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Still Standing (ft ...
Elijah Cross

Verified Verified Artist

Elijah Cross
Fall in love with Toronto's resident heartbreaker, Elijah Cross. This unstoppable force in the dance music scene is as dangerously addictive as she is undeniably talented.

Born and raised in Toronto's pulsating cityscape, Cross is a savvy economics graduate inexplicably drawn to pounding beats and mind-bending synths. More likely to be found penning lyrics in a dance club than crunching numbers in a boardroom, she swiftly swapped graphs for grooves with an irresistible grin.

"Still Standing (ft. Nadia)" is not just a notable Elijah Cross track—it's an anthem, an assertion of undying resilience, wrapped in electrifying rhythm. With this song, Cross invites her listeners into the throbbing heart of the dance floor—showing us that, in the face of adversity, we can still let our bodies go wild to a beat.

Infusing her dance tracks with a healthy dose of romance, Elijah Cross’s music will make your heart race and your feet tap uncontrollably. Lovers of the dance genre, beware: one listen and you'll find yourself Cross'd for life.
Track(s)
Still Standing (ft Nadia) 47860 04:14

Still Standing (ft Nadia)

Elijah Cross


I used to leave the light on by the door
Kept your coffee warm like I had before
But you were always somewhere else in your mind

Left me talking to a ghost wasting my time
Folded all your lies like they were clean clothes

Put 'em in a drawer that's how this thing goes
I cried in the shower so you wouldn't hear
Now I don't even need to — baby I'm clear

I gave you rivers you gave me drought
Spent so long wondering what love's about
But the woman in the mirror finally spoke
Said "baby you're the fire — he was just smoke"

I'm not broken I'm just done
(yeah yeah)
I was the moon you were blocking my sun
(mmh)

You thought leaving me would make me fall apart
(uh uh)
Boy you left — but you didn't take my heart
No you didn't take my heart

(ohhh)

I see you now when you walk through the room
Different energy like you shed the gloom
I won't pretend that I don't feel the weight
Of every choice I made a little too late
(background whisper: "too late… too late…")
You were patient like a Sunday in June
I was reckless chased a different tune
And now I'm standing here on the outside damn
Watching you become everything you planned

She gave me rivers I gave her drought
Now I'm the one standing here in doubt
And the man in the mirror finally broke
Said "she was the fire — you were just smoke"

I'm not broken I'm just done
(let it go let it go)
I was the moon you were blocking my sun
(mmh yeah)
You thought leaving me would make me fall apart
(never that)
Boy you left — but you didn't take my heart
You didn't take my heart
(no no no…)

There were nights I almost called
(almost…)
Fingers on your name then I'd stall
(stall…)
But every time I stopped myself I grew
(grew…)

Into someone I love more than I loved you
(bass begins to swell)
More than I loved you
(mmh)
More — than — I — loved — you

(yeah)

I'm not broken I'm just new
(just new just new)
Everything I lost was just a clue
(clue ohhh)
You thought leaving me would dim my light
(can't dim this)
Boy you left —
(he left)
And baby I ignite
(I ignite I ignite)
I ig-nite
(ohhhh)
Mmmmh…
(still standing…)
Still standing

CREDITS
Performer: Elijah Cross
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

The Fridge Is Takin...
Funny Harry

Verified Verified Artist

Funny Harry
Hailing from the vibrant streets of Copenhagen, Funny Harry has carved out a distinctive niche in the alternative pop scene, effortlessly blending whimsical narratives with thought-provoking themes. With a catalog that includes tracks like "The Fridge Is Taking Her Side," Harry's music embodies an eclectic mix of calmness and playful mystery. The lyrics often dance around the mundane, transforming everyday objects and interactions into poignant reflections on loneliness and connection. This creative alchemy was born in the city's cozy cafes, where Harry first collaborated with friends from art school, merging their diverse influences to create a sound that feels both fresh and deeply familiar.

As Harry continues to evolve, each track reveals layers of emotional resonance and sonic experimentation. The interplay of light and shadow is masterfully executed, inviting listeners into a world where the ordinary becomes extraordinary. With an approach characterized by introspective storytelling and innovative arrangements, Funny Harry captures fleeting moments of life through a kaleidoscope of calm melodies and vibrant rhythms. Whether exploring themes of melancholy or stitching together playful anecdotes, the artist leaves an indelible mark on the listener, inviting them to embrace the mystery hidden within everyday experiences.
Track(s)
The Fridge Is Taking Her Side 20625 02:52

The Fridge Is Taking Her Side

Funny Harry


At 2:17 the refrigerator cleared its throat
I said “Don’t start”
It started

The kettle only sings for one
The toaster burns my alibis
Your coffee cup is upside down
Like it has closed its little eyes

I bought a cactus for morale
It quit on Tuesday night
The landlord says the pipes are fine
The fridge is taking your side

Every appliance has an opinion
Every opinion sounds like you
The freezer hums through cross-examination
I plead the fifth and eat for two

The washer handed back one sock
As proof I can’t be trusted
The vacuum found your silver hoop
Then parked itself disgusted

I tried to cook that thing you liked
The smoke alarm performed the lead
I took a bow it took the battery
A fair review I must concede

“Did you call her?”
No

“Will you call her?”
No

“Are you lying?”
Next question

“Who are you talking to?”
The refrigerator

Every appliance has an opinion
Even the clock has joined in too
The freezer hums for the prosecution
And I still cook enough for two

Your note is folded under pears
I read it only when they spoil
The final line says “Please be well”
As if well came wrapped in foil

At dawn the motor settles down
The whole flat loses its nerve
I almost miss our little war
Then hear the ice tray say one word:

“Call”

Mind your own business

At 2:18 it cleared its throat again
I moved it three inches from the wall
We are no longer speaking

CREDITS
Performer: Funny Harry
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Margin of Error
Susan Hall

Verified Verified Artist

Susan Hall
Susan Hall emerges from the vibrant backdrop of New York City, where late-night writing sessions fuel her introspective explorations into the human experience. Infusing elements of Lo-Fi, Pop, and Trip-Hop, Susan crafts soundscapes that oscillate between playful and melancholic. Her track "Margin of Error" encapsulates this duality, featuring smoky vocals layered over a pulsating sub-bass and ethereal Fender Rhodes chords. With a penchant for the poetic, her lyrics explore themes of longing and uncertainty, often wrapped in an enigmatic embrace that resonates deeply with listeners.

