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No Tomorrow Needed
Roxelle

Verified Verified Artist

Roxelle
Roxelle is a Romanian-born singer and songwriter currently based in the United Kingdom. Growing up between Eastern European traditions and Western pop culture, she developed an early fascination with rhythm, melody, and visual storytelling. Her background gave her a distinctive sense of contrast, mixing emotional depth with bold self-expression, something that would later become central to her artistic identity.

After relocating to the UK in her early twenties, Roxelle immersed herself in the underground pop and electronic scenes, refining her sound and performance style. Influenced by modern pop, dance, and subtle R&B textures, she crafts songs that balance confidence with vulnerability. Her vocals move effortlessly between smooth, controlled delivery and striking, attitude-driven hooks, creating a sound that feels both intimate and commanding.

Roxelle’s music explores themes of independence, desire, and emotional resilience, often framed through sleek, contemporary production. Known for her strong visual aesthetic and fashion-forward presence, she approaches music as a complete artistic experience rather than just sound. With a growing catalog of releases, Roxelle positions herself as a new-generation pop artist shaped by movement, migration, and self-definition.
Track(s)
No Tomorrow Needed 232865 03:18
Share This Energy 102804 02:33

No Tomorrow Needed

Roxelle


Heels hit the floor I feel it start
Bass in my chest steady and sharp
No explanations no excuse
I move the room just how I choose

Eyes follow motion not my name
I don’t repeat I don’t stay same

One step closer to the sound
I don’t wait I turn around

I’m on my own tempo
Don’t tell me when to go
I set it I control
Every move every role

I’m on my own tempo
Too fast too slow I know
I hit it right on time
Watch me cross the line

Disco strings rise
Bass keeps talking
Hands in the air
No words just timing

Mirrors shake when I pass through
Every angle feels brand new
No permission no delay
I decide how long I stay

Heat is building in the crowd
I don’t need to say it loud

Count it in feel it land
Everything is in my hands

I’m on my own tempo
Don’t tell me when to go
I set it I control
Every move every role

I’m on my own tempo
Too fast too slow I know
I hit it right on time
Watch me cro

Jacket on I leave it open
Streetlight glow my focus broken
Every sound pulls me in
I don’t ask where we’ve been

I don’t read the signs twice
I move once that’s my advice

If it feels right I don’t slow down
I let the night spin me around

No tomorrow needed
Say it again I mean it (mean it)
No tomorrow needed
I don’t pause I don’t overthink it (no no)

No tomorrow needed
Feel it hit me feel it beat me (beat me)
No tomorrow needed
If I’m in it I’m in it (yeah)

Every step is calculated
Still it looks so effortless
I don’t wait to be invited
I arrive I don’t impress

Crowd reacts I don’t chase
I just take up space

Hear my name inside the bass
I don’t rush I keep my pace

Yeah
She don’t plan it she appear
Whole room shift when she near
No tomorrow in her mind
Only now perfect time

She don’t promise she decide
Every move amplified
I’m just watching from the side
Tryna keep up with her stride

No delay no rewind
She already crossed the line
When she move place complies
That’s the signal that’s the sign

No tomorrow needed
Say it again I mean it (mean it)
No tomorrow needed
I don’t pause I don’t overthink it (no no)

No tomorrow needed
Feel it hit me feel it beat me (beat me)
No tomorrow needed
If I’m in it I’m in it (yeah)

No tomorrow (no tomorrow)
Needed (needed)
No tomorrow (no tomorrow)
I don’t need it (don’t need it)

No tomorrow (no tomorrow)
Needed (needed)
If I want it (if I want it)
I’m in it (I’m in it)

CREDITS
Performer: Roxelle
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

All for One Y.
Ayvenn

Verified Verified Artist

Ayvenn
Ayvenn was born and raised in Clearwater Heights, a quiet hillside town in Georgia where music wasn’t just background noise — it was how people coped, celebrated, and remembered. From Sunday gospel choirs to late-night Latin radio, the sounds around him shaped a boy who rarely spoke, but always listened. In silence, he learned to interpret the world. And when he began writing lyrics, it wasn’t about performance — it was about decoding feelings he couldn’t name.

Fusing Pop and R&B with understated Latin textures, Ayvenn crafts music that feels more like film than formula. His voice is warm, restrained, and precise — a narrator of emotional undercurrents rather than explosions. Each track unfolds slowly, deliberately, like memories coming into focus. There’s clarity in his subtlety, weight in his pauses.

His breakout song, “All for One Y.” was born from an unexpected connection. Hakan E — the mind behind Filodyo, known for his instinct in spotting rare talent — reached out after hearing early demos from Ayvenn. He sent a short message and a concept: “This isn’t a love song. It’s a math problem.” That idea resonated deeply. To Ayvenn, the X’s weren’t just variables — they were past mistakes, unanswered questions, the people he couldn’t quite hold onto. And the “Y”? The reason he kept trying.

Ayvenn recorded the song in a single late-night session, layering vocals with surgical attention, pulling tension from silence, and shaping each detail until it echoed with something intimate and real. To Solve for Y isn’t just a debut — it’s an internal dialogue turned outward, crafted for anyone who’s ever tried to explain a feeling they didn’t fully understand.

Now, Ayvenn is building a sound that’s emotionally meticulous, sonically immersive, and unmistakably his own. Every track is a quiet revelation. Every heartbreak, every wrong turn — part of the formula. And somewhere, at the end of it, is the answer. Always her.
Track(s)
All for One Y. 267276 04:18

All for One Y.

