Skye is a Korean-born pop sensation who now calls California her home. With a voice that blends vulnerability and power, she quickly rose from uploading covers in her bedroom to headlining stages across the West Coast. Inspired by both K-pop precision and Western pop freedom, Skye creates a hybrid sound that defies borders.

From heartbreak anthems to confident bangers, her lyrics speak to a generation raised on contradictions — soft yet strong, bold yet uncertain. Having trained in Seoul during her early teens, she carries the discipline of her roots while embracing the expressive energy of LA's music scene.

Often dubbed the “Pop Queen of Both Worlds,” Skye’s performances are emotional rollercoasters filled with glitter, synths, and raw truth. She’s not just building a fanbase — she’s building a movement.

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Get your dancing shoes on and your party hats ready–here comes Party Starters, Canada's dynamite DJ duo primed to kick-start your weekend. Sending electronic pulses through the Maple Leaf country's veins, these two lads have nailed the happy-go-round ride of the dance genre.

The duo, known for their contagious beats, hail from the frosty yet fiery streets of Toronto. Putting the 'art' in 'party', they're no strangers to the late-night club scene, often seen spinning grooves till the break of dawn like caffeine-fuelled squirrels on a workout wheel. And while these gents are the core of the group, they also collaborate with several vocalists, adding that sprinkle of pizzazz on top. One such partnership gifted the world with their touted masterstroke, "Last Chance"—a euphoric anthem that would make even the gloomiest Gus tap his foot.

With "Last Chance," and its soul-stirring female vocals, Party Starters remind us that every party, every moment is a 'last chance' to let loose and celebrate life. And they aren't about to let us forget it. Their music is a shot of happiness delivered straight to your eager eardrums, wrapped in a rhythm too intoxicating to resist. So, next time you're looking for a good time, remember, Party Starters is always ready to hit 'play' on your fun.

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Scoot over, Marley, there’s a new reggae sheriff in town. Straight from the sunny sidewalks of Kingston, Jamaica, the Dreadlock Boys are laying down fresh beats in the reggae scene.

This pair of plaited prodigies isn't your grandma's reggae. Combining traditional roots rhythms with just a hint of ska spice and a not-so-subtle sprinkle of dancehall energy, these boys aren't just playing by the book – they’re writing their own. And don't let that laid-back island vibe fool you; these guys are as serious about making you laugh as they are about perfecting the offbeat.

Their standout single "Riddim of Peace" might just be the happiest jam this side of Montego Bay. With its earworm melody and bouncy bassline, it’s as infectious as a belly laugh in a silent library. It's the kind of track that leaves the grumpiest of gurners grinning like a Cheshire cat at an all-you-can-eat fish buffet.

So come, sit, and sway to the soothing sounds of the Dreadlock Boys. They'll be your pint-sized purveyors of peace, your lyrical lifesavers when the going gets tough. After all, joy does come in the morning and the Dreadlock Boys are here to serve it up with a side of reggae, none of those nasty grimaces, thank you very much.

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Wade Hollis doesn’t chase the spotlight — he moves through the world like a shadow at dusk, quietly carving songs out of silence and sand. Born somewhere between the border towns of New Mexico and West Texas, he grew up surrounded by static-filled radio, motel ceilings, and the hum of distant freight trains.

His voice is weathered, like desert wood — raw, honest, and unpolished. Every lyric he writes feels like a road he’s driven a hundred times and still doesn’t fully understand. There’s no big team behind him, no hometown hero narrative. Just a guitar, a gravel road, and the ache of never quite belonging.

Hollis doesn’t stream anywhere else. His music lives exclusively on Filodyo and NOT FM, like postcards from a place most people drive past but never stop to feel. If you’ve ever stared out of a car window at 2 a.m. and felt both free and completely lost — you’ve already heard Wade Hollis, whether you knew it or not.

