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Almost Beautiful
Sand Castle of Ma

Verified Verified Artist

Sand Castle of Ma
Sand Castle of Ma is a vibrant four-member indie rock band hailing from the lush landscapes of Seattle. The group, consisting of the charismatic vocalist Eli Stratton, guitarist Finn Mercer, bassist Leo Keene, and drummer Jasper Quinn, formed in a local coffee shop where they bonded over their mutual love for music and the arts. With their diverse backgrounds and experiences, each member brings a unique flavor to the band’s collective sound, creating a harmonious blend that resonates deeply with listeners.

The band’s debut track, "Almost Beautiful," captures the essence of their style—an exploration of the complexities of beauty and imperfection. Drawing on themes of introspection and emotional depth, Sand Castle of Ma weaves together melodic guitar lines with earnest lyrics that invite listeners to reflect on their own experiences. Their sound artfully combines influences from classic rock and contemporary indie styles, allowing them to carve out a niche that feels both fresh and familiar.

As they continue to evolve, Sand Castle of Ma aims to expand their catalog with more tracks that reflect their evolving identity. The chemistry among Eli, Finn, Leo, and Jasper fuels their creativity, promising an exciting future filled with dynamic performances and heartfelt music. With a growing fanbase and a distinctive sound, they are quickly becoming a notable presence on the indie rock scene.
Track(s)
Almost Beautiful 60431 04:44

Almost Beautiful

Sand Castle of Ma


Yeah
Almost beautiful

You left your shadow
On the passenger side
Like a quiet ending
At a red street light

I kept the moment
But I lost the weight
Of waiting for something
That was already late

Now days feel lighter
When the hope runs out
I hear my own voice
A little less loud

And I don’t hate you
That takes too much room
I just stopped turning
The sky into you

Maybe we were young
Maybe we were tired
Maybe love got lost
Somewhere in the wires

I don’t need a reason
I don’t need a sign
I just need tonight
To feel like mine

It was almost beautiful
Almost good enough
Almost like a movie
Almost like love

We were almost honest
Almost made it through
Almost had forever
Then forever moved

And I’m not broken
I’m just new
It was almost beautiful
Losing you

Oh-oh
Almost beautiful
Oh-oh
Almost beautiful

I saw your name
On a screen last night
It didn’t hurt me
Like I thought it might

Just a small old feeling
Passing through
Like a song from a car
That never stops for you

I walked for hours
Under changing signs
No big confession
No perfect line

Just a quiet freedom
I never planned
Like letting go
Without using my hands

Maybe we were close
Maybe we were blind
Maybe love looks better
From the other side

I don’t need an answer
I don’t need a fight
I just need my heart
To sleep tonight

It was almost beautiful
Almost good enough
Almost like a movie
Almost like love

We were almost honest
Almost made it through
Almost had forever
Then forever moved

And I’m not broken
I’m just new
It was almost beautiful
Losing you

I won’t call it wasted
I won’t call it wrong
Some people are chapters
That read too long

I won’t make you guilty
I won’t make me small
We were almost something
And that’s something after all

Almost beautiful
Almost true
Almost everything
I wanted with you

Almost beautiful
Almost gone
I can still remember
But I can move on

It was almost beautiful
Almost good enough
Almost like a movie
Almost like love

We were almost honest
Almost made it through
Almost had forever
Then forever moved

And I’m not broken
I’m just new
It was almost beautiful
Losing you

Oh-oh
Almost beautiful
Oh-oh
Almost beautiful

Mm
Almost beautiful
Losing you

CREDITS
Performer: Sand Castle of Ma
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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HOT TRACK

The Wrong Daughter
Billie Arden

Verified Verified Artist

Billie Arden
Billie Arden is an electrifying force in the modern dance-pop scene, hailing from Berlin, where her late-night writing sessions have breathed life into a catalog that pulsates with energy and emotion. With influences from funk and nu-disco, her music embodies a sleek, four-on-the-floor groove that promises to uplift spirits and get bodies moving. Tracks like "No Default Setting" showcase her confident vocal style—low and controlled in the verses, yet soaring and playful in the choruses—making each song feel like both a celebration and a personal manifesto. Through her polished production, which features tight rubbery basslines and glossy synth stabs, Arden crafts an infectious sound that captures the essence of joy and hope.

Exploring themes of authenticity and self-acceptance, Arden's lyrics reflect her determination to navigate a world that often seeks to confine individuality. While she embraces exuberance in her melodies, there's an undercurrent of defiance in tracks that challenge conventional norms and invite listeners to embrace their unique paths. Billie Arden's artistry extends beyond mere entertainment; it serves as an invitation to dance freely while celebrating one's true self, ensuring that each release resonates deeply with those seeking inspiration in both life and music.
Track(s)
The Wrong Daughter 231 03:39
No Default Setting 2592 03:50

The Wrong Daughter

Billie Arden


I left at seventeen before the bread was warm
took the blue suitcase nobody claimed
Mother stood polishing the same clean glass
Dad read the paper without turning a page

There was a woman’s name behind the pantry clock
written twice then crossed with a kitchen knife
I asked who she was
They asked why I was still awake

Huh

They said “You’ll understand when you’re older”
So I got older somewhere else

I was gone before the kettle sang
gone before they fixed their tale
Let them blame my age my temper
let them blame the morning train

I was gone gone gone—
they can call it running if they like
I didn’t leave because they hated me
I left because they knew me wrong

Years later a stranger stopped me near the docks
said “You walk exactly like she did”
I laughed and asked “Who?”
She looked at me as though I’d made a joke

Then she handed me a photograph:
my father younger one hand out of frame
and a girl with my uneven teeth
wearing the blue suitcase name tag

Huh Small world
Terrible handwriting

She said “Your mother tried her best”
I said “Which one?”

I was gone before the kettle sang
gone before they fixed their tale
Let them blame my age my temper
let them blame the morning train

I was gone gone gone—
they can call it running if they like
I didn’t leave because they hated me
I left because they knew me wrong

Maybe I was kept
Maybe I was traded
Maybe love gets very polite
when the truth is complicated

I never asked again

That keeps them nervous

I was gone before the kettle sang
gone before they fixed their tale
Let them polish every answer
I know where the story fails

I was gone gone gone—
huh they still insist I’m wild
I didn’t leave because I hated them
I left as someone else’s child

CREDITS
Performer: Billie Arden
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Bad At Fractions
Ayvenn

Verified Verified Artist

Ayvenn
Ayvenn was born and raised in Clearwater Heights, a quiet hillside town in Georgia where music wasn’t just background noise — it was how people coped, celebrated, and remembered. From Sunday gospel choirs to late-night Latin radio, the sounds around him shaped a boy who rarely spoke, but always listened. In silence, he learned to interpret the world. And when he began writing lyrics, it wasn’t about performance — it was about decoding feelings he couldn’t name.

Fusing Pop and R&B with understated Latin textures, Ayvenn crafts music that feels more like film than formula. His voice is warm, restrained, and precise — a narrator of emotional undercurrents rather than explosions. Each track unfolds slowly, deliberately, like memories coming into focus. There’s clarity in his subtlety, weight in his pauses.

His breakout song, “All for One Y.” was born from an unexpected connection. Hakan E — the mind behind Filodyo, known for his instinct in spotting rare talent — reached out after hearing early demos from Ayvenn. He sent a short message and a concept: “This isn’t a love song. It’s a math problem.” That idea resonated deeply. To Ayvenn, the X’s weren’t just variables — they were past mistakes, unanswered questions, the people he couldn’t quite hold onto. And the “Y”? The reason he kept trying.