Ayvenn


Uuuh
Aaaa
I had the chalk I had the board
Thought I knew what I was fighting for

I mapped it out like a perfect line
Variables dancing in my mind
Tried to graph where you might be
But love don’t fit no geometry

Slopes and curves they lied to me
No formula for what you see
You’re that value off the grid
And I solved what no one ever did

Every X I tried to crack
Led me closer no way back
Thought I had it all misread
But you were waiting up ahead

You don’t know how many Xs I had to break
To get one inch closer to Y (uh-huh)
I carried numbers like they were names
Till the moment you met my eye (ooooh)
It’s a mess of signs and endless tries
But now your logic redefines (yeaaah)
You don’t know how many Xs I had to face
Just to solve for a single Y

(Uuh uuh — that single Y)
(Aaah all those Xs I tried)

Circle back erase the trace
You’re the answer that now holds its place
I tried dividing all the pain
But you were constant in the rain

Was it sine or just a sign?
You curved in at the perfect time
I drew a heart inside the square
And this time you were really there

I factored in the nights alone
Calculated love unknown
But this equation found its truth
When all the numbers pointed to you

I reduced and simplified
You multiplied what’s deep inside
Left the questions in the dust
Now the formula is us

You don’t know how many Xs I had to break
To find the one and only Y (yeah yeah)
I carried numbers like they were names
But you gave meaning to the why (no no)
It’s a mess of signs and endless tries
Now it all aligns no need to lie (uh-huh)
You don’t know how many Xs I had to face
Just to solve for a single Y

(Uuh that final Y)
(Aaaah no more Xs I…)

Maybe you were undefined
In the limits of my mind
An asymptote I chased in vain
Till you stood right in the frame

You don’t know how many Xs I had to break
To stand here holding onto Y
I carried numbers like they were weights
But now the answer meets the sky
The signs were loud the tries were wild
But now I see the reason why
You don’t know how many Xs I had to face
Just to know that Y was you

(Uuh you’re my Y)
(Aaaah it’s always been you)

So I drop the pen the work is done
You were the proof the only one
No more math no more try
You’re my answer — you’re my Y

CREDITS
Performer: Ayvenn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00
HOT TRACK

Talk With Your Hands
Mateo Lux

Verified Verified Artist

Mateo Lux
Mateo Lux is a rising voice in contemporary electronic pop, blending sleek production with raw emotional intensity. Born with a natural flair for performance, he crafts music that balances dancefloor energy with lyrical depth. His debut single, Control, showcases a magnetic mix of pulsing rhythms and hypnotic melodies, setting the tone for a bold artistic journey ahead.

Discovered by Hakan E. for Filodyo, Mateo brings an unapologetic confidence to every note he sings. His style captures both vulnerability and power, creating an atmosphere that draws listeners into his world. With Control, he isn’t just introducing himself—he’s making a statement, marking the arrival of a distinctive new talent destined to leave a lasting imprint on modern music.
Track(s)
Talk With Your Hands 148982 02:40
Control 212978 02:48

Talk With Your Hands

Mateo Lux


[Intro]
Yeah
Uh
Listen

You say nothing still I hear it
Every move got its own meaning
Eyes talk first lips stay quiet
Room reacts when you get near it

No small talk no explanation
Body language translation

Don’t slow down don’t overthink
I read you faster than you blink

Don’t talk talk
Just move like that (like that)
Say less less
I’m cool with that (with that)

Don’t talk talk
Your hands do facts (do facts)
I see it all
When you move like that (yeah)

[Post-Chorus]
Left right
Pause rewind
One look
I’m already aligned

Every step feels intentional
Like you planned it accidental
No directions still you lead
I just follow what you mean

Crowd fades out when you step in
Whole place locked on your rhythm

No need words to complicate
I already got the message

Don’t talk talk
Just move like that (like that)
Say less less
I’m cool with that (with that)

Don’t talk talk
Your hands do facts (do facts)
I see it all
When you move like that (yeah)

[Bridge – Male Vocal / Spoken-Rap]
Hold up
She don’t speak she demonstrate
Every move communicate
No delay she regulate
Whole room shift when she rotate

I don’t guess I calculate
Every sign she generate
She don’t need to elevate
She arrive she dominate

Clap it
Stomp it
Freeze
Go

[Final Chorus]
Don’t talk talk (don’t talk)
Just move like that (move like that)
Say less less (say less)
I’m cool with that (yeah)

Don’t talk talk (don’t talk)
Your hands do facts (do facts)
I see it all
When you move like that (move like that)

No words
Still clear
You said it all
Right here

CREDITS
Performer: Mateo Lux
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00
HOT TRACK

Still Holding On
6 Brokens

Verified Verified Artist

6 Brokens
6 Broken came together in New York through chance encounters, shared apartments, and long conversations that stretched past midnight. None of them arrived with a plan to form a band. They met through friends, studios, and half-finished ideas, slowly realizing they were circling the same emotional territory. New York shaped them not as a backdrop, but as a pressure. The noise, the distance, the constant sense of movement seeped into how they wrote and how they listened.

Their music leans into restraint rather than release. Clean arrangements, patient melodies, and lyrics that leave space for interpretation. 6 Broken avoids obvious drama, letting tension live quietly inside the songs. There is an awareness of vulnerability without turning it into spectacle. Each member carries a different perspective, and those differences remain audible rather than polished away.

What defines 6 Broken is their refusal to rush. Songs unfold at their own pace, shaped by late-night demos, unfinished thoughts, and the feeling of standing still while a city moves around you. Their work is available exclusively on Filodyo and NOT FM, where subtlety has room to exist and music does not need to announce itself to be heard.
Track(s)
Still Holding On 284665 02:41

Still Holding On

6 Brokens


Morning hits the window late
Coffee’s cold but I feel awake
Your name’s still on my playlist
Didn’t mute it didn’t break it

I learned how silence sounds
When you’re not around
But it’s lighter than I thought
Guess I figured something out

I don’t need a sign tonight
No big speech no rewrite
Just walking straight ahead
With the things you never said

I don’t need a brand new heart
Mine still works just different parts
Some are louder some are calm
Still beating still holding on

I don’t need a clean restart
Just a little open space to start
I’m okay where I am
Yeah I’m better than I planned

City moves at normal speed
People laughing next to me
Nothing feels dramatic now
And that’s what I like about it somehow

Your jacket’s gone I kept the time
Not the fights not the lines
I don’t miss the way we broke
Just the jokes we never wrote

No more circling the same streets
No reruns in my head this week
I’m not running I’m not late
Just finally on my way

I don’t need a brand new heart
Mine still works just different parts
Some are louder some are calm
Still beating still holding on

I don’t need a clean restart
Just a little open space to start
I’m okay where I am
Yeah I’m better than I planned

If you ever wonder how I’ve been
I sleep fine I breathe fine
I learned how to let things end
Without losing who’s inside

I don’t need a brand new heart
No repair kit no fresh start
It’s been tested it’s been tried
Still alive on the inside

I don’t need to change the past
Just move forward slow and fast
I’m okay where I stand
Yeah I’m better than I planned

Better than I planned
Still here still me
Yeah I’m better than I planned

CREDITS
Performer: 6 Brokens
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Call Me Tonight
Amara Vale

Verified Verified Artist

Amara Vale
Amara Vale is a European pop and R&B vocalist whose sultry tone and fearless style have made her one of the most exciting new voices on the scene. Born in Lisbon, Portugal, to a Portuguese father and a French mother, she grew up surrounded by a rich mix of cultural influences. From French chanson to soulful 90s R&B, the music playing in her family home shaped her distinctive sound and artistic vision.

