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Stay Happy
Ocean Girls

Verified Verified Artist

Ocean Girls
Hailing from the sun-soaked shores of Miami, Ocean Girls are your new favorite indie-pop queens on the horizon. Drenched in sun, surf, and ceaseless cheer, their music is the audio equivalent of a ray of sunshine in what can sometimes be the storm of life.

Assuming their name from the very city they call home, these beach-town belles serve up chart-topping hits faster than a Florida diner slings hashbrowns. They've got the sass of the Spice Girls, the attitude of Madonna and just a pinch of Miami's own Gloria Estefan sizzling through each track. Ocean Girls have got a knack for taking even the most mundane moments, chucking them full of pizzazz, and dishing out feel-good anthems that simply command you to "Stay Happy."

Stick an Ocean Girls track on, and suddenly you're cruising down Ocean Drive, hair flapping in the breeze, and the somewhat distant memory of work drowned out by catchy choruses and sparkling melodies. These girls are more than just a band - they're a one-way ticket to a beach-front pop utopia where the vibe is always good, the beats are always flowing, and frowns are most certainly not allowed. When life hands you lemons, Ocean Girls hands you a margarita. Now, that's the kind of exchange rate we can get behind!
Track(s)
Stay Happy 4846 03:23
Feel It In The Air 968 02:20
Midnight Calls 1147 03:12
You And Me 811 03:43
Caution 540 02:04
You Should Hear 1193 04:41
We're Dancing Where The Rivers 683 02:25

Stay Happy

Ocean Girls


"do not be afraid this is NOT FM"
"you're on filodyo"

Sunshine shinin'
Put your hands in the sky (Ahh uh)
Put 'em high
Put 'em high
Put 'em high
Come on
And if you feelin' really good (Uh)
Somebody
Tell me what you do
Ooh

Say it loud I got joy in my soul
Feelin’ good yeah I’m in control
No rain gonna steal my light
I stay happy day and night

Hands up if you’re feelin’ this vibe
Smiles wide we’re all alive
Let the rhythm set you free
I stay happy — naturally

I got too much on my mind to let negativity (Oh no no)
Ooh
Take over me
Ah
Ooh
Uh
So I put my best foot forward (I put my best foot forward)
Ooh
Uh
Yeah
And I tell negativity (Uh) this here (Yeah)

Say it loud I got joy in my soul
Feelin’ good yeah I’m in control
No rain gonna steal my light
I stay happy day and night

Hands up if you’re feelin’ this vibe
Smiles wide we’re all alive
Let the rhythm set you free
I stay happy — naturally

Every morning I wake I don’t hit the snooze
Got a smile on my face I was born to choose
Joy over drama peace over pain
Dancin’ in the sunlight singin’ in the rain

I don’t need fame I don’t chase the clout
I just keep it real that’s what I’m about
No fake friends no bad vibes near
If the love ain't loud then I won’t hear

Grindin’ for my goals but I rest my soul
Gotta laugh out loud just to stay in control
From the lows to the highs I just ride that wave
Turn a Monday gray to a Saturday rave

Keep it movin’ with the rhythm of my own beat
Head high clean heart walkin’ on clean streets
Every little setback’s just part of the climb
Can’t dim my light man I’m born to shine

Yeah
Yeah
(Oo-yeah)
I feel so good
Oh
I feel so good
I feel so good
Yeah
I feel so good
I feel so good
Oh
I feel so good
I feel so good
Oh
I feel so good
I feel so good
Oh
I feel so good

Say it loud I got joy in my soul
Feelin’ good yeah I’m in control
No rain gonna steal my light
I stay happy day and night

Hands up if you’re feelin’ this vibe
Smiles wide we’re all alive
Let the rhythm set you free
I stay happy — naturally

CREDITS
Performer: Ocean Girls
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2025 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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What’s It Made Of?
LYA

Verified Verified Artist

LYA
“If it doesn’t ask questions, it’s not music.”

LYA (pronounced “Lie-uh”) is a genre-defying artist from Berlin whose roots stretch from conservatory string quartets to the depths of fog-drenched warehouse raves. A classically trained violinist who once performed Vivaldi at age nine, she left formal music behind in her early 20s to pursue something more fractured, more real. What emerged was a sound as delicate as it is defiant—where harpsichords coexist with 2-step beats, and questions matter more than answers.