The sonic threads within her catalog weave together a compelling narrative, each track a reflection of her artistic identity marked by subtle contrasts. From the dark trip-hop influences that shape her beats to the epic yet intimate moods she conjures, Susan's music reveals a world where vulnerability meets resilience. With tracks like "Margin of Error," she invites audiences to navigate through the shadows of love and loss while offering an unexpected playfulness that lingers long after the last note fades.
Track(s)
Margin of Error 66934 04:57

Margin of Error

Susan Hall


You filed my name under maybe
Kept one hand near delete

Your sentences came pre-approved
Every promise wore a barcode
I read the terms across your face
A firm refusal dressed as grace

You kept my number off the page
Then called it love at your own rate
I learned the cost of being near
A private charge renewed each year

Your figures never could align
You changed the units every time
You took the sum removed the source
Then called the damage normal loss

Call me your margin of error
The number you round to zero
You kept me close to the ledger
But never part of the total

Call me your margin of error
Your almost your after your spare
I won’t be filed under maybe
I won’t be useful then erased

You wore affection like a pass
Valid until somebody asked
My place was marked with pencil lead
Easy to alter hard to read

You built a room from access codes
The door unlocked when you chose
I left the key beside your name
No final speech no claim to blame

Your figures never could align
You changed the units every time
You took the sum removed the source
Then called the damage normal loss

Call me your margin of error
The number you round to zero
You kept me close to the ledger
But never part of the total

Call me your margin of error
Your almost your after your spare
I won’t be filed under maybe
I won’t be useful then erased

I was never hard to measure
You preferred uncertain scales
A person turned to useful data
A pulse reduced to monthly sales

Now every digit has an owner
Every loss can state its cause
You can keep your perfect record
I have left your private laws

Call me your margin of error
The number you rounded to zero
You kept me close to the ledger
But never part of the total

Call me your margin of error
The flaw that refused to behave
Cross out the file marked as maybe
I won’t be useful then erased

Delete my name from your system
The error has learned its own weight

CREDITS
Performer: Susan Hall
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Borrowed Cutlery
Asha Monroex

Verified Verified Artist

Asha Monroex
Asha Monroex, a New York native, is a self-made artist carving out her own niche in the world of Independent Pop. Best known for her hit single "New York, I Loved You," Monroex is as much a part of the city's fabric as its yellow taxis and insomniac lifestyle.

A craftswoman of melancholic melodies, Asha's artistry spirals on downbeat rhythms and swirls of synth-driven soundscapes that resonate with her heartfelt lyricism. She's the type of artist who pens her poignant prose amidst the organized chaos of her Lower East Side apartment, making her music feels as personal as being let in on a closely guarded secret.

Inherently prolific, Monroex is a master at evoking emotional responses with her emotionally charged tracks. She captures the long teary taxi rides home and 3 am heartbreak with a quiet grace and majesty that far surpasses her fellow indie pop peers. Her melodies come through not as songs, but as anthems for those who've experienced love and loss in the city that never sleeps.

Always genuine and undeniably relatable, Asha endears herself to her listeners by turning sorrow into swagger, one resonating note at a time. Her music isn't just a catalogue of songs; it's a journey through the ups and downs of life in the big city, wrapped up in a soulful pop package. And trust us, once you're on this ride, you're not going to want to get off.
Track(s)
Borrowed Cutlery 3021 04:22
New York, I Loved You 57997 04:42

Borrowed Cutlery

Asha Monroex


You came in late
With a theory about forks and fate
I kept my coat
You said my silence needed one more note
Your drink went warm
While you described your personal reform
I changed my mind
Halfway through a sentence you redesigned

Too neat
You make good manners sound incomplete
Too sure
You diagnose the waiter and the furniture

Give me the crooked part
The bit that never learned to behave
Skip the polished start
I’d rather hear what you forgot to save
Don’t make it beautiful
Make it useful for a minute or two
Something disputable
Something that could only come from you

The bass moved first
You called it elegant then called it cursed
I missed the beat
You drew a diagram across the receipt
Your mouth said “fine”
Your eyebrows filed an appeal against mine
The plates were cleared
But somehow your complaint just reappeared

One step
Then a paragraph with nothing left
Two sips
And now we’re arguing about eclipse
No script
Just brass behaving badly at the hip

Give me the crooked part
The bit that never learned to behave
Skip the polished start
I’d rather hear what you forgot to save
Don’t make it beautiful
Make it useful for a minute or two
Something disputable
Something that could only come from you

You want a verdict
I brought a question with no proper ending
You want precision
I brought a rhythm that resents explaining

Call it defective
Call it a habit with excellent shoes

Call it selective
I call it knowing what not to refuse

Stay odd
Let all the tidy couples blame the odds
Stay sharp
Keep one good insult hidden after dark

Give me the crooked part
The one you never put on display
No ceremonial heart
No careful phrase rehearsed on the way

Keep it improbable
Keep it a little too clever to prove
Almost impossible
But still with enough nerve left to move

You took the spoon
I took the story
Fair enough
You looked less boring

CREDITS
Performer: Asha Monroex
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Ashes Know My Name
Elias Crowe

Verified Verified Artist

Elias Crowe
Elias Crowe is an American singer-songwriter whose music lives somewhere between Latin blues, desert rock and roots Americana. Raised among the wide landscapes of the American Southwest, he developed a quiet fascination with stories of ordinary people, forgotten highways and the invisible weight carried through everyday life. Rather than chasing trends, Crowe built his sound around expressive guitar work, restrained vocals and songs that value silence as much as melody.

His recordings are known for their cinematic atmosphere, blending warm acoustic textures, soulful electric guitar and subtle Latin rhythms into music that feels timeless rather than nostalgic. Crowe rarely writes in absolutes. His lyrics explore redemption, memory, resilience and the fragile space between hope and regret, often using simple images to reveal deeper emotional truths. Listeners are drawn to the honesty of his performances, where every note feels lived rather than performed.

Although his style echoes the spirit of classic American roots music, Elias Crowe continues to shape a voice that is unmistakably his own. Whether performing intimate ballads or slow-burning rock songs, he favors authenticity over spectacle, allowing emotion, craftsmanship and atmosphere to lead every performance. His work has earned a loyal audience that values music not for its volume, but for its ability to linger long after the final chord has faded.
Track(s)
Ashes Know My Name 44527 04:58

Ashes Know My Name

Elias Crowe


Slow down…
Don’t wake the fire
It already knows
Who I am

Dust hangs low where the old road bends
Every scar still remembers friends
I don’t ask if tomorrow stays
I just count the smoke instead of days

One cold wind
One tired hand
Trying to build
What never stands

Every prayer arrives
Wearing different clothes
Maybe heaven answers
Maybe nobody knows

Hold your flame
Don’t hide your face
Even broken walls
Can become a place

If the night
Calls out my name
I’ll answer slow
Just the same

Hold your flame…
Don’t let it fade

My father’s coat still smells like rain
Every pocket keeps a different pain
Coins grow heavy
Truth grows light
Some men disappear
Before the fight

I don’t need another miracle
Only one more mile to walk
The silence speaks
Louder than angels
When nobody talks

Hold your flame
Across the storm
Nothing living
Stays untouched or warm

If I fall
Don’t call my name
Just leave the fire…
Exactly where it came

The ashes know my name…
The ashes know…
My name…

CREDITS
Performer: Elias Crowe
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Left Me Dancing
Velvet Tax

Verified Verified Artist

Velvet Tax
Velvet Tax is a young female singer hailing from Poland, infusing her music with a vibrant sense of self and personal narrative. With her single "Left Me Dancing," she introduces listeners to her raw, emotive vocal style that draws from her life experiences and the complexities of modern relationships. Her approach to songwriting is deeply personal, often blending introspection with relatable themes, which resonates well with a diverse audience seeking authenticity in music.