Ayvenn recorded the song in a single late-night session, layering vocals with surgical attention, pulling tension from silence, and shaping each detail until it echoed with something intimate and real. To Solve for Y isn’t just a debut — it’s an internal dialogue turned outward, crafted for anyone who’s ever tried to explain a feeling they didn’t fully understand.

Now, Ayvenn is building a sound that’s emotionally meticulous, sonically immersive, and unmistakably his own. Every track is a quiet revelation. Every heartbreak, every wrong turn — part of the formula. And somewhere, at the end of it, is the answer. Always her.
Track(s)
Bad At Fractions 23319 03:41
All for One Y. 364015 04:18

Bad At Fractions

Ayvenn


You walked in counting every step
I lost track somewhere near your hips
You said “Baby keep it logical”
Then moved like logic didn’t exist

My drink was ninety-nine percent
Cool confidence and one percent fear
You leaned in close changed every sum
Now nothing adds up over here

I tried to draw a straight line
You turned it to a curve
I calculated all night
Still got what I deserve

I’m bad at fractions when you’re dancing
You take half then take the rest
My heart keeps doing multiplication
Every time you move like that

One plus one should make it simple
But with you the rules collapse
I’m bad at fractions when you’re dancing
So take all of me—do the math
*(Do the math baby)*
Take all of me—do the math
*(Uno dos—bring it back)*

You got a rhythm like a riddle
Every answer starts a fight
Your waist keeps changing the percentage
Of the chances I act right

I brought a list of good decisions
You divided every plan
Now my balance is suspicious
And my patience left the band

I tried to keep it even
You raised it to a ten
I checked the calculation
Then did it all again

I’m bad at fractions when you’re dancing
You take half then take the rest
My heart keeps doing multiplication
Every time you move like that

One plus one should make it simple
But with you the rules collapse
I’m bad at fractions when you’re dancing
So take all of me—do the math
*(Do the math baby)*
Take all of me—do the math
*(Uno dos—bring it back)*

You say “How much?”
*(All of it)*
I say “Too much”
*(Not enough)*
You say “Count it”
I lose my place
When that rhythm hits the bass

You say “How much?”
*(All of it)*
I say “Too much”
*(Not enough)*
No remainder no return
Let the whole equation burn

Square root round hips
Quick clap slow kiss
I know numbers I know facts
But you make two plus two misbehave like that

Left turn three steps
No sleep no regrets
Every theory that I had
Falls apart when you do that

*(Ay ay—do that)*
*(Otra vez—do that)*

**[Final Chorus]**
I’m bad at fractions when you’re dancing
You take half then take the rest
My heart keeps doing multiplication
Every time you move like that

One plus one should make it simple
But with you the rules collapse
I’m bad at fractions when you’re dancing
So take all of me—do the math

*(Do the math baby)*
Take all of me—do the math
*(Uno dos—bring it back)*
No remainder no looking back
Take all of me—do the math

CREDITS
Performer: Ayvenn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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HOT TRACK

Keep the Receipt, S...
Dust Motel

Verified Verified Artist

Dust Motel
Dust Motel Static began with **Marisol “Mari” Vela**, a sharp-tongued singer and baritone guitarist raised between Tucson and a small border town where her mother ran a late-night diner. **Evan Rusk**, a quiet multi-instrumentalist and obsessive arranger from Bakersfield, had spent years repairing amplifiers, collecting discarded tape machines and writing instrumental cues for films that were never made. Mari became the face and voice of the project; Evan became the person who could turn one crooked guitar phrase into an entire record.

They met after Evan’s pickup broke down outside the diner during a summer dust storm. Mari noticed the long-scale guitar case in the truck bed, borrowed the instrument before offering any help and played the same four notes until Evan began tapping a rhythm against the counter. They spent the rest of the night recording into a battered portable machine beside the diner’s ice freezer. The resulting demo carried traffic noise, a loose refrigerator panel and an argument from the kitchen, but neither of them wanted to recreate it in a cleaner studio.

Their debut single, **“Keep the Receipt, Sweetheart,”** introduces their sound through Mari’s dry, teasing delivery, Evan’s tightly controlled rhythm section and a low melodic guitar that moves somewhere between desert noir and border-town rock. The song treats a dishonest apology like a badly fitted purchase, turning an uncomfortable conversation into a compact, playful hook. It is currently their only released track, but the duo have already made their intentions clear: Dust Motel Static prefer small details, crooked humour and memorable guitar lines over polished mythology.
Track(s)
Keep the Receipt, Sweetheart 598 03:54

Keep the Receipt, Sweetheart

Dust Motel


You parked across the hydrant
Like the law had gone to lunch
Brought six supermarket daisies
Held together with a rubber band

Said “I’ve been doing lots of thinking”
With the posture of a judge
Then set one careful “sorry”
On my counter still unopened

You pressed your palm against your chest
Like cameras filled the hall
I asked for one clean answer
You gave the director’s cut

Keep the receipt sweetheart
This apology runs small
It pinches where the truth should fit
And hangs loose everywhere else

Keep the receipt sweetheart
Take the whole display with you
You brought me something called “I’m sorry”
But the tag says “almost true”

Almost true almost true
Look at you improving

You said your phone had lost its manners
Your watch was running scared
Your friends had formed a committee
And voted you unprepared

Your mother took the witness stand
Your therapist was quoted
I asked “Did you sleep with her?”
You said “The wording feels loaded”

You lowered your voice an octave
That trick you save for court
I asked where you were Tuesday
You gave the weather report

Keep the receipt sweetheart
This apology runs small
It pinches where the truth should fit
And hangs loose everywhere else

Keep the receipt sweetheart
Take the whole display with you
You brought me something called “I’m sorry”
But the tag says “almost true”

No don’t kneel; the floor is clean
Don’t swear on anybody’s grave
Skip the trembling lower lip
You practiced beside the valet

I’m just taking inventory:
One key two names three hotel pens
You may keep the supermarket daisies
They’ve heard the whole defense

Keep the receipt sweetheart
This apology runs small
It pinches where the truth should fit
And hangs loose everywhere else

Keep the receipt sweetheart
Take your grand performance too
You brought me something called “I’m sorry”
But the tag says “almost true”

Almost true almost true
Look at you improving

“Need a bag?”
“No he came with one”

CREDITS
Performer: Dust Motel
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Still Standing (ft ...
Elijah Cross

Verified Verified Artist

Elijah Cross
Fall in love with Toronto's resident heartbreaker, Elijah Cross. This unstoppable force in the dance music scene is as dangerously addictive as she is undeniably talented.

Born and raised in Toronto's pulsating cityscape, Cross is a savvy economics graduate inexplicably drawn to pounding beats and mind-bending synths. More likely to be found penning lyrics in a dance club than crunching numbers in a boardroom, she swiftly swapped graphs for grooves with an irresistible grin.

"Still Standing (ft. Nadia)" is not just a notable Elijah Cross track—it's an anthem, an assertion of undying resilience, wrapped in electrifying rhythm. With this song, Cross invites her listeners into the throbbing heart of the dance floor—showing us that, in the face of adversity, we can still let our bodies go wild to a beat.