Her music exists in a liminal zone: somewhere between dance and disassociation, pop and poetry, cathedral and club. LYA often weaves spoken-word passages into her songs, transforming internal monologues into melodic mantras. Vocals—sometimes her own, sometimes spliced and AI-shifted—glide over textured layers of cello, muted synths, and ambient distortion. Think: if Imogen Heap grew up listening to Burial and wrote haikus in code.

LYA’s debut EP “Syntax of Sleep” was a quiet cult success among insomniac circles on Bandcamp, praised for its “introspective maximalism.” Her live sets, often accompanied by generative visuals and interactive lighting that reacts to audience movement, blur the line between concert and hallucination. She isn’t afraid of silence, nor of noise. Both, to her, are forms of rhythm.

LYA doesn’t write songs to explain. She writes them to wonder. “What’s It Made Of?”—her latest single via notfm—isn’t just a title. It’s a dare. A whisper in the hallway between thoughts. A reminder that meaning isn’t always the point.
Track(s)
What’s It Made Of? 6838 02:36

What’s It Made Of?

LYA


Woke up in a sentence I don’t remember writing
(uhhh)
My name’s on the wall
but it’s spelled with a “Y” now
weird

I tried to fold the sunlight into thirds
but it keeps leaking through the creases
Like—
was that ever the point?
(Hey!)
Did we name the silence just to fill it?

A blue cup a red sock a key with no lock
Mom said dreams don’t rot
but I found mold on the corners of mine
(yeah uh-huh)

What’s it made of?
(Lie?)
What’s it made oooooof?
Is this glass or just slow ice?
(what’s the—yeah)
If I bite it will it crack or cry?
(Haha—cry?)
I asked the mirror but she blinked
Twice

My coat is full of exit signs
but none of them point north
I sleep in the hallway between thoughts—
and that’s fine
Or it was
(Was it?)

Someone keeps leaving me notes
in a handwriting I don't remember learning
“Simplify”
“Unwind”
“Don't trust the tulips”

What’s it made of?!
(don’t tell me it’s hope again)
What’s it maaaade of?!
If it’s love why’s it shaped like a chair leg?
If it’s truth
why does it taste like batteries?

Whoa whoa—
Don’t go there
Not now
(NOT NOW!)

CREDITS
Performer: LYA
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2025 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Static on the Line
Ryder James

Verified Verified Artist

Ryder James
Ryder James is a rising pop-soul artist whose warm vocals and timeless style bridge the gap between classic soul storytelling and modern pop production. With a voice that carries both grit and grace, he creates songs that feel instantly familiar yet refreshingly new.

His debut single, Static on the Line, is a captivating blend of heartfelt lyricism and smooth, groove-driven instrumentation. Produced by Filodyo and released exclusively on NOT FM, the track showcases Ryder’s ability to turn everyday moments into powerful musical narratives.

Raised on a steady diet of soul legends and contemporary pop innovators, Ryder brings authenticity and emotional depth to every performance. Static on the Line is more than just a song—it’s an introduction to an artist who is here to connect, move, and inspire listeners worldwide.
Track(s)
Static on the Line 43280 03:46

Static on the Line

Ryder James


Mmm… yeah
Turn it up

Found your note between the bills folded twice
Three crooked letters never said it nice
Kitchen radio is drifting off-time
Wrong station playing but it suits the night

I dial your number — hear a click then air
Flashing digits on the stove just stare
Every heartbeat in my chest misaligns
Still I’m listening for a sign

There’s static on the line but I still hear you fine
In broken little sparks we talk like power lines
If silence is a sign then prove me wrong tonight
Tune me in or cut me loose — there’s static on the line

City bus sighs at a midnight stop
Paperback angel at a corner shop
Borrowed coat hangs wide on my frame
Pockets full of change and a half-drawn name

Counting rail ties stepping over goodbyes
Copper on my tongue from unspoken replies
I hold my breath as if it might realign
What keeps crossing in my mind

There’s static on the line but I still hear you fine
In broken little sparks we talk like power lines
If silence is a sign then prove me wrong tonight
Tune me in or cut me loose — there’s static on the line

Maybe I’m a bent antenna in a storm I knew
Turn me just a single degree — I point back to you
If the signal fades and the bars go blind
Call me by the name you underlined

Line… line… static on the line
(Keep talking)
Line… line… static on the line

There’s static on the line but I still hear you fine
In broken little sparks we talk like power lines
If silence is a sign then prove me wrong tonight
Tune me in or cut me loose — there’s static on the line

Mmm… tune me in
Static on the line

CREDITS
Performer: Ryder James
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2025 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

The Only Good Julio...
Eli Varnish

Verified Verified Artist

Eli Varnish
Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.

