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Split Frequency
Aris Veyton
Verified Artist
Aris Veyton
Aris Veyton is an electronic music producer whose sound blends modern club energy with subtle emotional depth. Rooted in electronic and dance-driven structures, his productions balance clean rhythms, textured synth layers and restrained melodic elements.
Rather than chasing trends, Aris focuses on atmosphere and flow. His tracks are designed to work both on the dancefloor and in personal listening environments, creating a sense of continuity rather than sudden impact. Minimal arrangements, controlled dynamics and carefully crafted sound design are central to his approach.
Working primarily in the studio, Aris Veyton treats music as a long-form experience rather than a single moment. His style reflects a contemporary electronic mindset: precise, understated and immersive. Each release is a step in an evolving sonic identity that prioritizes mood, space and consistency.
Split Frequency
Aris Veyton
There’s a pulse that keeps dividing me
Two rhythms fighting underneath
One side wants order keeps the lines so straight
The other sparks fires wants to detonate
I move through the evening with a crowded mind
Trying to decode what I can’t define
I’m standing at the center
Where signals overlap
Trying not to surrender
To the louder half
Tune me to a steady wave
Pull me where the noise behaves
I’m drifting through a world I crave
But breaking when the signals change
Tune me to a steady wave
Balance all the parts I save
I’m fading into what I brave
When both of me collide again
Thoughts turn metallic when the pressure grows
Patterns fall apart then they recompose
I’m chasing a structure that I can’t commit
Every time I form it something ruins it
I’m standing at the center
Where signals overlap
Trying not to surrender
To the louder half
Tune me to a steady wave
Pull me where the noise behaves
I’m drifting through a world I crave
But breaking when the signals change
Tune me to a steady wave
Balance all the parts I save
I’m fading into what I brave
When both of me collide again
If there’s a place between the sides
I’ll walk the thin divide
Waiting for the moment
Both frequencies align
CREDITS
Performer: Aris Veyton
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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HOT TRACK
Truth Shouts Back
Arem Khenn
Verified Artist
Arem Khenn
Arem Khenn is a minimalist, introspective rap artist whose music exists between control and fracture, moving from slow, restrained beginnings into tightly wound, high-pressure rhyme structures. His work focuses on self-interrogation, memory, and the uneasy line between truth and deception, treating the past as evidence rather than confession.
Rather than offering release, Arem Khenn builds tension, using silence, repetition, and call-and-response moments where the inner voice answers back in single-word shouts. His delivery favors precision over excess, allowing emotional weight to surface without spectacle.
Arem Khenn’s songs are available exclusively on Filodyo, where his catalog remains intentionally contained, resisting overexposure and maintaining a controlled, immersive listening environment. Visually and sonically, he inhabits enclosed, dimly lit spaces, emphasizing honesty, restraint, and unresolved conflict over comfort or resolution.
Truth Shouts Back
Arem Khenn
Lights off room breathes heavy thoughts get loud
Mirror talks back but it never tells me how
I built walls just to feel safe inside
Funny how the safest place is where the truth goes to hide
Heart ticking like a bomb with a pause
I’m calm on the surface chaos under the laws
I ask myself questions I don’t wanna hear
If I’m honest with me will I disappear?
I grew up learning silence was strength
Learned to smile wide hide the cracks in the length
Every promise felt borrowed every win felt fake
If I fail on purpose at least it’s my mistake
I carry names they don’t know how to spell
Carry blame like a badge wear it well
I don’t trust my thoughts when they sound too kind
Cause comfort’s just a trap with a pleasant design
Truth feels sharp lies feel warm
I confuse being numb with being calm
Every memory fights to be the boss
Was it discipline building me or fear at a cost?
If I peel back layers what’s left of me?
A man or a mask with good memory?
I hear my past knock I don’t answer calls
But it’s yelling my name through the drywall walls
Tell me what’s real tell me what’s wrong
I been holding my breath way too long
Every lie feels right till the truth comes through
I don’t know who I am but I know it’s not you
Inside my head there’s a war I chose
Between what I show and what nobody knows
When the dark speaks up I answer too
Shout: Truth!
Shout: Fear!
Shout: Me!
I move quick now thoughts double-time
Mind runs laps like it’s training for crime
I edit my feelings like tracks in a mix
Cut the pain low but it still exists
They say heal yourself yeah easy to say
When the damage taught you how to get paid
I monetize pressure I profit from doubt
Turn panic to patterns then scream it out loud
I don’t chase peace I interrogate calm
Ask why it leaves when I’m holding the psalm
I know every trick that my ego plays
Calls survival a crown calls running a phase
I don’t want comfort I want it clear
If I’m broken say it don’t sugar my fear
I been friends with the worst part of me
Now I’m asking if it’s time to leave
If I stop fighting who am I then?
If I stop hurting do I lose my pen?
I don’t trust silence it feels like a test
Like peace is a lie I don’t deserve yet
Tell me what’s real tell me what stays
When the lights go out and the crowd fades
Every voice in my head wants a say
But only one of them tells it straight
I built my name from scars and doubt
From locked doors I had to break out
When the dark speaks up I answer too
Shout: Truth!
Shout: Pain!
Shout: Now!
If I face myself and don’t look away
Maybe fear won’t have the final say
I don’t need saving I need to see
What’s left when the noise stops haunting me
Shout (whispered): Me
CREDITS
Performer: Arem Khenn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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After the Signal
Apollo Frequency
Verified Artist
Apollo Frequency
Apollo Frequency is a dynamic UK-based vocal trio bringing infectious grooves and bold stage energy to the modern disco-pop scene. The group consists of vocalists Marcus King and Devon Cole—both London-born with roots in gospel, soul, and street performance—and Brighton native Chloe Hart, whose bright, powerful voice adds a radiant pop edge to the group’s sound.