Infusing her dance tracks with a healthy dose of romance, Elijah Cross’s music will make your heart race and your feet tap uncontrollably. Lovers of the dance genre, beware: one listen and you'll find yourself Cross'd for life.
Track(s)
Still Standing (ft Nadia) 47860 04:14

Still Standing (ft Nadia)

Elijah Cross


I used to leave the light on by the door
Kept your coffee warm like I had before
But you were always somewhere else in your mind

Left me talking to a ghost wasting my time
Folded all your lies like they were clean clothes

Put 'em in a drawer that's how this thing goes
I cried in the shower so you wouldn't hear
Now I don't even need to — baby I'm clear

I gave you rivers you gave me drought
Spent so long wondering what love's about
But the woman in the mirror finally spoke
Said "baby you're the fire — he was just smoke"

I'm not broken I'm just done
(yeah yeah)
I was the moon you were blocking my sun
(mmh)

You thought leaving me would make me fall apart
(uh uh)
Boy you left — but you didn't take my heart
No you didn't take my heart

(ohhh)

I see you now when you walk through the room
Different energy like you shed the gloom
I won't pretend that I don't feel the weight
Of every choice I made a little too late
(background whisper: "too late… too late…")
You were patient like a Sunday in June
I was reckless chased a different tune
And now I'm standing here on the outside damn
Watching you become everything you planned

She gave me rivers I gave her drought
Now I'm the one standing here in doubt
And the man in the mirror finally broke
Said "she was the fire — you were just smoke"

I'm not broken I'm just done
(let it go let it go)
I was the moon you were blocking my sun
(mmh yeah)
You thought leaving me would make me fall apart
(never that)
Boy you left — but you didn't take my heart
You didn't take my heart
(no no no…)

There were nights I almost called
(almost…)
Fingers on your name then I'd stall
(stall…)
But every time I stopped myself I grew
(grew…)

Into someone I love more than I loved you
(bass begins to swell)
More than I loved you
(mmh)
More — than — I — loved — you

(yeah)

I'm not broken I'm just new
(just new just new)
Everything I lost was just a clue
(clue ohhh)
You thought leaving me would dim my light
(can't dim this)
Boy you left —
(he left)
And baby I ignite
(I ignite I ignite)
I ig-nite
(ohhhh)
Mmmmh…
(still standing…)
Still standing

CREDITS
Performer: Elijah Cross
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Left Me Dancing
Velvet Tax

Verified Verified Artist

Velvet Tax
Velvet Tax is a young female singer hailing from Poland, infusing her music with a vibrant sense of self and personal narrative. With her single "Left Me Dancing," she introduces listeners to her raw, emotive vocal style that draws from her life experiences and the complexities of modern relationships. Her approach to songwriting is deeply personal, often blending introspection with relatable themes, which resonates well with a diverse audience seeking authenticity in music.

Although her catalog currently features only "Left Me Dancing," Velvet Tax's artistry hints at a promising evolution. With the ability to weave intricate melodies and poignant lyrics, she creates a sonic landscape that reflects both melancholy and joy. This duality sets the stage for future projects that are likely to explore various moods and genres, showcasing her versatility as an artist. Each subsequent track is anticipated to build upon the foundation laid by this debut, further enriching her identity as a musician.

As Velvet continues to develop her sound and expand her repertoire, her potential for growth is evident. Whether through collaborations with fellow artists or exploring different musical styles, she is poised to make a significant mark within the independent music scene. With every new release, fans can expect her captivating storytelling and expressive vocals to flourish even more, inviting them along on her artistic journey.
Track(s)
Left Me Dancing 49295 04:28

Left Me Dancing

Velvet Tax


You left me crying
But I came back dancing
Mm
I came back dancing

You took the keys
But not the door
You took your coat
But not the storm

I kept the dress
You never liked
Put on my heels
And killed the lights

You thought I’d call
You thought I’d break
You thought my heart
Would learn your name

But I found myself
At half past two
In a crowded room
Not missing you

I let the mirror see me
With my makeup running
Then I wiped it clean
Like I saw you coming

You were the lesson
I was the flame
You left the woman
But she changed her name

You left me lonely
Left me hurting
Left me standing in the rain

Now I’m moving
Now I’m burning
Now I’m dancing through the pain

You don’t get to hold me
When I’m finally free
You don’t get the old me
She don’t answer for me

You left me crying
But I came back dancing
You left me dying
But I came back dancing

Da-da-da-dancing
I came back dancing
Da-da-da-dancing
I came back dancing

I saw your friends
They looked surprised
Like I should hide
Like I should cry

I smiled so sweet
They looked away
I guess revenge
Can wear a face

No angry texts
No midnight scene
No begging you
To come to me

I changed the song
I changed the room
I changed the girl
Who waited for you

I let the mirror see me
With my heart wide open
Then I sewed it up
With a little gold thread

You were the reason
I hit the ground
But I’m the reason
I’m rising now

You left me lonely
Left me hurting
Left me standing in the rain

Now I’m moving
Now I’m burning
Now I’m dancing through the pain

You don’t get to hold me
When I’m finally free
You don’t get the old me
She don’t answer for me

You left me crying
But I came back dancing
You left me dying
But I came back dancing

Da-da-da-dancing
I came back dancing
Da-da-da-dancing
I came back dancing

I was a house with the windows open
You were the match in a careless hand
I was the girl who kept forgiving
Now I’m the woman you can’t command

I don’t hate you
That’s too easy
I don’t need you
That’s the twist

I don’t want you
To come save me
I just want you
To see this

You left me lonely
Left me hurting
Left me standing in the rain

Now I’m moving
Now I’m burning
Now I’m dancing through the pain

You don’t get to hold me
When I’m finally free
You don’t get the old me
She don’t answer for me

You left me crying
But I came back dancing
You left me dying
But I came back dancing

You left me lonely
But I came back shining
You left me broken
But I came back diamond

You left me crying
But I came back dancing

Da-da-da-dancing
I came back dancing

CREDITS
Performer: Velvet Tax
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Glass Rain
Liora Venn

Verified Verified Artist

Liora Venn
Liora Venn makes melodic deep house for late rooms, wet windows and the small hours when city lights start to feel personal. Her sound is built around warm analog bass, airy pads and restrained piano motifs, with vocals that move like a memory rather than a spotlight.

Glass Rain captures that world clearly: intimate, nocturnal and quietly hypnotic, balancing club pulse with a melancholy human center. Venn's music avoids oversized drops in favor of atmosphere, motion and emotional detail.
Track(s)
Glass Rain 14849 03:47

Glass Rain

Liora Venn


I saw your face in the glass rain
Sliding down the window line
City lights were losing color
But your shadow still found mine

You said nothing lasts forever
Like forever was a crime
I kept counting every silence
Like it might give back the time

We don't have to call it love
We don't have to name the fire
Just stay close enough tonight
To feel the wire

If the morning takes you
Let it take you slow
Leave a little echo
Where the blue lights glow

I'll be moving through the glass rain
With your heartbeat in the floor
Every street becomes an ocean
Every door becomes your door

We were never made for answers
Only signals in the dark
Two lost satellites turning
Round the same electric spark

We don't have to call it love
We don't have to name the fire
Just stay close enough tonight
To feel the wire

If the morning takes you
Let it take you slow
Leave a little echo
Where the blue lights glow

And if the night forgets us
I will still know
How your voice became the rhythm
Under everything below

If the morning takes you
Let it take you slow
Leave a little echo
Where the blue lights glow

CREDITS
Performer: Liora Venn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Open Circuit
Mira Cade

Open Circuit

Mira Cade


I kept each feeling under glass
A private rule from years gone past
You saw the lock you did not push
You gave me room to choose enough

