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After Seven
Elian Rae

Verified Verified Artist

Elian Rae
Elian Rae makes refined late-hour pop built for rooms that do not want to shout. Her sound blends soft nu-disco, mellow funk bass, Rhodes keys, muted guitar, and an airy vocal style that feels polished without turning glossy or loud.

Her songs often find small cinematic details in ordinary spaces: a quiet shop after seven, fabric on a hanger, receipts curling beside a drawer, street color moving behind glass. The result is warm, understated music for evening playlists, boutique floors, and listeners who like groove with restraint.
Track(s)
After Seven 1101 03:35

After Seven

Elian Rae


At seven the glass doors learn the street by name
sale tags turn slowly in the conditioned air
someone leaves a blue scarf folded out of place
and the mirror keeps pretending not to stare

A clerk counts coins like small weather
one by one into a paper tray
the fitting rooms exhale together
as the weekday loosens its display

Keep the low lamps on
let the room breathe out
there is music in the ordinary
when the hurry thins around
Soft returns quiet shelves
hands on fabric nothing else
after seven after seven
we move lightly through ourselves

Perfume cards sleep beside the counter
shoes line up like they know the floor
outside taxis change their colors
inside no one needs to want more

A coat on a hanger turns human
for a second in the corner light
I almost ask it where it's going
then I let it keep the night

Keep the low lamps on
let the room breathe out
there is music in the ordinary
when the hurry thins around
Soft returns quiet shelves
hands on fabric nothing else
after seven after seven
we move lightly through ourselves

Not every song should chase the ceiling
not every room should ask for rain
some evenings only need a rhythm
folded neatly with a name

Keep the low lamps on
let the room breathe out
there is music in the ordinary
when the hurry thins around
Soft returns quiet shelves
hands on fabric nothing else
after seven after seven
we move lightly through ourselves

The last receipt curls by the drawer
one small moon on the floor
after seven after seven
nothing asks to be more

CREDITS
Performer: Elian Rae
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Channel Zero
Gutterlux 42

Verified Verified Artist

Gutterlux 42
Gutterlux 42, hailing from the vibrant streets of Bristol, is an artist navigating the delicate intersections of alternative hip-hop, cinematic dub-pop, and psychedelic funk. With a sound that evokes a sense of bittersweet nostalgia, Gutterlux 42 draws listeners into a world where heavy basslines intertwine with mixed vocal stylings, creating a captivating atmosphere that feels both intimate and expansive. Tracks like "Channel Zero" showcase this unique blend, employing rich, layered production that combines elements of lo-fi electronic soul with art-rock vibes, inviting audiences to reflect on their own emotional landscapes.

With roots deeply embedded in club culture and a rich local scene, Gutterlux 42's artistry thrives on the pulse of urban life. The musical narrative often begins with unexpected sounds—a radio scan, echoes of street ambience—setting the stage for explorations of identity, connection, and the human condition. Each release not only builds upon the last but also captures moments of clarity amid chaos, often taking listeners through dark corridors before lifting them into moments of inspiration. This thematic evolution is evident throughout their catalog, allowing their music to resonate on multiple levels.

As a project, Gutterlux 42 is marked by an ever-evolving creative identity that reflects both personal experiences and collective emotions. Their work invites listeners to confront the complexities of existence while wrapped in melodies that linger long after the final note fades. Whether through melancholic introspection or uplifting revelations, Gutterlux 42 continues to carve out a space in the indie landscape that feels distinctly theirs—one where every track serves as a new chapter in an ongoing story.
Track(s)
Channel Zero 85941 04:00

Channel Zero

Gutterlux 42


Good morning citizens
Your mood has been selected
Please remain casually impressed

I bought a smile from a vending machine
It came with batteries polished and clean
The screen said “Buddy you’re doing fine”
Then charged my card for wasting its time

My neighbor’s dog has a podcast now
He sells good habits and teaches you how
I wear dark glasses inside the store
So the cameras think I’ve been here before

Nothing is wrong nothing is real
Spin that message seal the deal
Everybody wants a better view
Nobody wants to change the room

Turn me down to channel zero
No big plan no chosen hero
Keep that smile for the television
I’m off-grid with bad reception

Channel zero moving slowly
Everybody knows me nobody knows me
Cut the signal lose the logo
Meet me down on channel zero

The mayor dances in a cereal ad
Says being watched should make us glad
A plastic moon hangs over the street
While delivery drones argue over the beat

My profile picture went out for a walk
Came back famous and refused to talk
It signed my name to a brand-new life
With better teeth and a rented wife

Nothing is wrong nothing is real
Pick a number turn the wheel
Everybody wants a cleaner truth
Printed fresh in a rented booth

Turn me down to channel zero
No big plan no chosen hero
Keep that smile for the television
I’m off-grid with bad reception

Channel zero moving slowly
Everybody knows me nobody knows me
Cut the signal lose the logo
Meet me down on channel zero

Terms and conditions tattooed on the ceiling
Swipe for approval subscribe to a feeling
Five-star panic in a paper cup
The world went down but the price went up

I got two left shoes and a counterfeit map
A government pigeon asleep in my lap
They said “Stay positive stay on brand”
So I drew a door where they built a wall
And walked straight through with the mic in my hand

No notification
No explanation
No invitation
Just oscillation

No verification
No celebration
Lose your location
Find your vibration

Turn me down to channel zero
No big plan no chosen hero
Keep that smile for the television
I’m off-grid with bad reception

Channel zero moving slowly
Everybody knows me nobody knows me
Cut the signal lose the logo
Meet me down on channel zero

Your session has expired
Good

CREDITS
Performer: Gutterlux 42
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Margin of Error
Susan Hall

Verified Verified Artist

Susan Hall
Susan Hall emerges from the vibrant backdrop of New York City, where late-night writing sessions fuel her introspective explorations into the human experience. Infusing elements of Lo-Fi, Pop, and Trip-Hop, Susan crafts soundscapes that oscillate between playful and melancholic. Her track "Margin of Error" encapsulates this duality, featuring smoky vocals layered over a pulsating sub-bass and ethereal Fender Rhodes chords. With a penchant for the poetic, her lyrics explore themes of longing and uncertainty, often wrapped in an enigmatic embrace that resonates deeply with listeners.