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Born in 1996 in Antwerp, Belgium, Dennise began her creative career not as a singer, but as a voice-over artist. With a warm, expressive tone and remarkable control, she became a sought-after voice in commercials, audiobooks, and animated films across Europe. For years, her voice was instantly recognizable, even if her face stayed out of the spotlight.

Music had always been quietly present in her life. Between recording sessions, she would write melodies and lyrics, experimenting with harmonies and vocal textures in her small home studio. Her path into music took a decisive turn when Filodyo producer Hakan E. heard one of her demos and invited her to record an original track.

Since that moment, Dennise has worked exclusively with Filodyo, creating songs that combine her precise vocal technique with a modern pop sensibility shaped by European dance rhythms. Guided by Hakan E.’s production, her tracks carry both the polish of a seasoned professional and the intimacy of a storyteller.

Outside the studio, Dennise is an avid cyclist and urban wanderer, often finding lyrical inspiration on her rides through city streets and coastal paths. For her, music is simply another way to tell a story — but now, her voice takes center stage.

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Where Parisian glamour meets electro-pop dance diva, you'll find the enchanting artist, Manon Vallois. Traipsing down a yellow brick road of pulsing beats and bold impressions, Vallois' irresistible tunes are the epitome of joy and joie de vivre.

This delightful, quirky Parisienne is the lovechild of the City of Love's rich artistry and throbbing nightlife, a lass always found a hop, skip, and pirouette away from the nearest beat drop. With her signature track, "My Dreaming Life", Vallois provides the escapism we all need from time to time. She takes listeners on a whimsical journey, backed by high-energy rhythms and melodies that would make even the Eiffel Tower shake its steel self, setting hearts aflutter quicker than you can say "Croissant".

Vallois' music is the couture of the dance genre—handcrafted, energetic, and unafraid to be avant-garde. Each beat an homage to Paris, the pulsing rhythm of her home injected into pulsating electro melodies. Yet, no matter how vivacious her bass line or infectious her hook, it's the inherent optimism in her music, the joy she infuses in every track that transforms listeners into undeniably happy dancers—a task only possible by someone as enchanting as Manon Vallois.

Afterall, Vallois is not just a sonic maven, she's essentially happiness personified. The dictionary people are just slackin' by not placing her picture beside the word 'happy' by now. So, if you're feeling downhearted, just press play on a Manon Vallois track and dance like a Parisian; it's the quickest route from gloom to groove central.

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A hidden gem in the bustling indie music world, Dani T is so underground you'll need a shovel to find him. Born among the spinning disco balls of Transylvania, Romania, this mirthful music alchemist knows how to glitter in the dark.

With his effervescent concoction of synth-laden dance beats, Dani T brings the Transylvanian nightlife to your speakers of choice. His infectious track, "One More Day," is just like garlic to a vampire—utterly irresistible and heating up dancefloors faster than Dracula racing to his coffin at sunrise.

Dani T's talent lies in his ability to infuse his tracks with a joy so potent it could charm a sullen ghoul out of a funk. His music doesn't just evoke happiness—it practically puts it on steroids, glitters it up, and sends it spinning out into the world with a bass-pounding emphasis.

The ghosts of Dani T’s concert crowd may lack a pulse, but trust us, they know how to party. So why stake your heart on mainstream artists when you can sink your teeth into Dani T’s deliciously diverse dark dance tracks? Hop on the next night train to Transylvania, and give Dani T's music a fangtastic whirl.

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Formed in the late 2010s, Wires and Petals is a producer duo that blends intricate electronic sound design with emotional songwriting. Hailing from Lyon, France, the two longtime friends—Julien Moreau and Armand Lefèvre—first bonded over a shared obsession with underground house records and modular synthesizers.

Their name, Wires and Petals, reflects the duality in their music: wires for the technical, machine-driven side of production, and petals for the organic, poetic sensitivity they bring into their melodies and lyrics. The result is progressive house that feels both intimate and expansive—ideal for quiet headphone journeys or sunrise festival moments.