That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.

Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.

Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.

The Only Good Julio I Ever Knew Was Don (They Never Meant It)

Eli Varnish


He said “brother” like it cost him nothin’
Smiled wide and stole my coat
Asked for time asked for money
Left me short and called it hope

The waitress said I had nice eyes
While stackin' bills that weren’t mine
The preacher swore we’d all be saved
But his watch was gold and mine was fake

They never meant it
Not the cheers not the names
All them kind words
Were just poker games
But I knew a man once—
Did what he said he’d do
The only good Julio I ever knew
Was Don

The boss shook hands with dirty gloves
Said “You're family” then raised the flood
And mama prayed through gritted teeth
While sellin' things we couldn't eat

They never meant it
All that “brother” all that “son”
They toast your wins
Then load their guns
But I knew a man once—
Quiet as a Sunday pew
The only good Julio I ever knew
Was Don

They’ll write your name on birthday cake
And scratch it off the will
They’ll hug you at the front door
While makin’ copies of the deed still

They never meant it
It was polish on a stone
But that old man with the cracked hat
Said “take your time or take it alone”
I knew a man once—
Didn’t lie to get through
The only good Julio I ever knew
Was Don

CREDITS
Performer: Eli Varnish
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2025 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Flip That City
Minerva Sound

Verified Verified Artist

Minerva Sound
Minerva Sound is a five-piece from Bristol, UK, blending glossy disco-pop, neo-soul harmonies, and tight live grooves. The lineup: Malik Rhodes (lead vocal), Tyrone Ellis (vocal/MC), Owen Calder (guitar/bass), Emily Price (vocal/keys), and producer Felix Dunn (drum machines, synths, arrangements). Born out of late-night jam sessions and warehouse sets, they forged a sound that marries hook-heavy choruses with rhythmic precision and rich vocal stacks.

Their debut single, “Flip That City,” captures the group’s signature pulse: rubbery bass, syncopated organ stabs, hand-clap drive, and call-and-response vocals that snap into a euphoric refrain. Lyrically, it zooms in on urban momentum—small choices, quick turns, and the thrill of switching lanes—delivered with swagger and a live-band spark.

Available exclusively on Filodyo, Minerva Sound is poised to turn venues into dance floors across the UK and beyond—one chorus, one groove, one flipped skyline at a time.
Track(s)
Flip That City 36985 03:05

Flip That City

Minerva Sound


Flip it flip it come alive
Turn the dial feel the vibe
City’s pulse jumping high
We don’t stop—we multiply

Smoke in the air bass hits the ground
Feet in the crowd hearts pound around
Spotlight flicks beat rides the sound
Hands in the air lost then found

Shout with me let the rhythm ride
No more still—in this groove we hide
Flip the night on its neon edge
On our mark—pledge to the ledge

Flip that city flip it higher (Hey!)
Flip that city beat the fire (Hey!)
Flip that city where we belong (Yeah!)
Flip that city dance along (Yeah!)

Streetlight jumps when the bass drops low
Crowd moves as the speakers blow
Every step locks into sky-high flow
One more wave—ready set go

Shout with me let the rhythm ride
No more still—in this groove we hide
Flip the night on its neon edge
On our mark—pledge to the ledge

Flip that city flip it higher (Hey!)
Flip that city beat the fire (Hey!)
Flip that city where we belong (Yeah!)
Flip that city dance along (Yeah!)

Flip it—turn around
Flip it—sound the ground
Flip it—up the heat
Flip it—feel the beat

Flip that city flip it higher (Hey!)
Flip that city beat the fire (Hey!)
Flip that city where we belong (Yeah!)
Flip that city dance along (Yeah!)

