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Fica no Quase
Rosa Medina
Verified Artist
Rosa Medina
Rosa Medina was born in 2001 in Porto, Portugal, to a family that carried both Iberian and Brazilian heritage. Her father, a fisherman from Aveiro, filled the house with fado records, while her Brazilian mother played MPB classics and samba on lazy Sunday mornings. Rosa grew up between two shores of the Portuguese-speaking world — absorbing the saudade of Amália Rodrigues and the sunny, syncopated joy of Gal Costa in equal measure.
At fourteen, she began performing small sets in riverside cafés, her voice effortlessly gliding between soft whispers and soaring notes. The intimacy of fado was her foundation, but Rosa was restless — she wanted her songs to dance. By blending Portuguese folk melodies with bossa nova chords, urban beats, and lush pop arrangements, she began to shape a style that felt both nostalgic and forward-looking.
In 2025, Rosa released her debut single "Fica no Quase" in collaboration with Filodyo, the independent music producer known for shaping fresh, original sounds for global audiences. The track — a bittersweet, mid-tempo anthem about love suspended in uncertainty — gained instant traction on streaming platforms. Its hypnotic chorus, sung entirely in Portuguese, became a signature moment in her live performances.
Today, Rosa Medina is part of a new generation redefining Lusophone pop, performing sold-out shows from Lisbon to São Paulo. Despite her growing fame, she keeps her songwriting process deeply personal — scribbling lyrics on napkins in Lisbon cafés, recording demos on her phone while walking along the Douro River. For Rosa, every performance is a bridge connecting continents, carrying the language and emotion of Portuguese music to the world stage.
Fica no Quase
Rosa Medina
Você fala devagar
Como quem quer ir embora
Mas deixa a porta entreaberta
E o perfume na demora
Se fosse pra ser já era
Mas ainda tem coisa no olhar
Fica no quase no meio
Nem céu nem chão inteiro
Fica no toque que não vem
Na saudade que não tem nome também
O silêncio entre a gente
É mais forte que um não
Você sorri com os lábios
Mas seus olhos dizem não
E eu finjo que entendo
Mas espero você ficar
Fica no quase no canto
Sem promessa sem pranto
Fica no gesto que não se dá
No abraço que não quer se fechar
Se um dia for tudo ou nada
Talvez eu escolha o nada
Mas até lá…
Fica no quase no meio
No tempo que é só receio
Fica no quase comigo
Mesmo que seja só perigo
CREDITS
Performer: Rosa Medina
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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But North Keeps
The Absents
Verified Artist
The Absents
The Absents are a four-piece synth-pop and modern disco-pop band hailing from Brighton, on the south coast of the United Kingdom. The lineup consists of Elliot Kane (vocals), Ryan Whitford (keyboards & production), Callum Price (bass guitar & synth bass), and Jamie Harlow (guitar & backing vocals). The four met in 2018 at a local music festival, where a late-night jam session revealed a shared passion for blending the melodic elegance of 80s synth-pop with the energy and polish of modern pop production.
Deeply influenced by the infectious hooks and emotive energy of Erasure, The Absents quickly began writing together, crafting songs that pair bright synth textures with tight bass grooves and subtle funk undertones. Their early rehearsals took place in a modest studio near Brighton’s seafront, a space that soon became their creative sanctuary and the birthplace of their signature sound.
In 2019, the band released their debut single, which found its way onto local radio playlists and began circulating through London’s club scene. Known for their vivid light shows, charismatic stage presence, and danceable, high-energy sets, The Absents built a reputation as one of the most exciting new acts in the UK’s pop landscape.
Today, The Absents continue to bridge nostalgia and modernity, reaching audiences far beyond the British Isles. Elliot’s commanding yet soulful vocals, Ryan’s shimmering synth arrangements, Callum’s deep, driving grooves, and Jamie’s melodic guitar lines come together to create a live experience that is as unforgettable as it is electrifying.
But North Keeps
The Absents
Rust runs along the rails to nowhere
Morning stations breathe a scent of iron
Words melt in my hands like shards of ice
Even when I speak it’s someone else’s song
Foreign clocks drag their feet
The wind calls me by names I’ve never worn
This city feels like a mirror I’ve never owned
My steps fall on stones that don’t remember me
I drew a map with the length of my shadow
But north keeps pointing somewhere else
Cracked windows hold the faces of other lives
Salted bread is torn with prayers I can’t translate
I keep the roofs of distant houses in my eyes
But the mailbox stays empty — no one arrives
Foreign clocks drag their feet
The wind calls me by names I’ve never worn
This city feels like a mirror I’ve never owned
My steps fall on stones that don’t remember me
I drew a map with the length of my shadow
But north keeps pointing somewhere else
A ticket in my pocket
Its destination still a stranger
Maybe it’s one-way out
Or just another foreign land
Rust runs along the rails to nowhere
And I keep walking without a border to cross
CREDITS
Performer: The Absents
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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System Online
Daxe
Verified Artist
Daxe
DAXE is a French producer and DJ whose sound channels the raw spirit of the mid-90s underground Parisian club scene. Known for his gritty, lo-fi French house productions, he builds hypnotic tracks around distorted synth-bass loops, saturated textures, and minimal yet powerful drum machine grooves.
Emerging from late-night warehouse parties in Paris, DAXE earned a reputation for his uncompromising sets that fuse analog warmth with a rebellious edge. His music feels both dirty and infectious — a soundtrack built for smoke-filled rooms, flashing strobe lights, and crowds that never stop moving.
As a producer, DAXE stays loyal to hardware samplers, vinyl, and classic drum machines, crafting tracks that echo the golden era of French house while pushing it forward with his own raw signature. As a DJ, he thrives on the connection between loop-driven grooves and the dancefloor, keeping energy high and tension tight.