Known for their reflective male vocals processed into lush vocal chops, their tracks slowly evolve through layered arpeggios, textured pads, and deep, hypnotic grooves. They’ve been described as “emotional architects of the dancefloor,” carefully crafting transitions that build tension and release with elegance.

Beyond the studio, Julien and Armand are known for their warm personalities and playful approach to collaboration. Whether they’re joking around in the studio or testing new tracks in front of small club crowds, Wires and Petals carry an authenticity that sets them apart from many of their contemporaries. With each release, they aim to push the boundaries of progressive house while staying true to their philosophy: music that moves both the body and the heart.

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“If it doesn’t ask questions, it’s not music.”

LYA (pronounced “Lie-uh”) is a genre-defying artist from Berlin whose roots stretch from conservatory string quartets to the depths of fog-drenched warehouse raves. A classically trained violinist who once performed Vivaldi at age nine, she left formal music behind in her early 20s to pursue something more fractured, more real. What emerged was a sound as delicate as it is defiant—where harpsichords coexist with 2-step beats, and questions matter more than answers.

Her music exists in a liminal zone: somewhere between dance and disassociation, pop and poetry, cathedral and club. LYA often weaves spoken-word passages into her songs, transforming internal monologues into melodic mantras. Vocals—sometimes her own, sometimes spliced and AI-shifted—glide over textured layers of cello, muted synths, and ambient distortion. Think: if Imogen Heap grew up listening to Burial and wrote haikus in code.

LYA’s debut EP “Syntax of Sleep” was a quiet cult success among insomniac circles on Bandcamp, praised for its “introspective maximalism.” Her live sets, often accompanied by generative visuals and interactive lighting that reacts to audience movement, blur the line between concert and hallucination. She isn’t afraid of silence, nor of noise. Both, to her, are forms of rhythm.

LYA doesn’t write songs to explain. She writes them to wonder. “What’s It Made Of?”—her latest single via notfm—isn’t just a title. It’s a dare. A whisper in the hallway between thoughts. A reminder that meaning isn’t always the point.

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Camila Reyes was born in Seville, Spain, in 1992, and has spent most of her life surrounded by the vibrant rhythms and colors of Andalusia. By profession, she is a skilled ceramic artist, known for her intricate hand-painted tiles inspired by Moorish patterns and flamenco motifs. Her work has been exhibited in boutique galleries across Spain, yet music has always been her truest form of self-expression.

Raised in a family where boleros and rancheras echoed through the kitchen, Camila began singing at small local gatherings, blending traditional Latin folk with her own soulful touch. Over the years, her voice became a bridge between the streets of Seville and the broader Latin diaspora, carrying both joy and melancholy in every note.

Today, Camila records all of her music exclusively for Filodyo, preserving an intimate connection with her listeners. Her latest release, Ya No Me Duele, is a testament to resilience and emotional rebirth, capturing the strength of moving on without bitterness.

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Yuna Lee is a rising K-Pop solo artist whose magnetic voice and vibrant style are capturing hearts across the globe. Born and raised in Seoul, she grew up surrounded by music, blending traditional Korean influences with the modern pop and R&B sounds she discovered online. Her artistry reflects both her cultural roots and her forward-looking vision, creating songs that are as emotionally resonant as they are irresistibly catchy.

Her debut single, Golden Run, is a high-energy anthem that fuses shimmering synths, punchy beats, and uplifting melodies. The track captures Yuna’s fearless spirit—celebrating ambition, self-belief, and the unstoppable momentum of chasing one’s goals.

Available exclusively on Filodyo, Golden Run introduces Yuna Lee as a fresh and dynamic voice in the K-Pop scene. With her powerful performances and captivating stage presence, she is set to become one of the most exciting new names to watch.

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Say hello to Erica, a gem unearthed from the misty fjords of Bergen, Norway, serenading the world with her dance tunes. This synth-swirling belter could make a sardine shimmy with her infectious energy.