Although her catalog currently features only "Left Me Dancing," Velvet Tax's artistry hints at a promising evolution. With the ability to weave intricate melodies and poignant lyrics, she creates a sonic landscape that reflects both melancholy and joy. This duality sets the stage for future projects that are likely to explore various moods and genres, showcasing her versatility as an artist. Each subsequent track is anticipated to build upon the foundation laid by this debut, further enriching her identity as a musician.

As Velvet continues to develop her sound and expand her repertoire, her potential for growth is evident. Whether through collaborations with fellow artists or exploring different musical styles, she is poised to make a significant mark within the independent music scene. With every new release, fans can expect her captivating storytelling and expressive vocals to flourish even more, inviting them along on her artistic journey.
Track(s)
Left Me Dancing 49295 04:28

Left Me Dancing

Velvet Tax


You left me crying
But I came back dancing
Mm
I came back dancing

You took the keys
But not the door
You took your coat
But not the storm

I kept the dress
You never liked
Put on my heels
And killed the lights

You thought I’d call
You thought I’d break
You thought my heart
Would learn your name

But I found myself
At half past two
In a crowded room
Not missing you

I let the mirror see me
With my makeup running
Then I wiped it clean
Like I saw you coming

You were the lesson
I was the flame
You left the woman
But she changed her name

You left me lonely
Left me hurting
Left me standing in the rain

Now I’m moving
Now I’m burning
Now I’m dancing through the pain

You don’t get to hold me
When I’m finally free
You don’t get the old me
She don’t answer for me

You left me crying
But I came back dancing
You left me dying
But I came back dancing

Da-da-da-dancing
I came back dancing
Da-da-da-dancing
I came back dancing

I saw your friends
They looked surprised
Like I should hide
Like I should cry

I smiled so sweet
They looked away
I guess revenge
Can wear a face

No angry texts
No midnight scene
No begging you
To come to me

I changed the song
I changed the room
I changed the girl
Who waited for you

I let the mirror see me
With my heart wide open
Then I sewed it up
With a little gold thread

You were the reason
I hit the ground
But I’m the reason
I’m rising now

You left me lonely
Left me hurting
Left me standing in the rain

Now I’m moving
Now I’m burning
Now I’m dancing through the pain

You don’t get to hold me
When I’m finally free
You don’t get the old me
She don’t answer for me

You left me crying
But I came back dancing
You left me dying
But I came back dancing

Da-da-da-dancing
I came back dancing
Da-da-da-dancing
I came back dancing

I was a house with the windows open
You were the match in a careless hand
I was the girl who kept forgiving
Now I’m the woman you can’t command

I don’t hate you
That’s too easy
I don’t need you
That’s the twist

I don’t want you
To come save me
I just want you
To see this

You left me lonely
Left me hurting
Left me standing in the rain

Now I’m moving
Now I’m burning
Now I’m dancing through the pain

You don’t get to hold me
When I’m finally free
You don’t get the old me
She don’t answer for me

You left me crying
But I came back dancing
You left me dying
But I came back dancing

You left me lonely
But I came back shining
You left me broken
But I came back diamond

You left me crying
But I came back dancing

Da-da-da-dancing
I came back dancing

CREDITS
Performer: Velvet Tax
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Call Me Expensive
Fonx Prime

Verified Verified Artist

Fonx Prime
Fonx Prime is an emerging artist from London, known for his infectious blend of funk and pop that captures the vibrancy of the city’s music scene. Currently honing his craft as a conservatoire student, Fonx brings a youthful exuberance to his work, drawing inspiration from both classic influences and contemporary trends. His debut track "Call Me Expensive" showcases this dynamic approach, effortlessly merging upbeat rhythms with playful lyrics that resonate with themes of hope and confidence.

With a sound that is both energetic and uplifting, Fonx's music invites listeners into a world where joy is paramount. Each composition reflects his ability to create engaging melodies that linger in the mind long after the last note fades. Beyond the lively grooves of "Call Me Expensive," future releases are expected to expand upon this tapestry, exploring the interplay between funk-driven beats and pop sensibilities while maintaining an overall sense of optimism.

Fonx Prime’s artistic identity is rooted in authenticity, as he embraces his journey with sincerity and passion. His music not only serves as a reflection of his personal experiences but also invites audiences to celebrate life’s moments of happiness and playfulness. As he continues to develop his catalog, Fonx aims to connect with fans through relatable themes and an infectious energy that encourages everyone to embrace their individuality.
Track(s)
Call Me Expensive 49788 03:32

Call Me Expensive

Fonx Prime


Ow
Mm
Don’t act cheap with my heart

You got style
But you talk too much
You got taste
But you rush too much

I don’t need
A golden key
I just need
You next to me

No long speech
No big parade
Just that look
That you can’t fake

You say maybe
I say no
Pick a side
Or let me go

I’m not hard to love
I’m hard to fool
You play so sweet
But I know you

If you want my time
Spend it right
Don’t bring drama
To my Friday night

Call me expensive
Call me too much
Call me whenever
You need real love

Call me electric
Call me your type
Call me before you
Change your mind

You don’t need money
You need attention
I don’t want diamonds
I want intention

Call me expensive
Baby that’s fine
Cheap talk never
Gets my time

You wear cool
Like a second skin
But I see nerves
When I walk in

You try smooth
I try honest
You want games
I want promise

Don’t send flowers
Send the truth
I got better
Things to do

You say maybe
I say please
Don’t waste rhythm
On your knees

I’m not hard to love
I’m hard to fool
You play so sweet
But I know you

If you want my time
Spend it right
Don’t bring drama
To my Friday night

Call me expensive
Call me too much
Call me whenever
You need real love

Call me electric
Call me your type
Call me before you
Change your mind

You don’t need money
You need attention
I don’t want diamonds
I want intention

Call me expensive
Baby that’s fine
Cheap talk never
Gets my time

Less conversation
More dedication
Less explanation
More demonstration

I don’t need perfect
I don’t need rich
I need somebody
Who knows what this is

Say it cleaner
Stand up straighter
Love me now
Or miss me later

Call me expensive
Call me too much
Call me whenever
You need real love

Call me electric
Call me your type
Call me before you
Change your mind

You don’t need money
You need attention
I don’t want diamonds
I want intention

Call me expensive
Baby that’s fine
Cheap talk never
Gets my time

Ow
Don’t act cheap with my heart
Call me expensive
That’s a good start

CREDITS
Performer: Fonx Prime
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Crossed Wires
Liora Penn

Verified Verified Artist

Liora Penn
Liora Penn is a captivating UK garage pop singer whose music deftly combines crisp rhythmic delivery with an emotionally charged melodic style. Her approach to two-step grooves showcases a natural affinity for movement, inviting listeners to engage both physically and emotionally. With an emphasis on precise hooks, Liora crafts songs that resonate with a relatable authenticity, reflecting the complexities of modern relationships. This connection between her lyrics and the listener's personal experiences forms the backbone of her artistic identity.