CREDITS
Performer: Minerva Sound
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2025 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

You Left Your Name ...
Wade Hollis

Verified Verified Artist

Wade Hollis
Wade Hollis doesn’t chase the spotlight — he moves through the world like a shadow at dusk, quietly carving songs out of silence and sand. Born somewhere between the border towns of New Mexico and West Texas, he grew up surrounded by static-filled radio, motel ceilings, and the hum of distant freight trains.

His voice is weathered, like desert wood — raw, honest, and unpolished. Every lyric he writes feels like a road he’s driven a hundred times and still doesn’t fully understand. There’s no big team behind him, no hometown hero narrative. Just a guitar, a gravel road, and the ache of never quite belonging.

Hollis doesn’t stream anywhere else. His music lives exclusively on Filodyo and NOT FM, like postcards from a place most people drive past but never stop to feel. If you’ve ever stared out of a car window at 2 a.m. and felt both free and completely lost — you’ve already heard Wade Hollis, whether you knew it or not.
Track(s)
You Left Your Name Open 54079 04:24
Lonely on the Road 30234 04:23

You Left Your Name Open

Wade Hollis


You never closed the salt jar tight
Your chair still leans to the left
The spoon you used is upside down
Like it forgot your breath

The balcony plant asks less light now
The floor knows where you stood
My shirts all hang a little wrong
Like fabric understood

You left your name open—
In the drawer in the rug in the swing
It creaks your rhythm
Not a ghost—just a string
You left your name open—
And it hums when I cook when I think
It’s not heartbreak
It’s ink

The fruit went soft before I ate
I saved it like a dare
The faucet sings in your old tone
Like grief pretending care

You left your name open—
Not screaming not lost not loud
Just tucked in sounds
That don’t need a crowd
You left your name open—
No frames no shrine no drink
Just weightless
But it sinks

I live around you
Like pages live around a word
Not erased
Just blurred

CREDITS
Performer: Wade Hollis
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2025 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Riddim of Peace
Dreadlock Boys

Verified Verified Artist

Dreadlock Boys
Scoot over, Marley, there’s a new reggae sheriff in town. Straight from the sunny sidewalks of Kingston, Jamaica, the Dreadlock Boys are laying down fresh beats in the reggae scene.

This pair of plaited prodigies isn't your grandma's reggae. Combining traditional roots rhythms with just a hint of ska spice and a not-so-subtle sprinkle of dancehall energy, these boys aren't just playing by the book – they’re writing their own. And don't let that laid-back island vibe fool you; these guys are as serious about making you laugh as they are about perfecting the offbeat.

Their standout single "Riddim of Peace" might just be the happiest jam this side of Montego Bay. With its earworm melody and bouncy bassline, it’s as infectious as a belly laugh in a silent library. It's the kind of track that leaves the grumpiest of gurners grinning like a Cheshire cat at an all-you-can-eat fish buffet.

So come, sit, and sway to the soothing sounds of the Dreadlock Boys. They'll be your pint-sized purveyors of peace, your lyrical lifesavers when the going gets tough. After all, joy does come in the morning and the Dreadlock Boys are here to serve it up with a side of reggae, none of those nasty grimaces, thank you very much.
Track(s)
Riddim of Peace 10996 02:50

Riddim of Peace

Dreadlock Boys



Yah man mi wake up wid di sun pon mi face
One cup a tea an’ a likkle embrace
No rush no run we tek tings slow
Peace inna di heart mek di good vibes flow

Call up di crew from down di lane
Laugh and chat no room fi pain
Every likkle yout’ every likkle gyal
We jam together like one big pal

Dance fi di love move fi di light
Raise up ya hand if ya feelin’ right
No need fi gun we a blaze di tune
Singin’ fi peace under di mango moon

Bredda sistren bring ya soul
One riddim mek di broken whole
Shake off di stress fling ‘way di fear
Jah voice a whisperin’ inna we ear

Skank pon di corner joy in di beat
Barefoot jammin’ in di midday heat
Tell Babylon: we nah go low
We buildin’ love like a riverside flow

[Outro - Spoken Word Style]
So light up di hope let it blaze like fire
One world one song one higher desire
Peace nuh just a dream it a ting we live
With every dance step we learn fi forgive

CREDITS
Performer: Dreadlock Boys
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2025 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Paper Moons
Dora Corr

Verified Verified Artist

Dora Corr
Dora Corr is an EDM vocalist and songwriter born and raised in Dublin, Ireland. Before her debut single, she worked at a small, weathered music shop tucked away in Rathmines — a place where synths came in half-broken and left humming again, usually thanks to her.