After moving to Barcelona at the age of 12, Amara began performing in small cafés and local festivals, quickly building a reputation for her captivating stage presence. Her ability to blend emotional storytelling with infectious, modern production caught the attention of international producers and audiences alike.

Now based in Berlin, Amara Vale is ready to share her artistry with the world. Her music is available exclusively on Filodyo and NOT FM, offering listeners a unique blend of atmospheric pop, seductive R&B, and club-ready energy. With each release, she continues to prove that her voice, her style, and her story are unlike anything else in the European music landscape.
Track(s)
Call Me Tonight 211283 03:01

Call Me Tonight

Amara Vale


Oh oh yeah…
Mmm… listen…

Every day I see your face in my mind
Every night I’m hoping you’ll give me a sign
The way you left it’s tearing me apart
But one word from you could restart my heart

I can’t hide this feeling inside
Boy you know I tried
Tell me why we’re playing this game
Call my name call my name

Call me tonight I’m losing my mind
Say you’re still mine don’t leave me behind
One more time I’ll make it all right
Call me tonight call me tonight

I remember every touch every smile
The way you made my world feel so worthwhile
I hear your voice in every song I play
It’s like you’re here but still so far away

I can’t hide this feeling inside
Boy you know I tried
Tell me why we’re playing this game
Call my name call my name

Call me tonight I’m losing my mind
Say you’re still mine don’t leave me behind
One more time I’ll make it all right
Call me tonight call me tonight

Baby I can’t sleep I’m wide awake
Every beat of my heart’s a mistake
Without you I’m not the same
So just call my name call my name

Call me…
Tonight…
One more time…

Call me tonight I’m losing my mind (yeah)
Say you’re still mine don’t leave me behind (oh no)
One more time I’ll make it all right (make it right)
Call me tonight call me tonight

Oh… call me tonight…

CREDITS
Performer: Amara Vale
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00
HOT TRACK

Life Feels Like Mor...
The Faded Ticket Booth

Verified Verified Artist

The Faded Ticket Booth
The Faded Ticket Booth is a four-piece Scottish acoustic group built around a warm, narrative-driven female vocal. Their music leans into everyday poetry rather than spectacle: upright bass, brushed drums, clean acoustic guitar, and voices that feel like shared conversation rather than performance. They sound like a street you’ve walked before but can’t quite place, a melody you remember without knowing when you heard it.

They formed on the quieter edges of Edinburgh’s busking circuits, shaping their sound in places where attention isn’t guaranteed — doorways, market corners, the brief hush that follows passing footsteps. That background taught them presence without volume; phrasing without force; sincerity without staging. Their arrangements remain intentionally uncluttered, preferring atmosphere over punch.

Influenced by the acoustic honesty of late-80s British folk-pop and the conversational phrasing of Eddi Reader, they record with a philosophy of leave the human parts in. Light string squeaks, the breath before a high note, the soft brush of a chord change — if it’s true, it stays. The result isn’t retro, but unhurried; not nostalgic, but familiar in a way that feels quietly earned.

Their recorded work is released in a deliberately limited way: not everywhere at once, not across every platform, but carried by NOT FM and Filodyo as their primary homes, where their catalog lives with the same intention as their songwriting. It isn’t framed as exclusivity for the sake of strategy — just a quieter kind of presence, placed where it feels understood.
Track(s)
Life Feels Like Morning 160083 03:02

Life Feels Like Morning

The Faded Ticket Booth


Sunlight pours like honey in my half-awake cup
Steps on the pavement keep lining me up
A soft little rhythm in the turn of the day
Like my heart learned the world had a kinder way

I don’t need a reason the reason found me
In the quiet of the doorway where the street meets the breeze

Life feels like morning like pages turning warm and slow
Love feels like timing like finding what you didn’t know
If the wind ever falters I’ll steady what I can
Life feels like morning again and again

There’s a stray-cat freedom in the corner of the lane
Windows with stories I can’t quite explain
Paper ships in puddles sailing nowhere grand
But isn’t that a voyage when the map’s in your hand?

I don’t need a reason the reason found me
In the hush before the chorus where the skyline agrees

Life feels like morning like pages turning warm and slow
Love feels like timing like finding what you didn’t know
If the wind ever falters I’ll steady what I can
Life feels like morning again and again

Maybe what we call “arrival” is just learning how to stand
Not to conquer every moment just to meet it where we land

Life feels like morning like chairs pulled out and waiting still
Love feels like timing like the echo of a windowsill
If the wind ever falters I’ll steady what I can
Life feels like morning… again and again

CREDITS
Performer: The Faded Ticket Booth
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Gravity Override
Lina Mour

Verified Verified Artist

Lina Mour
Lina Mour is a French-born vocalist and songwriter blending high-octane Eurodance energy with the emotional weight of soulful pop. Growing up in the suburbs of Lyon, Lina was raised on a steady mix of gospel vocals, ‘90s dance anthems, and gritty French rap. This eclectic influence shaped her bold sonic identity — where throbbing 4/4 beats meet orchestral stabs, and where raw emotion finds its home on the dancefloor.

Her latest single, “Gravity Override,” is a high-energy anthem that collides hip house rap verses with a soaring, mantra-like chorus. It’s a throwback to the golden age of Eurodance, but with modern production and an unapologetic attitude. With pounding kicks, aggressive synths, and trance-tinged melodic layers, the track is built for sweaty club nights, neon-lit workouts, and every moment when reality feels too heavy to carry.