Formed in Manchester, Apollo Frequency quickly built a reputation for their electrifying live shows, blending tight harmonies with high-energy beats reminiscent of classic funk and disco, yet reimagined for today’s dancefloors. Their music celebrates unity, rhythm, and the thrill of collective movement, turning every performance into a celebration.
Their debut single, After the Signal, is available exclusively on Filodyo, showcasing the trio’s signature mix of soulful hooks, driving basslines, and euphoric choruses. With undeniable chemistry both on and off stage, Apollo Frequency is poised to become one of the UK’s most exciting live acts—proving that when the signal hits, the dancefloor answers.
After the Signal
Apollo Frequency
Yeah… signal’s live
Mmm… ah-ah-ah
Let it roll
Oh-oh-oh…
Frequency’s pulling us through the crowd
Pulse in the air it’s beating loud
Every turn you make cuts through the noise
Drawn to the tone in your voice
Step in closer rhythm on my side
Closer closer nothing left to hide
Can’t slow down we’re on this ride
This is the signal locked inside
After the signal (yeah)
We keep it in motion (uh-huh)
Time’s in a circle (come on)
Under devotion (yeah yeah)
After the signal (oh)
We keep it in motion (no no)
Time’s in a circle (mmm)
Under devotion
Lines keep crossing code runs deep
Every beat we share’s a vow we keep
Gravity shifts when you’re in the frame
Nothing tonight will be the same
Step in closer rhythm on my side
Closer closer nothing left to hide
Can’t slow down we’re on this ride
This is the signal locked inside
After the signal (yeah)
We keep it in motion (uh-huh)
Time’s in a circle (come on)
Under devotion (yeah yeah)
After the signal (oh)
We keep it in motion (no no)
Time’s in a circle (mmm)
Under devotion
Transmission’s clear — stay on the line
Stay on the line stay on the line
Turn it around — keep it aligned
Keep it aligned keep it aligned
After the signal
We don’t let go
After the signal
We take control
After the signal (yeah)
We keep it in motion (uh-huh)
Time’s in a circle (come on)
Under devotion (yeah yeah)
CREDITS
Performer: Apollo Frequency
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Still Life in Motion
Elyra Dawn
Verified Artist
Elyra Dawn
Elyra Dawn was born in Rotterdam, raised between ferry horns and late-night radio static. Music wasn’t a choice — it was everywhere. Her mother sang quietly while folding laundry, her older brother blasted trance through paper-thin walls, and Elyra? She listened. Carefully. Absorbing melodies like secondhand sunlight.
She spent her teenage years bouncing between school choirs, bedroom recordings, and weekend trips to Amsterdam’s record stores. The moment she first heard Robyn’s Dancing On My Own on a train platform at dusk, something clicked. It wasn’t just about sadness or joy — it was how you could wear both in the same voice. That duality, the push and pull between euphoria and vulnerability, would become Elyra’s signature.
After performing in local clubs and uploading small demos online, she received an unexpected email from Filodyo’s Hakan E — a message that simply said: “You sound like you’ve lived a little. Let’s talk.” What followed was a slow, careful collaboration: late-night file exchanges, voice memos from backstage, moments captured between flights. Elyra didn’t rush it. She never does.
Today, her voice balances two worlds — the sweaty rush of the dancefloor and the quiet ache of a Sunday morning alone. Her hooks stick, her delivery stings, and her presence on stage feels at once intimate and cinematic. Elyra Dawn isn’t here to be loud. She’s here to be heard.
Still Life in Motion
Elyra Dawn
I kept your echo in a borrowed chord
Faded at the edges like a prayer ignored
You never spoke in “forever” terms—
Only in glances only in turns
We drew lines in passing trains
Paused in motion looped refrains
What we had was quiet gold—
But time like steam refused to hold
So I won't chase the version of us
That never really stayed never fully was
You were a still life mid-collapse
A moving part in silent gaps
And I loved you there—
Where the light never dared
But lingered
Like it knew
We’d vanish fair
You hummed in keys I couldn’t trace
Left fingerprints on open space
A breath a shift a tilted frame
No villain here just untitled blame
Maps don’t cover scenes like this
Where lips forget what touch meant bliss
But if you ask what we became—
A shadow signed with no one’s name
I won't rewrite the note you played
Or tune the silence we conveyed
You were a still life breaking fast
A fleeting truth I couldn’t grasp
And I loved you there—
Not to repair—
But to remember
Without despair
Maybe we were best
in between intentions
Not a love song—
just the tension
Still life
in motion
Still life
Not frozen
CREDITS
Performer: Elyra Dawn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Call Me Tonight
Amara Vale
Verified Artist
Amara Vale
Amara Vale is a European pop and R&B vocalist whose sultry tone and fearless style have made her one of the most exciting new voices on the scene. Born in Lisbon, Portugal, to a Portuguese father and a French mother, she grew up surrounded by a rich mix of cultural influences. From French chanson to soulful 90s R&B, the music playing in her family home shaped her distinctive sound and artistic vision.
After moving to Barcelona at the age of 12, Amara began performing in small cafés and local festivals, quickly building a reputation for her captivating stage presence. Her ability to blend emotional storytelling with infectious, modern production caught the attention of international producers and audiences alike.