Now every reason feels too old
I want a life I do not hold
One honest move one steady start
A simple route from heart to heart

Open circuit let it run
No more hiding what we want
Every signal coming clear
I choose trust I choose you here
Open circuit no disguise
Read the answer from my eyes
We can let connection start
One direct route heart to heart

You kept your plans behind a grin
Afraid that I would not step near
But caution only served the past
We have a chance to make this last

Now every reason feels too old
We want a life we do not hold
One honest move one steady start
A simple route from heart to heart

Open circuit let it run
No more hiding what we want
Every signal coming clear
I choose trust I choose you here
Open circuit no disguise
Read the answer from my eyes
We can let connection start
One direct route heart to heart

No locked reply no coded test
We say the need and give our best
If fear returns we name it fast
Then choose what matters choose what lasts

Open circuit let it run
No more hiding what we want
Every signal coming clear
I choose trust I choose you here
Open circuit no disguise
Read the answer from my eyes
We can let connection start
One direct route heart to heart

CREDITS
Performer: Mira Cade
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Where Did We Go
Luma Hollow

Verified Verified Artist

Luma Hollow
Luma Hollow is a dynamic duo based in Sweden, creating a captivating blend of dance, EDM, and pop music. With their debut track, "Where Did We Go," they explore themes of introspection and the search for connection amidst an energetic backdrop. Their sound is characterized by an uplifting yet dark vibe, intertwining hopeful lyrics with infectious beats that encourage listeners to both reflect and move.

The duo's music stands out for its ability to evoke a range of emotions. Tracks like "Where Did We Go" exemplify their knack for crafting tunes that are not only danceable but also resonate on a deeper level. Luma Hollow's vocal interplay adds a unique dimension, creating a rich tapestry of sound that draws listeners in. As they continue to develop their catalog, expect a further exploration of these themes, blending energetic production with a touch of introspection.
Track(s)
Where Did We Go 63532 05:18

Where Did We Go

Luma Hollow


I hear your name
Under the noise
A distant flame
A broken voice

We were young in a room full of strangers
Dancing close to a feeling we knew
Every light had a warning inside it
Every road was leading back to you

I kept the photos but lost the meaning
Kept the song but forgot the sound
Now I wake with a heart full of questions
And a silence I can’t turn down

Tell me are you somewhere
Under the same sky?
Do you ever look back
When the night drives by?

I have been running
But I don’t know what from
I have been searching
For the place we were one

Where did we go?
When the love became a shadow
I still feel you in the afterglow
But I can’t follow

Where did we go?
We were louder than tomorrow
Now I’m calling through the empty road
Just to find you

Where did we go?
Where did we go?
Where did we go?
I’m still trying to find you

Find you
Find you
I’m still trying to find you

Where did we go?
Where did we go?

There are nights when the city feels weightless
Like the streets are floating away
I see your face in the glass of a window
Then it fades before I can say

I was wrong I was scared I was human
I was holding a storm in my hands
You were love you were home you were shelter
I was too late to understand

Tell me are you somewhere
Under the same sky?
Do you ever hear me
When the waves rise high?

I have been running
But I don’t know what from
I have been searching
For the place we were one

Where did we go?
When the love became a shadow
I still feel you in the afterglow
But I can’t follow

Where did we go?
We were louder than tomorrow
Now I’m calling through the empty road
Just to find you

Where did we go?
Where did we go?
Where did we go?
I’m still trying to find you

Maybe we were not lost
Maybe we were changing
Maybe every goodbye
Has another name

If you hear me tonight
Through the static and rain
Leave a light in the dark
I would find you again

Where did we go?
When the love became a shadow
I still feel you in the afterglow
But I can’t follow

Where did we go?
We were louder than tomorrow
Now I’m calling through the empty road
Just to find you

Where did we go?
Where did we go?
Where did we go?
I’m still trying to find you

I hear your name
Under the noise
A distant flame
A broken voice

CREDITS
Performer: Luma Hollow
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Kaiser Tempo
Herr Casino

Verified Verified Artist

Herr Casino
Herr Casino, the enigmatic artist from Vienna, effortlessly blends the vibrant worlds of dance, disco, and electronic pop. With an uplifting energy that resonates through tracks like "Kaiser Tempo" and "Disco Machiavelli," his music invites listeners to revel in moments of joy and hope. Each song showcases his playful vocal identity, characterized by a male voice that carries a sense of infectious enthusiasm, making his work perfect for both lively dance floors and introspective evenings.

Across his catalog, Herr Casino's tracks are united by their energetic beats and evocative themes. Songs like "Kaiser Tempo" radiate happiness and inspiration, while "Disco Machiavelli" explores deeper emotional landscapes, balancing loneliness with uplifting melodies. This duality reflects his artistic vision, where joyous dance music meets introspective storytelling, creating a rich tapestry of sound that captivates and engages listeners. Whether you're looking to dance or reflect, Herr Casino's music provides the perfect backdrop for a variety of moods and moments.
Track(s)
Kaiser Tempo 53045 04:04
Disco Machiavelli (ft Miss Voltage) 46075 03:53

Kaiser Tempo

Herr Casino


Achtung
Herr Casino
Kaiser Tempo
No love story
No apology
Nur Rhythmus

He came in sharp
Black coat white face
Gold ring no name

One step two guards
Red wine fast cars
Cold smile big talk
Slow hands hard walk

Everybody said
Who is this man?
Nobody moved
Nobody ran

He smiled like a banker
Danced like a thief
Talked like a prince
With a knife in his sleeve

Kaiser Tempo
King of the room
Too much money
Not enough truth

Clickclick
Camera flash
Ticktick
Count the cash

Big talk
Small town
Lights up
Hands down

He don’t sing
He declares
He don’t love
He compares

Kaiser Tempo
Kaiser Tempo
He says yes
When the world says no

Kaiser Tempo
Kaiser Tempo
Velvet shoes
And a radio soul

Ohoh
Zu spät mein Freund
Ohoh
He never goes home

Kaiser Tempo
Kaiser Tempo
Everybody knows
But nobody knows

Hotel lobby
Three am
Same old story
New problem

Silver lighter
Foreign smoke
He tells the truth
Like it’s a joke

Listen darling
Life is a game
Change the rules
Then change your name

He signs the bill
With a fountain pen
Leaves no number
Comes back again

One hand waving
One hand cold
Too young to stop
Too rich to grow old

Clickclick
Camera flash
Ticktick
Count the cash

Big talk
Small town
Lights up
Hands down

He don’t run
He arrives
He don’t sleep
He survives

Kaiser Tempo
Kaiser Tempo
He says yes
When the world says no

Kaiser Tempo
Kaiser Tempo
Velvet shoes
And a radio soul

Ohoh
Zu spät mein Freund
Ohoh
He never goes home

Kaiser Tempo
Kaiser Tempo
Everybody knows
But nobody knows

In Vienna
They called him trouble

In Paris
They called him style

In Milan
They called him expensive

In Berlin
They just smiled

He said
Gentlemen
You can buy the ticket
But you cannot buy the entrance

Then the bass came in

Tempo
Kaiser
Tempo
Kaiser

No crown
No throne
Just a telephone

No heart
No fear
Just a mirror near

Tempo
Kaiser
Tempo
Kaiser

Talk fast
Walk slow
Never let the people know

Kaiser Tempo
Kaiser Tempo
He says yes
When the world says no

Kaiser Tempo
Kaiser Tempo
Velvet shoes
And a radio soul

Ohoh
Zu spät mein Freund
Ohoh
He never goes home

Kaiser Tempo
Kaiser Tempo
Everybody knows
But nobody knows

Achtung
The bill is paid
The room is empty
Kaiser Tempo
Has left the building

CREDITS
Performer: Herr Casino
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Paper Cup Summer
Mirov Saint

Verified Verified Artist

Mirov Saint
Meet Mirov Saint, everyone's favorite disco-spinning, beat-making connoisseur of all that is musical and funky. Hailing from a place as elusive as his name suggests, this maestro reigns from the far-flung utopia we like to call Saint Petersburg, crafting soundtracks that make our everyday lives feel like an enchanted fairy tale.