The sonic threads within her catalog weave together a compelling narrative, each track a reflection of her artistic identity marked by subtle contrasts. From the dark trip-hop influences that shape her beats to the epic yet intimate moods she conjures, Susan's music reveals a world where vulnerability meets resilience. With tracks like "Margin of Error," she invites audiences to navigate through the shadows of love and loss while offering an unexpected playfulness that lingers long after the last note fades.
Track(s)
Margin of Error 66934 04:57

Margin of Error

Susan Hall


You filed my name under maybe
Kept one hand near delete

Your sentences came pre-approved
Every promise wore a barcode
I read the terms across your face
A firm refusal dressed as grace

You kept my number off the page
Then called it love at your own rate
I learned the cost of being near
A private charge renewed each year

Your figures never could align
You changed the units every time
You took the sum removed the source
Then called the damage normal loss

Call me your margin of error
The number you round to zero
You kept me close to the ledger
But never part of the total

Call me your margin of error
Your almost your after your spare
I won’t be filed under maybe
I won’t be useful then erased

You wore affection like a pass
Valid until somebody asked
My place was marked with pencil lead
Easy to alter hard to read

You built a room from access codes
The door unlocked when you chose
I left the key beside your name
No final speech no claim to blame

Your figures never could align
You changed the units every time
You took the sum removed the source
Then called the damage normal loss

Call me your margin of error
The number you round to zero
You kept me close to the ledger
But never part of the total

Call me your margin of error
Your almost your after your spare
I won’t be filed under maybe
I won’t be useful then erased

I was never hard to measure
You preferred uncertain scales
A person turned to useful data
A pulse reduced to monthly sales

Now every digit has an owner
Every loss can state its cause
You can keep your perfect record
I have left your private laws

Call me your margin of error
The number you rounded to zero
You kept me close to the ledger
But never part of the total

Call me your margin of error
The flaw that refused to behave
Cross out the file marked as maybe
I won’t be useful then erased

Delete my name from your system
The error has learned its own weight

CREDITS
Performer: Susan Hall
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

City of Us (ft Kairo)
Zion Vale

Verified Verified Artist

Zion Vale
Seismic, fresh, and ready to take the pop world by storm, Zion Vale is the windswept prodigy hailing from Manhattan's electric heartbeat. Illuminating the shadows of Indy Pop with a voice that sways between whispers and roars, Zion is the authentic, soul-penetrating force you didn’t know you were waiting for.

Kicking it back to their school days, Zion crossed paths with the musically gifted Kairo. What started as simple shared detention notes evolved into a collaborative crescendo—culminating in their standout track "City of Us". This song is Zion's self-proclaimed love letter to their city—a hopeful anthem designed to unite, inspire, and get stuck on repeat in your head.

Against a backdrop of sizzling city nights, Zion's brand of Pop - potent, playful, and undeniably infectious - has been getting Manhattan's less-grimy gutters humming. Imagine if Jupiter and Mars got together to jam: that's the level of celestial meeting of the minds we're talking about here, people.

With a charismatic blend of lyrical genius, Zion Vale is set to redefine what it means to be an independent artist. So keep one ear to the ground, because Zion is about to drop the beat that echoes the 'City of Us' and, trust us, you don't want to miss it.
Track(s)
City of Us (ft Kairo) 60643 05:04

City of Us (ft Kairo)

Zion Vale


Concrete and dreams underneath my feet
Grew up on these blocks where the cold and the warm meet
Didn't have much but I had this view
Rooftops and water towers skies painted blue
This city raised me made me who I am
Every subway line running through my veins

And I've been down I've been lost in these streets
But every time I fell this city caught me

(mm)

New York New York
I was made from your bones
Every scar on this city
Is a scar that I own
I have loved I have lost
On these streets made of stone
But I always — always
Find my way home

Harlem nights had nothing but a name
Told myself either make it or make it no game
Penthouse dreams from a fire escape view
This city don't love you till you prove something true
I've seen men fold under all this weight
But New York only opens up for those who wait

And I've been cold sleeping on ambition
But this city turned my hunger into vision
(yeah)

New York New York
We were made from your bones
Every scar on this city
Is a scar that we own
We have loved we have lost
On these streets made of stone
But we always — always
Find our way home

(ohhh yeah)
(home…)

They say the city never sleeps
(never sleeps)
But I've seen it quiet
At 4 AM when even the brave weep
(weep…)
And still — the lights stay on
(lights stay on)
And still — we carry on
(carry on…)
Because this city chose us
As much as we chose it
(mm)
Every broken dream here
Still has fire in it
(fire…)
(ohhhh)

New York New York
We were made from your bones
Every scar on this city
Is a scar that we own
(own it)
We have loved we have lost
On these streets made of stone
(these streets)
But we always — always
(always)
Find our way
(find our way)

Home
(HOME)
(ohhhhh)

New York…
(mm)
You never let me go
(never…)
And I never wanted you to
(fade)

CREDITS
Performer: Zion Vale
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Where Did We Go
Luma Hollow

Verified Verified Artist

Luma Hollow
Luma Hollow is a dynamic duo based in Sweden, creating a captivating blend of dance, EDM, and pop music. With their debut track, "Where Did We Go," they explore themes of introspection and the search for connection amidst an energetic backdrop. Their sound is characterized by an uplifting yet dark vibe, intertwining hopeful lyrics with infectious beats that encourage listeners to both reflect and move.

The duo's music stands out for its ability to evoke a range of emotions. Tracks like "Where Did We Go" exemplify their knack for crafting tunes that are not only danceable but also resonate on a deeper level. Luma Hollow's vocal interplay adds a unique dimension, creating a rich tapestry of sound that draws listeners in. As they continue to develop their catalog, expect a further exploration of these themes, blending energetic production with a touch of introspection.
Track(s)
Where Did We Go 63532 05:18

Where Did We Go

Luma Hollow


I hear your name
Under the noise
A distant flame
A broken voice

We were young in a room full of strangers
Dancing close to a feeling we knew
Every light had a warning inside it
Every road was leading back to you

I kept the photos but lost the meaning
Kept the song but forgot the sound
Now I wake with a heart full of questions
And a silence I can’t turn down

Tell me are you somewhere
Under the same sky?
Do you ever look back
When the night drives by?

I have been running
But I don’t know what from
I have been searching
For the place we were one

Where did we go?
When the love became a shadow
I still feel you in the afterglow
But I can’t follow

Where did we go?
We were louder than tomorrow
Now I’m calling through the empty road
Just to find you

Where did we go?
Where did we go?
Where did we go?
I’m still trying to find you

Find you
Find you
I’m still trying to find you

Where did we go?
Where did we go?

There are nights when the city feels weightless
Like the streets are floating away
I see your face in the glass of a window
Then it fades before I can say

I was wrong I was scared I was human
I was holding a storm in my hands
You were love you were home you were shelter
I was too late to understand

Tell me are you somewhere
Under the same sky?
Do you ever hear me
When the waves rise high?

I have been running
But I don’t know what from
I have been searching
For the place we were one

Where did we go?
When the love became a shadow
I still feel you in the afterglow
But I can’t follow

Where did we go?
We were louder than tomorrow
Now I’m calling through the empty road
Just to find you

Where did we go?
Where did we go?
Where did we go?
I’m still trying to find you

Maybe we were not lost
Maybe we were changing
Maybe every goodbye
Has another name

If you hear me tonight
Through the static and rain
Leave a light in the dark
I would find you again

Where did we go?
When the love became a shadow
I still feel you in the afterglow
But I can’t follow

Where did we go?
We were louder than tomorrow
Now I’m calling through the empty road
Just to find you

Where did we go?
Where did we go?
Where did we go?
I’m still trying to find you

I hear your name
Under the noise
A distant flame
A broken voice

CREDITS
Performer: Luma Hollow
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Paper Cup Summer
Mirov Saint

Verified Verified Artist

Mirov Saint
Meet Mirov Saint, everyone's favorite disco-spinning, beat-making connoisseur of all that is musical and funky. Hailing from a place as elusive as his name suggests, this maestro reigns from the far-flung utopia we like to call Saint Petersburg, crafting soundtracks that make our everyday lives feel like an enchanted fairy tale.

