Melly Rich, born to a Lebanese family in Amsterdam, grew up surrounded by two worlds: the culinary brilliance of her father, Chef Khaled Rich, and the rich cultural heritage of the Middle East. Her father is the head chef of La Maison des Délices, one of France’s most prestigious Michelin-starred restaurants, known for its fusion of French and Middle Eastern flavors. Despite her father's fame in the culinary world, Melly's passion led her down a different path.

Though her family assumed she would follow in her father’s footsteps, Melly was captivated by music from a young age. With her father’s full support, she began singing, though her formal education took her into the world of architecture at the University of Amsterdam.

Balancing her studies with her love for music, Melly began to develop a unique sound, blending her Middle Eastern roots with the vibrant energy of Western pop. Her breakthrough single, "Damn, I Wish I Were in Istanbul", captures this fusion perfectly. The song carries hints of oud and traditional Arabic rhythms, interwoven with modern pop beats, creating a bridge between two worlds. It’s not just a catchy tune—it’s a love letter to her cultural identity, filled with nostalgia for the warmth and chaos of the Middle East, while reflecting her cosmopolitan life in Europe.

The song quickly gained attention, especially for its atmospheric vibes that pull listeners into a dreamlike vision of Istanbul, with its bustling bazaars and shimmering Bosphorus views.

Melly's ability to infuse her music with Middle Eastern influences sets her apart in the global music scene, and though she’s still juggling her architectural studies, there’s no doubt that music is where her heart truly lies. With the world now watching, Melly Rich is on her way to becoming an international sensation, blending cultures and genres like her father blends flavors at his famous restaurant.

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Meet Zayn Rix, the infectiously happy dance artist you've been waiting for. Hailing from the eclectic music scenes of his native city, Zayn embodies vibrant rhythms and can sure make a crowd move!

Bursting onto the scene from the pulsating heart of Manhattan, Zayn brings to mind the twinkling city lights and the unmistakable rush of midnight subway rides. His music is the sort of infectious dance-pop that makes you daydream of cloudless summer days and impromptu dance-offs at house parties. With clever lines and a touch of humor, he's like a Tommy Hilfiger cologne ad come to life - stylish, breezy and ceaselessly optimistic.

One whiff of his breakout hit, "Let the Good Times Roll," and you'll know exactly what we mean. Like eating cotton candy on a Ferris wheel, Zayn's music evokes a blissful sense of joy, making it impossible not to smile. He's that charmingly spontaneous friend who convinces you to skip the tedious office lunch for an exciting roller-coaster ride instead. His melodies are as infectious as his personality - a perfect lovechild of infectious beats and sunny vibes.

So here's to the good times, the dance-inducing melodies, and the relentlessly cheerful Zayn Rix. In the dance-pop universe, he's a rising star - serving joy on a catchy beat and reminding us that life is indeed, a party. So let's turn up the volume, get that body moving, and as Zayn would say, let the good times roll!

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A hidden gem in the bustling indie music world, Dani T is so underground you'll need a shovel to find him. Born among the spinning disco balls of Transylvania, Romania, this mirthful music alchemist knows how to glitter in the dark.

With his effervescent concoction of synth-laden dance beats, Dani T brings the Transylvanian nightlife to your speakers of choice. His infectious track, "One More Day," is just like garlic to a vampire—utterly irresistible and heating up dancefloors faster than Dracula racing to his coffin at sunrise.

Dani T's talent lies in his ability to infuse his tracks with a joy so potent it could charm a sullen ghoul out of a funk. His music doesn't just evoke happiness—it practically puts it on steroids, glitters it up, and sends it spinning out into the world with a bass-pounding emphasis.

The ghosts of Dani T’s concert crowd may lack a pulse, but trust us, they know how to party. So why stake your heart on mainstream artists when you can sink your teeth into Dani T’s deliciously diverse dark dance tracks? Hop on the next night train to Transylvania, and give Dani T's music a fangtastic whirl.

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Hailing straight from the heart of Harlem, the notorious quintet, Brick Lords, has been serving up a potent cocktail of old school rap since their genesis.