Growing up with classical piano lessons under Norway's perpetual drizzle, Erica found her musical identity sandwiched between her mom's Edith Piaf records and the emotional pull of her dad's synth fascination. While most 16-year-olds are busy amassing Instagram followers, Erica channeled her teenage angst into penning down her first song. It never saw the light of day, but listen closely at her concerts and you might hear her hum those nostalgic notes.

Erica shifted her base to the bustling streets of Berlin at 23, transitioning from a street musician to minimalist stages with a poise that could make Madonna go green. Her biggest hit has to be "DNC", a song that will make your feet tap and heart flutter before you even realize. Ever seen a packed room fall silent? Attend an Erica gig, as her whispers hush the room, except for that one guy always clapping off-beat.

Straddling both cheerful and profound, Erica's music echoes her journey. Dancing through life, one synth-filled melody at a time, she's proving that you can take a Norwegian out of the rain, but you can't take the rhythm out of the girl.

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Meet The Blackouts: a vibrant rock quartet, hailing from America's city of all-nighters – Las Vegas. Armed with hopeful melodies and a thumping backbeat, they're your personal cheerleaders in the game of life.

Made up of charismatic front-man, Johnny "Nightlife" O'Reilly, dynamite drummer Tommy "Percussion" Knox, maverick bassist Ricky "Heartbeat" Steele and fiery guitarist Jimmy "Riffmaster" Adams, The Blackouts have been belting out rock anthems in the spirit of the 80s, but with a refreshing 21st century twist. O'Reilly's vocals may reminisce of a neon-tinted past but trust us, they've got their boots firmly planted in today's grit.

Their anthem, "Oh, Back Then" epitomizes their message — a nostalgia-infused ballad that somehow makes you want to throw back a shot of hope with a chaser of rock rebellion. When you're feeling low, The Blackouts are the human equivalent of the Vegas Strip: colorful, loud, and almost annoyingly optimistic.

Under contract with Filodyo, they're potentially the smallest act to ever hold residency in shopping mall speaker systems nationwide. But hey, if The Blackouts can make your grocery run feel like a concert, they're doing something right. Here's to them, turning life's mundane moments into a cause for celebration. Rock on!

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Mark Martian is one of the most elusive figures in the music world, and his mysterious persona has left many fans wondering—could he really be from Mars?

Known for using the alias Martian Mark during his collaborations, this enigmatic producer has somehow managed to evade the spotlight completely. No interviews, no photos, no videos—Mark is practically a ghost. Some say it’s part of his brand, while others speculate wildly. Who knows?

Maybe while Elon Musk dreams of building colonies on Mars, Mark’s already here, quietly making beats after hitching a ride from the Red Planet’s first neighborhood.

Despite the secrecy surrounding him, one thing’s clear: Mark’s music speaks volumes. His deep house tracks pulse with interstellar vibes, his pop productions are out-of-this-world catchy, and his funk grooves are, well, otherworldly.

Whether he’s blending cosmic synths with soulful beats or dropping funk-infused rhythms, his style keeps listeners hooked and guessing. You can hear his work across platforms, but his music truly shines on Filodyo, where you might catch the next great Martian anthem—if he doesn’t beam it up first.

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Ryder James is a rising pop-soul artist whose warm vocals and timeless style bridge the gap between classic soul storytelling and modern pop production. With a voice that carries both grit and grace, he creates songs that feel instantly familiar yet refreshingly new.

His debut single, Static on the Line, is a captivating blend of heartfelt lyricism and smooth, groove-driven instrumentation. Produced by Filodyo and released exclusively on NOT FM, the track showcases Ryder’s ability to turn everyday moments into powerful musical narratives.

Raised on a steady diet of soul legends and contemporary pop innovators, Ryder brings authenticity and emotional depth to every performance. Static on the Line is more than just a song—it’s an introduction to an artist who is here to connect, move, and inspire listeners worldwide.