This genteel DJ, signed to Filodyo—shout out to them for recognising raw talent—works nightclub miracles, turning songs into disco-infused enchantments. His pièce de résistance? A cabaret dance cover of Romeo Vane's "Kiss Me When I'm Lying", of course. Because who needs a prince charming when you've got Mirov Saint remixing your life soundtrack?

Behind the decks, he becomes this alchemy wizard, transforming every beat into disco-gold, infusing happiness in every note. Take a gander at Mirov's Spotify. You'll think you've been transported to a Moscow underground disco in the 70s—a place where anxiety is unknown, and the mood is perpetually “Happy”.

So there you have it, folks. Mirov Saint, living proof that disco isn't dead, it's just been chilling in Saint Petersburg, waiting for one wizardly DJ to mix it back to life.
Track(s)
Paper Cup Summer 2278 03:18
Kiss Me When I'm Lying 231597 03:51

Paper Cup Summer

Mirov Saint


You left your scarf on my chair
Cheap red thread and summer air
I still fold it by the door
Like you might come back for more

And I know I know
It was never clean
But your name
Still shakes the seams

Paper cup summer
You still taste like that
Paper cup summer
Gone fast came back
I keep one small match
For the dark you made
Paper cup summer
Won't fade won't fade

Bus stop rain on your shoes
You laughed like you had bad news
In the park under the trees
You said "Don't make a promise to me"

And I know I know
We were shaking hard
Two wild hearts
In a borrowed car

Paper cup summer
You still taste like that
Paper cup summer
Gone fast came back
I keep one small match
For the dark you made
Paper cup summer
Won't fade won't fade

Now the corner store's closed early
The peach gum on your sleeve still hurts me
If I call would you hear my voice?
Or just the noise just the noise

Paper cup summer
You still taste like that
Paper cup summer
Gone fast came back
I keep one small match
For the dark you made
Paper cup summer
Won't fade won't fade

CREDITS
Performer: Mirov Saint
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Railroad Shoes
Ted Clayton

Verified Verified Artist

Ted Clayton
Ted Clayton is a Seattle-based solo artist whose music captures the grit and heart of urban life through a blues rock lens. Drawing inspiration from the late-night writing sessions in his cramped apartment, he channels raw, introspective narratives into his tracks. His latest offering, "Railroad Shoes," encapsulates a feeling of longing and resilience, featuring a close-mic baritone that weaves through a backdrop of slide guitar fills and the warmth of an upright bass. Ted’s sound is marked by its chill yet playful essence, offering a dynamic lift during choruses that invites listeners to feel both the weight of hard luck and the lightness of hope.

With an emerging catalog that reflects his artistic evolution, Ted's passion for storytelling shines in tracks like "Dusty Roads" and "Midnight Train." Each song presents a vivid scene, rich with imagery of everyday struggles and personal triumphs. The atmospheric production—characterized by tremolo electric guitar and hints of bathroom ambience—serves as an emotional landscape for his lyrics, which explore the complexities of life with sincerity. As he carves out his sonic identity, Ted Clayton continues to resonate deeply with those who find beauty in the imperfections of their own journeys.
Track(s)
Railroad Shoes 4224 04:39

Railroad Shoes

Ted Clayton


I woke up cold on Pine Street floor
Boots by the door but I can't walk no more
Got a hole in my pocket a hole in my plan
And that old train dust still on my hands

Mama said boy keep your head held high
But the rain hit hard and it blurred my eye
I pawned my watch for a little cash
Now I'm counting change and I burn it fast

Ain't it a shame
How the hard days call my name
I keep on moving slow
But I can't let it show

These railroad shoes
Keep me moving through
These railroad shoes
Lord they seen me through
When the road runs mean
And the night cuts loose
I keep on walking
In my railroad shoes

There’s a bar down low with a dented sign
One busted lamp and a crooked line
I sat in the back where the hurt folks go
Let the jukebox cry let the whole room know

Ain't it a shame
How the hard days call my name
I keep on moving slow
But I can't let it show

These railroad shoes
Keep me moving through
These railroad shoes
Lord they seen me through
When the road runs mean
And the night cuts loose
I keep on walking
In my railroad shoes

If the river rises I won't drown
I'll kick that mud till I wear it down
One more mile one more bend
I was born to leave but I come back again

These railroad shoes
Keep me moving through
These railroad shoes
Lord they seen me through
When the road runs mean
And the night cuts loose
I keep on walking
In my railroad shoes

CREDITS
Performer: Ted Clayton
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Crossed Wires
Liora Penn

Verified Verified Artist

Liora Penn
Liora Penn is a captivating UK garage pop singer whose music deftly combines crisp rhythmic delivery with an emotionally charged melodic style. Her approach to two-step grooves showcases a natural affinity for movement, inviting listeners to engage both physically and emotionally. With an emphasis on precise hooks, Liora crafts songs that resonate with a relatable authenticity, reflecting the complexities of modern relationships. This connection between her lyrics and the listener's personal experiences forms the backbone of her artistic identity.

Her standout track "Crossed Wires" epitomizes her signature sound, seamlessly blending dance, electronic, and pop elements into a bittersweet yet energetic offering. The playful undertones in her production enhance the emotional depth of her storytelling, inviting audiences to explore themes of love, miscommunication, and introspection. Liora's collaborative relationship with producer Hakan E. has further polished her contemporary sound, ensuring each release maintains a fresh and vibrant edge while anchoring it firmly within the UK garage pop landscape.

As Liora continues to evolve as an artist, her catalog promises to expand on the themes of connection and emotional honesty that define her work. By navigating the interplay between upbeat rhythms and more contemplative lyricism, she invites listeners into a world where every beat carries significance. Whether dancing in celebration or reflecting in stillness, fans find a piece of themselves within Liora's music, making her an essential voice in today's independent music scene.
Track(s)
Crossed Wires 42795 03:16

Crossed Wires

Liora Penn


You call at two I miss by one
Two small signals come undone
Your name glows blue across my phone
I read it twice then walk back home
A simple word arrives too late
A second chance meets a closing gate
We keep our pride on separate lines
Then blame bad luck for broken signs

One step left one step right
Same small spark on different nights
Say it plain cut through noise
Give this feeling back its voice

Crossed wires crossed wires
Every message feeds the fire
You say stay I hear goodbye
We lose truth between reply
Crossed wires crossed wires
No more guessing no more liars
Call me now I will be clear
What I want is having you here

Your friends say wait mine say move
None of them can choose our truth
We trade three dots then let them fade
A tiny war that we both made
I know your habits you know mine
How we turn care to warning signs
So drop that script forget who wins
Let one good sentence pull us back again

One step left one step right
Same small spark on different nights
Say it plain cut through noise
Give this feeling back its voice

Crossed wires crossed wires
Every message feeds the fire
You say stay I hear goodbye
We lose truth between reply
Crossed wires crossed wires
No more guessing no more liars
Call me now I will be clear
What I want is having you here

No coded phrase no careful pose
Say what hurts and what still grows
I can take an honest line
If you can take this heart of mine

Crossed wires crossed wires
Now we cut across that fire
You say stay I hear it right
We choose us and end this fight
Crossed wires crossed wires
No more guessing no more liars
Call me now I will be clear
What I want is having you here

CREDITS
Performer: Liora Penn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Ashes Know My Name
Elias Crowe

Verified Verified Artist

Elias Crowe
Elias Crowe is an American singer-songwriter whose music lives somewhere between Latin blues, desert rock and roots Americana. Raised among the wide landscapes of the American Southwest, he developed a quiet fascination with stories of ordinary people, forgotten highways and the invisible weight carried through everyday life. Rather than chasing trends, Crowe built his sound around expressive guitar work, restrained vocals and songs that value silence as much as melody.