An assemblage teeming with character, within this unique ensemble, we find Biggie Bricks (real name, Jamal Thompson), the de-facto leader and lyricist; Lil' Grout (born Angel Martinez), the charismatic hype man; Bricksy Ross (truly known as Desmond Jones), the mysterious trap-lord; Mortar Mike (Mike Johnson in the real world), the laid-back beat master, and Cinder "the Block" Parker (dubbed Clara Parker at birth), the feisty and soulful female vocalist who adds a unique twist to the group's sound.

The Brick Lords was born out of a shared love for rhythm, rhymes, and the raw, gritty atmosphere of their native Harlem streets, baptizing themselves Brick Lords because, well, they were originally just some kids slamming beats and rhymes on brick walls. And just as bricks fit one on top of the other, building something substantial, so too did the Brick Lords build something substantial out of their close-knit group dynamic.

Their music, a delightful blend of old school rap with a hint of modern-day flair, is lauded for its authenticity and palpable energy, resonating with audiences worldwide. Notably, their signature song "What's Going On (Clean)" quickly escalated to become an anthem for their generation, showcasing their genuine artistry while divulging the realities of life in Harlem.

Amidst punchy beats, witty lyricism, and a touch of brick-and-mortar realness, the story of the Brick Lords is as engaging as their music. Resolute in their ambitious deliverance of old school rap, these urban poets have cemented themselves into the solid foundation of Harlem's music scene, and dare we say it, they're brickin' amazing!

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Meet Chris Nate, the alternative tunesmith you've probably never heard of, but will soon be unable to live without. Emerging from the vibrant music scene of Nashville, this little-known troubadour is steadily carving a niche for himself in the wide world of alternative music.

Chris is notoriously bashful about his origins but will tell you this: the fundamental building blocks of his music lie not in Nashville's sing-and-clap heartland, but on the rhythmic streets of his namesake city, Natchitoches, Louisiana. Every song seems to skate effortlessly across bayou blues and backwater folk rock, all while maintaining the ebullient tone that is so very Chris Nate.

It's no surprise that this seemingly scattershot blend of influences works so well given the success of his track, "This Isn't Love." A merry jaunt that dares to ask, 'What if love was more like playing jazz on a banjo in space?’ Delivered with a wink, a nod, and most crucially, a tie-dye shirt, the song is a festival of joy that will have listeners tapping their feet while crying laughter tears.

So, grab your headphones and give Chris Nate a spin. Here’s an artist whose music won’t just tickle your ears, but might just tickle your funny bone as well. He's serving up slices of life with a side of melody, and it's a recipe that's simply too tasty to resist. And if that isn’t love, well, this isn’t a biography. Or is it? Chris Nate might make you question everything. Everything except for his expertise in creating cheerfully menagerie tunes, that is.

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Born from the concrete veins of New York City’s underground, The 5th Exit is not just a band — it's a warning siren echoing through the alleys of Brooklyn. Blending the unapologetic grit of East Coast punk with the swagger of early-2000s hip-hop, their music punches through the noise like a subway train in a blackout.

The band was formed in late 2023 in a condemned warehouse turned DIY venue in Bushwick, after a street brawl-turned-jam-session between strangers. The result? Five misfits who had no plan — just noise, energy, and something to scream.

Members:
🎤 Jayno Blakk (Lead Vocals / Chaos Designer)
A former graffiti artist with a voice like broken glass in a hurricane. Born in Flatbush, Jayno spits lyrics like they’re Molotovs, laced with rage and raw truth. Known for performing barefoot and bleeding by the end of every show.

🎸 Noelle "Nox" Vega (Lead Guitar / FX Wizard)
Puerto Rican shredder with a physics degree and a pedalboard built from junkyard parts. She speaks three languages — four if you count distortion. Her solos? They don’t melt faces; they dissolve them.

🥁 Koda Rinz (Drums / Street Philosopher)
Half-poet, half-brawler. Raised by subway dancers and vinyl collectors, Koda’s beats sound like trash cans getting kicked down tenement stairwells — in perfect time. Always drumming, even in his sleep.