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The Absents are a four-piece synth-pop and modern disco-pop band hailing from Brighton, on the south coast of the United Kingdom. The lineup consists of Elliot Kane (vocals), Ryan Whitford (keyboards & production), Callum Price (bass guitar & synth bass), and Jamie Harlow (guitar & backing vocals). The four met in 2018 at a local music festival, where a late-night jam session revealed a shared passion for blending the melodic elegance of 80s synth-pop with the energy and polish of modern pop production.

Deeply influenced by the infectious hooks and emotive energy of Erasure, The Absents quickly began writing together, crafting songs that pair bright synth textures with tight bass grooves and subtle funk undertones. Their early rehearsals took place in a modest studio near Brighton’s seafront, a space that soon became their creative sanctuary and the birthplace of their signature sound.

In 2019, the band released their debut single, which found its way onto local radio playlists and began circulating through London’s club scene. Known for their vivid light shows, charismatic stage presence, and danceable, high-energy sets, The Absents built a reputation as one of the most exciting new acts in the UK’s pop landscape.

Today, The Absents continue to bridge nostalgia and modernity, reaching audiences far beyond the British Isles. Elliot’s commanding yet soulful vocals, Ryan’s shimmering synth arrangements, Callum’s deep, driving grooves, and Jamie’s melodic guitar lines come together to create a live experience that is as unforgettable as it is electrifying.

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Ayvenn was born and raised in Clearwater Heights, a quiet hillside town in Georgia where music wasn’t just background noise — it was how people coped, celebrated, and remembered. From Sunday gospel choirs to late-night Latin radio, the sounds around him shaped a boy who rarely spoke, but always listened. In silence, he learned to interpret the world. And when he began writing lyrics, it wasn’t about performance — it was about decoding feelings he couldn’t name.

Fusing Pop and R&B with understated Latin textures, Ayvenn crafts music that feels more like film than formula. His voice is warm, restrained, and precise — a narrator of emotional undercurrents rather than explosions. Each track unfolds slowly, deliberately, like memories coming into focus. There’s clarity in his subtlety, weight in his pauses.

His breakout song, “All for One Y.” was born from an unexpected connection. Hakan E — the mind behind Filodyo, known for his instinct in spotting rare talent — reached out after hearing early demos from Ayvenn. He sent a short message and a concept: “This isn’t a love song. It’s a math problem.” That idea resonated deeply. To Ayvenn, the X’s weren’t just variables — they were past mistakes, unanswered questions, the people he couldn’t quite hold onto. And the “Y”? The reason he kept trying.

Ayvenn recorded the song in a single late-night session, layering vocals with surgical attention, pulling tension from silence, and shaping each detail until it echoed with something intimate and real. To Solve for Y isn’t just a debut — it’s an internal dialogue turned outward, crafted for anyone who’s ever tried to explain a feeling they didn’t fully understand.

Now, Ayvenn is building a sound that’s emotionally meticulous, sonically immersive, and unmistakably his own. Every track is a quiet revelation. Every heartbreak, every wrong turn — part of the formula. And somewhere, at the end of it, is the answer. Always her.

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Born from the concrete veins of New York City’s underground, The 5th Exit is not just a band — it's a warning siren echoing through the alleys of Brooklyn. Blending the unapologetic grit of East Coast punk with the swagger of early-2000s hip-hop, their music punches through the noise like a subway train in a blackout.

The band was formed in late 2023 in a condemned warehouse turned DIY venue in Bushwick, after a street brawl-turned-jam-session between strangers. The result? Five misfits who had no plan — just noise, energy, and something to scream.

Members:
🎤 Jayno Blakk (Lead Vocals / Chaos Designer)
A former graffiti artist with a voice like broken glass in a hurricane. Born in Flatbush, Jayno spits lyrics like they’re Molotovs, laced with rage and raw truth. Known for performing barefoot and bleeding by the end of every show.