His latest track, “System Online”, embodies this ethos: hypnotic, streetwise, and uncompromising — a pure dancefloor anthem. Released exclusively on Filodyo and NOT FM, it cements DAXE as a name carrying the underground French house tradition into a new era.
System Online
Daxe
System… online…
Motion… design…
Cycle… repeat…
Zero… complete…
Automatic… static…
Binary… manic…
Program… engage…
Data… on stage…
One-two… one-two…
Error… breakthrough…
Signal… overload…
Run-time… explode…
CREDITS
Performer: Daxe
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Pages in the Groove
Ted Craft
Verified Artist
Ted Craft
Born in 1992 in Austin, Texas, Ted Craft grew up surrounded by a melting pot of musical influences — from the blues and country his father played on vinyl to the funk and disco his mother kept on repeat in the kitchen. By the age of 10, he was playing guitar and piano, and by 14 he was already performing at local open-mic nights. His natural stage charisma and ear for infectious melodies quickly set him apart from his peers.
After high school, Ted earned a scholarship to the prestigious Berklee College of Music in Boston, where he majored in Contemporary Writing and Production. During his time there, he immersed himself in pop and funk theory, honing his skills in arrangement, songwriting, and live performance. Berklee also gave him the opportunity to collaborate with musicians from all over the world, helping shape the eclectic yet polished sound he’s known for today.
Post-graduation, Ted moved to Los Angeles and began crafting his signature blend of sleek pop hooks, groovy basslines, and bright funk guitar riffs. His debut EP quickly caught the attention of both critics and streaming audiences, with its feel-good energy and polished musicianship.
On stage, Ted Craft is a showman through and through — dynamic, playful, and completely in command of his audience. Whether fronting a full band or delivering an intimate acoustic set, he brings the same infectious energy and precision that has made him one of the most exciting new names in the pop-funk scene.
Pages in the Groove
Ted Craft
I’ve walked into rooms where no one knew my name
Just a stranger with a pocket full of games
Every beat another chapter I could tell
Every move another spell I had to sell
Lights spin I’m reading the crowd
Hear my story as the bass gets loud
Oh-oh I’m not here to hide
I’m just letting my pages slide
These are the pages in the groove I’ve made
Pages in the groove yeah they never fade
Every step every night it’s a story played
Oh-oh that’s the life I’ve laid
There’s a bar in Berlin a floor in Madrid
Faces change but the rhythm never did
Bought a round for the table told a joke or two
They don’t know the truth but I gave them the view
Lights spin I’m reading the crowd
Hear my story as the bass gets loud
Oh-oh I’m not here to hide
I’m just letting my pages slide
These are the pages in the groove I’ve made
Pages in the groove yeah they never fade
Every step every night it’s a story played
Oh-oh that’s the life I’ve laid
If you read between the beats you’ll know my name
Every chorus is a frame in a bigger game
We all write on the floor tonight
And I’m just signing mine in the neon light [vocal run ad-lib]
These are the pages in the groove I’ve made
Pages in the groove yeah they never fade
Every step every night it’s a story played
Oh-oh that’s the life I’ve laid
Pages in the groove…
…and the night goes on
CREDITS
Performer: Ted Craft
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Split Frequency
Aris Veyton
Verified Artist
Aris Veyton
Aris Veyton is an electronic music producer whose sound blends modern club energy with subtle emotional depth. Rooted in electronic and dance-driven structures, his productions balance clean rhythms, textured synth layers and restrained melodic elements.
Rather than chasing trends, Aris focuses on atmosphere and flow. His tracks are designed to work both on the dancefloor and in personal listening environments, creating a sense of continuity rather than sudden impact. Minimal arrangements, controlled dynamics and carefully crafted sound design are central to his approach.
Working primarily in the studio, Aris Veyton treats music as a long-form experience rather than a single moment. His style reflects a contemporary electronic mindset: precise, understated and immersive. Each release is a step in an evolving sonic identity that prioritizes mood, space and consistency.
Split Frequency
Aris Veyton
There’s a pulse that keeps dividing me
Two rhythms fighting underneath
One side wants order keeps the lines so straight
The other sparks fires wants to detonate
I move through the evening with a crowded mind
Trying to decode what I can’t define
I’m standing at the center
Where signals overlap
Trying not to surrender
To the louder half
Tune me to a steady wave
Pull me where the noise behaves
I’m drifting through a world I crave
But breaking when the signals change
Tune me to a steady wave
Balance all the parts I save
I’m fading into what I brave
When both of me collide again
Thoughts turn metallic when the pressure grows
Patterns fall apart then they recompose
I’m chasing a structure that I can’t commit
Every time I form it something ruins it
I’m standing at the center
Where signals overlap
Trying not to surrender
To the louder half
Tune me to a steady wave
Pull me where the noise behaves
I’m drifting through a world I crave
But breaking when the signals change
Tune me to a steady wave
Balance all the parts I save
I’m fading into what I brave
When both of me collide again
If there’s a place between the sides
I’ll walk the thin divide
Waiting for the moment
Both frequencies align
CREDITS
Performer: Aris Veyton
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Call Dropped at 3 AM
Eli Varnish
Verified Artist
Eli Varnish
Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.
That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.
Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.
Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.