🎹 Echo Rowe (Synths / Scream Textures / Visuals)
The silent one. Echo doesn’t talk much, but his synth work sounds like a riot at 3AM. Also responsible for their chaotic visuals and the recurring raven motif in their shows. Rumor has it he lives in an abandoned radio tower in Queens.

🎸 Twitchy Lex (Bass / Vibe Damage Control)
Lex is the glue, or maybe the duct tape. Raised on R&B but corrupted by noise rock, he brings the groove — the dangerous kind that gets under your skin and sets off car alarms.

Their Breakout Track: "Get Out My Way"
A sonic punch to the throat, "Get Out My Way" is a war cry against complacency, gentrification, and anyone walking slow on a New York sidewalk. With a chorus that hits like a riot chant and verses that spit pure venom, it’s already being banned from small-town radio — which only makes it louder.

The 5th Exit isn’t asking for your attention. They’re taking it.
You can either move... or get run over.

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For those whose hearts beat a little faster after dark, meet Paint the Moon Slow, the genre-defying trio lighting up the dance floor with rhythmically pulsating songs brimming with late-night sparkle. The group draws its moniker from a whimsical mix of cosmic awe and the unhurried charm from their native city, the lunar-graced town of Slowville.

Even though their name might lead you to believe they're about slow, soul-crushing tunes, don't be fooled; they're far from a slowcore. Instead, they intertwine cosmic shimmers into their globally influenced, mid-tempo funk-pop. Frontwoman Cleo Maren delivers vocals both gruff and rosy, a blend of smoky lounge and roller-rink diva, backed by synth maestro Rhea Dax and rhythm fanatic Jo "Kicks" Tanaka, creating anthems that twinkle with retro beats and lyrical audacity under neon lights.

Their most notable song, "All That Shine", is a dashing number that perfectly embodies their sonic aesthetic, brimming with upbeat rhythms that evoke a cheeky, happy-go-lucky mood. As contract artists with Filodyo, Paint the Moon Slow are aligning the stars for a new era of dance music. Stay tuned for more luminous offerings from these maestros of mirth, groove, and exceptional starlit tunes. Welcome to the Paint the Moon Slow universe – it’s a happy place.

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Meet Marco Bellini, the gleaming lone star of the independent dance scene, making you forget any sorrow with his upbeat tunes. Born and raised under the swaying palm trees of Naples, Italy, Bellini crafts sonic euphoria like no other.

Our man Bellini did not find his love in the stomping grounds of Naples’ electrifying night scene. Instead, the sun-soaked streets, vibrant markets, and the rhythmic cadence of the Mediterranean waves stirred something deep. This culminated in his irresistible brainchild—"The Land of No Tomorrow"—a track so hopelessly optimistic that it made the Billboard's 'Sad Songs' list for the sheer irony.

Marco, with his deft touch, keeps it simple—'Simple is the new sexy,' he once quipped, half-twirling his pencil-thin moustache. He convinces you there's always a dance party waiting around the corner, even in a world that often sounds like a broken record. His tunes are a sonic Piña Colada—sweet, refreshing, and leaving you high on life. As Marco himself proclaims, "a tempo that resonates with the heartbeat of joy, that's my journey's end."

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With a name synonymous with the hauntingly beautiful waters of Ohrid, North Macedonia, Elira Vayne is your go-to dance diva with a twist. Part French, part Albanian, and 100% maverick, Vayne gives dance music a refreshing Balkan edge.

Born to the lullaby of a mandolin on Ohrid's shores, Elira was raised with the zest of Albania and the charm of France running through her veins. As if algae-ridden waters and sun-lit picnic spots out of posters whispered into her ears, everyone wondered, "Does Ohrid govern the sounds she creates?" And in a quaint voice, she would almost always blush and say, "Mais oui, and a bit of Marseille jazz too."

By the time teenage took over, the rhythm of the mandolin turned to jazz in the pulsating heart of Marseille. There, in a music sklearnamediciabacked alley bistro turned vocal studio, she trained some more in the gallant art of French jazz vocals. Little did she know that her cultural potpourri would give birth to a new music sensation: the vivacious tones of French Electronica blended with raw Balkan folklore.

