a gravel road, and the ache of never quite belonging.

Hollis doesn’t stream anywhere else. His music lives exclusively on Filodyo and NOT FM, like postcards from a place most people drive past but never stop to feel. If you’ve ever stared out of a car window at 2 a.m. and felt both free and completely lost — you’ve already heard Wade Hollis, whether you knew it or not.

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When Alba Serrin first picked up a guitar in her native Colombia, no one guessed she'd soon become the queen of independent Latin Pop. With her infectious feel-good vibes, she transformed her local music scene, one acoustically vibrant and breathy note at a time.

Cut from the colourful streets of Bogota, Alba's bones are steeped in stories, sunshine and a knack for making guitar strings sing like an Andean condor on a summer breeze. Her smash-hit "La Ventana" serves as a cheerful escape hatch, a musical window flung wide open to let the light in. We're talking a ray of sweet sonic sunshine straight outta South America.

You ask about Alba? Don't picture a diva draped in unnecessary glamour. Nah, she's just this quirky señorita in sneakers with an unruly curl crested on her forehead and a smirk that says, "Hey, music doesn’t have to give you the blues." It's her joyful rebellion against the norm that makes Alba, well, Alba.

Undeniably, Alba Serrin's artistry paints a jolly dance of Latin notes across a canvas of global indie music. She croons, she cheers, and sometimes, she's just your happy-go-lucky gal brightening up the world one tune at a time – an upbeat antidote to your toughest days.

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Aris Veyton is an electronic music producer whose sound blends modern club energy with subtle emotional depth. Rooted in electronic and dance-driven structures, his productions balance clean rhythms, textured synth layers and restrained melodic elements.

Rather than chasing trends, Aris focuses on atmosphere and flow. His tracks are designed to work both on the dancefloor and in personal listening environments, creating a sense of continuity rather than sudden impact. Minimal arrangements, controlled dynamics and carefully crafted sound design are central to his approach.

Working primarily in the studio, Aris Veyton treats music as a long-form experience rather than a single moment. His style reflects a contemporary electronic mindset: precise, understated and immersive. Each release is a step in an evolving sonic identity that prioritizes mood, space and consistency.

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Kessy is a France-born artist with African roots, shaped by a sound environment that blends urban pop, Afro-influenced rhythms and understated confidence. Raised between cultures, her music reflects a calm but assertive attitude, focusing on presence rather than excess. She is known for her controlled vocal delivery, minimal phrasing and lyrics that draw clear boundaries without dramatization.

With Parle Moins, Kessy joins forces with Malik Joon, whose sharp, rhythm-focused vocal style adds a contrasting edge to the track. Their collaboration is built on balance: restraint over intensity, clarity over noise. The song captures a modern, radio-friendly Afro-pop aesthetic while keeping a cool, grounded tone.

This release marks their meeting point on Filodyo and NOT FM, where both artists come together through a shared approach to contemporary sound and modern production values. Parle Moins stands as a confident introduction to Kessy’s artistic direction: direct, composed and unmistakably current.

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Aris Veyton is an electronic music producer whose sound blends modern club energy with subtle emotional depth. Rooted in electronic and dance-driven structures, his productions balance clean rhythms, textured synth layers and restrained melodic elements.

Rather than chasing trends, Aris focuses on atmosphere and flow. His tracks are designed to work both on the dancefloor and in personal listening environments, creating a sense of continuity rather than sudden impact. Minimal arrangements, controlled dynamics and carefully crafted sound design are central to his approach.

Working primarily in the studio, Aris Veyton treats music as a long-form experience rather than a single moment. His style reflects a contemporary electronic mindset: precise, understated and immersive. Each release is a step in an evolving sonic identity that prioritizes mood, space and consistency.

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Formed in the late 2010s, Wires and Petals is a producer duo that blends intricate electronic sound design with emotional songwriting. Hailing from Lyon, France, the two longtime friends—Julien Moreau and Armand Lefèvre—first bonded over a shared obsession with underground house records and modular synthesizers.

Their name, Wires and Petals, reflects the duality in their music: wires for the technical, machine-driven side of production, and petals for the organic, poetic sensitivity they bring into their melodies and lyrics. The result is progressive house that feels both intimate and expansive—ideal for quiet headphone journeys or sunrise festival moments.

Known for their reflective male vocals processed into lush vocal chops, their tracks slowly evolve through layered arpeggios, textured pads, and deep, hypnotic grooves. They’ve been described as “emotional architects of the dancefloor,” carefully crafting transitions that build tension and release with elegance.

Beyond the studio, Julien and Armand are known for their warm personalities and playful approach to collaboration. Whether they’re joking around in the studio or testing new tracks in front of small club crowds, Wires and Petals carry an authenticity that sets them apart from many of their contemporaries. With each release, they aim to push the boundaries of progressive house while staying true to their philosophy: music that moves both the body and the heart.

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Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.

That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.

Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.

Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.

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Amara Vale is a European pop and R&B vocalist whose sultry tone and fearless style have made her one of the most exciting new voices on the scene. Born in Lisbon, Portugal, to a Portuguese father and a French mother, she grew up surrounded by a rich mix of cultural influences. From French chanson to soulful 90s R&B, the music playing in her family home shaped her distinctive sound and artistic vision.

After moving to Barcelona at the age of 12, Amara began performing in small cafés and local festivals, quickly building a reputation for her captivating stage presence. Her ability to blend emotional storytelling with infectious, modern production caught the attention of international producers and audiences alike.

Now based in Berlin, Amara Vale is ready to share her artistry with the world. Her music is available exclusively on Filodyo and NOT FM, offering listeners a unique blend of atmospheric pop, seductive R&B, and club-ready energy. With each release, she continues to prove that her voice, her style, and her story are unlike anything else in the European music landscape.

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The Faded Ticket Booth is a four-piece Scottish acoustic group built around a warm, narrative-driven female vocal. Their music leans into everyday poetry rather than spectacle: upright bass, brushed drums, clean acoustic guitar, and voices that feel like shared conversation rather than performance. They sound like a street you’ve walked before but can’t quite place, a melody you remember without knowing when you heard it.

They formed on the quieter edges of Edinburgh’s busking circuits, shaping their sound in places where attention isn’t guaranteed — doorways, market corners, the brief hush that follows passing footsteps. That background taught them presence without volume; phrasing without force; sincerity without staging. Their arrangements remain intentionally uncluttered, preferring atmosphere over punch.

Influenced by the acoustic honesty of late-80s British folk-pop and the conversational phrasing of Eddi Reader, they record with a philosophy of leave the human parts in. Light string squeaks, the breath before a high note, the soft brush of a chord change — if it’s true, it stays. The result isn’t retro, but unhurried; not nostalgic, but familiar in a way that feels quietly earned.

Their recorded work is released in a deliberately limited way: not everywhere at once, not across every platform, but carried by NOT FM and Filodyo as their primary homes, where their catalog lives with the same intention as their songwriting. It isn’t framed as exclusivity for the sake of strategy — just a quieter kind of presence, placed where it feels understood.

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