Lina describes the track as “not just about defying gravity — but defying expectation.” Behind the infectious hook lies a personal story of reclaiming freedom, breaking out of everyday repetition, and choosing joy over inertia. In her words: “It’s about walking down the street with a storm in your chest but a beat in your step.”

Beyond music, Lina is quickly becoming a visual icon in her own right. Her streetwear aesthetic, nostalgic references, and empowering live shows are drawing comparisons to the likes of Technotronic and Crystal Waters — yet Lina’s vision is firmly rooted in the present. She isn’t here to recreate the past. She’s here to override it.
Track(s)
Gravity Override 181340 02:11

Gravity Override

Lina Mour


Blast the gate override the stream
No peace mode just kerosene
We don’t stop — we ventilate
Plug into the surge detonate!

Code in flames!
Rise untamed!
Spin that truth
Like a hurricane!

Gravity override!
We don’t fall — we multiply
No more silence no more shade
We break the sound — unafraid!

Gravity override!
Sky is fake so we collide
Raise your pulse amplify—
We’re the glitch they can’t deny!

Rip that signal break the chain
Upload thunder through your brain
We’re the myth the freak the spark
We turn neon into dark

No maps!
No brakes!
No kings!
No fakes!
We twist!
We crack!
We vanish—
Then attack!

Gravity override!
Truth distorted we decide
Bounce that static crash the grid—
This is not your mother’s beat!

Gravity override!
Laws erased we redesign
Now scream loud redefine—
We’re the beat they can’t confine!

Override complete
System: liberated

CREDITS
Performer: Lina Mour
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Turn It Over
Cold Empires

Verified Verified Artist

Cold Empires
Cold Empires is a high-energy trio from London whose music fuses hip-hop bravado with EDM’s explosive power. The group is made up of rapper Jamal Rivers, lyricist/MC Ethan Cole, and powerhouse vocalist Sienna Brooks. Together, they bring an unstoppable mix of raw verses, soaring hooks, and chant-driven crowd anthems designed for the biggest stages.

Jamal grew up in Brixton, raised on a steady diet of UK grime and American hip-hop, perfecting his rapid-fire delivery in underground battles. Ethan, born in Manchester, came from a background in electronic production, cutting his teeth as a DJ before stepping forward as both a writer and performer. Sienna, the daughter of a jazz pianist from Brighton, grew up singing gospel and soul before embracing the adrenaline of modern pop performance.

The trio met during a festival workshop in Ibiza, instantly recognizing their shared obsession with blending rap, electronic drops, and big-room hooks. Their debut single, Turn It Over, is the result: a bold, festival-ready anthem built for dance floors, packed with call-and-response energy, pounding kicks, and chant-style hooks that keep the crowd locked in.

Available exclusively on Filodyo and NOT FM, Cold Empires are carving out their own lane—one that thrives on intensity, collaboration, and the unstoppable spirit of the party.
Track(s)
Turn It Over 158150 02:35

Turn It Over

Cold Empires


Yeah!
Turn it over turn it over now!
Uh-huh!
Let’s go!

Runnin’ through the blocks got my heartbeat kickin’
Steel on my feet and the wheels keep spinnin’
Bass in my chest like a downtown riot
Hands in the air if you just can’t fight it

Skyscraper bounce in the middle of the lane
Every light flashin’ can’t stay the same
Heat in the air yeah the night’s our stage
Flip it one more time let’s break that cage

Turn it over! (Hey!)
Spin it ‘round now! (Hey!)
Turn it over! (Hey!)
Never slow down! (Hey!)
We keep movin’ we keep burnin’
Ride that beat the city’s turnin’
Turn it over! (Hey!)
Never slow down! (Hey!)

Jump to the left now slide to the right
We don’t wait for the day we ignite the night
Steam on the glass when the crowd gets near
Every move we make yeah the world can hear

We’re wired up loud with the floor still shakin’
No pause button no chance we’re takin’
Hands to the roof keep the vibe on fire
Drop it one more time lift it even higher

Turn it over! (Hey!)
Spin it ‘round now! (Hey!)
Turn it over! (Hey!)
Never slow down! (Hey!)
We keep movin’ we keep burnin’
Ride that beat the city’s turnin’
Turn it over! (Hey!)
Never slow down! (Hey!)

Push it forward!
Push it higher!
Can’t hold back!
Feel that fire!
Break it flip it!
Don’t stop yet!
We’re not done — it’s not over yet!

Turn it over! (Hey!)
Spin it ‘round now! (Hey!)
Turn it over! (Hey!)
Never slow down! (Hey!)
We keep movin’ we keep burnin’
Ride that beat the city’s turnin’
Turn it over! (Hey!)
Never slow down! (Hey!)

CREDITS
Performer: Cold Empires
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Dance Without You
Lucía

Verified Verified Artist

Lucía
Lucía doesn’t raise her voice — she lets silence lean toward her.

Born in Ciudad Juárez, where the wind carries both prayers and warnings, Lucía learned early that strength doesn’t shout — it stands still. Her music wasn’t born in studios. It was carved in alleyways, border bars, long walks home. She didn’t grow up dreaming of stages. She grew up walking away from things that didn’t serve her.

Her voice carries the weight of absence — low, textured, unhurried. With influences rooted in ranchera, flamenco, and tango, she weaves stories that don’t plead, but remember. Every note she sings is a scar that glows.

In recent years, Lucía has emerged as one of Filodyo’s most enigmatic voices — fierce, private, unforgettable. On her latest collaboration with Wade Hollis, the gravel-toned American guitarist, Lucía sings over strings like rusted fences in the sun. The song doesn’t comfort. It confronts — just like her.

The connection began far from stages. While Wade Hollis was recording new material with Filodyo, he mentioned a woman he had once heard playing in a dim-lit cantina near the border. “She sings like she’s been through three lifetimes,” he said. It was during a late-night Zoom call with Hakan E., the creative engine behind Filodyo, that Lucía’s name resurfaced.

By chance — or something heavier — Hakan had just expressed his search for a voice that wasn’t sweet, wasn’t polished — but true. “I need someone who sounds like she doesn’t need anyone,” he had said. A few weeks later, their first conversation took place across a flickering Zoom screen. Lucía, seated on a balcony in Mexico, cigarette in hand. No makeup. No pretenses. Just presence.