Now based in Berlin, Amara Vale is ready to share her artistry with the world. Her music is available exclusively on Filodyo and NOT FM, offering listeners a unique blend of atmospheric pop, seductive R&B, and club-ready energy. With each release, she continues to prove that her voice, her style, and her story are unlike anything else in the European music landscape.
Call Me Tonight
Amara Vale
Oh oh yeah…
Mmm… listen…
Every day I see your face in my mind
Every night I’m hoping you’ll give me a sign
The way you left it’s tearing me apart
But one word from you could restart my heart
I can’t hide this feeling inside
Boy you know I tried
Tell me why we’re playing this game
Call my name call my name
Call me tonight I’m losing my mind
Say you’re still mine don’t leave me behind
One more time I’ll make it all right
Call me tonight call me tonight
I remember every touch every smile
The way you made my world feel so worthwhile
I hear your voice in every song I play
It’s like you’re here but still so far away
I can’t hide this feeling inside
Boy you know I tried
Tell me why we’re playing this game
Call my name call my name
Call me tonight I’m losing my mind
Say you’re still mine don’t leave me behind
One more time I’ll make it all right
Call me tonight call me tonight
Baby I can’t sleep I’m wide awake
Every beat of my heart’s a mistake
Without you I’m not the same
So just call my name call my name
Call me…
Tonight…
One more time…
Call me tonight I’m losing my mind (yeah)
Say you’re still mine don’t leave me behind (oh no)
One more time I’ll make it all right (make it right)
Call me tonight call me tonight
Oh… call me tonight…
CREDITS
Performer: Amara Vale
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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The Only Good Julio...
Eli Varnish
Verified Artist
Eli Varnish
Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.
That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.
Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.
Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.
The Only Good Julio I Ever Knew Was Don (They Never Meant It)
Eli Varnish
He said “brother” like it cost him nothin’
Smiled wide and stole my coat
Asked for time asked for money
Left me short and called it hope
The waitress said I had nice eyes
While stackin' bills that weren’t mine
The preacher swore we’d all be saved
But his watch was gold and mine was fake
They never meant it
Not the cheers not the names
All them kind words
Were just poker games
But I knew a man once—
Did what he said he’d do
The only good Julio I ever knew
Was Don
The boss shook hands with dirty gloves
Said “You're family” then raised the flood
And mama prayed through gritted teeth
While sellin' things we couldn't eat
They never meant it
All that “brother” all that “son”
They toast your wins
Then load their guns
But I knew a man once—
Quiet as a Sunday pew
The only good Julio I ever knew
Was Don
They’ll write your name on birthday cake
And scratch it off the will
They’ll hug you at the front door
While makin’ copies of the deed still
They never meant it
It was polish on a stone
But that old man with the cracked hat
Said “take your time or take it alone”
I knew a man once—
Didn’t lie to get through
The only good Julio I ever knew
Was Don
CREDITS
Performer: Eli Varnish
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Feel The Fire
Sofia Cruzado
Verified Artist
Sofia Cruzado
Sofia Cruzado is a captivating Latin pop artist whose powerful voice and magnetic stage presence draw listeners in from the very first note. With a style reminiscent of modern Latin icons, she blends infectious rhythms with heartfelt storytelling, creating songs that ignite both emotion and movement.
Her debut single, Feel The Fire, captures her fiery spirit and undeniable charisma. Available exclusively on Filodyo and NOT FM, the track marks the beginning of a promising career that’s set to light up the Latin music scene. Sofia Cruzado doesn’t just perform—she commands attention, leaving an unforgettable impression on everyone who hears her.
Feel The Fire
Sofia Cruzado
Oh-oh oh-oh (yeah)
Mmm fuego
Let’s go
Your eyes pull me to the floor
Like the waves I can’t ignore
Every step you own the night
Body talkin’ feelin’ right
Baila lento take your time
One more step you’re in my mind
Heat is risin’ can’t disguise
Every move a paradise
Closer closer — feel that beat
Your hands your hips my heart skips
Rhythm’s takin’ over me
Baby set my body free
When you move like that I feel the fire
Heart’s in sync we’re climbing higher
Tu cuerpo dice lo que callas
I can read your soul in silence
Turn around the crowd goes wild
Every smile a little wild
Sunset glow on your skin
Dance begins we never end
Baila conmigo don’t let go
Every beat I need to know
Your shadow melts into mine
We get lost in perfect time
Closer closer — feel that beat
Your hands your hips my heart skips
Rhythm’s takin’ over me
Baby set my body free
When you move like that I feel the fire
Heart’s in sync we’re climbing higher
Tu cuerpo dice lo que callas
I can read your soul in silence
You say “come here” — I’m already gone
One step closer the night’s too long
You spin me ‘round — I lose control
Baila baila — let it flow
Oh-oh fuego fuego
Oh-oh fuego fuego
Move it move it
Lose it lose it
When you move like that I feel the fire (fuego)
Heart’s in sync we’re climbing higher (más alto)
Tu cuerpo dice lo que callas
I can read your soul in silence
Yeah oh-oh-oh
Mmm fuego…
CREDITS
Performer: Sofia Cruzado
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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HOT TRACK
Parle Moins (feat M...
Kessy
Verified Artist
Kessy
Kessy is a France-born artist with African roots, shaped by a sound environment that blends urban pop, Afro-influenced rhythms and understated confidence. Raised between cultures, her music reflects a calm but assertive attitude, focusing on presence rather than excess. She is known for her controlled vocal delivery, minimal phrasing and lyrics that draw clear boundaries without dramatization.