Her standout track "Crossed Wires" epitomizes her signature sound, seamlessly blending dance, electronic, and pop elements into a bittersweet yet energetic offering. The playful undertones in her production enhance the emotional depth of her storytelling, inviting audiences to explore themes of love, miscommunication, and introspection. Liora's collaborative relationship with producer Hakan E. has further polished her contemporary sound, ensuring each release maintains a fresh and vibrant edge while anchoring it firmly within the UK garage pop landscape.

As Liora continues to evolve as an artist, her catalog promises to expand on the themes of connection and emotional honesty that define her work. By navigating the interplay between upbeat rhythms and more contemplative lyricism, she invites listeners into a world where every beat carries significance. Whether dancing in celebration or reflecting in stillness, fans find a piece of themselves within Liora's music, making her an essential voice in today's independent music scene.
Track(s)
Crossed Wires 42795 03:16

Crossed Wires

Liora Penn


You call at two I miss by one
Two small signals come undone
Your name glows blue across my phone
I read it twice then walk back home
A simple word arrives too late
A second chance meets a closing gate
We keep our pride on separate lines
Then blame bad luck for broken signs

One step left one step right
Same small spark on different nights
Say it plain cut through noise
Give this feeling back its voice

Crossed wires crossed wires
Every message feeds the fire
You say stay I hear goodbye
We lose truth between reply
Crossed wires crossed wires
No more guessing no more liars
Call me now I will be clear
What I want is having you here

Your friends say wait mine say move
None of them can choose our truth
We trade three dots then let them fade
A tiny war that we both made
I know your habits you know mine
How we turn care to warning signs
So drop that script forget who wins
Let one good sentence pull us back again

One step left one step right
Same small spark on different nights
Say it plain cut through noise
Give this feeling back its voice

Crossed wires crossed wires
Every message feeds the fire
You say stay I hear goodbye
We lose truth between reply
Crossed wires crossed wires
No more guessing no more liars
Call me now I will be clear
What I want is having you here

No coded phrase no careful pose
Say what hurts and what still grows
I can take an honest line
If you can take this heart of mine

Crossed wires crossed wires
Now we cut across that fire
You say stay I hear it right
We choose us and end this fight
Crossed wires crossed wires
No more guessing no more liars
Call me now I will be clear
What I want is having you here

CREDITS
Performer: Liora Penn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

No Default Setting
Billie Arden

Verified Verified Artist

Billie Arden
Billie Arden is an electrifying force in the modern dance-pop scene, hailing from Berlin, where her late-night writing sessions have breathed life into a catalog that pulsates with energy and emotion. With influences from funk and nu-disco, her music embodies a sleek, four-on-the-floor groove that promises to uplift spirits and get bodies moving. Tracks like "No Default Setting" showcase her confident vocal style—low and controlled in the verses, yet soaring and playful in the choruses—making each song feel like both a celebration and a personal manifesto. Through her polished production, which features tight rubbery basslines and glossy synth stabs, Arden crafts an infectious sound that captures the essence of joy and hope.

Exploring themes of authenticity and self-acceptance, Arden's lyrics reflect her determination to navigate a world that often seeks to confine individuality. While she embraces exuberance in her melodies, there's an undercurrent of defiance in tracks that challenge conventional norms and invite listeners to embrace their unique paths. Billie Arden's artistry extends beyond mere entertainment; it serves as an invitation to dance freely while celebrating one's true self, ensuring that each release resonates deeply with those seeking inspiration in both life and music.
Track(s)
The Wrong Daughter 231 03:39
No Default Setting 2592 03:50

No Default Setting

Billie Arden


Cut the feed
Leave the meter running
Hold that grin
I came with my own timing

You tried to sell me a cleaner name
With the corners sanded down
Put my laugh in a little glass case
Said “Look who’s stable now”

I don’t fit in your easy chart
I don’t land on command
There’s a tune in my crooked part
You don’t understand

Don’t fix the bend
Don’t mute the spark
I keep my rhythm
Off the mark

No default setting
I tune my own voltage
No default setting
I move when the bass gets bold

You want me simple
You want me folded
I’m not the version
That does what it’s told

No default setting
No clean reset
I’m better when I don’t behave yet

Your golden rule came overdressed
And talked like a magazine
I poured black coffee on the test
Made the paper sing

You said “Be calm be useful now”
I said “Nice little cage”
Then I took my pulse off your clock
And rewrote the page

Don’t trim the heat
Don’t square the sound
I keep my rhythm
Upside down

No default setting
I tune my own voltage
No default setting
I move when the bass gets bold

You want me simple
You want me folded
I’m not the version
That does what it’s told

No default setting
No clean reset
I’m better when I don’t behave yet

Left right
Too bright
Low kick
Uptight

Turn snap
Come back
One more
Off-track

I was never built for your manual
Never born for a numbered lane
Every time you label the motion
Something loose begins to play

Let the clean ones keep their answers
Let the smooth ones win the floor
I have trouble in my timing
And it always asks for more

No default setting
I tune my own voltage
No default setting
I move when the bass gets bold

You want me simple
You want me folded
I’m not the version
That does what it’s told

No default setting
No clean reset
I’m better when I don’t behave yet

Cut the feed
Leave it running
No default
I’m still coming

CREDITS
Performer: Billie Arden
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Wake Up, Gary
Wrong Floor Cinema

Verified Verified Artist

Wrong Floor Cinema
Wrong Floor Cinema is a four-piece alternative rock band formed in 2025 by Orson Vell, Marlow Pin, Crispin Dayrate, and Niles Weatherby. The group came together through a series of badly organized rehearsal-room bookings, after repeatedly being assigned the same basement studio by mistake. They kept the name Wrong Floor Cinema because it matched their shared taste for overlooked places, awkward situations, and things that feel slightly out of sequence.

Their music blends sharp pop-punk guitars, dry spoken-sung vocals, clipped rhythms, melodic bass lines, and an offbeat sense of humor. Although their sound draws heavily from 1990s alternative rock, they avoid straightforward nostalgia, mixing that influence with modern production, restrained arrangements, and lyrics built around mundane frustrations, social discomfort, bad timing, and small personal disasters.