His recordings are known for their cinematic atmosphere, blending warm acoustic textures, soulful electric guitar and subtle Latin rhythms into music that feels timeless rather than nostalgic. Crowe rarely writes in absolutes. His lyrics explore redemption, memory, resilience and the fragile space between hope and regret, often using simple images to reveal deeper emotional truths. Listeners are drawn to the honesty of his performances, where every note feels lived rather than performed.

Although his style echoes the spirit of classic American roots music, Elias Crowe continues to shape a voice that is unmistakably his own. Whether performing intimate ballads or slow-burning rock songs, he favors authenticity over spectacle, allowing emotion, craftsmanship and atmosphere to lead every performance. His work has earned a loyal audience that values music not for its volume, but for its ability to linger long after the final chord has faded.
Track(s)
Ashes Know My Name 44527 04:58

Ashes Know My Name

Elias Crowe


Slow down…
Don’t wake the fire
It already knows
Who I am

Dust hangs low where the old road bends
Every scar still remembers friends
I don’t ask if tomorrow stays
I just count the smoke instead of days

One cold wind
One tired hand
Trying to build
What never stands

Every prayer arrives
Wearing different clothes
Maybe heaven answers
Maybe nobody knows

Hold your flame
Don’t hide your face
Even broken walls
Can become a place

If the night
Calls out my name
I’ll answer slow
Just the same

Hold your flame…
Don’t let it fade

My father’s coat still smells like rain
Every pocket keeps a different pain
Coins grow heavy
Truth grows light
Some men disappear
Before the fight

I don’t need another miracle
Only one more mile to walk
The silence speaks
Louder than angels
When nobody talks

Hold your flame
Across the storm
Nothing living
Stays untouched or warm

If I fall
Don’t call my name
Just leave the fire…
Exactly where it came

The ashes know my name…
The ashes know…
My name…

CREDITS
Performer: Elias Crowe
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Secondhand Alibi
Romeo Vane

Verified Verified Artist

Romeo Vane
"Romeo Vane: at the ripe age of 25, this American pop-rock comet is shooting across the Alternative universe, spreading hope with doses of edgy authenticity. Born and bred in the sonic heartland of the Windy City, he’s a Chicagoan with an unapologetic knack for compelling narratives and an obsession for truth.

Whether it's life's sharp corners or the soft bruises of love, Romeo Vane's got a knack for rolling them into tunes that blend breezy alt-rock melodies with the raw, gritty flavor of pop. His stage name isn't for show; Romeo comes with a romantic bravado that'd make Shakespeare blush, and the barbed tongue of a true Windy City native. Just tune into "Kiss Me When I'm Lying" - it's less of a song, more a rollercoaster ride through hope, heartbreak, and hilariously serious self-deprecation.

Despite his youth, he's seen more than enough of life's ups and downs, packaging the human experience into easily digestible nuggets of melodic wisdom. Romeo Vane’s music is the kind that makes you call your ex at 2 a.m., cry a little, laugh a lot, and still believe in the dream of a better dawn. Now, how's that for a self-made, alternative songwriter from the city that never sleeps?"
Track(s)
Secondhand Alibi 10277 04:41
Your Side of the City 157452 03:54
Glass Heart Radio 177483 04:19
The Rest of My Life 197704 04:49
Stay Like This 160566 03:56
Sugar on the Blade 138067 03:18
Slow Fire 132057 03:06
Bad Timing 156090 03:56
Don’t Make Me Wonder 163586 04:01
Kiss Me When I’m Lying (Symphonic Ballad Version) 148873 03:38
Kitchen Light 121027 02:52
All the Ways We Fall 228437 05:46
Kiss Me When I'm Lying 181827 03:15

Secondhand Alibi

Romeo Vane


I found it in a Sunday ad
Between a sofa and a wedding band
“Barely used no questions asked”
The seller wore a borrowed name

He said it worked on jealous hearts
On hotel clerks and parking guards
I paid in cash he wished me luck
Then vanished before the light changed

I practiced every detail
The hour the street the rain
But truth has lousy manners
It keeps interrupting names

I bought a secondhand alibi
Cheap enough to fit my life
It worked until you asked me twice
Now every version sounds like mine

I bought a secondhand alibi
With someone else’s reasons inside
The story held the timing died
Now every version sounds like mine

I said the train was running late
You knew that line from ’98
I blamed a man I’d never met
You said “At least invent him well”

I moved the evening half an hour
Changed the bar replaced the car
By then the lie had better shoes
And more ambition than the truth

I gave it dates and weather
A witness and a scar
You watched me build the ceiling
Then asked where the foundations are

I bought a secondhand alibi
Cheap enough to fit my life
It worked until you asked me twice
Now every version sounds like mine

I bought a secondhand alibi
With someone else’s reasons inside
The story held the timing died
Now every version sounds like mine

Mine on Monday
Mine by five
Mine when I need
Someone else to survive

The seller called at 2:13
Said “That excuse belongs to me”
I told him he could have it back
He laughed and said “You made it yours”

You poured your drink into the sink
Not angry almost entertained
You said “The worst part isn’t this
It’s how rehearsed you look in pain”

So here’s the part I didn’t buy
No clever date no useful guy
I stayed because I liked the risk
I left because you noticed it

No missing train no broken phone
No nameless friend to take the blame
I wanted two incompatible things
And called confusion by your name

I bought a secondhand alibi
Cheap enough to fit my life
It worked until you asked me why
Now every version sounds like mine

I bought a secondhand alibi
But guilt was never in the price
Keep the story keep the night
Every version sounds like mine

The truth was sitting in the car
Patient as an unpaid fare
I opened up the passenger door
It said “You took your time”

CREDITS
Performer: Romeo Vane
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Wake Up, Gary
Wrong Floor Cinema

Verified Verified Artist

Wrong Floor Cinema
Wrong Floor Cinema is a four-piece alternative rock band formed in 2025 by Orson Vell, Marlow Pin, Crispin Dayrate, and Niles Weatherby. The group came together through a series of badly organized rehearsal-room bookings, after repeatedly being assigned the same basement studio by mistake. They kept the name Wrong Floor Cinema because it matched their shared taste for overlooked places, awkward situations, and things that feel slightly out of sequence.