Never leaving her roots far behind, each album cover of Elira's embroiders a rich tapestry of Balkan texture. In contrast, her songs hum with the vibe of French electronic dance music, mostly with her biggest hit yet, "I'm The Lighter". You can feel the happy energy as potent as the Ohrid sun, making her music a cocktail of infectious melodies under the umbrella contract of Filodyo. And quite frankly, it's this sun-soaked, high spirited party in the Byzantines' backyard that sets Elira Vayne on a league above your usual dance floor DJs.

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Romi Sage doesn't chase the spotlight — he teases it. With a smirk behind every lyric and a groove under every syllable, Romi walks the fine line between smooth and subversive. Born in Lisbon and raised between record shops and rooftop parties, he grew up idolizing the effortless cool of Prince, the rhythmic swagger of George Michael, and the punchy charm of early 2000s pop.

His voice slides — not in haste, but in style. It dances over slap basslines and syncopated guitar licks like it’s dodging commitment. Romi doesn’t just sing about love; he dissects it with irony, flirts with it, then leaves it on read. His stage presence is magnetic — not because he demands attention, but because he never asks for it.

Beneath the glam and glitter, though, there’s always a crack. That’s where Romi shines the most — in the clever melancholy, the playful ache, the smile that knows better. His performances are less about perfection, more about pulse.

Plastic Skies & Paper Towns isn’t a love song. It’s a stylish spiral — romantic delusion in disco heels. It's funk with a wink. And with Romi Sage at the mic, it’s impossible to ignore.

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If sugar, spice, and a foot-tapping bass were a person, they'd invariably shape-shift into Maelith. The indie dance sensation hails from the mythical city of her namesake – a place as enigmatic, vibrant, and pulsating as her music.

Coming from a realm where the sunrise paints the sky in a symphony of techno hues, Maelith's city of origin is as enigmatic and infectious as her tunes and just as impossible to tune out. It only makes sense then, that her celebratory dance beats make even the grumpiest of granddads do a head bob or two.

Her notable track "Butterflies" will make a surprising entrance, landing in your heart with the grace and charm of a thousand of the colourful creatures, evoking smiles usually reserved for sunbeams and unexpected tax refunds. It's like eating candy in a club - tooth-achingly sweet, and deliciously intoxicating.

Maelith's music isn't just happy—it's a spontaneous euphoria packed into dance beats. Each track, a flawless mesh of elevating melodies sure to paint a bright, neon smile on your face. It never rains in Maelith's city. So, grab an umbrella because you're about to get showered with joy bombs!

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Lily Green is a vibrant nu-disco artist with a deep love for cars and the open road.

Hailing from Los Angeles, Lily grew up with the sounds of synth beats and funky basslines, which fueled her passion for creating danceable, feel-good music.

Her fascination with cars started in childhood, spending weekends at car shows with her dad and dreaming of road trips across the country. This love for automobiles often finds its way into her music, with themes of freedom, speed, and adventure.

Known for her infectious energy and groovy tunes, Lily Green’s tracks are the perfect soundtrack for cruising down the highway with the windows down.

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Ayvenn was born and raised in Clearwater Heights, a quiet hillside town in Georgia where music wasn’t just background noise — it was how people coped, celebrated, and remembered. From Sunday gospel choirs to late-night Latin radio, the sounds around him shaped a boy who rarely spoke, but always listened. In silence, he learned to interpret the world. And when he began writing lyrics, it wasn’t about performance — it was about decoding feelings he couldn’t name.

Fusing Pop and R&B with understated Latin textures, Ayvenn crafts music that feels more like film than formula. His voice is warm, restrained, and precise — a narrator of emotional undercurrents rather than explosions. Each track unfolds slowly, deliberately, like memories coming into focus. There’s clarity in his subtlety, weight in his pauses.

His breakout song, “All for One Y.” was born from an unexpected connection. Hakan E — the mind behind Filodyo, known for his instinct in spotting rare talent — reached out after hearing early demos from Ayvenn. He sent a short message and a concept: “This isn’t a love song. It’s a math problem.” That idea resonated deeply. To Ayvenn, the X’s weren’t just variables — they were past mistakes, unanswered questions, the people he couldn’t quite hold onto. And the “Y”? The reason he kept trying.