Orson handles vocals and rhythm guitar, Marlow plays lead guitar, Crispin plays bass, and Niles is on drums. Together, they have built a reputation for tightly controlled live performances that still feel unpredictable, balancing catchy melodies with deadpan delivery and a slightly detached stage presence. Wrong Floor Cinema sounds like a band that arrived late, entered through the wrong door, and decided to stay anyway.
Track(s)
Wake Up, Gary 60445 03:28
Never On The Line 32562 02:48
The Man Who Sold the Rain 33618 02:42

Wake Up, Gary

Wrong Floor Cinema


Gary’s got a corkboard on the bedroom wall
Red strings running from the big to the small
Says the moon’s a movie on a giant screen
“NASA hired Stanley back in ‘69” he’s keen

Won’t eat cereal with a barcode line
Reads expiration dates like secret signs
Says the pigeons blink in binary
Then whispers “Buddy… they’re watching me”

Every answer needs another question
Every fact becomes a new obsession

Wake up Gary what did you find?
Another secret hidden in your mind?
Lizard kings and laser skies
Birds with government eyes
Wake up Gary take a day off please
Not everything’s a global mystery
Maybe life is just… okay
But don’t tell Gary anyway

He says Elvis orders food at night
Bigfoot’s blurry on purpose right?
Paul was switched back in ‘64
“Look at the eyebrows!” — he’s got thirty more

Area Fifty-One’s a holiday camp
Atlantis powers every desk lamp
Chemtrails spell my middle name
And squirrels? “Yeah… they’re in the game”

Every headline proves his theory
Coffee makes him documentary

Wake up Gary what did you find?
Another secret hidden in your mind?
Lizard kings and laser skies
Birds with government eyes
Wake up Gary take a day off please
Not everything’s a global mystery
Maybe life is just… okay
But don’t tell Gary anyway

Yesterday he called at half past two
Said “I’ve got something huge for you!”
I held my breath… this must be big…

“They changed the shape… of Pringles lids”



He wasn’t joking

Wake up Gary what did you find?
Another rabbit hole to pass the time?
Flat Earth aliens secret files
He can talk for seventeen miles
Wake up Gary you’re one of a kind
You make conspiracy sound sublime
If the truth comes out one day
We’ll let Gary say “I told you mate!”

CREDITS
Performer: Wrong Floor Cinema
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Old Good Days
Calvin Ray Monroe

Verified Verified Artist

Calvin Ray Monroe
Say hello to Calvin Ray Monroe, Manhattan's disco dynamo and independent music's best kept secret. He's a man turning his flat into a vibrant vortex of vinyl, vintage beats and vivacious zest.

Calvin's music is a love letter to brighter, cheerier and simpler times. Tucked away in his cosy, compact Manhattan studio, he's crafting sparkling dance tunes that taste like sunshine straight from an 8-track. Layers of lush, lighthearted beats laid with a playful, witty flair that gives his music a delightful "Happy Hour" allure all day long.

"Old Good Days", his juggernaut track, is the kind of song that'll huff, puff, and blow your cobwebs away. It tiptoes the line between nostalgic and novel - a dance-off with the past, in the present. Monroe's sound will make you groove, throw your hands up, and boogie - loving life even in your living room.

So, ladies and gentlemen, bring out your disco shoes and shine up your bright moods—the dance-floor awaits you with Calvin Ray Monroe's tunes. Whisked up on a whirlwind of happiness, we guarantee you'll forget all about yesterday and probably tomorrow too. Such is the magic of Calvin—the kind that's rare, real, and quite remarkably his own.
Track(s)
Old Good Days 44136 03:13

Old Good Days

Calvin Ray Monroe


I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"

I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"

They want that old me back
Now that version in the past
When I was a young kid
I just wanted me a bag

On the corner with my people
In the middle of the night
Everybody moving careful
Just trying to make it right

Man I been hot
I been on my own thing
Riding with a Taurus
I was on some horoscope thing

All my people winning
Man we don't ever forfeit
Me and my people never moving on no weak stuff

I'm in this place with my woadies
I'm in this place with my homies
I'm in this place with the people
That really been down
And the ones that really been knowing me

I'm in this place with the people
That said they would ride for me
And the ones that would've stood with me

I'm in this place with the people
That told me I couldn't do it
But now I be doing me

I'm on a different type time
Girl you know I been on my grind
Tryna move all of my people up out the hood
Get 'em out of the bind

I know that all of my people got demons
But that's why I keep all my angels around
I told all my people
"If you hold me down
Then I'ma hold you down"

I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"

I was on the block
With my people every day
Tryna get a dollar in a hundred different ways
Tell 'em I was hot
I just had to get away
And they tell me
"Brother
What about the old good days?"

I was on the block
I was on the block
Tell 'em I was hot
And they tell me
"Brother
What about the old good days?"

I was on the block
Tell 'em I was hot
And they tell me
"Brother
What about the old good days?"

CREDITS
Performer: Calvin Ray Monroe
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Better With Less
Eli Mercer

Verified Verified Artist

Eli Mercer
Eli Mercer is an acoustic soul-pop singer whose music resonates with warmth and emotional clarity. With a rich, clear voice that conveys both sincerity and introspection, Eli's style is defined by his fingerpicked guitar, soft upright piano, and delicate brushed drums. His song "Better With Less" encapsulates his artistic ethos, inviting listeners into a space where choosing simplicity and connection trumps the chaos of excess. Each element in his arrangements is thoughtfully restrained, allowing the depth of his lyrics to shine through in a way that feels both personal and relatable.

Thematically, Eli's work often revolves around the ideas of time, relationships, and grounding oneself in the present. His songs explore the importance of selecting people and experiences that enrich life, reflecting a mature perspective on what truly matters. This focus on emotional depth is balanced beautifully with melodies that evoke a sense of calm and hope, encouraging listeners to reflect on their own lives. His music creates an inviting atmosphere where one can contemplate the joys of living simply.

As he continues to develop his catalog, Eli Mercer stands out for his ability to blend genres such as pop, R&B, and soul into a cohesive sound that feels timeless yet contemporary. With each track, he invites us to join him on this journey towards gratitude and clarity. His vocal delivery is conversational yet powerful, leaving an impression that lingers well beyond the last note. Through his work, Eli fosters a connection with audiences seeking authenticity in a world often dominated by noise and distraction.
Track(s)
Better With Less 44774 03:32

Better With Less

Eli Mercer


I kept every receipt like proof
Bought more space then filled each room
Wore my plans like heavy clothes
Carried things I never chose
One by one I let them go
Found out what I need to know
A steady hand a faithful friend
A little time I do not spend

Nothing missing nothing owed
I can feel my shoulders let go

I am better with less
Better with air on my chest
Better with one true yes
Than a hundred maybes I regret
I was counting every prize
While the good passed by my eyes
Now I know what matters best
I am better better with less

I gave away that tailored coat
Kept one song my father wrote
Took old numbers from my phone
Made this smaller place my own
No gold frame can hold a day
No new car can make love stay
I choose people I choose time
I choose a life that still feels mine

Nothing missing nothing owed
I can feel my shoulders let go

I am better with less
Better with air on my chest
Better with one true yes
Than a hundred maybes I regret
I was counting every prize
While the good passed by my eyes
Now I know what matters best
I am better better with less

Keep the rush keep the race
I found freedom with some space
Every burden I release
Leaves more room for what I need

I am better with less
Better with air on my chest
Better with one true yes
Than a hundred maybes I regret
I was counting every prize
While the good passed by my eyes
Now I know what matters best
I am better better with less

CREDITS
Performer: Eli Mercer
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

After Seven
Elian Rae

Verified Verified Artist

Elian Rae
Elian Rae makes refined late-hour pop built for rooms that do not want to shout. Her sound blends soft nu-disco, mellow funk bass, Rhodes keys, muted guitar, and an airy vocal style that feels polished without turning glossy or loud.