With Parle Moins, Kessy joins forces with Malik Joon, whose sharp, rhythm-focused vocal style adds a contrasting edge to the track. Their collaboration is built on balance: restraint over intensity, clarity over noise. The song captures a modern, radio-friendly Afro-pop aesthetic while keeping a cool, grounded tone.
This release marks their meeting point on Filodyo and NOT FM, where both artists come together through a shared approach to contemporary sound and modern production values. Parle Moins stands as a confident introduction to Kessy’s artistic direction: direct, composed and unmistakably current.
Parle Moins (feat Malik Joon)
Kessy
Ouais
Hmm
Parle moins
Tu parles trop tu dis rien
Toujours sûr jamais clair
Tu me regardes de loin
Comme si j’étais à refaire
Tu dis “viens” tu dis “reste”
Mais tu sais pas pourquoi
Moi je lis dans les gestes
Pas dans ce que tu crois
J’ai pas besoin d’expliquer
Je me vois très bien sans toi
Si tu viens pour improviser
Autant rester là-bas
Parle moins regarde mieux
J’ai déjà compris le décor
Parle moins regarde mieux
J’attends pas que tu sois fort
Parle moins regarde mieux
Je perds pas mon équilibre
Parle moins regarde mieux
Je suis calme je suis libre
Tu veux suivre mon tempo
Mais tu marches à côté
Chez moi tout est simple
Faut savoir rester vrai
T’as appris à parler vite
À promettre sans voir
Mais moi je coupe le son
Quand ça sonne trop noir
Yeah
J’arrive clean sans détour
J’fais pas l’acteur dans le jour
Trop de bruit pour peu d’idées
Moi j’avance pas besoin d’jouer
Elle sait lire entre les lignes
Moi j’dis moins j’fais plus
Si tu veux rester dans le film
Faut être réel pas flou
Parle moins regarde mieux
J’ai déjà compris le décor
Parle moins regarde mieux
J’attends pas que tu sois fort
Parle moins regarde mieux
Je perds pas mon équilibre
Parle moins regarde mieux
Je suis calme je suis libre
Ouais
Parle moins
C’est mieux comme ça
CREDITS
Performer: Kessy
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Clean and Proud
Aliza Steel 44
Clean and Proud
Aliza Steel 44
Midnight moves across the floor
Steps align we need no more
Every motion syncs in time
Signals crossing clean and fine
No directions no control
Just a pattern taking hold
Hold it right don’t push too fast
Let the second stretch and last
Keep me on a steady frequency
Where the sound stays close to me
Nothing sharp nothing loud
Just the rhythm clean and proud
Stay aligned let it be
No escape no urgency
Every tone exactly right
On this steady frequency tonight
Low pulse breathing
Filtered chords drifting
Time dissolving
Nothing spoken
Faces blur in moving light
Seconds fold into the night
No reflections no disguise
Just the motion multiplying
We don’t question where it leads
Only trust the space we keep
Hold the line stay inside
Let the moment open wide
Keep me on a steady frequency
Where the sound stays close to me
Nothing sharp nothing loud
Just the rhythm clean and proud
Stay aligned let it be
No escape no urgency
Every tone exactly right
On this steady frequency tonight
No beginning no release
Only waves in slow repeat
CREDITS
Performer: Aliza Steel 44
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Call Dropped at 3 AM
Eli Varnish
Verified Artist
Eli Varnish
Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.
That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.
Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.
Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.
Call Dropped at 3 AM
Eli Varnish
Alright…
Yeah yeah don’t tune it too much
Let it breathe
Okay… one two…
Woke up late with the room still shaking
Ashtray full of things I didn’t say
Mirror asks me for an explanation
I tell it “man not today”
Shoes by the door still smell like last night
Clock keeps lying I let it talk
City hums in a crooked rhythm
Like it learned that walk from me
Hey bass… keep it walking
Yeah like that
Don’t rush it
Every plan I make shows up half dressed
Every promise comes out second best
If I fall behind the beat again
Just leave some space I’ll land it then
This ain’t a straight line it sways and bends
It trips on truth then calls it a friend
If I sound wrong don’t fix it too soon
That’s where the story sneaks through
Yeah this ain’t clean this ain’t controlled
It’s a loose wire looking for a soul
Play it wrong play it loud play it true
That’s all this blues knows how to do
Hold up…
Let the horn say something
Yeah… go on
(long slide in slightly late)
Mmm… listen
Man… that thing’s complaining
Let him talk
I’m almost done… almost
Sorry… not sorry
(rimshot)
There’s a voice in my head clapping off time
Says “You always push you never wait”
I said “If I slow down I might notice
Everything I try to escape”
Barroom light keeps flickering jokes
Like it knows where I’ve been
Every sound wants a turn at the mic
Even the quiet wants in
Yeah… that’s it
Don’t smooth it out
No no
If this night’s a gamble I roll it bent
Lose my balance call it intent
Break the rule then play it twice
Mess it up till it sounds right
This ain’t a straight line it sways and bends
Falls apart then stands again
If my voice cracks just let it through
That’s what it came here to do
Yeah this ain’t neat this ain’t polite
It’s just breath fighting with the night
Play it wrong play it loud play it true
That’s all this blues knows how to do
Alright…
Don’t stop it
Let it ring
Yeah… that’s enough
CREDITS
Performer: Eli Varnish
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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On the Road Again
Sara Durian
Verified Artist
Sara Durian
Sara Durian is Germany’s undisputed disco queen, electrifying dance floors since the early 2000s with her glitter-drenched beats and futuristic soul. Born in Düsseldorf and raised on a steady diet of Kraftwerk, Donna Summer, and underground Berlin house parties, Sara blends retro grooves with neon-drenched modernity. Her signature sound? A cosmic fusion of French touch, Eurodisco, and synth-heavy pop—unmistakably hers, instantly addictive.