That was enough.

Now, her voice travels far from the cantinas — but it never left the dust behind.

You don’t listen to Lucía to feel better.
You listen to feel seen.
Track(s)
Dance Without You 229056 03:43

Dance Without You

Lucía


No more tears in my mirror frame
No more whispering your name
Got a new dress and a different fire
Tonight I dance through the wire

I gave too much forgot my flame
You left but I reclaimed my name
Now I’m glowing in my golden shoes
And this beat don’t play the blues

I dance without you — I don’t break I burn! (burn!)
Watch me spinning as the tables turn (turn!)
I got the rhythm don’t need your tune
I own this night I own this room!

I dance without you — I don’t beg I fly! (fly!)
You were a storm but I’m the sky
I let go with every move
Freedom fits me better than you

Champagne sparks in the flashing light
New perfume and my steps feel right
I lost your voice but found my sound
And baby I’m not slowing down

You thought I'd fade…
But I bloom in bass
You took your shot…
And missed my grace

I dance without you — I don’t break I burn!
No more silence I return
Every beat rewrites my truth
And this floor don’t cry for you

Dance…
without you
Shine…
without you
Live…
without you

CREDITS
Performer: Lucía
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Long Distance Line ...
Eli Varnish

Verified Verified Artist

Eli Varnish
Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.

That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.

Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.

Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.

Long Distance Line from the Bosphorus

Eli Varnish


I’m calling from a room with peeling paint
A radio coughing out the truth
The kettle screams like it knows my name
Coins on the table none of them are you

The line is bad the night is worse
Somewhere a ferry cuts the dark in two
I got your number on a matchbook
And a voice that still remembers you

The operator’s half asleep
She says “Sir you still there?”
I say “Yeah I’m breathing smoke and prayers
Trying to get through anywhere”

This is a long distance line from the Bosphorus
I got one minute maybe less
If the city don’t swallow my words whole
You’ll hear me say I did my best

Yeah it’s a long distance line from the Bosphorus
The signal shakes the past comes through
If this call drops into the water
Just know I was calling you

There’s a man downstairs selling broken watches
Says time owes him money too
Every streetlight flickers like a bad idea
Every bar knows something I won’t tell you

I saw your face in a cracked mirror
Right next to a stain on the wall
I tried to hang up three times already
But this phone just won’t let me fall

This is a long distance line from the Bosphorus
The clock’s got a loaded gun
If I disappear between the numbers
Just say I was almost done

Hello?
Yeah… it’s me
Listen don’t say my name
The walls here got ears
And the night’s taking notes

It’s a long distance line from the Bosphorus
Static dancing in my head
If you hear silence after this
That’s just the things I never said

The operator counts me down
Five… four… the river wins
Click

CREDITS
Performer: Eli Varnish
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Split Frequency
Aris Veyton

Verified Verified Artist

Aris Veyton
Aris Veyton is an electronic music producer whose sound blends modern club energy with subtle emotional depth. Rooted in electronic and dance-driven structures, his productions balance clean rhythms, textured synth layers and restrained melodic elements.

Rather than chasing trends, Aris focuses on atmosphere and flow. His tracks are designed to work both on the dancefloor and in personal listening environments, creating a sense of continuity rather than sudden impact. Minimal arrangements, controlled dynamics and carefully crafted sound design are central to his approach.

Working primarily in the studio, Aris Veyton treats music as a long-form experience rather than a single moment. His style reflects a contemporary electronic mindset: precise, understated and immersive. Each release is a step in an evolving sonic identity that prioritizes mood, space and consistency.
Track(s)
Between Our Time 220140 03:31
Split Frequency 243819 03:29

Split Frequency

Aris Veyton


There’s a pulse that keeps dividing me
Two rhythms fighting underneath

One side wants order keeps the lines so straight
The other sparks fires wants to detonate
I move through the evening with a crowded mind
Trying to decode what I can’t define

I’m standing at the center
Where signals overlap
Trying not to surrender
To the louder half

Tune me to a steady wave
Pull me where the noise behaves
I’m drifting through a world I crave
But breaking when the signals change
Tune me to a steady wave
Balance all the parts I save
I’m fading into what I brave
When both of me collide again

Thoughts turn metallic when the pressure grows
Patterns fall apart then they recompose
I’m chasing a structure that I can’t commit
Every time I form it something ruins it

I’m standing at the center
Where signals overlap
Trying not to surrender
To the louder half

Tune me to a steady wave
Pull me where the noise behaves
I’m drifting through a world I crave
But breaking when the signals change
Tune me to a steady wave
Balance all the parts I save
I’m fading into what I brave
When both of me collide again

If there’s a place between the sides
I’ll walk the thin divide
Waiting for the moment
Both frequencies align

CREDITS
Performer: Aris Veyton
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Between Our Time
Aris Veyton

Verified Verified Artist

Aris Veyton
Aris Veyton is an electronic music producer whose sound blends modern club energy with subtle emotional depth. Rooted in electronic and dance-driven structures, his productions balance clean rhythms, textured synth layers and restrained melodic elements.

Rather than chasing trends, Aris focuses on atmosphere and flow. His tracks are designed to work both on the dancefloor and in personal listening environments, creating a sense of continuity rather than sudden impact. Minimal arrangements, controlled dynamics and carefully crafted sound design are central to his approach.

Working primarily in the studio, Aris Veyton treats music as a long-form experience rather than a single moment. His style reflects a contemporary electronic mindset: precise, understated and immersive. Each release is a step in an evolving sonic identity that prioritizes mood, space and consistency.
Track(s)
Between Our Time 220140 03:31
Split Frequency 243819 03:29

Between Our Time

Aris Veyton



Streets stay still without a name
Steps align but not the same
Nothing loud nothing planned
Just the timing of your hand

Every move feels almost true
Something shifts when I face you

Stay in place let it run
No finish line no count of one
No signs drawn no straight lines
Just the space between our time

Ahh
Let it turn let it stay
No words left that need a say

Corners bend the hours slide
We don’t need a reason why
Moments land then rearrange
Never still never strange

No control still it fits
Every step makes sense like this

Stay in place let it run
No finish line no count of one
No signs drawn no straight lines
Just the space between our time

If it ends it ends this way
Not a loss not a stay
What we felt remains intact
No return and no retract

CREDITS
Performer: Aris Veyton
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00
HOT TRACK

Fire on the Floor
Zuriq Stone

Verified Verified Artist

Zuriq Stone
Zuriq Stone is a rising Afrobeat pop artist blending African rhythmic heritage with modern global pop energy. Born into a city shaped by street music, dance, and late-night radio sounds, he developed a style rooted in groove and movement rather than trends. His music balances infectious dance rhythms with a confident vocal presence, carrying a natural African accent that feels raw, warm, and unmistakably authentic.