Her songs often find small cinematic details in ordinary spaces: a quiet shop after seven, fabric on a hanger, receipts curling beside a drawer, street color moving behind glass. The result is warm, understated music for evening playlists, boutique floors, and listeners who like groove with restraint.
Track(s)
After Seven 1101 03:35

After Seven

Elian Rae


At seven the glass doors learn the street by name
sale tags turn slowly in the conditioned air
someone leaves a blue scarf folded out of place
and the mirror keeps pretending not to stare

A clerk counts coins like small weather
one by one into a paper tray
the fitting rooms exhale together
as the weekday loosens its display

Keep the low lamps on
let the room breathe out
there is music in the ordinary
when the hurry thins around
Soft returns quiet shelves
hands on fabric nothing else
after seven after seven
we move lightly through ourselves

Perfume cards sleep beside the counter
shoes line up like they know the floor
outside taxis change their colors
inside no one needs to want more

A coat on a hanger turns human
for a second in the corner light
I almost ask it where it's going
then I let it keep the night

Keep the low lamps on
let the room breathe out
there is music in the ordinary
when the hurry thins around
Soft returns quiet shelves
hands on fabric nothing else
after seven after seven
we move lightly through ourselves

Not every song should chase the ceiling
not every room should ask for rain
some evenings only need a rhythm
folded neatly with a name

Keep the low lamps on
let the room breathe out
there is music in the ordinary
when the hurry thins around
Soft returns quiet shelves
hands on fabric nothing else
after seven after seven
we move lightly through ourselves

The last receipt curls by the drawer
one small moon on the floor
after seven after seven
nothing asks to be more

CREDITS
Performer: Elian Rae
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Paper Cup Summer
Mirov Saint

Verified Verified Artist

Mirov Saint
Meet Mirov Saint, everyone's favorite disco-spinning, beat-making connoisseur of all that is musical and funky. Hailing from a place as elusive as his name suggests, this maestro reigns from the far-flung utopia we like to call Saint Petersburg, crafting soundtracks that make our everyday lives feel like an enchanted fairy tale.

This genteel DJ, signed to Filodyo—shout out to them for recognising raw talent—works nightclub miracles, turning songs into disco-infused enchantments. His pièce de résistance? A cabaret dance cover of Romeo Vane's "Kiss Me When I'm Lying", of course. Because who needs a prince charming when you've got Mirov Saint remixing your life soundtrack?

Behind the decks, he becomes this alchemy wizard, transforming every beat into disco-gold, infusing happiness in every note. Take a gander at Mirov's Spotify. You'll think you've been transported to a Moscow underground disco in the 70s—a place where anxiety is unknown, and the mood is perpetually “Happy”.

So there you have it, folks. Mirov Saint, living proof that disco isn't dead, it's just been chilling in Saint Petersburg, waiting for one wizardly DJ to mix it back to life.
Track(s)
Paper Cup Summer 2278 03:18
Kiss Me When I'm Lying 231597 03:51

Paper Cup Summer

Mirov Saint


You left your scarf on my chair
Cheap red thread and summer air
I still fold it by the door
Like you might come back for more

And I know I know
It was never clean
But your name
Still shakes the seams

Paper cup summer
You still taste like that
Paper cup summer
Gone fast came back
I keep one small match
For the dark you made
Paper cup summer
Won't fade won't fade

Bus stop rain on your shoes
You laughed like you had bad news
In the park under the trees
You said "Don't make a promise to me"

And I know I know
We were shaking hard
Two wild hearts
In a borrowed car

Paper cup summer
You still taste like that
Paper cup summer
Gone fast came back
I keep one small match
For the dark you made
Paper cup summer
Won't fade won't fade

Now the corner store's closed early
The peach gum on your sleeve still hurts me
If I call would you hear my voice?
Or just the noise just the noise

Paper cup summer
You still taste like that
Paper cup summer
Gone fast came back
I keep one small match
For the dark you made
Paper cup summer
Won't fade won't fade

CREDITS
Performer: Mirov Saint
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

No Me Mires Asi
Mono De Oro

Verified Verified Artist

Mono De Oro
Mono De Oro is a vibrant singer-songwriter with Spanish roots, now making waves in the heart of America. With a voice that carries the warmth of sun-soaked afternoons and the melodic storytelling of her heritage, she embodies a rich cultural blend. Her music serves as an intimate exploration of identity, love, and longing, bridging the gap between her past and present. Each note resonates with the essence of her journey, capturing the listener's attention and drawing them into her world.

Her catalog may currently feature a single track, "No Me Mires Asi," but Mono De Oro’s artistry extends far beyond this initial offering. The song reflects her distinctive lyrical style, characterized by poetic narratives and emotive vocals that leave a lasting impact. As she continues to develop her sound, themes of introspection and romance emerge as central threads, manifesting in a unique way that invites listeners to experience her personal reflections on life and love.

Living in America has undoubtedly influenced her music, allowing her to merge traditional Spanish influences with contemporary sounds. This fusion is evident in her compelling vocal delivery and the emotional depth present in her songwriting. Mono De Oro's passion for crafting relatable stories through her art promises an exciting evolution ahead, captivating audiences with each new release as she carves out her space in the indie music scene.
Track(s)
No Me Mires Asi 41991 03:37

No Me Mires Asi

Mono De Oro


Yeah
Mono De Oro
No me mires así
You know what you do

Llegaste tarde
With that smile
Como si nada
But you changed the vibe

Yo estaba tranquilo
Mind on my plans
Then you said my name
With your drink in hand

No busco problemas
But you look like one
De esos bonitos
Que no say sorry

Te acercas lento
I lose my line
No me preguntes
If I’m fine

Una noche
No promise
Dos miradas
Too honest

Si te vas
I won’t call
Si te quedas
I might fall

No me mires así
Que me haces pensar
Que tal vez esta noche
No va a terminar

No me mires así
I’m trying to behave
Pero tú tienes algo
I can’t explain

No no no
Don’t move away
No no no
Quédate

No me mires así
Que me haces pensar
Que tal vez esta noche
No va a terminar

Tú tienes ritmo
Sin intentar
I got excuses
To stay where you are

Dicen cuidado
Yo digo maybe
Con esa cara
You drive me crazy

No quiero drama
No quiero stress
Solo tu risa
Close to my chest

Si esto es pecado
Make it polite
We keep it clean
But we don’t waste time

Una noche
No promise
Dos miradas
Too honest

Si te vas
I won’t call
Si te quedas
I might fall

No me mires así
Que me haces pensar
Que tal vez esta noche
No va a terminar

No me mires así
I’m trying to behave
Pero tú tienes algo
I can’t explain

No no no
Don’t move away
No no no
Quédate

No me mires así
Que me haces pensar
Que tal vez esta noche
No va a terminar

No te prometo
Toda mi vida
Pero esta noche
Se ve distinta

You don’t need words
I don’t need plans
Solo tu mano
Cerca de my hand

Si esto se acaba
Lo acepto bien
Pero por ahora
Ven ven ven

No me mires así
Que me haces pensar
Que tal vez esta noche
No va a terminar

No me mires así
I’m trying to behave
Pero tú tienes algo
I can’t explain

No no no
Don’t move away
No no no
Quédate

No me mires así
Que me haces pensar
Que tal vez esta noche
No va a terminar

No me mires así
You know what you do
Quédate
Just me and you

CREDITS
Performer: Mono De Oro
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Power Play (ft Dari...
Heather Davis