This genteel DJ, signed to Filodyo—shout out to them for recognising raw talent—works nightclub miracles, turning songs into disco-infused enchantments. His pièce de résistance? A cabaret dance cover of Romeo Vane's "Kiss Me When I'm Lying", of course. Because who needs a prince charming when you've got Mirov Saint remixing your life soundtrack?

Behind the decks, he becomes this alchemy wizard, transforming every beat into disco-gold, infusing happiness in every note. Take a gander at Mirov's Spotify. You'll think you've been transported to a Moscow underground disco in the 70s—a place where anxiety is unknown, and the mood is perpetually “Happy”.

So there you have it, folks. Mirov Saint, living proof that disco isn't dead, it's just been chilling in Saint Petersburg, waiting for one wizardly DJ to mix it back to life.
Track(s)
Paper Cup Summer 2278 03:18
Kiss Me When I'm Lying 231597 03:51

Paper Cup Summer

Mirov Saint


You left your scarf on my chair
Cheap red thread and summer air
I still fold it by the door
Like you might come back for more

And I know I know
It was never clean
But your name
Still shakes the seams

Paper cup summer
You still taste like that
Paper cup summer
Gone fast came back
I keep one small match
For the dark you made
Paper cup summer
Won't fade won't fade

Bus stop rain on your shoes
You laughed like you had bad news
In the park under the trees
You said "Don't make a promise to me"

And I know I know
We were shaking hard
Two wild hearts
In a borrowed car

Paper cup summer
You still taste like that
Paper cup summer
Gone fast came back
I keep one small match
For the dark you made
Paper cup summer
Won't fade won't fade

Now the corner store's closed early
The peach gum on your sleeve still hurts me
If I call would you hear my voice?
Or just the noise just the noise

Paper cup summer
You still taste like that
Paper cup summer
Gone fast came back
I keep one small match
For the dark you made
Paper cup summer
Won't fade won't fade

CREDITS
Performer: Mirov Saint
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

City of Us (ft Kairo)
Zion Vale

Verified Verified Artist

Zion Vale
Seismic, fresh, and ready to take the pop world by storm, Zion Vale is the windswept prodigy hailing from Manhattan's electric heartbeat. Illuminating the shadows of Indy Pop with a voice that sways between whispers and roars, Zion is the authentic, soul-penetrating force you didn’t know you were waiting for.

Kicking it back to their school days, Zion crossed paths with the musically gifted Kairo. What started as simple shared detention notes evolved into a collaborative crescendo—culminating in their standout track "City of Us". This song is Zion's self-proclaimed love letter to their city—a hopeful anthem designed to unite, inspire, and get stuck on repeat in your head.

Against a backdrop of sizzling city nights, Zion's brand of Pop - potent, playful, and undeniably infectious - has been getting Manhattan's less-grimy gutters humming. Imagine if Jupiter and Mars got together to jam: that's the level of celestial meeting of the minds we're talking about here, people.

With a charismatic blend of lyrical genius, Zion Vale is set to redefine what it means to be an independent artist. So keep one ear to the ground, because Zion is about to drop the beat that echoes the 'City of Us' and, trust us, you don't want to miss it.
Track(s)
City of Us (ft Kairo) 60643 05:04

City of Us (ft Kairo)

Zion Vale


Concrete and dreams underneath my feet
Grew up on these blocks where the cold and the warm meet
Didn't have much but I had this view
Rooftops and water towers skies painted blue
This city raised me made me who I am
Every subway line running through my veins

And I've been down I've been lost in these streets
But every time I fell this city caught me

(mm)

New York New York
I was made from your bones
Every scar on this city
Is a scar that I own
I have loved I have lost
On these streets made of stone
But I always — always
Find my way home

Harlem nights had nothing but a name
Told myself either make it or make it no game
Penthouse dreams from a fire escape view
This city don't love you till you prove something true
I've seen men fold under all this weight
But New York only opens up for those who wait

And I've been cold sleeping on ambition
But this city turned my hunger into vision
(yeah)

New York New York
We were made from your bones
Every scar on this city
Is a scar that we own
We have loved we have lost
On these streets made of stone
But we always — always
Find our way home

(ohhh yeah)
(home…)

They say the city never sleeps
(never sleeps)
But I've seen it quiet
At 4 AM when even the brave weep
(weep…)
And still — the lights stay on
(lights stay on)
And still — we carry on
(carry on…)
Because this city chose us
As much as we chose it
(mm)
Every broken dream here
Still has fire in it
(fire…)
(ohhhh)

New York New York
We were made from your bones
Every scar on this city
Is a scar that we own
(own it)
We have loved we have lost
On these streets made of stone
(these streets)
But we always — always
(always)
Find our way
(find our way)

Home
(HOME)
(ohhhhh)

New York…
(mm)
You never let me go
(never…)
And I never wanted you to
(fade)

CREDITS
Performer: Zion Vale
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Old Good Days
Calvin Ray Monroe

Verified Verified Artist

Calvin Ray Monroe
Say hello to Calvin Ray Monroe, Manhattan's disco dynamo and independent music's best kept secret. He's a man turning his flat into a vibrant vortex of vinyl, vintage beats and vivacious zest.

Calvin's music is a love letter to brighter, cheerier and simpler times. Tucked away in his cosy, compact Manhattan studio, he's crafting sparkling dance tunes that taste like sunshine straight from an 8-track. Layers of lush, lighthearted beats laid with a playful, witty flair that gives his music a delightful "Happy Hour" allure all day long.

"Old Good Days", his juggernaut track, is the kind of song that'll huff, puff, and blow your cobwebs away. It tiptoes the line between nostalgic and novel - a dance-off with the past, in the present. Monroe's sound will make you groove, throw your hands up, and boogie - loving life even in your living room.

So, ladies and gentlemen, bring out your disco shoes and shine up your bright moods—the dance-floor awaits you with Calvin Ray Monroe's tunes. Whisked up on a whirlwind of happiness, we guarantee you'll forget all about yesterday and probably tomorrow too. Such is the magic of Calvin—the kind that's rare, real, and quite remarkably his own.
Track(s)
Old Good Days 44136 03:13

Old Good Days

Calvin Ray Monroe


I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"

I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"

They want that old me back
Now that version in the past
When I was a young kid
I just wanted me a bag

On the corner with my people
In the middle of the night
Everybody moving careful
Just trying to make it right

Man I been hot
I been on my own thing
Riding with a Taurus
I was on some horoscope thing

All my people winning
Man we don't ever forfeit
Me and my people never moving on no weak stuff

I'm in this place with my woadies
I'm in this place with my homies
I'm in this place with the people
That really been down
And the ones that really been knowing me

I'm in this place with the people
That said they would ride for me
And the ones that would've stood with me

I'm in this place with the people
That told me I couldn't do it
But now I be doing me

I'm on a different type time
Girl you know I been on my grind
Tryna move all of my people up out the hood
Get 'em out of the bind

I know that all of my people got demons
But that's why I keep all my angels around
I told all my people
"If you hold me down
Then I'ma hold you down"

I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"

I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"

I was on the block
I was on the block
Tell 'em I was hot
And they tell me
"Brother
What about the old good days?"