From smoky Berlin clubs to Tokyo fashion runways, Sara has turned every stage into a mirrorball-lit sanctuary. Her voice—sultry, robotic, divine—has been sampled by countless DJs but never duplicated. Whether she’s spinning vinyl or headlining queer festivals across Europe, Sara owns the night like a shimmering phantom of funk.
Still active and more radiant than ever, her legacy is not nostalgia—it’s now. With platinum blond curls and chrome stilettos, she struts through time with a wink and a bass drop.
Her mantra? “All drama, all disco.”
On the Road Again
Sara Durian
You had me sold with a whisper
Pulled me close
Said
"You're my best friend"
Now I'm standin' on the shoulder
Of the highway while you're leavin' again
Well
Baby
Don't worry about me
I got my boots and my keys
I got everything I need
And when my thumb gets me home
I'm gonna go out on my own
Gonna find my rainbow's end
And I'll be on the road again
You packed me up in the morning
After you picked me up in the night
And I know you didn't mean it
When you said you were my last ride
Well
Baby
Don't worry about me
I got my boots and my keys
I got everything I need
And when my thumb gets me home
I'm gonna go out on my own
Gonna find my rainbow's end
And I'll be on the road again
Well
When I get to heaven
I'm gonna know
'Cause it's gonna look like New Mexico
And
Baby
Don't worry about me
I got my boots and my keys
I got everything I need
And when my thumb gets me home
I'm gonna go out on my own
Gonna find my rainbow's end
And I'll be on the road again
Yeah
I'll be on the road again
Oh
Baby
I'll be on the road again
CREDITS
Performer: Sara Durian
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Gravity Override
Lina Mour
Verified Artist
Lina Mour
Lina Mour is a French-born vocalist and songwriter blending high-octane Eurodance energy with the emotional weight of soulful pop. Growing up in the suburbs of Lyon, Lina was raised on a steady mix of gospel vocals, ‘90s dance anthems, and gritty French rap. This eclectic influence shaped her bold sonic identity — where throbbing 4/4 beats meet orchestral stabs, and where raw emotion finds its home on the dancefloor.
Her latest single, “Gravity Override,” is a high-energy anthem that collides hip house rap verses with a soaring, mantra-like chorus. It’s a throwback to the golden age of Eurodance, but with modern production and an unapologetic attitude. With pounding kicks, aggressive synths, and trance-tinged melodic layers, the track is built for sweaty club nights, neon-lit workouts, and every moment when reality feels too heavy to carry.
Lina describes the track as “not just about defying gravity — but defying expectation.” Behind the infectious hook lies a personal story of reclaiming freedom, breaking out of everyday repetition, and choosing joy over inertia. In her words: “It’s about walking down the street with a storm in your chest but a beat in your step.”
Beyond music, Lina is quickly becoming a visual icon in her own right. Her streetwear aesthetic, nostalgic references, and empowering live shows are drawing comparisons to the likes of Technotronic and Crystal Waters — yet Lina’s vision is firmly rooted in the present. She isn’t here to recreate the past. She’s here to override it.
Gravity Override
Lina Mour
Blast the gate override the stream
No peace mode just kerosene
We don’t stop — we ventilate
Plug into the surge detonate!
Code in flames!
Rise untamed!
Spin that truth
Like a hurricane!
Gravity override!
We don’t fall — we multiply
No more silence no more shade
We break the sound — unafraid!
Gravity override!
Sky is fake so we collide
Raise your pulse amplify—
We’re the glitch they can’t deny!
Rip that signal break the chain
Upload thunder through your brain
We’re the myth the freak the spark
We turn neon into dark
No maps!
No brakes!
No kings!
No fakes!
We twist!
We crack!
We vanish—
Then attack!
Gravity override!
Truth distorted we decide
Bounce that static crash the grid—
This is not your mother’s beat!
Gravity override!
Laws erased we redesign
Now scream loud redefine—
We’re the beat they can’t confine!
Override complete
System: liberated
CREDITS
Performer: Lina Mour
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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HOT TRACK
Fire on the Floor
Zuriq Stone
Verified Artist
Zuriq Stone
Zuriq Stone is a rising Afrobeat pop artist blending African rhythmic heritage with modern global pop energy. Born into a city shaped by street music, dance, and late-night radio sounds, he developed a style rooted in groove and movement rather than trends. His music balances infectious dance rhythms with a confident vocal presence, carrying a natural African accent that feels raw, warm, and unmistakably authentic.
Drawing inspiration from everyday urban life, Zuriq Stone creates songs built for motion. Whether it is the pulse of a crowded street or the freedom of a packed dance floor, his sound focuses on connection and momentum. English lyrics form the core of his songwriting, often joined by short phrases in African languages that turn his choruses into shared chants rather than just hooks.
Zuriq Stone releases his music on Filodyo, where his tracks are curated as part of a new wave of global pop shaped by African rhythms and contemporary production. Designed for both digital platforms and real-world listening environments, his songs move seamlessly from playlists to dance floors, reflecting Filodyo’s vision of modern, forward-moving music culture.