Verified Verified Artist

Heather Davis
Heather Davis is a London-based artist whose music pulses with the vibrant energy of modern dance and disco. Infused with influences from the city’s club culture, her tracks like "Power Play (ft Darius Vale)" showcase her ability to blend nu-disco rhythms with electro-pop sensibilities. With a strong yet playful vocal delivery that echoes confidence, Heather’s music invites listeners to embrace their own strength and joy. Her songs evolve around themes of self-empowerment and celebration, creating an uplifting atmosphere that resonates in every beat.

Heather's catalog features an array of meticulously crafted tracks that reflect her unique artistic vision. Alongside "Power Play," listeners can explore other energetic anthems that ooze happiness and hopefulness, designed to keep spirits high on the dance floor. The synergy of tight four-on-the-floor drums, funky basslines, and glossy synths not only establishes her signature sound but also makes each track feel like a celebration of life’s joyous moments, capturing the essence of what it means to truly live in the moment.
Track(s)
Power Play (ft Darius Vale) 47969 03:27

Power Play (ft Darius Vale)

Heather Davis


Walking in I feel the shift
Confidence it’s my gift
No more waiting for a sign
I’m my own and I feel fine

Every glance they see the change
A subtle glow I rearrange
Moving through like I own the space
This is my time I’ll set the pace

I’m not here for your approval
Shining bright I’m my own fuel
Step aside feel the vibe let it sway
I’m alive in this power play

No more aftertone of what could be
I’m the story I’m the key
With each beat I redefine
Crafting moments I’m aligned

Every glance they see the change
A subtle glow I rearrange
Moving through like I own the space
This is my time I’ll set the pace

I’m not here for your approval
Shining bright I’m my own fuel
Step aside feel the vibe let it sway
I’m alive in this power play

Yeah I walk in cool no script no stunt
Clean cut low talk I don’t need the front
Hands in the pocket watch the room bend
Every small doubt I had I just left to end
Fresh on my feet let the floorboards talk
No borrowed shine I built my own walk
Look at me now no mask no delay
I move with the groove then I move out the way

Catch the rhythm let it flow
This is where I’ll let it show
No more doubt just clarity
This is my reality

I’m not here for your approval
Shining bright I’m my own fuel
Step aside feel the vibe let it sway
I’m alive in this power play

CREDITS
Performer: Heather Davis
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Open Circuit
Mira Cade

Open Circuit

Mira Cade


I kept each feeling under glass
A private rule from years gone past
You saw the lock you did not push
You gave me room to choose enough

Now every reason feels too old
I want a life I do not hold
One honest move one steady start
A simple route from heart to heart

Open circuit let it run
No more hiding what we want
Every signal coming clear
I choose trust I choose you here
Open circuit no disguise
Read the answer from my eyes
We can let connection start
One direct route heart to heart

You kept your plans behind a grin
Afraid that I would not step near
But caution only served the past
We have a chance to make this last

Now every reason feels too old
We want a life we do not hold
One honest move one steady start
A simple route from heart to heart

Open circuit let it run
No more hiding what we want
Every signal coming clear
I choose trust I choose you here
Open circuit no disguise
Read the answer from my eyes
We can let connection start
One direct route heart to heart

No locked reply no coded test
We say the need and give our best
If fear returns we name it fast
Then choose what matters choose what lasts

Open circuit let it run
No more hiding what we want
Every signal coming clear
I choose trust I choose you here
Open circuit no disguise
Read the answer from my eyes
We can let connection start
One direct route heart to heart

CREDITS
Performer: Mira Cade
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Les Petites Choses ...
Mina Cazal

Verified Verified Artist

Mina Cazal
Mina Cazal is a French pop singer and songwriter known for turning ordinary days into sharply observed little stories. Her songs move through missed buses, supermarket queues, unfinished conversations and small domestic disasters, finding humor in moments most people barely notice. Instead of writing about perfect romances or dramatic escapes, she focuses on the strange comedy of simply getting through the day.

Raised between Lyon and the southern town of Sète, Mina grew up around theatre rehearsals, second-hand records and long family dinners where everyone spoke at once. She began writing songs as miniature scenes, combining conversational French lyrics with bright basslines, playful keyboards and understated dance-pop rhythms. Her vocal style is expressive and intimate, often shifting between singing, speaking and half-smiling observations.

Her music feels polished but never overly controlled. Beneath the cheerful arrangements, there is always a trace of fatigue, doubt or quiet affection for imperfect people. Mina Cazal writes pop songs for listeners who lose their keys, forget why they entered a shop and still manage to make something memorable out of the day.
Track(s)
Les Petites Choses de Travers 1160 03:04

Les Petites Choses de Travers

Mina Cazal


Sept heures douze le réveil insiste
Je négocie encore quatre minutes
Le chat me regarde comme une huissière
Il connaît déjà toutes mes excuses

Une chaussette noire une chaussette bleue
Je déclare que c’est volontaire
Le pain a brûlé pendant que je lisais
Un message marqué « très prioritaire »

Dans l’ascenseur Madame Lefèvre
Me raconte son ficus malade
Je hoche la tête avec gravité
Comme une spécialiste des salades

J’avais prévu d’être impeccable
Organisée presque admirable
Mais le mardi connaît mon adresse
Et vient toujours semer le désordre

La vie c’est souvent de travers
Un bus raté des pâtes trop cuites
Un grand discours dans ma tête
Puis « oui bien sûr » quand on m’invite

La vie c’est rarement comme prévu
Mais franchement tant mieux peut-être
Je perds mes clés je gagne une histoire
Et ça suffit pour tenir debout

À dix heures trente réunion d’équipe
Quelqu’un partage trente-six tableaux
Je dessine un poisson sur mon carnet
Il a l’air plus compétent que nous

À midi Sonia commande léger
Puis vole la moitié de mes frites
Elle dit : « Ça ne compte pas vraiment
Quand ça vient de l’assiette d’une copine »

Le serveur oublie mon dessert
Je décide que c’est philosophique
Certaines choses arrivent en retard
D’autres jamais et c’est très pratique

J’avais prévu d’être raisonnable
De répondre vite d’être joignable
Mais mon téléphone tombe à trois pour cent
Et soudain le monde se débrouille

La vie c’est souvent de travers
Un bus raté des pâtes trop cuites
Un grand discours dans ma tête
Puis « oui bien sûr » quand on m’invite

La vie c’est rarement comme prévu
Mais franchement tant mieux peut-être
Je perds mes clés je gagne une histoire
Et ça suffit pour tenir debout