I was on the block
Tell 'em I was hot
And they tell me
"Brother
What about the old good days?"

CREDITS
Performer: Calvin Ray Monroe
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Wake Up, Gary
Wrong Floor Cinema

Verified Verified Artist

Wrong Floor Cinema
Wrong Floor Cinema is a four-piece alternative rock band formed in 2025 by Orson Vell, Marlow Pin, Crispin Dayrate, and Niles Weatherby. The group came together through a series of badly organized rehearsal-room bookings, after repeatedly being assigned the same basement studio by mistake. They kept the name Wrong Floor Cinema because it matched their shared taste for overlooked places, awkward situations, and things that feel slightly out of sequence.

Their music blends sharp pop-punk guitars, dry spoken-sung vocals, clipped rhythms, melodic bass lines, and an offbeat sense of humor. Although their sound draws heavily from 1990s alternative rock, they avoid straightforward nostalgia, mixing that influence with modern production, restrained arrangements, and lyrics built around mundane frustrations, social discomfort, bad timing, and small personal disasters.

Orson handles vocals and rhythm guitar, Marlow plays lead guitar, Crispin plays bass, and Niles is on drums. Together, they have built a reputation for tightly controlled live performances that still feel unpredictable, balancing catchy melodies with deadpan delivery and a slightly detached stage presence. Wrong Floor Cinema sounds like a band that arrived late, entered through the wrong door, and decided to stay anyway.
Track(s)
Wake Up, Gary 60445 03:28
Never On The Line 32562 02:48
The Man Who Sold the Rain 33618 02:42

Wake Up, Gary

Wrong Floor Cinema


Gary’s got a corkboard on the bedroom wall
Red strings running from the big to the small
Says the moon’s a movie on a giant screen
“NASA hired Stanley back in ‘69” he’s keen

Won’t eat cereal with a barcode line
Reads expiration dates like secret signs
Says the pigeons blink in binary
Then whispers “Buddy… they’re watching me”

Every answer needs another question
Every fact becomes a new obsession

Wake up Gary what did you find?
Another secret hidden in your mind?
Lizard kings and laser skies
Birds with government eyes
Wake up Gary take a day off please
Not everything’s a global mystery
Maybe life is just… okay
But don’t tell Gary anyway

He says Elvis orders food at night
Bigfoot’s blurry on purpose right?
Paul was switched back in ‘64
“Look at the eyebrows!” — he’s got thirty more

Area Fifty-One’s a holiday camp
Atlantis powers every desk lamp
Chemtrails spell my middle name
And squirrels? “Yeah… they’re in the game”

Every headline proves his theory
Coffee makes him documentary

Wake up Gary what did you find?
Another secret hidden in your mind?
Lizard kings and laser skies
Birds with government eyes
Wake up Gary take a day off please
Not everything’s a global mystery
Maybe life is just… okay
But don’t tell Gary anyway

Yesterday he called at half past two
Said “I’ve got something huge for you!”
I held my breath… this must be big…

“They changed the shape… of Pringles lids”



He wasn’t joking

Wake up Gary what did you find?
Another rabbit hole to pass the time?
Flat Earth aliens secret files
He can talk for seventeen miles
Wake up Gary you’re one of a kind
You make conspiracy sound sublime
If the truth comes out one day
We’ll let Gary say “I told you mate!”

CREDITS
Performer: Wrong Floor Cinema
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

The Fridge Is Takin...
Funny Harry

Verified Verified Artist

Funny Harry
Hailing from the vibrant streets of Copenhagen, Funny Harry has carved out a distinctive niche in the alternative pop scene, effortlessly blending whimsical narratives with thought-provoking themes. With a catalog that includes tracks like "The Fridge Is Taking Her Side," Harry's music embodies an eclectic mix of calmness and playful mystery. The lyrics often dance around the mundane, transforming everyday objects and interactions into poignant reflections on loneliness and connection. This creative alchemy was born in the city's cozy cafes, where Harry first collaborated with friends from art school, merging their diverse influences to create a sound that feels both fresh and deeply familiar.

As Harry continues to evolve, each track reveals layers of emotional resonance and sonic experimentation. The interplay of light and shadow is masterfully executed, inviting listeners into a world where the ordinary becomes extraordinary. With an approach characterized by introspective storytelling and innovative arrangements, Funny Harry captures fleeting moments of life through a kaleidoscope of calm melodies and vibrant rhythms. Whether exploring themes of melancholy or stitching together playful anecdotes, the artist leaves an indelible mark on the listener, inviting them to embrace the mystery hidden within everyday experiences.
Track(s)
The Fridge Is Taking Her Side 20625 02:52

The Fridge Is Taking Her Side

Funny Harry


At 2:17 the refrigerator cleared its throat
I said “Don’t start”
It started

The kettle only sings for one
The toaster burns my alibis
Your coffee cup is upside down
Like it has closed its little eyes

I bought a cactus for morale
It quit on Tuesday night
The landlord says the pipes are fine
The fridge is taking your side

Every appliance has an opinion
Every opinion sounds like you
The freezer hums through cross-examination
I plead the fifth and eat for two

The washer handed back one sock
As proof I can’t be trusted
The vacuum found your silver hoop
Then parked itself disgusted

I tried to cook that thing you liked
The smoke alarm performed the lead
I took a bow it took the battery
A fair review I must concede

“Did you call her?”
No

“Will you call her?”
No

“Are you lying?”
Next question

“Who are you talking to?”
The refrigerator

Every appliance has an opinion
Even the clock has joined in too
The freezer hums for the prosecution
And I still cook enough for two

Your note is folded under pears
I read it only when they spoil
The final line says “Please be well”
As if well came wrapped in foil

At dawn the motor settles down
The whole flat loses its nerve
I almost miss our little war
Then hear the ice tray say one word:

“Call”

Mind your own business

At 2:18 it cleared its throat again
I moved it three inches from the wall
We are no longer speaking

CREDITS
Performer: Funny Harry
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Pieces Of Tomorrow
Glass Orchard

Verified Verified Artist

Glass Orchard
Glass Orchard: underdogs from Iceland's burgeoning musical arena, who've taken indie beats and songwriting to a whole new Frosty level. Headed by a commanding male lead supported by a dynamic duo of keyboardists, they're melting all sorts of icy musical conventions.

Born under the northern lights of Reykjavik, they're often joked as the "fruity version" of Sigur Rós. Our main man pulls emotional threads like a seasoned weaver, belting out raw, hearty verses that contrast blissfully against the soft twinkling of the keyboards, played by our male-female dynamic duo. And boy, do they peel back the layers!

Their most noteworthy track, "Pieces of Tomorrow", tantalizingly teeters between radio-friendly pop and their native avant-garde sound. It’s like biting into an enchanted apple; filled with textured layers of auditory delight. Get ready to chomp down to get a taste of the future through their fresh, clairvoyant tunes.