Their music blends sharp pop-punk guitars, dry spoken-sung vocals, clipped rhythms, melodic bass lines, and an offbeat sense of humor. Although their sound draws heavily from 1990s alternative rock, they avoid straightforward nostalgia, mixing that influence with modern production, restrained arrangements, and lyrics built around mundane frustrations, social discomfort, bad timing, and small personal disasters.

Orson handles vocals and rhythm guitar, Marlow plays lead guitar, Crispin plays bass, and Niles is on drums. Together, they have built a reputation for tightly controlled live performances that still feel unpredictable, balancing catchy melodies with deadpan delivery and a slightly detached stage presence. Wrong Floor Cinema sounds like a band that arrived late, entered through the wrong door, and decided to stay anyway.
Track(s)
Wake Up, Gary 60445 03:28
Never On The Line 32562 02:48
The Man Who Sold the Rain 33618 02:42

Wake Up, Gary

Wrong Floor Cinema


Gary’s got a corkboard on the bedroom wall
Red strings running from the big to the small
Says the moon’s a movie on a giant screen
“NASA hired Stanley back in ‘69” he’s keen

Won’t eat cereal with a barcode line
Reads expiration dates like secret signs
Says the pigeons blink in binary
Then whispers “Buddy… they’re watching me”

Every answer needs another question
Every fact becomes a new obsession

Wake up Gary what did you find?
Another secret hidden in your mind?
Lizard kings and laser skies
Birds with government eyes
Wake up Gary take a day off please
Not everything’s a global mystery
Maybe life is just… okay
But don’t tell Gary anyway

He says Elvis orders food at night
Bigfoot’s blurry on purpose right?
Paul was switched back in ‘64
“Look at the eyebrows!” — he’s got thirty more

Area Fifty-One’s a holiday camp
Atlantis powers every desk lamp
Chemtrails spell my middle name
And squirrels? “Yeah… they’re in the game”

Every headline proves his theory
Coffee makes him documentary

Wake up Gary what did you find?
Another secret hidden in your mind?
Lizard kings and laser skies
Birds with government eyes
Wake up Gary take a day off please
Not everything’s a global mystery
Maybe life is just… okay
But don’t tell Gary anyway

Yesterday he called at half past two
Said “I’ve got something huge for you!”
I held my breath… this must be big…

“They changed the shape… of Pringles lids”



He wasn’t joking

Wake up Gary what did you find?
Another rabbit hole to pass the time?
Flat Earth aliens secret files
He can talk for seventeen miles
Wake up Gary you’re one of a kind
You make conspiracy sound sublime
If the truth comes out one day
We’ll let Gary say “I told you mate!”

CREDITS
Performer: Wrong Floor Cinema
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Halfway Honest
Rowan Grey

Verified Verified Artist

Rowan Grey
Rowan Grey is an alternative R&B pop singer whose work resonates with emotional authenticity and sonic warmth. Known for his close-miked vocal style, Rowan's agile phrasing and subtle falsetto add layers of complexity to his music. His track "Halfway Honest" exemplifies his unique ability to weave together minimal Rhodes chords, rounded bass lines, and delicate nylon guitar details while incorporating subtle electronic textures that create a rich listening experience.

The themes of trust and honesty run deeply through Rowan's songwriting. He explores the bittersweet nature of relationships, balancing moments of vulnerability with hints of hopefulness amid sadness. Each track he releases invites listeners into an intimate space where they can reflect on their own experiences, making his music relatable and profound. The emotionally charged lyrics paired with minimalist production allow Rowan's voice to shine, creating a connection that lingers long after the music fades.

Collaborating with producer Hakan E., Rowan has carved out a distinctive sound marked by its lush instrumentation and poignant storytelling. His catalog, though still blossoming, reflects a commitment to crafting songs that speak to the human experience, engaging with feelings that are often left unspoken. As he continues to develop his artistry, Rowan Grey aims to leave an indelible mark on the independent music scene, inviting audiences to join him on this heartfelt exploration of life and love.
Track(s)
Halfway Honest 41235 02:57

Halfway Honest

Rowan Grey


I told you enough to calm your doubt
Left every harder detail out
Called it mercy called it care
But truth with holes is still unfair
You read my face before my words
Knew every answer had been curved
I kept the facts at arm's length
Then watched that distance take our strength

I cannot ask for trust again
Without admitting where I bent

I was halfway honest
That means halfway gone
I gave you selected pieces
Then asked you to hold on
I was halfway honest
You deserved the whole
No more careful versions
No more edited soul

I made excuses sound so clean
Kept my fault behind a screen
Said I wanted us to heal
While I hid what you could feel
You never asked for perfect proof
Only one complete hard truth
So here it is without defense
I broke our bond with half events

I cannot ask for trust again
Without admitting where I bent

I was halfway honest
That means halfway gone
I gave you selected pieces
Then asked you to hold on
I was halfway honest
You deserved the whole
No more careful versions
No more edited soul

If you leave I understand
If you stay I change my stand
Either way this much is true
I will not hide myself from you

I was halfway honest
That means halfway gone
I gave you selected pieces
Then asked you to hold on
I was halfway honest
You deserved the whole
Now you get the full truth
No more edited soul

CREDITS
Performer: Rowan Grey
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00
HOT TRACK

The Wrong Daughter
Billie Arden

Verified Verified Artist

Billie Arden
Billie Arden is an electrifying force in the modern dance-pop scene, hailing from Berlin, where her late-night writing sessions have breathed life into a catalog that pulsates with energy and emotion. With influences from funk and nu-disco, her music embodies a sleek, four-on-the-floor groove that promises to uplift spirits and get bodies moving. Tracks like "No Default Setting" showcase her confident vocal style—low and controlled in the verses, yet soaring and playful in the choruses—making each song feel like both a celebration and a personal manifesto. Through her polished production, which features tight rubbery basslines and glossy synth stabs, Arden crafts an infectious sound that captures the essence of joy and hope.

Exploring themes of authenticity and self-acceptance, Arden's lyrics reflect her determination to navigate a world that often seeks to confine individuality. While she embraces exuberance in her melodies, there's an undercurrent of defiance in tracks that challenge conventional norms and invite listeners to embrace their unique paths. Billie Arden's artistry extends beyond mere entertainment; it serves as an invitation to dance freely while celebrating one's true self, ensuring that each release resonates deeply with those seeking inspiration in both life and music.
Track(s)
The Wrong Daughter 231 03:39
No Default Setting 2592 03:50

The Wrong Daughter

Billie Arden


I left at seventeen before the bread was warm
took the blue suitcase nobody claimed
Mother stood polishing the same clean glass
Dad read the paper without turning a page

There was a woman’s name behind the pantry clock
written twice then crossed with a kitchen knife
I asked who she was
They asked why I was still awake

Huh

They said “You’ll understand when you’re older”
So I got older somewhere else

I was gone before the kettle sang
gone before they fixed their tale
Let them blame my age my temper
let them blame the morning train

I was gone gone gone—
they can call it running if they like
I didn’t leave because they hated me
I left because they knew me wrong

Years later a stranger stopped me near the docks
said “You walk exactly like she did”
I laughed and asked “Who?”
She looked at me as though I’d made a joke

Then she handed me a photograph:
my father younger one hand out of frame
and a girl with my uneven teeth
wearing the blue suitcase name tag

Huh Small world
Terrible handwriting

She said “Your mother tried her best”
I said “Which one?”