Call Dropped at 3 AM
Eli Varnish
Alright…
Yeah yeah don’t tune it too much
Let it breathe
Okay… one two…
Woke up late with the room still shaking
Ashtray full of things I didn’t say
Mirror asks me for an explanation
I tell it “man not today”
Shoes by the door still smell like last night
Clock keeps lying I let it talk
City hums in a crooked rhythm
Like it learned that walk from me
Hey bass… keep it walking
Yeah like that
Don’t rush it
Every plan I make shows up half dressed
Every promise comes out second best
If I fall behind the beat again
Just leave some space I’ll land it then
This ain’t a straight line it sways and bends
It trips on truth then calls it a friend
If I sound wrong don’t fix it too soon
That’s where the story sneaks through
Yeah this ain’t clean this ain’t controlled
It’s a loose wire looking for a soul
Play it wrong play it loud play it true
That’s all this blues knows how to do
Hold up…
Let the horn say something
Yeah… go on
(long slide in slightly late)
Mmm… listen
Man… that thing’s complaining
Let him talk
I’m almost done… almost
Sorry… not sorry
(rimshot)
There’s a voice in my head clapping off time
Says “You always push you never wait”
I said “If I slow down I might notice
Everything I try to escape”
Barroom light keeps flickering jokes
Like it knows where I’ve been
Every sound wants a turn at the mic
Even the quiet wants in
Yeah… that’s it
Don’t smooth it out
No no
If this night’s a gamble I roll it bent
Lose my balance call it intent
Break the rule then play it twice
Mess it up till it sounds right
This ain’t a straight line it sways and bends
Falls apart then stands again
If my voice cracks just let it through
That’s what it came here to do
Yeah this ain’t neat this ain’t polite
It’s just breath fighting with the night
Play it wrong play it loud play it true
That’s all this blues knows how to do
Alright…
Don’t stop it
Let it ring
Yeah… that’s enough
CREDITS
Performer: Eli Varnish
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Plastic Crown
Dara Montel
Verified Artist
Dara Montel
Emerging from the gritty depths of Detroit’s dance scene, brimming with talent and charisma, Dara Montel is the nervy answer to the city's hardcore techno thirst. Known best for her dance-devoted, melancholic twister "Plastic Crown," Dara's name has spun in the underground circles like a rogue vinyl tossed into a cyberspace jukebox.
Our Motor City minx entered the scene somewhat cagily, her piercing blue eyes full of stories almost as deep as the bass lines she commands. She distils raw emotions into dance-ready soundscapes, affirming that tears are permitted even on the most electrified dance floors. Like the mysterious femme fatale prowling through the ruins of a John Carpenter flick, Montel's music envelops you in its brooding embrace.
Dara's playful wit is just as intoxicating as her infectious grooves. With a knack for turning pain into art, she continues to defy Detroit's icy weather, radiating heat one tear-stained synth at a time. Her “Plastic Crown,” fittingly, feels neither plastic nor regal—it's pure, cathartic Dara Montel. You’d better get on this vibe train, 'cos it ain't stopping anytime soon.
The Dara Montel revolution won't be televised, it'll be danced. So go on, put on that Plastic Crown, let the sadness seep into your soul and boogie like it’s the end of the world. Detroit’s dark dance queen reigns supreme.
Plastic Crown
Dara Montel
You walk in slow
Like you own the room
Cheap little grin
With a silver spoon
Say my name twice
Like it makes you tall
I don’t look up
I just let you fall
You talk too loud
For a little spark
I count your lies
Like cards in the dark
I don’t bite
I just smile real mean
Keep my hands clean
On the crime scene
You act tough
But you bow back down
I look cute
With a plastic crown
Yeah yeah
Plastic crown
Yeah yeah
[Vocal Tremolo Effect]
Bow back down
Don’t call me sweet
I’m a bad excuse
For the kind of girl
That would wait on you
Got red shoes on
And a bored little face
I don’t run fast
I just change the race
You talk too much
For a silent room
I cut the fuse
Then I blame the moon
I don’t bite
I just smile real mean
Keep my hands clean
On the crime scene
You act tough
But you bow back down
I look cute
With a plastic crown
Yeah yeah
Plastic crown
Yeah yeah
[Vocal Tremolo Effect]
Bow back down
Ha
Look at you
Trying hard
That’s adorable
Ha
Move along
You were never
That important
[Final Chorus]
I don’t bite
I just smile real mean
Keep my hands clean
On the crime scene
You act tough
But you bow back down
I look cute
With a plastic crown
Yeah yeah
Plastic crown
Yeah yeah
Bow back down
Tiny king
Tiny throne
Tiny crown
All alone
CREDITS
Performer: Dara Montel
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Waves Don’t Ask Why
Wires and Petals
Verified Artist
Wires and Petals
Formed in the late 2010s, Wires and Petals is a producer duo that blends intricate electronic sound design with emotional songwriting. Hailing from Lyon, France, the two longtime friends—Julien Moreau and Armand Lefèvre—first bonded over a shared obsession with underground house records and modular synthesizers.
Their name, Wires and Petals, reflects the duality in their music: wires for the technical, machine-driven side of production, and petals for the organic, poetic sensitivity they bring into their melodies and lyrics. The result is progressive house that feels both intimate and expansive—ideal for quiet headphone journeys or sunrise festival moments.
Known for their reflective male vocals processed into lush vocal chops, their tracks slowly evolve through layered arpeggios, textured pads, and deep, hypnotic grooves. They’ve been described as “emotional architects of the dancefloor,” carefully crafting transitions that build tension and release with elegance.
Beyond the studio, Julien and Armand are known for their warm personalities and playful approach to collaboration. Whether they’re joking around in the studio or testing new tracks in front of small club crowds, Wires and Petals carry an authenticity that sets them apart from many of their contemporaries. With each release, they aim to push the boundaries of progressive house while staying true to their philosophy: music that moves both the body and the heart.
Waves Don’t Ask Why
Wires and Petals
I walked too far to start again
But too close to turn away
The sky didn't open —
But I moved anyway
Heartbeat aligned with the sound
Footsteps lost never found
I don’t speak to the wind anymore
It never stayed to listen
But you —
You stayed quiet…
And I heard everything
Time doesn’t fold like a map
We stretch with every turn
The world spins without asking
But we — we learn
And if the tide forgets my name
Let it
I only needed the pull
CREDITS
Performer: Wires and Petals
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Between Our Time
Aris Veyton
Verified Artist
Aris Veyton
Aris Veyton is an electronic music producer whose sound blends modern club energy with subtle emotional depth. Rooted in electronic and dance-driven structures, his productions balance clean rhythms, textured synth layers and restrained melodic elements.