Drawing inspiration from everyday urban life, Zuriq Stone creates songs built for motion. Whether it is the pulse of a crowded street or the freedom of a packed dance floor, his sound focuses on connection and momentum. English lyrics form the core of his songwriting, often joined by short phrases in African languages that turn his choruses into shared chants rather than just hooks.

Zuriq Stone releases his music on Filodyo, where his tracks are curated as part of a new wave of global pop shaped by African rhythms and contemporary production. Designed for both digital platforms and real-world listening environments, his songs move seamlessly from playlists to dance floors, reflecting Filodyo’s vision of modern, forward-moving music culture.
Track(s)
Fire on the Floor 192705 03:03

Fire on the Floor

Zuriq Stone


Yeah yeah
Mm listen now
We don’t slow down tonight

Sun drop low on the city line
Heart beat sync with the bass this time
No map no rules no rewind
We move as one no border signs

I came up from the rhythm street
Barefoot dreams and a hungry beat
Every scar got a story loud
Every move say I’m here right now

When the drums talk I obey
Feel it rise under my skin
No fear when the lights go red
This is where we begin

Moto moto fire on the floor
Songa mbele give me more
Twende pamoja don’t let go
Tonight we burn tonight we glow

Moto moto hear them say
Maisha ni sasa now not someday
Body talk when the words say no
Tonight we burn tonight we glow

Eh eh eh
Move it closer
Eh eh eh
Right here

Gold chain swing with the tempo fast
Every step make the moment last
DJ spin that truth so loud
From Lagos nights to the London crowd

No sleep when the vibe too strong
Whole world sing when the hook come on
If you feel lost follow sound
This beat gonna hold you down

When the drums talk I obey
Feel it rise under my skin
No fear when the lights go red
This is where we begin

Moto moto fire on the floor
Songa mbele give me more
Twende pamoja don’t let go
Tonight we burn tonight we glow

Moto moto hear them say
Maisha ni sasa now not someday
Body talk when the words say no
Tonight we burn tonight we glow

Hands up no delay
From the block to the cabana
Left foot right foot sway
We don’t need no permission

Heat jump crowd reply
Every face got a reason
One night one time
Let the rhythm make the decision

Moto moto fire on the floor
Songa mbele give me more
Twende pamoja don’t let go
Tonight we burn tonight we glow

Moto moto hear them say
Maisha ni sasa now not someday
Body talk when the words say no
Tonight we burn tonight we glow

Yeah
We don’t slow down
Mm
Africa to the world

CREDITS
Performer: Zuriq Stone
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00
HOT TRACK

Parle Moins (feat M...
Kessy

Verified Verified Artist

Kessy
Kessy is a France-born artist with African roots, shaped by a sound environment that blends urban pop, Afro-influenced rhythms and understated confidence. Raised between cultures, her music reflects a calm but assertive attitude, focusing on presence rather than excess. She is known for her controlled vocal delivery, minimal phrasing and lyrics that draw clear boundaries without dramatization.

With Parle Moins, Kessy joins forces with Malik Joon, whose sharp, rhythm-focused vocal style adds a contrasting edge to the track. Their collaboration is built on balance: restraint over intensity, clarity over noise. The song captures a modern, radio-friendly Afro-pop aesthetic while keeping a cool, grounded tone.

This release marks their meeting point on Filodyo and NOT FM, where both artists come together through a shared approach to contemporary sound and modern production values. Parle Moins stands as a confident introduction to Kessy’s artistic direction: direct, composed and unmistakably current.
Track(s)
Parle Moins (feat Malik Joon) 149040 02:14

Parle Moins (feat Malik Joon)

Kessy


Ouais
Hmm
Parle moins

Tu parles trop tu dis rien
Toujours sûr jamais clair
Tu me regardes de loin
Comme si j’étais à refaire

Tu dis “viens” tu dis “reste”
Mais tu sais pas pourquoi
Moi je lis dans les gestes
Pas dans ce que tu crois

J’ai pas besoin d’expliquer
Je me vois très bien sans toi
Si tu viens pour improviser
Autant rester là-bas

Parle moins regarde mieux
J’ai déjà compris le décor
Parle moins regarde mieux
J’attends pas que tu sois fort
Parle moins regarde mieux
Je perds pas mon équilibre
Parle moins regarde mieux
Je suis calme je suis libre

Tu veux suivre mon tempo
Mais tu marches à côté
Chez moi tout est simple
Faut savoir rester vrai

T’as appris à parler vite
À promettre sans voir
Mais moi je coupe le son
Quand ça sonne trop noir

Yeah
J’arrive clean sans détour
J’fais pas l’acteur dans le jour
Trop de bruit pour peu d’idées
Moi j’avance pas besoin d’jouer
Elle sait lire entre les lignes
Moi j’dis moins j’fais plus
Si tu veux rester dans le film
Faut être réel pas flou

Parle moins regarde mieux
J’ai déjà compris le décor
Parle moins regarde mieux
J’attends pas que tu sois fort
Parle moins regarde mieux
Je perds pas mon équilibre
Parle moins regarde mieux
Je suis calme je suis libre

Ouais
Parle moins
C’est mieux comme ça

CREDITS
Performer: Kessy
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

On the Road Again
Sara Durian

Verified Verified Artist

Sara Durian
Sara Durian is Germany’s undisputed disco queen, electrifying dance floors since the early 2000s with her glitter-drenched beats and futuristic soul. Born in Düsseldorf and raised on a steady diet of Kraftwerk, Donna Summer, and underground Berlin house parties, Sara blends retro grooves with neon-drenched modernity. Her signature sound? A cosmic fusion of French touch, Eurodisco, and synth-heavy pop—unmistakably hers, instantly addictive.