I was gone before the kettle sang
gone before they fixed their tale
Let them blame my age my temper
let them blame the morning train

I was gone gone gone—
they can call it running if they like
I didn’t leave because they hated me
I left because they knew me wrong

Maybe I was kept
Maybe I was traded
Maybe love gets very polite
when the truth is complicated

I never asked again

That keeps them nervous

I was gone before the kettle sang
gone before they fixed their tale
Let them polish every answer
I know where the story fails

I was gone gone gone—
huh they still insist I’m wild
I didn’t leave because I hated them
I left as someone else’s child

CREDITS
Performer: Billie Arden
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Better With Less
Eli Mercer

Verified Verified Artist

Eli Mercer
Eli Mercer is an acoustic soul-pop singer whose music resonates with warmth and emotional clarity. With a rich, clear voice that conveys both sincerity and introspection, Eli's style is defined by his fingerpicked guitar, soft upright piano, and delicate brushed drums. His song "Better With Less" encapsulates his artistic ethos, inviting listeners into a space where choosing simplicity and connection trumps the chaos of excess. Each element in his arrangements is thoughtfully restrained, allowing the depth of his lyrics to shine through in a way that feels both personal and relatable.

Thematically, Eli's work often revolves around the ideas of time, relationships, and grounding oneself in the present. His songs explore the importance of selecting people and experiences that enrich life, reflecting a mature perspective on what truly matters. This focus on emotional depth is balanced beautifully with melodies that evoke a sense of calm and hope, encouraging listeners to reflect on their own lives. His music creates an inviting atmosphere where one can contemplate the joys of living simply.

As he continues to develop his catalog, Eli Mercer stands out for his ability to blend genres such as pop, R&B, and soul into a cohesive sound that feels timeless yet contemporary. With each track, he invites us to join him on this journey towards gratitude and clarity. His vocal delivery is conversational yet powerful, leaving an impression that lingers well beyond the last note. Through his work, Eli fosters a connection with audiences seeking authenticity in a world often dominated by noise and distraction.
Track(s)
Better With Less 44774 03:32

Better With Less

Eli Mercer


I kept every receipt like proof
Bought more space then filled each room
Wore my plans like heavy clothes
Carried things I never chose
One by one I let them go
Found out what I need to know
A steady hand a faithful friend
A little time I do not spend

Nothing missing nothing owed
I can feel my shoulders let go

I am better with less
Better with air on my chest
Better with one true yes
Than a hundred maybes I regret
I was counting every prize
While the good passed by my eyes
Now I know what matters best
I am better better with less

I gave away that tailored coat
Kept one song my father wrote
Took old numbers from my phone
Made this smaller place my own
No gold frame can hold a day
No new car can make love stay
I choose people I choose time
I choose a life that still feels mine

Nothing missing nothing owed
I can feel my shoulders let go

I am better with less
Better with air on my chest
Better with one true yes
Than a hundred maybes I regret
I was counting every prize
While the good passed by my eyes
Now I know what matters best
I am better better with less

Keep the rush keep the race
I found freedom with some space
Every burden I release
Leaves more room for what I need

I am better with less
Better with air on my chest
Better with one true yes
Than a hundred maybes I regret
I was counting every prize
While the good passed by my eyes
Now I know what matters best
I am better better with less

CREDITS
Performer: Eli Mercer
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Desert Frequency
Alia Bergen

Verified Verified Artist

Alia Bergen
Alia Bergen, an emerging name in the vibrant dance music scene of Amsterdam, weaves together elements of house and electronic with a distinctly intimate touch. With her warm analog bass lines and punchy kick patterns, Alia invites listeners into her sonic world, where airy vocals dance over lush stereo pads and subtle piano stabs create an enveloping atmosphere. Her latest track, "Desert Frequency," embodies this spirit, coupling hopeful and playful themes with evolving textures that pulse with life. The organic darbuka grooves layered beneath modern house rhythms add a unique rhythmic complexity that sets her apart.

Hailing from a background steeped in musical exploration, Alia began her journey by collaborating with local musicians who shared her passion for combining traditional sounds with contemporary beats. Their initial meetings at open mic nights sparked a creative partnership that would lead to the formation of her solo project. Each track in her catalog, including future releases poised to build on the success of "Desert Frequency," explores themes of connection and intimacy, often capturing fleeting moments with poetic lyricism that resonates deeply with her audience.

In Alia's music, every sound serves a purpose—whether it's the shimmering plucks that evoke a sense of wonder or the playful slaps that drive the energy forward. Her ability to blend sensuality with inspiration creates an inviting landscape for listeners, making them feel as if they are part of an unfolding narrative. As she continues to develop her craft and refine her artistic identity, Alia Bergen remains committed to producing tracks that inspire joy and connection through rhythm and melody.
Track(s)
Desert Frequency 33150 03:52

Desert Frequency

Alia Bergen


Glass on the shoreline
Silver on skin
The night keeps folding
As the rhythm pulls us in
Every street is breathing slower
Windows shimmer then disappear
You don't have to say forever
You're already here
One more step
One more spark
One more pulse across the dark

No destination
Only motion
Floating where the bass begins

Higher
Take me where the skyline bends
Higher
Nothing has to make sense
We move
Like the tide beneath the light
Higher
Till tomorrow loses sight

Dust rises softly
Under every heel
Ancient echoes
Wrapped in something new and real
Hands cut circles through the silence
Every heartbeat shifts its place
No one owns this second
No one leaves a trace
The air keeps turning
Round and round
Every shadow finds a sound

No gravity
No history
Just the rhythm underneath
We don't chase the sunrise
We become the color
One breath
One horizon
Nothing louder

Higher
Lift the night above the ground
Higher
Feel the silence singing loud
We move
Where the desert meets the sea
Higher
You and the frequency
Higher
Only the frequency

CREDITS
Performer: Alia Bergen
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Open Circuit
Mira Cade

Open Circuit

Mira Cade


I kept each feeling under glass
A private rule from years gone past
You saw the lock you did not push
You gave me room to choose enough

Now every reason feels too old
I want a life I do not hold
One honest move one steady start
A simple route from heart to heart

Open circuit let it run
No more hiding what we want
Every signal coming clear
I choose trust I choose you here
Open circuit no disguise
Read the answer from my eyes
We can let connection start
One direct route heart to heart

You kept your plans behind a grin
Afraid that I would not step near
But caution only served the past
We have a chance to make this last

Now every reason feels too old
We want a life we do not hold
One honest move one steady start
A simple route from heart to heart

Open circuit let it run
No more hiding what we want
Every signal coming clear
I choose trust I choose you here
Open circuit no disguise
Read the answer from my eyes
We can let connection start
One direct route heart to heart

No locked reply no coded test
We say the need and give our best
If fear returns we name it fast
Then choose what matters choose what lasts

Open circuit let it run
No more hiding what we want
Every signal coming clear
I choose trust I choose you here
Open circuit no disguise
Read the answer from my eyes
We can let connection start
One direct route heart to heart

CREDITS
Performer: Mira Cade
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Almost Beautiful
Sand Castle of Ma

Verified Verified Artist

Sand Castle of Ma
Sand Castle of Ma is a vibrant four-member indie rock band hailing from the lush landscapes of Seattle. The group, consisting of the charismatic vocalist Eli Stratton, guitarist Finn Mercer, bassist Leo Keene, and drummer Jasper Quinn, formed in a local coffee shop where they bonded over their mutual love for music and the arts. With their diverse backgrounds and experiences, each member brings a unique flavor to the band’s collective sound, creating a harmonious blend that resonates deeply with listeners.