Rather than chasing trends, Aris focuses on atmosphere and flow. His tracks are designed to work both on the dancefloor and in personal listening environments, creating a sense of continuity rather than sudden impact. Minimal arrangements, controlled dynamics and carefully crafted sound design are central to his approach.
Working primarily in the studio, Aris Veyton treats music as a long-form experience rather than a single moment. His style reflects a contemporary electronic mindset: precise, understated and immersive. Each release is a step in an evolving sonic identity that prioritizes mood, space and consistency.
Between Our Time
Aris Veyton
Streets stay still without a name
Steps align but not the same
Nothing loud nothing planned
Just the timing of your hand
Every move feels almost true
Something shifts when I face you
Stay in place let it run
No finish line no count of one
No signs drawn no straight lines
Just the space between our time
Ahh
Let it turn let it stay
No words left that need a say
Corners bend the hours slide
We don’t need a reason why
Moments land then rearrange
Never still never strange
No control still it fits
Every step makes sense like this
Stay in place let it run
No finish line no count of one
No signs drawn no straight lines
Just the space between our time
If it ends it ends this way
Not a loss not a stay
What we felt remains intact
No return and no retract
CREDITS
Performer: Aris Veyton
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Feel The Fire
Sofia Cruzado
Verified Artist
Sofia Cruzado
Sofia Cruzado is a captivating Latin pop artist whose powerful voice and magnetic stage presence draw listeners in from the very first note. With a style reminiscent of modern Latin icons, she blends infectious rhythms with heartfelt storytelling, creating songs that ignite both emotion and movement.
Her debut single, Feel The Fire, captures her fiery spirit and undeniable charisma. Available exclusively on Filodyo and NOT FM, the track marks the beginning of a promising career that’s set to light up the Latin music scene. Sofia Cruzado doesn’t just perform—she commands attention, leaving an unforgettable impression on everyone who hears her.
Feel The Fire
Sofia Cruzado
Oh-oh oh-oh (yeah)
Mmm fuego
Let’s go
Your eyes pull me to the floor
Like the waves I can’t ignore
Every step you own the night
Body talkin’ feelin’ right
Baila lento take your time
One more step you’re in my mind
Heat is risin’ can’t disguise
Every move a paradise
Closer closer — feel that beat
Your hands your hips my heart skips
Rhythm’s takin’ over me
Baby set my body free
When you move like that I feel the fire
Heart’s in sync we’re climbing higher
Tu cuerpo dice lo que callas
I can read your soul in silence
Turn around the crowd goes wild
Every smile a little wild
Sunset glow on your skin
Dance begins we never end
Baila conmigo don’t let go
Every beat I need to know
Your shadow melts into mine
We get lost in perfect time
Closer closer — feel that beat
Your hands your hips my heart skips
Rhythm’s takin’ over me
Baby set my body free
When you move like that I feel the fire
Heart’s in sync we’re climbing higher
Tu cuerpo dice lo que callas
I can read your soul in silence
You say “come here” — I’m already gone
One step closer the night’s too long
You spin me ‘round — I lose control
Baila baila — let it flow
Oh-oh fuego fuego
Oh-oh fuego fuego
Move it move it
Lose it lose it
When you move like that I feel the fire (fuego)
Heart’s in sync we’re climbing higher (más alto)
Tu cuerpo dice lo que callas
I can read your soul in silence
Yeah oh-oh-oh
Mmm fuego…
CREDITS
Performer: Sofia Cruzado
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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City Pulse
Noon After Seoyeon
City Pulse
Noon After Seoyeon
[Intro]
City pulse
Turn it up
시동 걸어
We don’t stop
Late ride clean mood
Windows down smooth groove
No big talk just move
Tonight we choose the view
도로 위에 번진 빛
우리만의 작은 scene
신호가 바뀌면 go
심장은 faster low
천천히 올라가는 speed
But we keep it clean
너와 나의 timing
딱 맞아 like a dream
숨이 조금 뜨거워져
Bass가 몸을 밀어
말은 짧게 눈은 길게
이 밤을 더 열어
City pulse city pulse
속도를 올려 feel the rush
City pulse city pulse
오늘 밤은 all for us
Left right slide
차갑게 빛나는 drive
City pulse city pulse
We ride we ride we ride
City pulse city pulse
기분은 높게 volume up
City pulse city pulse
멈추기엔 너무 young
Turn switch fly
기억에 남을 tonight
City pulse city pulse
We ride we ride we ride
Black jacket soft bass
Good vibe no waste
I see the city on your face
Every second finds its place
핸들 위에 얹은 손
리듬 따라 가는 선
바람이 지나가면
웃음이 먼저 터져
[Rap]
Okay shift it
밤의 온도 lift it
Too smooth don’t miss it
우리 둘만 fit it
속도는 올라가도
머리는 차갑게 둬
Fun mode control
우린 선을 알고 go
Turn left turn right
작은 길도 feels nice
No noise just style
웃어 봐 one more mile
천천히 올라가는 speed
But we keep it clean
너와 나의 timing
딱 맞아 like a dream
숨이 조금 뜨거워져
Bass가 몸을 밀어
말은 짧게 눈은 길게
이 밤을 더 열어
City pulse city pulse
속도를 올려 feel the rush
City pulse city pulse
오늘 밤은 all for us
Left right slide
차갑게 빛나는 drive
City pulse city pulse
We ride we ride we ride
City pulse city pulse
기분은 높게 volume up
City pulse city pulse
멈추기엔 너무 young
Turn switch fly
기억에 남을 tonight
City pulse city pulse
We ride we ride we ride
잠깐만 속도를 낮춰
이 순간을 더 봐줘
급하지 않아도 돼
우린 이미 충분해
If you laugh I know
If I smile you know
다음 길이 열리면
다시 올라가 let’s go
[Final Chorus]
City pulse city pulse
속도를 올려 feel the rush
City pulse city pulse
오늘 밤은 all for us
Left right slide
차갑게 빛나는 drive
City pulse city pulse
We ride we ride we ride
City pulse city pulse
기분은 높게 volume up
City pulse city pulse
멈추기엔 너무 young
Turn switch fly
기억에 남을 tonight
City pulse city pulse
We ride we ride we ride
시동은 켜져
기분은 더 커져
City pulse
We ride we ride
CREDITS
Performer: Noon After Seoyeon
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Just Like That
Checkmate
Verified Artist
Checkmate
Checkmate formed in London out of restlessness rather than intention. Different neighborhoods, different backgrounds, same impulse: to move, to react, to play music that refuses to stand still. Ska was never a costume for them, it was a language. Fast rhythms, sharp turns, humor used as defiance. They grew up surrounded by noise, contradictions, and crowded streets, and their sound reflects that constant motion.