Once you've had a bite of Glass Orchard, you'll understand why Iceland's not just famous for their geysers and quirky mayor. Much like their namesake, they reflect a myriad of perspectives under one musical roof. Sweet, tangy, and reliably crisp, Glass Orchard’s music serves us delicious pieces of tomorrow, today.
Track(s)
Pieces Of Tomorrow 77950 04:43

Pieces Of Tomorrow

Glass Orchard


I remember
Little pieces
Little pieces
Of tomorrow

I woke up in a moving city
With your message on my phone
Saying nothing lasts forever
But I hate the word alone

There were faces in the window
There were names I couldn’t place
I was dancing through the morning
Trying not to see your face

I don’t wanna fall back
I don’t wanna fade out
I don’t wanna stand still
Waiting for the same sound

If the night is broken
Let the beat repair it
If my heart is open
I’m not scared to wear it

Piece by piece
I come alive
Little lights
Inside my mind

Beat by beat
I feel the fire
You were gone
But I got higher

Piece by piece
I’m not the same
I lost you once
But found my name

Oh-oh-oh
I come alive
Piece by piece
I come alive

Come alive
Come alive
Piece by piece
I come alive

Come alive
Come alive
Little pieces
Of tomorrow

I kept walking through the static
With my shadow next to me
Every heartbreak has a rhythm
If you let the body breathe

I was more than what you left with
More than tears on bathroom tiles
Now the bassline pulls me forward
And I’m learning how to smile

I don’t wanna fall back
I don’t wanna fade out
I don’t wanna stand still
Waiting for the same sound

If the night is broken
Let the beat repair it
If my heart is open
I’m not scared to wear it

Piece by piece
I come alive
Little lights
Inside my mind

Beat by beat
I feel the fire
You were gone
But I got higher

Piece by piece
I’m not the same
I lost you once
But found my name

Oh-oh-oh
I come alive
Piece by piece
I come alive

Maybe love is not a place
Maybe home can change its shape
Maybe all the things we lose
Turn into another way

I don’t need the past to call
I don’t need the door unlocked
I can be the one who breaks
And still becomes the song

Piece by piece
I come alive
Little lights
Inside my mind

Beat by beat
I feel the fire
You were gone
But I got higher

Piece by piece
I’m not the same
I lost you once
But found my name

Oh-oh-oh
I come alive
Piece by piece
I come alive

I remember
Little pieces
Little pieces
Of tomorrow

Piece by piece
I come alive

CREDITS
Performer: Glass Orchard
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00
HOT TRACK

Il Punto Piu Vivo
Milo Sartini

Verified Verified Artist

Milo Sartini
Milo Sartini grew up near Italy’s Adriatic coast in a family where meals regularly became debates and kitchen utensils often became percussion instruments. That lively upbringing shaped an artist drawn to movement, language and the small absurdities of everyday life. His music combines quick-witted Italian storytelling with muscular funk bass, Mediterranean percussion and contemporary pop production.

Sartini studied cultural anthropology at the University of Bologna, focusing on music, public space and the rituals that bring strangers together. He later trained in contemporary composition, arrangement and studio production at a private music institute in Milan. His academic background still informs his work: every rhythm has a social purpose, every instrument enters for a reason, and humour is treated as seriously as melody.

His debut single, “Il Punto Più Vivo,” introduces Sartini as a singer, producer and observant narrator with an instinct for turning ordinary scenes into kinetic music. His delivery moves naturally between singing and rhythmic speech, supported by precise percussion, brass accents and tightly controlled electronic production. Intelligent without becoming academic and playful without becoming novelty, Milo Sartini makes pop music that notices how people actually live.
Track(s)
Il Punto Piu Vivo 865 04:08

Il Punto Piu Vivo

Milo Sartini


Uno viene dal porto
Uno scende dal tram
Una ride da sola
Uno non sa dove va

Ma il tamburo li chiama
Senza chiedere chi sei
Questa sera la strada
Ha più nomi di noi

C’è chi arriva con tre parole
Chi ne porta tremila
Chi cucina sopra un balcone
Chi ripara una bicicletta

C’è una radio dietro una porta
Che trasmette da chissà dove
Una nonna detta la danza
A una banda di ventenni

Il tassista perde il turno
Per seguire quel contrabbasso
Un bambino batte il tempo
Con due cucchiai sopra un piatto

Nessun palco nessun padrone
Nessun posto riservato
Quando il ritmo prende la piazza
Ogni nome viene chiamato

Vieni qua
Non serve sapere perché
Vieni qua
Porta soltanto quello che c’è

Questo è il punto più vivo
Dove tutto fa tum tum
Dove il nord incontra il sud
E nessuno resta più

Questo è il punto più vivo
Mani in alto giù di nuovo
Se la terra gira ancora
Questa notte gira con noi

Tum tum gira con noi
Tum tum gira con noi
Ogni lingua cambia il suono
Ma il battito dice: noi

Una cuoca lascia il grembiule
Per un passo mezzo sbagliato
Un avvocato molto serio
Fa qualcosa mai studiato

Due turisti senza mappa
Hanno perso la prudenza
Una coppia che litigava
Ora balla la stessa frase

C’è chi viene per curiosare
Chi domani deve partire
Chi ha promesso “solo un minuto”
Ed è ancora qui alle tre

Non importa da quale tavolo
Da quale treno o quartiere
Siamo pezzi senza istruzioni
Che funzionano tutti insieme

Vieni qua
Non devi assomigliare a me
Vieni qua
Porta il tuo modo di stare in piedi

Questo è il punto più vivo
Dove tutto fa tum tum
Dove il nord incontra il sud
E nessuno resta più

Questo è il punto più vivo
Mani in alto giù di nuovo
Se la terra gira ancora
Questa notte gira con noi

Tum tum gira con noi
Tum tum gira con noi
Ogni lingua cambia il suono
Ma il battito dice: noi

Dimmi come batti il tempo
Con il palmo o con il mento
Con le scarpe sul cemento
Con un fiato preso al volo

Uno due — non basta ancora
Tre quattro — viene l’aurora
Cinque sei — cambia la storia
Sette miliardi nella stessa gola

Io dico: vicino
Tutti: più vicino

Io dico: più forte
Tutti: fino al mattino

Io dico: chi siamo?
Tutti: quelli che arrivano

Io dico: dove siamo?
Tutti: dove le cose cominciano

Questo è il punto più vivo
Dove tutto fa tum tum
Dove il nord incontra il sud
E nessuno resta più

Questo è il punto più vivo
Ogni passo trova il modo
Se la terra gira ancora
Questa notte gira con noi

Tum tum gira con noi
Tum tum gira con noi
Non c’è un centro sulla carta
Il centro siamo noi

Uno torna verso il porto
Uno aspetta ancora il tram
La mattina prende nota
Di chi non si fermerà

Tum tum
Il centro siamo noi
Tum tum
Il centro siamo noi

CREDITS
Performer: Milo Sartini
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

No Replay
Mara Vey

Verified Verified Artist

Mara Vey
Mara Vey is a pop and electronic vocalist whose songs pair clear melodic writing with sleek dance production and emotionally direct storytelling. Her sound moves between modern dance-pop, refined house rhythms and intimate electronic textures, giving reflective themes an immediate radio-ready lift.

She writes about self-respect, changing patterns and the private decisions that reshape everyday life. Rather than turning heartbreak into spectacle, Mara focuses on the moment a person chooses clarity, sets a boundary and keeps moving.

“No Replay” captures that approach through a warm deep-house pulse, precise female vocals and a chorus built around leaving the past where it belongs. Its confident energy balances emotional honesty with a polished, forward-moving groove.