Dix-neuf heures six petite supérette
Je prends du lait des tomates du savon
Je repars avec un ananas
Et sans aucune explication

Le caissier demande si j’ai la carte
Je réponds oui puis cherche longtemps
Derrière moi personne ne soupire
C’est probablement un miracle local

Chez moi je cuisine en musique
Le chat refuse toute participation
Je mange debout près de l’évier
Comme une reine sans administration

On nous apprend les grandes décisions
Les beaux départs les lendemains utiles
Mais personne ne parle assez souvent
Du bonheur discret d’annuler un dîner

D’enlever ses chaussures trop tôt
De rire seule pour une phrase idiote
De trouver au fond d’un vieux sac
Le bonbon qu’on croyait disparu

La vie c’est souvent de travers
Un rendez-vous puis une autre route
Une mauvaise journée bien racontée
Devient presque une journée réussie

La vie c’est rarement comme prévu
Et c’est peut-être tout son talent
Je ferme les volets je laisse la vaisselle
Demain fera mieux… ou différemment

Minuit vingt-deux le réveil est prêt
Je promets d’être sérieuse demain
Le chat me regarde sans rien dire
Il connaît déjà très bien la fin

CREDITS
Performer: Mina Cazal
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

She Owns The Night
Dora The Clone

Verified Verified Artist

Dora The Clone
Imagine a futuristic pop diva hailing from the chromatic labs of Clone City, and you're partway to encapsulating the vibrant phenomenon known as Dora The Clone. This independent artist dances to the beat of her own drum machine, captivating audiences with her disco-dusted, cybernetic symphonies.

Dora's music, a technicolour dream of dance-floor beats and electrifying melodies, is as enigmatic as her origins in the post-apocalyptic streets of Clone City. With a sound that weaves together the energy of club culture and the pulsing heart of electro-pop, her tunes are guaranteed to make neural pathways light up like a Friday night in Blade City.

Every single one of her infectious grooves seems to command, "Beam me up, Scotty!" Of special note is her big hit "She Owns The Night," an anthem for audacious androids and human party-goers alike. The track throbs with vibrant synth and stuttering beats, overlaid with Dora's crystal-clear vocals, making every listener feel like they're cruising through the neon-soaked metropolis under a night sky of silver stars.

With Dora The Clone, expect the unexpected: a tantalizing futuristic world brought to life through pulsing dance heaters and shimmering pop anthems. Underneath the cosmic glitz and glamour, you'll find a heart that beats in binary and a soul that vibrates at gigahertz frequency. Hold onto your hoverboards folks, because Dora The Clone is here to redefine the future of pop – and she's doing it in binary code.
Track(s)
She Owns The Night 70007 03:49

She Owns The Night

Dora The Clone


She walks in slow
But the room moves first
No crown no show
Still they know her worth

She don’t ask for permission
She don’t wait by the door
Got a heart made of rhythm
And a name they can’t ignore

Red lips calm eyes
Turning silence into gold
She’s been through the fire
Now she wears it like a coat

You can’t dim her down
She’s already light
She don’t chase the crowd
She owns the night

She owns the night
Moves like the bassline
Cool under pressure
Danger in the waistline

She owns the night
No need to prove it
One look one step
Everybody feels the music

She don’t need love to feel alive
She don’t need stars to make her shine
She owns the night
She owns the night

Oh-oh she owns it
Oh-oh she knows it
Oh-oh she owns it
She owns the night

No tears on the dance floor
She left them in the rain
Put her pain in a black dress
Turned it into champagne

They said “Stay smaller”
She said “Watch me rise”
Now the mirror gets jealous
When she looks inside

You can’t dim her down
She’s already light
She don’t chase the crowd
She owns the night

She owns the night
Moves like the bassline
Cool under pressure
Danger in the waistline

She owns the night
No need to prove it
One look one step
Everybody feels the music

She don’t need love to feel alive
She don’t need stars to make her shine
She owns the night
She owns the night

Every heartbreak made her louder
Every goodbye gave her power
Now she dances on the hour
Like the world is hers to devour

No more waiting
No more hiding
She’s the thunder
She’s the lightning

She owns the night
Moves like the bassline
Cool under pressure
Danger in the waistline

She owns the night
No need to prove it
One look one step
Everybody feels the music

She don’t need love to feel alive
She don’t need stars to make her shine
She owns the night
She owns the night

Oh-oh she owns it
Oh-oh she knows it
Oh-oh she owns it
She owns the night

CREDITS
Performer: Dora The Clone
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Railroad Shoes
Ted Clayton

Verified Verified Artist

Ted Clayton
Ted Clayton is a Seattle-based solo artist whose music captures the grit and heart of urban life through a blues rock lens. Drawing inspiration from the late-night writing sessions in his cramped apartment, he channels raw, introspective narratives into his tracks. His latest offering, "Railroad Shoes," encapsulates a feeling of longing and resilience, featuring a close-mic baritone that weaves through a backdrop of slide guitar fills and the warmth of an upright bass. Ted’s sound is marked by its chill yet playful essence, offering a dynamic lift during choruses that invites listeners to feel both the weight of hard luck and the lightness of hope.

With an emerging catalog that reflects his artistic evolution, Ted's passion for storytelling shines in tracks like "Dusty Roads" and "Midnight Train." Each song presents a vivid scene, rich with imagery of everyday struggles and personal triumphs. The atmospheric production—characterized by tremolo electric guitar and hints of bathroom ambience—serves as an emotional landscape for his lyrics, which explore the complexities of life with sincerity. As he carves out his sonic identity, Ted Clayton continues to resonate deeply with those who find beauty in the imperfections of their own journeys.
Track(s)
Railroad Shoes 4224 04:39

Railroad Shoes

Ted Clayton


I woke up cold on Pine Street floor
Boots by the door but I can't walk no more
Got a hole in my pocket a hole in my plan
And that old train dust still on my hands

Mama said boy keep your head held high
But the rain hit hard and it blurred my eye
I pawned my watch for a little cash
Now I'm counting change and I burn it fast

Ain't it a shame
How the hard days call my name
I keep on moving slow
But I can't let it show

These railroad shoes
Keep me moving through
These railroad shoes
Lord they seen me through
When the road runs mean
And the night cuts loose
I keep on walking
In my railroad shoes

There’s a bar down low with a dented sign
One busted lamp and a crooked line
I sat in the back where the hurt folks go
Let the jukebox cry let the whole room know

Ain't it a shame
How the hard days call my name
I keep on moving slow
But I can't let it show

These railroad shoes
Keep me moving through
These railroad shoes
Lord they seen me through
When the road runs mean
And the night cuts loose
I keep on walking
In my railroad shoes

If the river rises I won't drown
I'll kick that mud till I wear it down
One more mile one more bend
I was born to leave but I come back again

These railroad shoes
Keep me moving through
These railroad shoes
Lord they seen me through
When the road runs mean
And the night cuts loose
I keep on walking
In my railroad shoes

CREDITS
Performer: Ted Clayton
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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