🎸 Noelle "Nox" Vega (Lead Guitar / FX Wizard)
Puerto Rican shredder with a physics degree and a pedalboard built from junkyard parts. She speaks three languages — four if you count distortion. Her solos? They don’t melt faces; they dissolve them.

🥁 Koda Rinz (Drums / Street Philosopher)
Half-poet, half-brawler. Raised by subway dancers and vinyl collectors, Koda’s beats sound like trash cans getting kicked down tenement stairwells — in perfect time. Always drumming, even in his sleep.

🎹 Echo Rowe (Synths / Scream Textures / Visuals)
The silent one. Echo doesn’t talk much, but his synth work sounds like a riot at 3AM. Also responsible for their chaotic visuals and the recurring raven motif in their shows. Rumor has it he lives in an abandoned radio tower in Queens.

🎸 Twitchy Lex (Bass / Vibe Damage Control)
Lex is the glue, or maybe the duct tape. Raised on R&B but corrupted by noise rock, he brings the groove — the dangerous kind that gets under your skin and sets off car alarms.

Their Breakout Track: "Get Out My Way"
A sonic punch to the throat, "Get Out My Way" is a war cry against complacency, gentrification, and anyone walking slow on a New York sidewalk. With a chorus that hits like a riot chant and verses that spit pure venom, it’s already being banned from small-town radio — which only makes it louder.

The 5th Exit isn’t asking for your attention. They’re taking it.
You can either move... or get run over.

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Melly Rich, born to a Lebanese family in Amsterdam, grew up surrounded by two worlds: the culinary brilliance of her father, Chef Khaled Rich, and the rich cultural heritage of the Middle East. Her father is the head chef of La Maison des Délices, one of France’s most prestigious Michelin-starred restaurants, known for its fusion of French and Middle Eastern flavors. Despite her father's fame in the culinary world, Melly's passion led her down a different path.

Though her family assumed she would follow in her father’s footsteps, Melly was captivated by music from a young age. With her father’s full support, she began singing, though her formal education took her into the world of architecture at the University of Amsterdam.

Balancing her studies with her love for music, Melly began to develop a unique sound, blending her Middle Eastern roots with the vibrant energy of Western pop. Her breakthrough single, "Damn, I Wish I Were in Istanbul", captures this fusion perfectly. The song carries hints of oud and traditional Arabic rhythms, interwoven with modern pop beats, creating a bridge between two worlds. It’s not just a catchy tune—it’s a love letter to her cultural identity, filled with nostalgia for the warmth and chaos of the Middle East, while reflecting her cosmopolitan life in Europe.

The song quickly gained attention, especially for its atmospheric vibes that pull listeners into a dreamlike vision of Istanbul, with its bustling bazaars and shimmering Bosphorus views.

Melly's ability to infuse her music with Middle Eastern influences sets her apart in the global music scene, and though she’s still juggling her architectural studies, there’s no doubt that music is where her heart truly lies. With the world now watching, Melly Rich is on her way to becoming an international sensation, blending cultures and genres like her father blends flavors at his famous restaurant.

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Minerva Sound is a five-piece from Bristol, UK, blending glossy disco-pop, neo-soul harmonies, and tight live grooves. The lineup: Malik Rhodes (lead vocal), Tyrone Ellis (vocal/MC), Owen Calder (guitar/bass), Emily Price (vocal/keys), and producer Felix Dunn (drum machines, synths, arrangements). Born out of late-night jam sessions and warehouse sets, they forged a sound that marries hook-heavy choruses with rhythmic precision and rich vocal stacks.

Their debut single, “Flip That City,” captures the group’s signature pulse: rubbery bass, syncopated organ stabs, hand-clap drive, and call-and-response vocals that snap into a euphoric refrain. Lyrically, it zooms in on urban momentum—small choices, quick turns, and the thrill of switching lanes—delivered with swagger and a live-band spark.

Available exclusively on Filodyo, Minerva Sound is poised to turn venues into dance floors across the UK and beyond—one chorus, one groove, one flipped skyline at a time.

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