Ayvenn recorded the song in a single late-night session, layering vocals with surgical attention, pulling tension from silence, and shaping each detail until it echoed with something intimate and real. To Solve for Y isn’t just a debut — it’s an internal dialogue turned outward, crafted for anyone who’s ever tried to explain a feeling they didn’t fully understand.

Now, Ayvenn is building a sound that’s emotionally meticulous, sonically immersive, and unmistakably his own. Every track is a quiet revelation. Every heartbreak, every wrong turn — part of the formula. And somewhere, at the end of it, is the answer. Always her.

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Meet Camille Duret, the French femme fatale of the pop scene, who manifests the charm of Parisian streets and the sunlit magic of the French Rivier into her songs. She's not just another 'joie de vivre' gal, folks, her tunes will make you feel like dancing on the cobblestones with a warm croissant in hand!

Camille was made in France, quite literally, and her music is neither too rich, nor too thin, rather, much like the perfect crème brûlée. Her infectious pop anthems, dripping with sweet melodic lines, makes you question if sugar may run in her veins. She makes you believe that you're sip-sip-sipping champagne on the Seine, no matter where you are.

Surely, you've bopped your head, maybe even twirled a bit, to her banger “Never Too Late”. A cocktail of happy heartbeats, tasty hooks and irresistible refrains, laced with a sing-along chorus, it's classic Camille at her best. This melodious masterpiece is like a delightful dance with a macaron - sweet, colourful and leaves you wanting more.

So, let's raise our glasses to Camille Duret, the Parisian pop princess who consistently proves that pop can be served well done, medium rare or, occasionally, à la mode. Trust us, once you've had a bite of Camille’s music flambé, there's no going back – Bon Appétit!

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Imagine the grit and spirit of Seattle's best alternative music, colored with the blues of an often-drizzly city. Enter Dax Merrill, an artist who manages to distill the emotional richness of his surroundings into his melancholic masterpieces.

Dax hails from the birthplace of grunge, drawing upon the city's legacy with his murky, atmospheric guitar riffs and a voice that's gravelly yet beautiful. His music is an evocative blend of the gloomy skies and evergreen optimism of Seattle, weaved seamlessly within the fabric of his melancholic melodies.

From his mother's garage, he first strummed out the notes of a self-taught spells. His most notable song, "Memories That Stay", is a haunting testament to his past—a cathartic narration of his journey and a tribute to his resilient spirit.

Dax Merrill is as real as it gets, mates—unapologetically raw, generously insightful, undeniably talented. He's your heart's post-rain fog, the echoing muse on those sleepless nights. Listening to Dax is like tracing the outline of your own emotions, one chord at a time. So grab your headphones and let this Seattle-sound virtuoso take you on a sonorous adventure of an indie kind.

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Soleil Vega is the kind of artist who can turn a rainy Tuesday into a rooftop party. Born and raised in Brighton, UK, she grew up surrounded by her mother’s old soul records and the pulse of the underground dance scene. Her music lives at the intersection of deep house grooves, pop sparkle, and feel-good R&B touches, driven by radiant vocals and unapologetically joyful lyrics.

Her breakout track “My Kitchen Stage” is a celebration of everyday magic—the kind you find dancing alone at home with a spatula mic in hand. The track blends warm house rhythms with bouncy basslines and a shimmering vocal delivery that makes you want to throw open the windows and turn the volume all the way up. It’s infectious, playful, and deeply personal.

Soleil’s sound is sun-kissed but grounded. She writes about friendship, late-night cravings, heartbreak, and finding your light—in the club, in the kitchen, or in your own reflection. And when she performs, it’s not a show, it’s a shared moment. Always real, always radiant.

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Hailing from the sultry soundscape of Miami, Ricky Daz is the coastal city's keeper of infectious dance beats & lively tunes. With his most notable track "Contando los Minutos (feat Rome K)", Daz's feel-good grooves have placed him firmly on the indie dance radar.