Fire on the Floor
Zuriq Stone
Yeah yeah
Mm listen now
We don’t slow down tonight
Sun drop low on the city line
Heart beat sync with the bass this time
No map no rules no rewind
We move as one no border signs
I came up from the rhythm street
Barefoot dreams and a hungry beat
Every scar got a story loud
Every move say I’m here right now
When the drums talk I obey
Feel it rise under my skin
No fear when the lights go red
This is where we begin
Moto moto fire on the floor
Songa mbele give me more
Twende pamoja don’t let go
Tonight we burn tonight we glow
Moto moto hear them say
Maisha ni sasa now not someday
Body talk when the words say no
Tonight we burn tonight we glow
Eh eh eh
Move it closer
Eh eh eh
Right here
Gold chain swing with the tempo fast
Every step make the moment last
DJ spin that truth so loud
From Lagos nights to the London crowd
No sleep when the vibe too strong
Whole world sing when the hook come on
If you feel lost follow sound
This beat gonna hold you down
When the drums talk I obey
Feel it rise under my skin
No fear when the lights go red
This is where we begin
Moto moto fire on the floor
Songa mbele give me more
Twende pamoja don’t let go
Tonight we burn tonight we glow
Moto moto hear them say
Maisha ni sasa now not someday
Body talk when the words say no
Tonight we burn tonight we glow
Hands up no delay
From the block to the cabana
Left foot right foot sway
We don’t need no permission
Heat jump crowd reply
Every face got a reason
One night one time
Let the rhythm make the decision
Moto moto fire on the floor
Songa mbele give me more
Twende pamoja don’t let go
Tonight we burn tonight we glow
Moto moto hear them say
Maisha ni sasa now not someday
Body talk when the words say no
Tonight we burn tonight we glow
Yeah
We don’t slow down
Mm
Africa to the world
CREDITS
Performer: Zuriq Stone
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Control
Mateo Lux
Verified Artist
Mateo Lux
Mateo Lux is a rising voice in contemporary electronic pop, blending sleek production with raw emotional intensity. Born with a natural flair for performance, he crafts music that balances dancefloor energy with lyrical depth. His debut single, Control, showcases a magnetic mix of pulsing rhythms and hypnotic melodies, setting the tone for a bold artistic journey ahead.
Discovered by Hakan E. for Filodyo, Mateo brings an unapologetic confidence to every note he sings. His style captures both vulnerability and power, creating an atmosphere that draws listeners into his world. With Control, he isn’t just introducing himself—he’s making a statement, marking the arrival of a distinctive new talent destined to leave a lasting imprint on modern music.
Control
Mateo Lux
Yeah
Mm-hmm
Turn it up
Uh
Let’s go
Step in — heat rise
No rules — my side
You move — I lead
One look — you’re mine
Hands on — don’t hide
We ride — midnight
Your pulse — my beat
You fall — my feet
I got control control control control
You want it slow slow slow slow
I make you go go go go
You lose it — oh oh oh oh
Eyes lock — no doubt
Lights fade — we’re loud
One step — we burn
Two steps — return
Your breath — my flame
No fear — no shame
Your hands — can’t stay
My voice — your way
I got control control control control
You want it slow slow slow slow
I make you go go go go
You lose it — oh oh oh oh
You say you ready — I say prove it
You say you steady — I say move it
You cross the line — I pull you closer
One more time — game over
Control (control)
Control (control)
Control (control)
Control (control)
I got control control control control (yeah)
You want it slow slow slow slow (uh-huh)
I make you go go go go (let’s go)
You lose it — oh oh oh oh (yeah yeah)
Yeah…
Control
Mm-hmm
Fade out…
CREDITS
Performer: Mateo Lux
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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HOT TRACK
Everyday Weight
Elara Stone
Verified Artist
Elara Stone
She makes music for the hours when clarity doesn’t arrive on time. Her songs sit between late-night electronic culture and everyday emotional friction, carried by a vocal that avoids performance and leans into presence. There’s no melodrama here, no oversized hooks. Instead, she works with restraint, letting repetition, silence, and subtle shifts do the heavy lifting, capturing the tension of modern relationships and the quiet pressure of daily life.
Sonically, her work draws from melancholic drum and bass and deep electronic traditions, but filters them through a distinctly current lens. Beats roll rather than hit, bass appears just long enough to leave a trace, and arrangements resist obvious peaks. Her voice is treated as part of the architecture, close, controlled, and emotionally distant, floating above the rhythm instead of chasing it. It’s music built for movement and reflection at the same time.
Her releases live within the carefully curated worlds of Filodyo and NOT FM, platforms that prioritise context over noise and long-form listening over instant impact. In that sense, her music isn’t chasing trends, it’s designed to exist alongside them, quietly confident, emotionally precise, and very much of its moment.
Everyday Weight
Elara Stone
Days stack up without asking
Deadlines talk before we do
Small mistakes grow teeth quickly
When you’re trying to stay true
Plans bend out of their own shape
Words land wrong then multiply
Nothing ends nothing settles
We just learn what to deny
I’m tired of fixing the timing
Tired of reading every sign
We keep choosing what sounds easy
Then we pay for it in time
Life feels heavy in small ways
Not enough to make a sound
Love gets stuck in explanations
That keep going in a round
We don’t break we just tangle
Try to pull without a map
Every day asks something different
And never tells us where to stand
Conversations turn to tactics
Every pause becomes a test
Saying less feels safer lately
Even when we mean our best
We trade honesty for balance
Call it calm but feel the cost
Nothing wrong with wanting steady
Just don’t lose what made us talk
We don’t need another answer
We don’t need to win the night
I just want a moment quiet
Where the pressure drops its bite
Life feels heavy in small ways
It adds up before we know
Love gets lost in fine decisions
We were never meant to solve
We don’t fall we just circle
Looking for a cleaner path
Every day asks something different
And leaves the rest to us
Maybe this is how it happens
Not dramatic not fast
Just the weight of daily choosing
Stacked against the past
Life feels heavy in small ways
But it’s still the one we take
Love is work without instructions
That we learn by what we break
We don’t fix it all tonight
We don’t need to understand
We just stay inside the motion
Doing what we can
Tomorrow’s already forming
Before we get some rest
I don’t need it to be simple
I just need it to be honest
CREDITS
Performer: Elara Stone
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Velvet Switch
Celeste Raye
Verified Artist
Celeste Raye
There’s a certain stillness in Celeste Raye’s voice — the kind that turns crowded rooms quiet and late-night drives cinematic. Born and raised in South London, she grew up mimicking the elegance of old soul singers and the cool detachment of ‘90s club divas. On stage, Celeste doesn’t reach for the spotlight — it finds her.