Mara Vey’s music is designed for late drives, crowded rooms and solitary resets alike—melodic, clean and direct, with hooks that stay memorable without losing their meaning.
Track(s)
No Replay 65756 03:07

No Replay

Mara Vey


One more message then I let it go
No hard feelings just a different road

You send a question past a quarter two
I read it twice but I already knew
We kept a habit long beyond its use
Now every answer feels like an excuse

I don't need a perfect ending
I just need a line that's true

No replay no replay
We can leave it where it changed
No replay no replay
I won't trade my peace for yesterday
Keep the good release the weight
No replay no replay

No no no replay
No no no replay

Friends keep asking if I miss the sound
I miss who I was when you came around
But missing isn't an instruction now
I know the exit and I know it counts

I don't need a perfect ending
I just need a line that's true

No replay no replay
We can leave it where it changed
No replay no replay
I won't trade my peace for yesterday
Keep the good release the weight
No replay no replay

Maybe closure isn't something said
Maybe it's the choice to step ahead
No villain no score no debt to pay
Just two people choosing separate ways

No replay no replay
We can leave it where it changed
No replay no replay
I won't trade my peace for yesterday
Keep the good release the weight
No replay no replay

No hard feelings no replay
I choose peace and walk away

CREDITS
Performer: Mara Vey
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Small Parts Of A Life
Minor Museum

Verified Verified Artist

Minor Museum
Coming from the city renowned for its artistic heritage and atmospheric canals, Amsterdam's very own dance duo, Minor Museum, is stitching the 'dance' in windswept tulip dances. A peculiar mashup of a coding whizz and an astute accountant, their paths crossed in a city awash with creativity, where they started to craft their celebratory anthems.

These audacious lads prove there's a splash of quirkiness in everyone - even in number-crunching accountants and binary code aficionados. Plug into their latest riff on the dance genre, the vibrant tune 'Small Parts Of A Life', and it can't help but be a day brightener, providing that happy fix faster than a Dutchman can cycle into a headwind.

In the grand tradition of long summer days by the North Sea, their music fosters a joyful dynamism, reminiscent of the old city's vibrancy and hues at twilight. The Minor Museum experience is akin to taking a ride in a rickety Amsterdam canal boat - feel-good bobbing with a dash of exhilaration, minus the water sprays.

Allow the men of Minor Museum to reel you in; after all, what's life without those precious ‘small parts’ tracked through infectious beats? In the end, it's all about adding the grooves between the historical facts and tax returns, isn't it?
Track(s)
Small Parts Of A Life 48880 04:03

Small Parts Of A Life

Minor Museum


Small parts
Small parts
Of a life

I keep them
I lose them
I try

A room
A chair
A photograph there

A train
A face
A wrong suitcase

You said
Be careful
I said
Of what?

The door was open
The clock had stopped

I remember the street
But I don’t remember the name
I remember your coat
But I don’t remember the rain

Little things
Little signs
Little cuts
In the time

I was almost someone
I was almost fine

La-la-life
In small little pieces
La-la-life
It comes and it leaves us

Round and round
I go where the feeling goes
Up and down
Nobody really knows

La-la-life
In small little pieces
I lose myself
Then I repeat it

La-la-life
La-la-life
Small parts
Of a life

Small parts
Small parts
Small parts
Of a life

La-la-life
La-la-life
I repeat it
I repeat it

A call
No sound
A hotel downtown

A shirt
A lie
A very blue sky

You smiled
Too late
I missed my fate

The lift went up
I stayed at eight

I remember the song
But I don’t remember the band
I remember your mouth
But I don’t remember your hand

Little rooms
Little lights
Little debts
Little nights

I was almost happy
I was almost right

La-la-life
In small little pieces
La-la-life
It comes and it leaves us

Round and round
I go where the feeling goes
Up and down
Nobody really knows

La-la-life
In small little pieces
I lose myself
Then I repeat it

La-la-life
La-la-life
Small parts
Of a life

This is not sadness
This is inventory

One ticket
One number
One glass
One morning

This is not memory
This is machinery

I press play
I press stop
I press repeat

La-la-life
La-la-life

Small parts
Small parts

La-la-life
La-la-life

I repeat it
I repeat it

La-la-life
In small little pieces
La-la-life
It comes and it leaves us

Round and round
I go where the feeling goes
Up and down
Nobody really knows

La-la-life
In small little pieces
I lose myself
Then I repeat it

La-la-life
La-la-life
Small parts
Of a life

A room
A chair
A photograph there

Small parts
Small parts
Of a life

CREDITS
Performer: Minor Museum
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

New York, I Loved You
Asha Monroex

Verified Verified Artist

Asha Monroex
Asha Monroex, a New York native, is a self-made artist carving out her own niche in the world of Independent Pop. Best known for her hit single "New York, I Loved You," Monroex is as much a part of the city's fabric as its yellow taxis and insomniac lifestyle.

A craftswoman of melancholic melodies, Asha's artistry spirals on downbeat rhythms and swirls of synth-driven soundscapes that resonate with her heartfelt lyricism. She's the type of artist who pens her poignant prose amidst the organized chaos of her Lower East Side apartment, making her music feels as personal as being let in on a closely guarded secret.

Inherently prolific, Monroex is a master at evoking emotional responses with her emotionally charged tracks. She captures the long teary taxi rides home and 3 am heartbreak with a quiet grace and majesty that far surpasses her fellow indie pop peers. Her melodies come through not as songs, but as anthems for those who've experienced love and loss in the city that never sleeps.

Always genuine and undeniably relatable, Asha endears herself to her listeners by turning sorrow into swagger, one resonating note at a time. Her music isn't just a catalogue of songs; it's a journey through the ups and downs of life in the big city, wrapped up in a soulful pop package. And trust us, once you're on this ride, you're not going to want to get off.
Track(s)
Borrowed Cutlery 3021 04:22
New York, I Loved You 57997 04:42

New York, I Loved You

Asha Monroex


Seventh Avenue 2 AM
You had your jacket on I had nowhere to be then
Yellow cabs blurring past the rain
You said my name like it was something you wanted to keep
Rooftop views and corner store wine
You made this city feel like it was only mine
But New York doesn't stop for anyone
And neither did you when you were done

I still hear the subway underground
Every time I'm trying not to think about
The way you laughed when the lights went out

New York I loved you
But I loved him more
And he left like the L train
Through a closing door
I still got the skyline

I still got the rain
But baby loving you was my
Most beautiful pain

Brooklyn bridge on a Saturday
You took my picture like you planned to stay
I framed it hung it on the wall
Took it down in November when the leaves would fall
You were Harlem jazz at midnight
I was trying to be your home
But some men love a city
More than they'll ever love you alone

I still walk the same blocks we used to share
Turn the corner half-expecting you'd be there
(yeah…)
But the city just stares
(just stares…)

New York I loved you
But I loved him more
And he left like the L train
Through a closing door
I still got the skyline
I still got the rain
But baby loving you was my
Most beautiful pain
(most beautiful…)

This city taught me everything I know
How to hold on
(hold on)

How to let go
(let go)
How to stand in the middle of a million souls
And still feel whole
(feel whole…)
New York didn't break me

He just set the scene
(mm)
And I was never really lost
I just hadn't found me
(found me…)
(ohhhh)

New York I loved you
(loved you)
And I love me now
(now)
Traded in the heartbreak
For my own vow
(yeah)

Still got the skyline
Still got the rain
(the rain…)
And baby — that pain
Made me everything
(everything…)
mmmh…

CREDITS
Performer: Asha Monroex
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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