Born and bred under the sweat-soaked dancehalls and neon nights of Miami, Ricky embodies the very essence of the city - hot, vibrant, and indulgent. His music isn't just made for glittering nights out, but also for cool mornings where last night's adrenaline still hums in your veins. The boy's got rhythm in his blood, and Miami's heart in his tracks.

With "Contando los Minutos", Ricky has combined relatable tale-telling with hard-hitting choreography, creating an irresistible dance floor pull. Using a radiant tonal palette, Daz evokes the pulsating rhythms of his city, blending soulful Latin beats with a punchy EDM undercurrent. Each beat hits like the Florida sun - vibrant and full of life.

Our man Daz isn't just an artist; he's a soundtrack to a city that never sleeps - always moving, always dancing, and forever happy. With every new release, he continues to develop a pulsating landscape of indulgent dance music, turning fleeting moments into timeless melodies. Ricky Daz, remember the name, because he's writing the rhythm of Miami, one beat at a time.

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Scoot over, Marley, there’s a new reggae sheriff in town. Straight from the sunny sidewalks of Kingston, Jamaica, the Dreadlock Boys are laying down fresh beats in the reggae scene.

This pair of plaited prodigies isn't your grandma's reggae. Combining traditional roots rhythms with just a hint of ska spice and a not-so-subtle sprinkle of dancehall energy, these boys aren't just playing by the book – they’re writing their own. And don't let that laid-back island vibe fool you; these guys are as serious about making you laugh as they are about perfecting the offbeat.

Their standout single "Riddim of Peace" might just be the happiest jam this side of Montego Bay. With its earworm melody and bouncy bassline, it’s as infectious as a belly laugh in a silent library. It's the kind of track that leaves the grumpiest of gurners grinning like a Cheshire cat at an all-you-can-eat fish buffet.

So come, sit, and sway to the soothing sounds of the Dreadlock Boys. They'll be your pint-sized purveyors of peace, your lyrical lifesavers when the going gets tough. After all, joy does come in the morning and the Dreadlock Boys are here to serve it up with a side of reggae, none of those nasty grimaces, thank you very much.

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There’s a certain stillness in Celeste Raye’s voice — the kind that turns crowded rooms quiet and late-night drives cinematic. Born and raised in South London, she grew up mimicking the elegance of old soul singers and the cool detachment of ‘90s club divas. On stage, Celeste doesn’t reach for the spotlight — it finds her.

Her latest release, Velvet Switch, is a slow-burning club anthem soaked in longing. Produced by NOT FM and available exclusively on Filodyo, the track pulses with quiet intensity — as if it’s remembering something you forgot you missed. Celeste’s voice doesn’t cry out. It hovers, suspended above the beat, tracing the shape of absence with each note.

People don’t come to her sets just to dance. They come to feel understood — in dim lights, with their eyes closed, mouthing words they’ve never said out loud. Velvet Switch captures that moment between stillness and surrender, when the music takes over and you stop pretending you’re fine.

Celeste Raye isn’t trying to be timeless. She already is — not because she sounds like someone else, but because she sounds like a feeling you’ve had before, but never named.

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Say hello to Erica, a gem unearthed from the misty fjords of Bergen, Norway, serenading the world with her dance tunes. This synth-swirling belter could make a sardine shimmy with her infectious energy.

Growing up with classical piano lessons under Norway's perpetual drizzle, Erica found her musical identity sandwiched between her mom's Edith Piaf records and the emotional pull of her dad's synth fascination. While most 16-year-olds are busy amassing Instagram followers, Erica channeled her teenage angst into penning down her first song. It never saw the light of day, but listen closely at her concerts and you might hear her hum those nostalgic notes.

Erica shifted her base to the bustling streets of Berlin at 23, transitioning from a street musician to minimalist stages with a poise that could make Madonna go green. Her biggest hit has to be "DNC", a song that will make your feet tap and heart flutter before you even realize. Ever seen a packed room fall silent? Attend an Erica gig, as her whispers hush the room, except for that one guy always clapping off-beat.

Straddling both cheerful and profound, Erica's music echoes her journey. Dancing through life, one synth-filled melody at a time, she's proving that you can take a Norwegian out of the rain, but you can't take the rhythm out of the girl.

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