The band’s debut track, "Almost Beautiful," captures the essence of their style—an exploration of the complexities of beauty and imperfection. Drawing on themes of introspection and emotional depth, Sand Castle of Ma weaves together melodic guitar lines with earnest lyrics that invite listeners to reflect on their own experiences. Their sound artfully combines influences from classic rock and contemporary indie styles, allowing them to carve out a niche that feels both fresh and familiar.

As they continue to evolve, Sand Castle of Ma aims to expand their catalog with more tracks that reflect their evolving identity. The chemistry among Eli, Finn, Leo, and Jasper fuels their creativity, promising an exciting future filled with dynamic performances and heartfelt music. With a growing fanbase and a distinctive sound, they are quickly becoming a notable presence on the indie rock scene.
Track(s)
Almost Beautiful 60431 04:44

Almost Beautiful

Sand Castle of Ma


Yeah
Almost beautiful

You left your shadow
On the passenger side
Like a quiet ending
At a red street light

I kept the moment
But I lost the weight
Of waiting for something
That was already late

Now days feel lighter
When the hope runs out
I hear my own voice
A little less loud

And I don’t hate you
That takes too much room
I just stopped turning
The sky into you

Maybe we were young
Maybe we were tired
Maybe love got lost
Somewhere in the wires

I don’t need a reason
I don’t need a sign
I just need tonight
To feel like mine

It was almost beautiful
Almost good enough
Almost like a movie
Almost like love

We were almost honest
Almost made it through
Almost had forever
Then forever moved

And I’m not broken
I’m just new
It was almost beautiful
Losing you

Oh-oh
Almost beautiful
Oh-oh
Almost beautiful

I saw your name
On a screen last night
It didn’t hurt me
Like I thought it might

Just a small old feeling
Passing through
Like a song from a car
That never stops for you

I walked for hours
Under changing signs
No big confession
No perfect line

Just a quiet freedom
I never planned
Like letting go
Without using my hands

Maybe we were close
Maybe we were blind
Maybe love looks better
From the other side

I don’t need an answer
I don’t need a fight
I just need my heart
To sleep tonight

It was almost beautiful
Almost good enough
Almost like a movie
Almost like love

We were almost honest
Almost made it through
Almost had forever
Then forever moved

And I’m not broken
I’m just new
It was almost beautiful
Losing you

I won’t call it wasted
I won’t call it wrong
Some people are chapters
That read too long

I won’t make you guilty
I won’t make me small
We were almost something
And that’s something after all

Almost beautiful
Almost true
Almost everything
I wanted with you

Almost beautiful
Almost gone
I can still remember
But I can move on

It was almost beautiful
Almost good enough
Almost like a movie
Almost like love

We were almost honest
Almost made it through
Almost had forever
Then forever moved

And I’m not broken
I’m just new
It was almost beautiful
Losing you

Oh-oh
Almost beautiful
Oh-oh
Almost beautiful

Mm
Almost beautiful
Losing you

CREDITS
Performer: Sand Castle of Ma
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Summer Fling
Solomon Dupree

Verified Verified Artist

Solomon Dupree
Meet Solomon Dupree, the dance sensation from Chicago shaking the Windy City with his electrifying beats. This independent artist with a contagious ‘happy’ vibe and enough swagger to spare, has a knack for turning even the gloomiest days gleaming.

Born and raised in the soulful echoes of Chicago's music scene, Solomon fell hard for the rhythm of his city. His music, an infectious blend of classic Chicago house meets modern dance pop, has a charisma that few can resist. His undeniable talent is like the Sears Tower standing tall among clusters of hut-sized talents, dominating the skyline of Chicago's indie dance scene.

His standout track "Summer Fling" brings to mind the magic of a Lake Michigan shoreline party, awash with the peach-pink hues of a Midwestern sunset. Just like the city's legendary deep-dish pizza, Solomon serves up consistent layers of rich, flavourful beats, with a prioritization on taste and quality that gives his music that extra sizzle.

Dupree's journey has been like the 'L' train, an exhilarating ride with ups, downs, and scenic views, leaving passengers (or in this case, listeners) with a joyride of memorable moments. One thing's for certain – when it comes to the dance scene in the City of Big Shoulders, Solomon Dupree is a name you simply can't miss. All aboard the Dupree express for a non-stop dance explosion!
Track(s)
Summer Fling 50425 02:48

Summer Fling

Solomon Dupree


We got a little time
Let's burn a little more
Soakin' in the sunshine
In love with the shore
And when the night falls
I get a little bored
I think of you

In a sundress (Ooh)
Dancin' with the moonlight (Ah)
Can't get enough
Let's fall in love

We're all just a summer fling
Who cares if it ends?
We're here for the ride
One last goodbye
Mm-mm
We're all just a summer fling
And even when it ends
We're here for the ride
One last goodbye
Mm-mm

Ooh
Ooh

We're all just a summer fling
Who cares if it ends?
We're here for the ride
One last goodbye
Mm-mm
We're all just a summer fling
And even when it ends
We're here for the ride
One last goodbye
Mm-mm

Ooh
Ooh

CREDITS
Performer: Solomon Dupree
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00
HOT TRACK

Il Punto Piu Vivo
Milo Sartini

Verified Verified Artist

Milo Sartini
Milo Sartini grew up near Italy’s Adriatic coast in a family where meals regularly became debates and kitchen utensils often became percussion instruments. That lively upbringing shaped an artist drawn to movement, language and the small absurdities of everyday life. His music combines quick-witted Italian storytelling with muscular funk bass, Mediterranean percussion and contemporary pop production.

Sartini studied cultural anthropology at the University of Bologna, focusing on music, public space and the rituals that bring strangers together. He later trained in contemporary composition, arrangement and studio production at a private music institute in Milan. His academic background still informs his work: every rhythm has a social purpose, every instrument enters for a reason, and humour is treated as seriously as melody.