Her latest release, Velvet Switch, is a slow-burning club anthem soaked in longing. Produced by NOT FM and available exclusively on Filodyo, the track pulses with quiet intensity — as if it’s remembering something you forgot you missed. Celeste’s voice doesn’t cry out. It hovers, suspended above the beat, tracing the shape of absence with each note.
People don’t come to her sets just to dance. They come to feel understood — in dim lights, with their eyes closed, mouthing words they’ve never said out loud. Velvet Switch captures that moment between stillness and surrender, when the music takes over and you stop pretending you’re fine.
Celeste Raye isn’t trying to be timeless. She already is — not because she sounds like someone else, but because she sounds like a feeling you’ve had before, but never named.
Velvet Switch
Celeste Raye
You touched my name with a fingertip lie
Then vanished like sugar in red wine
I didn’t chase I didn’t speak
But I rewrote you in every beat
You blink I break
You breathe I ache
You move I wait
(I wait I wait)
Come turn me on like a velvet switch
No promises just static twitch
Don’t love me—just circle back
One more loop then fade to black
(Ahh…)
Circle back
(Ahh…)
Fade to black
Your silence talks in Morse to me
I hum it back unconsciously
No need for vows no names to curse
We orbit pain—but in reverse
You blink I float
You breathe I choke
You move I glow
(You know you know)
Come turn me on like a velvet switch
Forget the rules forget the glitch
Don’t stay long—just mark the track
One more loop then no way back
(Hmm…)
Mark the track…
(Hmm…)
No way back…
It’s not love—
Just beautiful damage
A signal you sent
But never managed
(And I… tuned in anyway)
Come turn me on like a velvet switch
Whisper sweet in a foreign pitch
Don’t need truth—just feedback hum
One more loop—then I’ll come undone
(Undone…)
(Undone…)
CREDITS
Performer: Celeste Raye
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Pages in the Groove
Ted Craft
Verified Artist
Ted Craft
Born in 1992 in Austin, Texas, Ted Craft grew up surrounded by a melting pot of musical influences — from the blues and country his father played on vinyl to the funk and disco his mother kept on repeat in the kitchen. By the age of 10, he was playing guitar and piano, and by 14 he was already performing at local open-mic nights. His natural stage charisma and ear for infectious melodies quickly set him apart from his peers.
After high school, Ted earned a scholarship to the prestigious Berklee College of Music in Boston, where he majored in Contemporary Writing and Production. During his time there, he immersed himself in pop and funk theory, honing his skills in arrangement, songwriting, and live performance. Berklee also gave him the opportunity to collaborate with musicians from all over the world, helping shape the eclectic yet polished sound he’s known for today.
Post-graduation, Ted moved to Los Angeles and began crafting his signature blend of sleek pop hooks, groovy basslines, and bright funk guitar riffs. His debut EP quickly caught the attention of both critics and streaming audiences, with its feel-good energy and polished musicianship.
On stage, Ted Craft is a showman through and through — dynamic, playful, and completely in command of his audience. Whether fronting a full band or delivering an intimate acoustic set, he brings the same infectious energy and precision that has made him one of the most exciting new names in the pop-funk scene.
Pages in the Groove
Ted Craft
I’ve walked into rooms where no one knew my name
Just a stranger with a pocket full of games
Every beat another chapter I could tell
Every move another spell I had to sell
Lights spin I’m reading the crowd
Hear my story as the bass gets loud
Oh-oh I’m not here to hide
I’m just letting my pages slide
These are the pages in the groove I’ve made
Pages in the groove yeah they never fade
Every step every night it’s a story played
Oh-oh that’s the life I’ve laid
There’s a bar in Berlin a floor in Madrid
Faces change but the rhythm never did
Bought a round for the table told a joke or two
They don’t know the truth but I gave them the view
Lights spin I’m reading the crowd
Hear my story as the bass gets loud
Oh-oh I’m not here to hide
I’m just letting my pages slide
These are the pages in the groove I’ve made
Pages in the groove yeah they never fade
Every step every night it’s a story played
Oh-oh that’s the life I’ve laid
If you read between the beats you’ll know my name
Every chorus is a frame in a bigger game
We all write on the floor tonight
And I’m just signing mine in the neon light [vocal run ad-lib]
These are the pages in the groove I’ve made
Pages in the groove yeah they never fade
Every step every night it’s a story played
Oh-oh that’s the life I’ve laid
Pages in the groove…
…and the night goes on
CREDITS
Performer: Ted Craft
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Flip That City
Minerva Sound
Verified Artist
Minerva Sound
Minerva Sound is a five-piece from Bristol, UK, blending glossy disco-pop, neo-soul harmonies, and tight live grooves. The lineup: Malik Rhodes (lead vocal), Tyrone Ellis (vocal/MC), Owen Calder (guitar/bass), Emily Price (vocal/keys), and producer Felix Dunn (drum machines, synths, arrangements). Born out of late-night jam sessions and warehouse sets, they forged a sound that marries hook-heavy choruses with rhythmic precision and rich vocal stacks.