Their music is playful but not careless, political without slogans, chaotic but precise. Each member brings a different energy, and none of them try to smooth those edges out.
Checkmate thrives on contrast: bright melodies against nervous tension, joy next to disruption. What comes out is loud, physical, and alive. Their releases are heard only on Filodyo and NOT FM, where movement matters more than polish and nothing is forced to sit quietly in the background.
Just Like That
Checkmate
Bus is late but the sun is out
Someone’s laughing way too loud
Corner shop knows my face
Same old song same old place
Shoelace broke still on time
Found a coin lost my mind
Nothing special nothing deep
But today’s been good to me
Radio plays that beat again
Head goes left feet say “amen”
I wasn’t looking for a sign
But the street feels right in time
Life’s doing fine yeah look around
Sticky tables familiar sounds
Not a movie not a plan
Just a good day where I stand
Life’s doing fine no big parade
Just walking slow no rush today
If this is all I’m cool with that
Yeah I like it just like that
Coffee spills laugh it off
Wrong turn but I don’t stop
Shoes too tight shirt’s too thin
Still smiling when I walk in
Someone hums the tune I know
Traffic moves then says hello
Nothing changed still feels new
Guess the trick is how you view
No winning streak no finish line
Just wasting time and feeling fine
If this moment’s all I get
I’m not mad at it yet
Life’s doing fine yeah look around
Bent street signs old beat-up towns
Not a headline not a scam
Just a good day where I stand
Life’s doing fine no big parade
Late night talks cheap lemonade
If this is all I’m cool with that
Yeah I like it just like that
Maybe tomorrow’s loud and rough
But today’s already enough
No promises no advice
Just breathing in a decent life
Life’s doing fine hear that horn
Someone dancing someone bored
Not a dream not a trap
Just a moment and I’ll clap
Life’s doing fine I’ll say it twice
Not perfect but it’s nice
If this is all I’m cool with that
Yeah I love it just like that
Just like that
Yeah just like that
CREDITS
Performer: Checkmate
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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00:00
I’m Unstoppable
Giulia Sereni
Verified Artist
Giulia Sereni
Giulia Sereni is an Italian-born pop artist whose name has become synonymous with modern disco-infused anthems and unapologetic confidence. Born in Florence in the mid-90s and raised between Rome and Milan, she grew up surrounded by both classical Italian melodies and the glossy, international sound of late-90s Euro-pop. That duality shaped her musical DNA: bold, cosmopolitan, and undeniably stylish.
Before pursuing music, Giulia studied fashion communication in Milan, a background that still influences her sharp sense of image, choreography, and performance aesthetic. She blends the elegance of Italian couture with the playful freedom of global pop, creating a persona that feels as at home in glossy editorials as she does on streaming playlists.
Her debut singles—produced exclusively for Filodyo and distributed only through NOT FM—instantly caught attention for their mix of shimmering synths, punchy basslines, and Giulia’s powerful yet intimate vocal delivery. Songs like “Undeniable” and “Crown” quickly became listener favorites, praised for their ability to balance disco nostalgia with forward-thinking production.
Giulia Sereni is more than just a singer—she is a storyteller of empowerment. Her lyrics celebrate independence, resilience, and the glamour of living life on your own terms. Critics have noted that her sound carries the sophisticated energy of continental Europe while embracing the universal accessibility of pop.
Despite growing international buzz, Giulia remains intentionally selective about her presence. She has chosen to keep her releases exclusive to Filodyo and NOT FM, building a cult-like following among music lovers who appreciate her refusal to conform to the mainstream industry model. This exclusivity has only amplified her allure: fans know that to hear Giulia, they must enter the Filodyo universe.
With her magnetic voice, fashion-forward style, and anthems designed for both the dancefloor and the headphones, Giulia Sereni stands as one of the most exciting fictional European exports in contemporary pop. For those tuned into Filodyo and NOT FM, she represents not just an artist, but a movement.
I’m Unstoppable
Giulia Sereni
Step aside I’m walking in
Glitter on my skin let the night begin
I built my fire from the ground
Every beat I own it shakes the crowd
No one’s gonna dim my shine
I write the rules the stage is mine
Raise your glass feel the heat
Every heartbeat moves your feet
Can you taste the victory?
It’s the sound of living free
I’m unstoppable unforgettable
Turn the lights up I’m electrical
Every move is loud unbreakable
This is my crown undeniable
(Oh oh oh… dance it dance it)
(Oh oh oh… can’t resist it)
I see reflections in the floor
Every step’s an open door
Breaking chains with every song
You can’t silence what is strong
Raise your glass feel the heat
Every heartbeat moves your feet
Can you taste the victory?