From smoky Berlin clubs to Tokyo fashion runways, Sara has turned every stage into a mirrorball-lit sanctuary. Her voice—sultry, robotic, divine—has been sampled by countless DJs but never duplicated. Whether she’s spinning vinyl or headlining queer festivals across Europe, Sara owns the night like a shimmering phantom of funk.

Still active and more radiant than ever, her legacy is not nostalgia—it’s now. With platinum blond curls and chrome stilettos, she struts through time with a wink and a bass drop.

Her mantra? “All drama, all disco.”
Track(s)
On the Road Again 146458 02:31

On the Road Again

Sara Durian


You had me sold with a whisper
Pulled me close
Said
"You're my best friend"
Now I'm standin' on the shoulder
Of the highway while you're leavin' again

Well
Baby
Don't worry about me
I got my boots and my keys
I got everything I need
And when my thumb gets me home
I'm gonna go out on my own
Gonna find my rainbow's end
And I'll be on the road again

You packed me up in the morning
After you picked me up in the night
And I know you didn't mean it
When you said you were my last ride

Well
Baby
Don't worry about me
I got my boots and my keys
I got everything I need
And when my thumb gets me home
I'm gonna go out on my own
Gonna find my rainbow's end
And I'll be on the road again

Well
When I get to heaven
I'm gonna know
'Cause it's gonna look like New Mexico

And
Baby
Don't worry about me
I got my boots and my keys
I got everything I need
And when my thumb gets me home
I'm gonna go out on my own
Gonna find my rainbow's end
And I'll be on the road again

Yeah
I'll be on the road again
Oh
Baby
I'll be on the road again

CREDITS
Performer: Sara Durian
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Cooler Than My Tears
Miles Rennick

Verified Verified Artist

Miles Rennick
Miles Rennick is an electro-pop singer and songwriter whose music blends playful irony with slick, club-ready production. With a cheeky, half-sung and half-spoken vocal style, he brings a unique personality to the modern indie-pop scene.

His debut track “Cooler Than My Tears” captures this spirit perfectly — a quirky yet infectious anthem built on groovy basslines, crisp synth riffs, and a sarcastic lyrical edge. Both tongue-in-cheek and danceable, the track reflects Rennick’s ability to turn irony into a hook.

Dedicated to staying independent and unconventional, Miles Rennick has chosen to release his music exclusively through Filodyo and NOT FM, highlighting his close collaboration with platforms that value originality and artistic freedom.
Track(s)
Cooler Than My Tears 242559 03:15

Cooler Than My Tears

Miles Rennick


(ha!)
The lock is broken doors swing wide
No more shadows I need to hide

Your perfume fades on an empty shelf
I found a mirror I found myself
Every promise was a borrowed flame
Now I walk and forget your name (uhh)

Chains fall silent on the floor
Wings I never used before
Every breath tastes sharp and new
Every step pulls me through (yeah ha!)

I’m alive I’m alive (woo!)
Burning like the morning rise
Can’t hold me I’m untamed (ha!)
Your love was a painted game
Now the echoes fade from me (na-na)
Every step is victory
I’m alive I’m alive
Cooler than the tears I cried (uhh)

Empty glass on the wooden rail
Stories sink but my ship will sail
Every memory’s a paper boat
Drifting far till it can’t float (yeah)

Chains fall silent on the floor
Wings I never used before
Every breath tastes sharp and new
Every step pulls me through (woo!)

I’m alive I’m alive (say it loud)
Burning like the morning rise
Can’t hold me I’m untamed (ohhh)
Your love was a painted game
Now the silence sings with me (yeah yeah)
Every step is victory
I’m alive I’m alive
Cooler than the tears I cried (hah!)

You thought I’d break…
But I’m stronger than the storm
I’m running past the past
And it will never find me again (mmm)

I’m alive I’m alive (uhh woo!)
Burning like the morning rise
Can’t hold me I’m untamed (ha!)
Your love was a painted game
Now the silence sings with me (na-na-na)
Every step is victory
I’m alive I’m alive
Cooler than the tears I cried (yeah yeah yeah)

(ha!)
Cooler than the tears I cried…
Cooler than the tears I cried

CREDITS
Performer: Miles Rennick
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Lonely on the Road
Wade Hollis

Verified Verified Artist

Wade Hollis
Wade Hollis doesn’t chase the spotlight — he moves through the world like a shadow at dusk, quietly carving songs out of silence and sand. Born somewhere between the border towns of New Mexico and West Texas, he grew up surrounded by static-filled radio, motel ceilings, and the hum of distant freight trains.

His voice is weathered, like desert wood — raw, honest, and unpolished. Every lyric he writes feels like a road he’s driven a hundred times and still doesn’t fully understand. There’s no big team behind him, no hometown hero narrative. Just a guitar, a gravel road, and the ache of never quite belonging.

Hollis doesn’t stream anywhere else. His music lives exclusively on Filodyo and NOT FM, like postcards from a place most people drive past but never stop to feel. If you’ve ever stared out of a car window at 2 a.m. and felt both free and completely lost — you’ve already heard Wade Hollis, whether you knew it or not.
Track(s)
You Left Your Name Open 293835 04:24
Lonely on the Road 236063 04:23

Lonely on the Road

Wade Hollis


I'd like to know how it feels to have a home
Hate sleepin' alone in motels on the road
I'd like to have a girl with someone else's name
Find a way to settle down and not lose my mind
Livin' on borrowed time
Oh

And it don't matter which way I go
I'll still be lonely on the road
And it don't matter which way I go
I'll still be lonely on the road

I could be a billionaire
But I'm still gon' die
My baby could have kids
But they won't be mine
I don't know what it is
But somethin' just don't feel right
I wish I knew how to live a real simple life
Wish I could make it right
Oh

And it don't matter which way I go
I'll still be lonely on the road
And it don't matter which way I go
I'll still be lonely on the road

I'd like to know how it feels to have a home
Hate sleepin' alone in motels on the road

CREDITS
Performer: Wade Hollis
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Plastic Skies & Pap...
Romi Sage

Verified Verified Artist

Romi Sage
Romi Sage doesn't chase the spotlight — he teases it. With a smirk behind every lyric and a groove under every syllable, Romi walks the fine line between smooth and subversive. Born in Lisbon and raised between record shops and rooftop parties, he grew up idolizing the effortless cool of Prince, the rhythmic swagger of George Michael, and the punchy charm of early 2000s pop.