Their debut single, “Flip That City,” captures the group’s signature pulse: rubbery bass, syncopated organ stabs, hand-clap drive, and call-and-response vocals that snap into a euphoric refrain. Lyrically, it zooms in on urban momentum—small choices, quick turns, and the thrill of switching lanes—delivered with swagger and a live-band spark.
Available exclusively on Filodyo, Minerva Sound is poised to turn venues into dance floors across the UK and beyond—one chorus, one groove, one flipped skyline at a time.
Flip That City
Minerva Sound
Flip it flip it come alive
Turn the dial feel the vibe
City’s pulse jumping high
We don’t stop—we multiply
Smoke in the air bass hits the ground
Feet in the crowd hearts pound around
Spotlight flicks beat rides the sound
Hands in the air lost then found
Shout with me let the rhythm ride
No more still—in this groove we hide
Flip the night on its neon edge
On our mark—pledge to the ledge
Flip that city flip it higher (Hey!)
Flip that city beat the fire (Hey!)
Flip that city where we belong (Yeah!)
Flip that city dance along (Yeah!)
Streetlight jumps when the bass drops low
Crowd moves as the speakers blow
Every step locks into sky-high flow
One more wave—ready set go
Shout with me let the rhythm ride
No more still—in this groove we hide
Flip the night on its neon edge
On our mark—pledge to the ledge
Flip that city flip it higher (Hey!)
Flip that city beat the fire (Hey!)
Flip that city where we belong (Yeah!)
Flip that city dance along (Yeah!)
Flip it—turn around
Flip it—sound the ground
Flip it—up the heat
Flip it—feel the beat
Flip that city flip it higher (Hey!)
Flip that city beat the fire (Hey!)
Flip that city where we belong (Yeah!)
Flip that city dance along (Yeah!)
CREDITS
Performer: Minerva Sound
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Lonely on the Road
Wade Hollis
Verified Artist
Wade Hollis
Wade Hollis doesn’t chase the spotlight — he moves through the world like a shadow at dusk, quietly carving songs out of silence and sand. Born somewhere between the border towns of New Mexico and West Texas, he grew up surrounded by static-filled radio, motel ceilings, and the hum of distant freight trains.
His voice is weathered, like desert wood — raw, honest, and unpolished. Every lyric he writes feels like a road he’s driven a hundred times and still doesn’t fully understand. There’s no big team behind him, no hometown hero narrative. Just a guitar, a gravel road, and the ache of never quite belonging.
Hollis doesn’t stream anywhere else. His music lives exclusively on Filodyo and NOT FM, like postcards from a place most people drive past but never stop to feel. If you’ve ever stared out of a car window at 2 a.m. and felt both free and completely lost — you’ve already heard Wade Hollis, whether you knew it or not.
Lonely on the Road
Wade Hollis
I'd like to know how it feels to have a home
Hate sleepin' alone in motels on the road
I'd like to have a girl with someone else's name
Find a way to settle down and not lose my mind
Livin' on borrowed time
Oh
And it don't matter which way I go
I'll still be lonely on the road
And it don't matter which way I go
I'll still be lonely on the road
I could be a billionaire
But I'm still gon' die
My baby could have kids
But they won't be mine
I don't know what it is
But somethin' just don't feel right
I wish I knew how to live a real simple life
Wish I could make it right
Oh
And it don't matter which way I go
I'll still be lonely on the road
And it don't matter which way I go
I'll still be lonely on the road
I'd like to know how it feels to have a home
Hate sleepin' alone in motels on the road
CREDITS
Performer: Wade Hollis
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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You Left Your Name ...
Wade Hollis
Verified Artist
Wade Hollis
Wade Hollis doesn’t chase the spotlight — he moves through the world like a shadow at dusk, quietly carving songs out of silence and sand. Born somewhere between the border towns of New Mexico and West Texas, he grew up surrounded by static-filled radio, motel ceilings, and the hum of distant freight trains.
His voice is weathered, like desert wood — raw, honest, and unpolished. Every lyric he writes feels like a road he’s driven a hundred times and still doesn’t fully understand. There’s no big team behind him, no hometown hero narrative. Just a guitar, a gravel road, and the ache of never quite belonging.
Hollis doesn’t stream anywhere else. His music lives exclusively on Filodyo and NOT FM, like postcards from a place most people drive past but never stop to feel. If you’ve ever stared out of a car window at 2 a.m. and felt both free and completely lost — you’ve already heard Wade Hollis, whether you knew it or not.
You Left Your Name Open
Wade Hollis
You never closed the salt jar tight
Your chair still leans to the left
The spoon you used is upside down
Like it forgot your breath
The balcony plant asks less light now
The floor knows where you stood
My shirts all hang a little wrong
Like fabric understood
You left your name open—
In the drawer in the rug in the swing
It creaks your rhythm
Not a ghost—just a string
You left your name open—
And it hums when I cook when I think
It’s not heartbreak
It’s ink
The fruit went soft before I ate
I saved it like a dare
The faucet sings in your old tone
Like grief pretending care
You left your name open—
Not screaming not lost not loud
Just tucked in sounds
That don’t need a crowd
You left your name open—
No frames no shrine no drink
Just weightless
But it sinks
I live around you
Like pages live around a word
Not erased
Just blurred
CREDITS
Performer: Wade Hollis
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