It’s the sound of living free
I’m unstoppable unforgettable
Turn the lights up I’m electrical
Every move is loud unbreakable
This is my crown undeniable
Clap your hands we won’t stop
Feel the rhythm watch it drop
Power surging through my veins
This empire knows my name
I’m unstoppable unforgettable
Turn the lights up I’m electrical
Every move is loud unbreakable
This is my crown undeniable
Let the night remember me
Queen of fire wild and free
Every echo every sound
This is where my heart is crowned
CREDITS
Performer: Giulia Sereni
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Fire When You Move
Rina
Verified Artist
Rina
Rina is a Colombian singer whose sound blends tropical pop, Latin soul, and effortless beachside energy. Raised around rhythm, color, and movement, she turns sun-soaked emotion into songs that feel intimate, bold, and unforgettable.
Known for her magnetic presence and warm, expressive voice, Rina creates music that celebrates freedom, friendship, and feminine confidence. Her image is vibrant and modern, yet grounded in the spirit of the coast, where joy and storytelling meet in every performance.
Now featured on Filodyo, Rina represents a fresh wave of Latin artistry with global appeal. Whether she is performing on stage or captured in moments like this by the sea, she brings charisma, authenticity, and a sense of escape to everything she does.
Fire When You Move
Rina
Boy you come around like you own the scene
Talking like you know what my body means
You play the trouble like a sweet routine
Acting like a king with a lost crown dream
Every time you step you distort my plan
But you disappear when I reach your hand
I won’t fall just ’cause you say my name
If you want more show me you can claim
I’m not a prize for your little game
Give me something real or stay in your lane
If you want my fire light it with truth
I don’t dance for someone who hides the proof
If you want my rhythm move with no fear
I can give you something you’ll keep for years
If you want my fire light it with truth
Don’t come closer if you’re gonna dilute
You keep staring like you want the cue
But you lose your courage when I look at you
You say you’re ready but you hesitate
Talking pretty words that evaporate
You push the story but you lose the plot
Boy I know your type and I know what’s not
I won’t fall just ’cause you say my name
If you want more show me you can claim
I’m not a prize for your little game
Give me something real or stay in your lane
If you want my fire light it with truth
I don’t dance for someone who hides the proof
If you want my rhythm move with no fear
I can give you something you’ll keep for years
If you want my fire light it with truth
Don’t come closer if you’re gonna dilute
You keep staring like you want the cue
But you lose your courage when I look at you
I’m not here to bend for a fragile vow
If you want a chance better take it now
I won’t chase the words that you rearrange
If you want my spark then you gotta change
If you want my fire choose what you do
’Cause the moment’s burning — and it’s up to you
CREDITS
Performer: Rina
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Muoviti Così
Ornella
Verified Artist
Ornella
Ornella grew up in northern Italy, educated in a Catholic girls’ school where silence, discipline, and ritual shaped her early relationship with sound. Choir rehearsals, echoing halls, and the contrast between strict structure and private imagination became part of her musical memory. While others followed the rules, she listened for what existed between them. Her first melodies were written quietly, often late at night, more as reflections than performances.
Her music today carries that same restraint and emotional clarity. Minimal arrangements, warm harmonies, and a voice that never overreaches. Ornella does not chase drama; she lets it arrive on its own. There is a sense of intimacy in her work, as if the listener is allowed into something unfinished and honest. Her releases are available only on Filodyo and NOT FM, where her sound lives without interruption, expectation, or noise.
Muoviti Così
Ornella
La radio sorride piano
La porta gira entra il sole
Tacchi leggeri sul pavimento
Tutto sembra già possibile
Senza dirlo apertamente
Un passo avanti uno indietro
Il ritmo nasce da sé
Non serve fare rumore
Quando il corpo sa perché
Un battito poi due
E tutto parte da qui
Muoviti così
Senza pensarci troppo
Lascia andare
Vieni un po’ più vicino
Muoviti così
Con quel sorriso lì
La giornata cambia
Se la prendi così
Le vetrine fanno l’occhiolino
La città gioca con noi
Ogni sguardo è una promessa
Che non chiede mai di più
La musica entra leggera
Ti prende senza far male
È una danza quotidiana
Che ti viene naturale
Un battito poi due
Il resto viene da sé
Muoviti così
Senza pensarci troppo
Lascia andare
Vieni un po’ più vicino
Muoviti così
Con quel sorriso lì
La giornata cambia
Se la prendi così
Ah
Così va bene
Ah
Non serve altro
Muoviti così
La radio resta accesa
CREDITS
Performer: Ornella
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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00:00
Flip That City
Minerva Sound
Verified Artist
Minerva Sound
Minerva Sound is a five-piece from Bristol, UK, blending glossy disco-pop, neo-soul harmonies, and tight live grooves. The lineup: Malik Rhodes (lead vocal), Tyrone Ellis (vocal/MC), Owen Calder (guitar/bass), Emily Price (vocal/keys), and producer Felix Dunn (drum machines, synths, arrangements). Born out of late-night jam sessions and warehouse sets, they forged a sound that marries hook-heavy choruses with rhythmic precision and rich vocal stacks.
Their debut single, “Flip That City,” captures the group’s signature pulse: rubbery bass, syncopated organ stabs, hand-clap drive, and call-and-response vocals that snap into a euphoric refrain. Lyrically, it zooms in on urban momentum—small choices, quick turns, and the thrill of switching lanes—delivered with swagger and a live-band spark.
Available exclusively on Filodyo, Minerva Sound is poised to turn venues into dance floors across the UK and beyond—one chorus, one groove, one flipped skyline at a time.
Flip That City
Minerva Sound
Flip it flip it come alive
Turn the dial feel the vibe
City’s pulse jumping high
We don’t stop—we multiply
Smoke in the air bass hits the ground
Feet in the crowd hearts pound around
Spotlight flicks beat rides the sound
Hands in the air lost then found
Shout with me let the rhythm ride
No more still—in this groove we hide
Flip the night on its neon edge
On our mark—pledge to the ledge
Flip that city flip it higher (Hey!)