His voice slides — not in haste, but in style. It dances over slap basslines and syncopated guitar licks like it’s dodging commitment. Romi doesn’t just sing about love; he dissects it with irony, flirts with it, then leaves it on read. His stage presence is magnetic — not because he demands attention, but because he never asks for it.

Beneath the glam and glitter, though, there’s always a crack. That’s where Romi shines the most — in the clever melancholy, the playful ache, the smile that knows better. His performances are less about perfection, more about pulse.

Plastic Skies & Paper Towns isn’t a love song. It’s a stylish spiral — romantic delusion in disco heels. It's funk with a wink. And with Romi Sage at the mic, it’s impossible to ignore.
Track(s)
Plastic Skies & Paper Towns 184769 03:26

Plastic Skies & Paper Towns

Romi Sage


Got a signal in my toaster
Dreams leaking from my shoes
City spins like a record
But I ain’t dancing to their news

Billboards flashing answers
To the questions I ain't asked
Everyone’s got mirrors
But no one sees past the mask

They sell the future in a box
With plastic trees and ticking clocks
But I want rhythm I want roots
Not just apps in leather boots

Under plastic skies in paper towns
We keep movin’ up but we’re fallin’ down
(Oh no no)
Truth’s on mute and the beat's too loud
Still I groove through this synthetic crowd

Yeah I'm slidin’ through your static minds
Moonwalkin' past the warning signs
(Whoa-oh)
If the world’s a trip—don’t need to land
I’ll funk my way won’t play your brand

I met a monk in a mirror maze
He said “Peace comes with purple haze”
I traded coins for inner sight
But they charged me tax on neon light

Don’t feed me fear in chrome disguise
Don’t sell me dreams with barcode eyes
I ain’t your data I ain’t your plan
I’m a barefoot soul in a traffic jam

Under plastic skies in paper towns
We keep movin’ fast just to circle 'round
(Hey hey!)
Truth’s gone rogue and the beat’s profound
Still I glide through your algorithm crown

Yeah I’m rollin’ in my analog mind
Flippin’ signals they left behind
(Whoa-oh)
If the world’s a glitch I’ll funk the code
Got cosmic shoes and no fixed road

CREDITS
Performer: Romi Sage
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

The Only Good Julio...
Eli Varnish

Verified Verified Artist

Eli Varnish
Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.

That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.

Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.

Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.

The Only Good Julio I Ever Knew Was Don (They Never Meant It)

Eli Varnish


He said “brother” like it cost him nothin’
Smiled wide and stole my coat
Asked for time asked for money
Left me short and called it hope

The waitress said I had nice eyes
While stackin' bills that weren’t mine
The preacher swore we’d all be saved
But his watch was gold and mine was fake

They never meant it
Not the cheers not the names
All them kind words
Were just poker games
But I knew a man once—
Did what he said he’d do
The only good Julio I ever knew
Was Don

The boss shook hands with dirty gloves
Said “You're family” then raised the flood
And mama prayed through gritted teeth
While sellin' things we couldn't eat

They never meant it
All that “brother” all that “son”
They toast your wins
Then load their guns
But I knew a man once—
Quiet as a Sunday pew
The only good Julio I ever knew
Was Don

They’ll write your name on birthday cake
And scratch it off the will
They’ll hug you at the front door
While makin’ copies of the deed still

They never meant it
It was polish on a stone
But that old man with the cracked hat
Said “take your time or take it alone”
I knew a man once—
Didn’t lie to get through
The only good Julio I ever knew
Was Don

CREDITS
Performer: Eli Varnish
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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HOT TRACK

Loneliness
Elara Stone

Verified Verified Artist

Elara Stone
She makes music for the hours when clarity doesn’t arrive on time. Her songs sit between late-night electronic culture and everyday emotional friction, carried by a vocal that avoids performance and leans into presence. There’s no melodrama here, no oversized hooks. Instead, she works with restraint, letting repetition, silence, and subtle shifts do the heavy lifting, capturing the tension of modern relationships and the quiet pressure of daily life.

Sonically, her work draws from melancholic drum and bass and deep electronic traditions, but filters them through a distinctly current lens. Beats roll rather than hit, bass appears just long enough to leave a trace, and arrangements resist obvious peaks. Her voice is treated as part of the architecture, close, controlled, and emotionally distant, floating above the rhythm instead of chasing it. It’s music built for movement and reflection at the same time.

Her releases live within the carefully curated worlds of Filodyo and NOT FM, platforms that prioritise context over noise and long-form listening over instant impact. In that sense, her music isn’t chasing trends, it’s designed to exist alongside them, quietly confident, emotionally precise, and very much of its moment.
Track(s)
Everyday Weight 222794 04:08
Loneliness 153661 02:57

Loneliness

Elara Stone


The room stays still when I move
Air feels counted slow and exact
My phone facedown on the table
Like it knows I won’t look back

Hours fold into each other
No sharp edges no release
I don’t miss someone specific
I just miss how silence feels

Loneliness isn’t loud
It doesn’t need a scene
It waits until everything stops
And asks me what I mean
Loneliness stays close
Not heavy not kind
Just the shape of being here
With too much time

Walls keep doing what they do
Holding space without a sign
Every thought arrives unfinished
Leaves before it makes a line

I hear life somewhere ongoing
Not mine but near enough
I don’t reach for explanations
I’m already full of them

Loneliness isn’t loud
It never begs or pleads
It sits beside the moment
And lets it be what it is
Loneliness knows my pace
Never pulls never leads
Just walks the length of the night
At the speed I need

If this hour had a voice
It wouldn’t try to stay
It would tell me nothing’s broken
Then quietly move away

Loneliness isn’t loud
It doesn’t ask for proof
It’s not the end of something
It’s just the pause I move through
Loneliness fades on its own
When the timing is right
I don’t solve it tonight
I just let it pass the time

Morning is doing its job
Somewhere I don’t need to see
This night doesn’t owe me answers
It just keeps me company

CREDITS
Performer: Elara Stone
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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