His debut single, “Il Punto Più Vivo,” introduces Sartini as a singer, producer and observant narrator with an instinct for turning ordinary scenes into kinetic music. His delivery moves naturally between singing and rhythmic speech, supported by precise percussion, brass accents and tightly controlled electronic production. Intelligent without becoming academic and playful without becoming novelty, Milo Sartini makes pop music that notices how people actually live.
Track(s)
Il Punto Piu Vivo 865 04:08

Il Punto Piu Vivo

Milo Sartini


Uno viene dal porto
Uno scende dal tram
Una ride da sola
Uno non sa dove va

Ma il tamburo li chiama
Senza chiedere chi sei
Questa sera la strada
Ha più nomi di noi

C’è chi arriva con tre parole
Chi ne porta tremila
Chi cucina sopra un balcone
Chi ripara una bicicletta

C’è una radio dietro una porta
Che trasmette da chissà dove
Una nonna detta la danza
A una banda di ventenni

Il tassista perde il turno
Per seguire quel contrabbasso
Un bambino batte il tempo
Con due cucchiai sopra un piatto

Nessun palco nessun padrone
Nessun posto riservato
Quando il ritmo prende la piazza
Ogni nome viene chiamato

Vieni qua
Non serve sapere perché
Vieni qua
Porta soltanto quello che c’è

Questo è il punto più vivo
Dove tutto fa tum tum
Dove il nord incontra il sud
E nessuno resta più

Questo è il punto più vivo
Mani in alto giù di nuovo
Se la terra gira ancora
Questa notte gira con noi

Tum tum gira con noi
Tum tum gira con noi
Ogni lingua cambia il suono
Ma il battito dice: noi

Una cuoca lascia il grembiule
Per un passo mezzo sbagliato
Un avvocato molto serio
Fa qualcosa mai studiato

Due turisti senza mappa
Hanno perso la prudenza
Una coppia che litigava
Ora balla la stessa frase

C’è chi viene per curiosare
Chi domani deve partire
Chi ha promesso “solo un minuto”
Ed è ancora qui alle tre

Non importa da quale tavolo
Da quale treno o quartiere
Siamo pezzi senza istruzioni
Che funzionano tutti insieme

Vieni qua
Non devi assomigliare a me
Vieni qua
Porta il tuo modo di stare in piedi

Questo è il punto più vivo
Dove tutto fa tum tum
Dove il nord incontra il sud
E nessuno resta più

Questo è il punto più vivo
Mani in alto giù di nuovo
Se la terra gira ancora
Questa notte gira con noi

Tum tum gira con noi
Tum tum gira con noi
Ogni lingua cambia il suono
Ma il battito dice: noi

Dimmi come batti il tempo
Con il palmo o con il mento
Con le scarpe sul cemento
Con un fiato preso al volo

Uno due — non basta ancora
Tre quattro — viene l’aurora
Cinque sei — cambia la storia
Sette miliardi nella stessa gola

Io dico: vicino
Tutti: più vicino

Io dico: più forte
Tutti: fino al mattino

Io dico: chi siamo?
Tutti: quelli che arrivano

Io dico: dove siamo?
Tutti: dove le cose cominciano

Questo è il punto più vivo
Dove tutto fa tum tum
Dove il nord incontra il sud
E nessuno resta più

Questo è il punto più vivo
Ogni passo trova il modo
Se la terra gira ancora
Questa notte gira con noi

Tum tum gira con noi
Tum tum gira con noi
Non c’è un centro sulla carta
Il centro siamo noi

Uno torna verso il porto
Uno aspetta ancora il tram
La mattina prende nota
Di chi non si fermerà

Tum tum
Il centro siamo noi
Tum tum
Il centro siamo noi

CREDITS
Performer: Milo Sartini
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Bad At Fractions
Ayvenn

Verified Verified Artist

Ayvenn
Ayvenn was born and raised in Clearwater Heights, a quiet hillside town in Georgia where music wasn’t just background noise — it was how people coped, celebrated, and remembered. From Sunday gospel choirs to late-night Latin radio, the sounds around him shaped a boy who rarely spoke, but always listened. In silence, he learned to interpret the world. And when he began writing lyrics, it wasn’t about performance — it was about decoding feelings he couldn’t name.

Fusing Pop and R&B with understated Latin textures, Ayvenn crafts music that feels more like film than formula. His voice is warm, restrained, and precise — a narrator of emotional undercurrents rather than explosions. Each track unfolds slowly, deliberately, like memories coming into focus. There’s clarity in his subtlety, weight in his pauses.

His breakout song, “All for One Y.” was born from an unexpected connection. Hakan E — the mind behind Filodyo, known for his instinct in spotting rare talent — reached out after hearing early demos from Ayvenn. He sent a short message and a concept: “This isn’t a love song. It’s a math problem.” That idea resonated deeply. To Ayvenn, the X’s weren’t just variables — they were past mistakes, unanswered questions, the people he couldn’t quite hold onto. And the “Y”? The reason he kept trying.

Ayvenn recorded the song in a single late-night session, layering vocals with surgical attention, pulling tension from silence, and shaping each detail until it echoed with something intimate and real. To Solve for Y isn’t just a debut — it’s an internal dialogue turned outward, crafted for anyone who’s ever tried to explain a feeling they didn’t fully understand.

Now, Ayvenn is building a sound that’s emotionally meticulous, sonically immersive, and unmistakably his own. Every track is a quiet revelation. Every heartbreak, every wrong turn — part of the formula. And somewhere, at the end of it, is the answer. Always her.
Track(s)
Bad At Fractions 23209 03:41
All for One Y. 364015 04:18

Bad At Fractions

Ayvenn


You walked in counting every step
I lost track somewhere near your hips
You said “Baby keep it logical”
Then moved like logic didn’t exist

My drink was ninety-nine percent
Cool confidence and one percent fear
You leaned in close changed every sum
Now nothing adds up over here

I tried to draw a straight line
You turned it to a curve
I calculated all night
Still got what I deserve

I’m bad at fractions when you’re dancing
You take half then take the rest
My heart keeps doing multiplication
Every time you move like that

One plus one should make it simple
But with you the rules collapse
I’m bad at fractions when you’re dancing
So take all of me—do the math
*(Do the math baby)*
Take all of me—do the math
*(Uno dos—bring it back)*

You got a rhythm like a riddle
Every answer starts a fight
Your waist keeps changing the percentage
Of the chances I act right

I brought a list of good decisions
You divided every plan
Now my balance is suspicious
And my patience left the band

I tried to keep it even
You raised it to a ten
I checked the calculation
Then did it all again

I’m bad at fractions when you’re dancing
You take half then take the rest
My heart keeps doing multiplication
Every time you move like that

One plus one should make it simple
But with you the rules collapse
I’m bad at fractions when you’re dancing
So take all of me—do the math
*(Do the math baby)*
Take all of me—do the math
*(Uno dos—bring it back)*

You say “How much?”
*(All of it)*
I say “Too much”
*(Not enough)*
You say “Count it”
I lose my place
When that rhythm hits the bass

You say “How much?”
*(All of it)*
I say “Too much”
*(Not enough)*
No remainder no return
Let the whole equation burn

Square root round hips
Quick clap slow kiss
I know numbers I know facts
But you make two plus two misbehave like that

Left turn three steps
No sleep no regrets
Every theory that I had
Falls apart when you do that

*(Ay ay—do that)*
*(Otra vez—do that)*

**[Final Chorus]**
I’m bad at fractions when you’re dancing
You take half then take the rest
My heart keeps doing multiplication
Every time you move like that

One plus one should make it simple
But with you the rules collapse
I’m bad at fractions when you’re dancing
So take all of me—do the math

*(Do the math baby)*
Take all of me—do the math
*(Uno dos—bring it back)*
No remainder no looking back
Take all of me—do the math

CREDITS
Performer: Ayvenn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2026 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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