Flip that city beat the fire (Hey!)
Flip that city where we belong (Yeah!)
Flip that city dance along (Yeah!)
Streetlight jumps when the bass drops low
Crowd moves as the speakers blow
Every step locks into sky-high flow
One more wave—ready set go
Shout with me let the rhythm ride
No more still—in this groove we hide
Flip the night on its neon edge
On our mark—pledge to the ledge
Flip that city flip it higher (Hey!)
Flip that city beat the fire (Hey!)
Flip that city where we belong (Yeah!)
Flip that city dance along (Yeah!)
Flip it—turn around
Flip it—sound the ground
Flip it—up the heat
Flip it—feel the beat
Flip that city flip it higher (Hey!)
Flip that city beat the fire (Hey!)
Flip that city where we belong (Yeah!)
Flip that city dance along (Yeah!)
CREDITS
Performer: Minerva Sound
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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00:00
No Tomorrow Needed
Roxelle
Verified Artist
Roxelle
Roxelle is a Romanian-born singer and songwriter currently based in the United Kingdom. Growing up between Eastern European traditions and Western pop culture, she developed an early fascination with rhythm, melody, and visual storytelling. Her background gave her a distinctive sense of contrast, mixing emotional depth with bold self-expression, something that would later become central to her artistic identity.
After relocating to the UK in her early twenties, Roxelle immersed herself in the underground pop and electronic scenes, refining her sound and performance style. Influenced by modern pop, dance, and subtle R&B textures, she crafts songs that balance confidence with vulnerability. Her vocals move effortlessly between smooth, controlled delivery and striking, attitude-driven hooks, creating a sound that feels both intimate and commanding.
Roxelle’s music explores themes of independence, desire, and emotional resilience, often framed through sleek, contemporary production. Known for her strong visual aesthetic and fashion-forward presence, she approaches music as a complete artistic experience rather than just sound. With a growing catalog of releases, Roxelle positions herself as a new-generation pop artist shaped by movement, migration, and self-definition.
No Tomorrow Needed
Roxelle
Heels hit the floor I feel it start
Bass in my chest steady and sharp
No explanations no excuse
I move the room just how I choose
Eyes follow motion not my name
I don’t repeat I don’t stay same
One step closer to the sound
I don’t wait I turn around
I’m on my own tempo
Don’t tell me when to go
I set it I control
Every move every role
I’m on my own tempo
Too fast too slow I know
I hit it right on time
Watch me cross the line
Disco strings rise
Bass keeps talking
Hands in the air
No words just timing
Mirrors shake when I pass through
Every angle feels brand new
No permission no delay
I decide how long I stay
Heat is building in the crowd
I don’t need to say it loud
Count it in feel it land
Everything is in my hands
I’m on my own tempo
Don’t tell me when to go
I set it I control
Every move every role
I’m on my own tempo
Too fast too slow I know
I hit it right on time
Watch me cro
Jacket on I leave it open
Streetlight glow my focus broken
Every sound pulls me in
I don’t ask where we’ve been
I don’t read the signs twice
I move once that’s my advice
If it feels right I don’t slow down
I let the night spin me around
No tomorrow needed
Say it again I mean it (mean it)
No tomorrow needed
I don’t pause I don’t overthink it (no no)
No tomorrow needed
Feel it hit me feel it beat me (beat me)
No tomorrow needed
If I’m in it I’m in it (yeah)
Every step is calculated
Still it looks so effortless
I don’t wait to be invited
I arrive I don’t impress
Crowd reacts I don’t chase
I just take up space
Hear my name inside the bass
I don’t rush I keep my pace
Yeah
She don’t plan it she appear
Whole room shift when she near
No tomorrow in her mind
Only now perfect time
She don’t promise she decide
Every move amplified
I’m just watching from the side
Tryna keep up with her stride
No delay no rewind
She already crossed the line
When she move place complies
That’s the signal that’s the sign
No tomorrow needed
Say it again I mean it (mean it)
No tomorrow needed
I don’t pause I don’t overthink it (no no)
No tomorrow needed
Feel it hit me feel it beat me (beat me)
No tomorrow needed
If I’m in it I’m in it (yeah)
No tomorrow (no tomorrow)
Needed (needed)
No tomorrow (no tomorrow)
I don’t need it (don’t need it)
No tomorrow (no tomorrow)
Needed (needed)
If I want it (if I want it)
I’m in it (I’m in it)
CREDITS
Performer: Roxelle
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Long Distance Line ...
Eli Varnish
Verified Artist
Eli Varnish
Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.
That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.
Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.
Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.
Long Distance Line from the Bosphorus
Eli Varnish
I’m calling from a room with peeling paint
A radio coughing out the truth
The kettle screams like it knows my name
Coins on the table none of them are you
The line is bad the night is worse
Somewhere a ferry cuts the dark in two
I got your number on a matchbook
And a voice that still remembers you
The operator’s half asleep
She says “Sir you still there?”
I say “Yeah I’m breathing smoke and prayers
Trying to get through anywhere”
This is a long distance line from the Bosphorus
I got one minute maybe less
If the city don’t swallow my words whole
You’ll hear me say I did my best
Yeah it’s a long distance line from the Bosphorus
The signal shakes the past comes through
If this call drops into the water
Just know I was calling you
There’s a man downstairs selling broken watches
Says time owes him money too
Every streetlight flickers like a bad idea
Every bar knows something I won’t tell you
I saw your face in a cracked mirror
Right next to a stain on the wall
I tried to hang up three times already
But this phone just won’t let me fall
This is a long distance line from the Bosphorus
The clock’s got a loaded gun
If I disappear between the numbers
Just say I was almost done
Hello?
Yeah… it’s me
Listen don’t say my name
The walls here got ears
And the night’s taking notes
It’s a long distance line from the Bosphorus
Static dancing in my head
If you hear silence after this
That’s just the things I never said
The operator counts me down
Five… four… the river wins
Click
CREDITS
Performer: Eli Varnish
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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Parle Moins (feat M...
Kessy
Verified Artist
Kessy
Kessy is a France-born artist with African roots, shaped by a sound environment that blends urban pop, Afro-influenced rhythms and understated confidence. Raised between cultures, her music reflects a calm but assertive attitude, focusing on presence rather than excess. She is known for her controlled vocal delivery, minimal phrasing and lyrics that draw clear boundaries without dramatization.
With Parle Moins, Kessy joins forces with Malik Joon, whose sharp, rhythm-focused vocal style adds a contrasting edge to the track. Their collaboration is built on balance: restraint over intensity, clarity over noise. The song captures a modern, radio-friendly Afro-pop aesthetic while keeping a cool, grounded tone.
This release marks their meeting point on Filodyo and NOT FM, where both artists come together through a shared approach to contemporary sound and modern production values. Parle Moins stands as a confident introduction to Kessy’s artistic direction: direct, composed and unmistakably current.
Parle Moins (feat Malik Joon)
Kessy
Ouais
Hmm
Parle moins
Tu parles trop tu dis rien
Toujours sûr jamais clair
Tu me regardes de loin
Comme si j’étais à refaire
Tu dis “viens” tu dis “reste”
Mais tu sais pas pourquoi
Moi je lis dans les gestes
Pas dans ce que tu crois
J’ai pas besoin d’expliquer
Je me vois très bien sans toi
Si tu viens pour improviser
Autant rester là-bas
Parle moins regarde mieux
J’ai déjà compris le décor
Parle moins regarde mieux
J’attends pas que tu sois fort
Parle moins regarde mieux
Je perds pas mon équilibre
Parle moins regarde mieux
Je suis calme je suis libre
Tu veux suivre mon tempo
Mais tu marches à côté
Chez moi tout est simple
Faut savoir rester vrai
T’as appris à parler vite
À promettre sans voir
Mais moi je coupe le son
Quand ça sonne trop noir
Yeah
J’arrive clean sans détour
J’fais pas l’acteur dans le jour
Trop de bruit pour peu d’idées
Moi j’avance pas besoin d’jouer
Elle sait lire entre les lignes
Moi j’dis moins j’fais plus
Si tu veux rester dans le film
Faut être réel pas flou
Parle moins regarde mieux
J’ai déjà compris le décor
Parle moins regarde mieux
J’attends pas que tu sois fort
Parle moins regarde mieux
Je perds pas mon équilibre
Parle moins regarde mieux
Je suis calme je suis libre
Ouais
Parle moins
C’est mieux comme ça
CREDITS
Performer: Kessy
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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00:00
Tuesday Night Code
Fever Pilots
Verified Artist
Fever Pilots
Meet the Fever Pilots, a dynamic pop duo with a penchant for the unconventional, a self-styled outfit carving an adventurous path in the frenetic heart of the UK music scene. Their sound, a sonic cocktail soaked in audacious innovation and spice, attracts as much as it defies description.
Forged in the industrial heat and flames of Birmingham, these two troubadours took the raw materials of their working-class background and fashioned them into a sonic boom. They're a hard-edged, heavy beat force, punctuated with lighthearted lyrics echoing the humdrum of everyday life, yet imbuing it with a shimmering musical alchemy. Artists? Yes, but these guys are more like mad scientists toiling away in a pop lab, conjuring up infectious tunes.
Their track "Tuesday Night Code" deserves more than a footnote here. Imagine the most vivid dream you've ever had, now combine that with a chorus catchier than a fisherman's hook and you've got the gist of it. It's a song that fills every corner with a tumbling digital soundscape and hooks a plenty. Bottom line: Fever Pilots aren't just on auto-pilot, they're aiming for the stratosphere and we ought to be strapping in for the ride!
Tuesday Night Code
Fever Pilots
[Intro]
(Ooh)
Yeah yeah
Uh-huh
Look at that
Look at that
You said forever on a Tuesday night
By Thursday you were outta sight
Had your name all over my screen
Now it’s just a memory machine
Funny how the silence got loud
Funny how you’re nowhere around
Used to know the code to my heart
Now you couldn’t find where to start
I was waitin’ by the telephone
Every little buzz had me gone
Now I let it ring all night long
You can’t call me back
Too late for that
I already packed up all the feelings that I had
You can’t call me back
No turnin’ back
Found a better rhythm when you slipped right through my hands
Oh-oh-oh
I’m good like that
Oh-oh-oh
You can’t call me back
Saw your picture through a friend’s friend’s post
Thought I’d feel somethin’ almost
But the room kept spinnin’ just fine
Guess the sun still knows how to shine
Every promise got a price tag now
Every “sorry” sounds the same somehow
You can send another late-night text
But I ain’t the one that’s next
I was waitin’ by the telephone
Every little buzz had me gone
Now I let it ring all night long
You can’t call me back
Too late for that
I already packed up all the feelings that I had
You can’t call me back
No turnin’ back
Found a better rhythm when you slipped right through my hands
Oh-oh-oh
I’m good like that
Oh-oh-oh
You can’t call me back
Na-na-na
Look who’s lonely now
Na-na-na
Tryna figure it out
Ha!
That’s funny somehow
[Final Chorus]
You can’t call me back
Too late for that
I already packed up all the feelings that I had
You can’t call me back
No turnin’ back
Found a better rhythm when you slipped right through my hands
Oh-oh-oh
I’m good like that
Oh-oh-oh
You can’t call me back
Yeah yeah
Too late now
(Ooh)
You can’t call me back… 🎵
CREDITS
Performer: Fever Pilots
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com
© 2026 filodyo. All rights reserved.
Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