By day, she tuned old keyboards and restocked trance CDs. By night, she recorded vocal sketches on her cracked laptop, blending soft-spoken Irish melancholy with pulsing beats she never planned to share.

That changed in early 2025, when renowned electronic producer Mark Martian visited Dublin for a creative summit. While killing time between panels, he wandered into Dora’s shop — and found her quietly looping vocal takes in the back room.

Struck by the raw emotion and unusual cadence of her sound, Mark simply asked, “Have you ever thought about making something bigger?” She shrugged. “Not really. But I’d like to.” Energized, Mark immediately called Hakan E., the creative force behind Filodyo.

“I just found someone. We need to get into a studio, fast,” he said. Intrigued, Hakan asked to hear her demos. Mark sent over a few scratch recordings that same night.

Within days, Dora was in a temporary studio above the River Liffey, recording "Paper Moon" — a haunting, minimalist debut that floats somewhere between whispered confession and late-night dance floor, co-produced by Mark Martian for a new Filodyo project.

Dora Corr isn’t chasing pop formulas or peak-hour builds. She’s carving a lane where fragility can still make you move — and where “na na na na” says more than a chorus ever could.
Track(s)
Paper Moons 56345 04:02

Paper Moons

Dora Corr


You left your coat I kept the thread
It hums like static in my head

I folded time in a paper cup
Sipped your voice till the world shut up
You never said stay but you looked like wait
And I built an echo from that mistake

I don’t call it love — it’s too well-behaved
This is something the maps misplace

Na na na na — na-na na-na-na
Na na na — na-na-na-na
Na na na na — na-na-na-naaa
Na na na na — naaaa

You hum in keys no piano dares
I lose my name climbing up your stairs
Your silence flickers it writes in loops
Still I read it like sacred proof

I won’t label this — it won’t stay still
It moves like weather talks in quills

Na na na na — na-na na-na-na
Na na na — na-na-na-na
Na na na na — na-na-na-naaa
Na na na na — naaaa

You said “don’t read me I’m not that deep”
But I saw planets in your sleep
I don’t need stars I don’t need maps
Just that hum between the gaps

Na na na na — na-na na-na-na
Na na na — na-na-na-na
Na na na na — na-na-na-naaa
Na na na na — naaaa

I let you vanish but not the hum
Some chords don’t end — they just become

CREDITS
Performer: Dora Corr
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2025 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Oh, Back Then
The Blackouts

Verified Verified Artist

The Blackouts
Meet The Blackouts: a vibrant rock quartet, hailing from America's city of all-nighters – Las Vegas. Armed with hopeful melodies and a thumping backbeat, they're your personal cheerleaders in the game of life.

Made up of charismatic front-man, Johnny "Nightlife" O'Reilly, dynamite drummer Tommy "Percussion" Knox, maverick bassist Ricky "Heartbeat" Steele and fiery guitarist Jimmy "Riffmaster" Adams, The Blackouts have been belting out rock anthems in the spirit of the 80s, but with a refreshing 21st century twist. O'Reilly's vocals may reminisce of a neon-tinted past but trust us, they've got their boots firmly planted in today's grit.

Their anthem, "Oh, Back Then" epitomizes their message — a nostalgia-infused ballad that somehow makes you want to throw back a shot of hope with a chaser of rock rebellion. When you're feeling low, The Blackouts are the human equivalent of the Vegas Strip: colorful, loud, and almost annoyingly optimistic.

Under contract with Filodyo, they're potentially the smallest act to ever hold residency in shopping mall speaker systems nationwide. But hey, if The Blackouts can make your grocery run feel like a concert, they're doing something right. Here's to them, turning life's mundane moments into a cause for celebration. Rock on!
Track(s)
Oh, Back Then 6849 03:26

Oh, Back Then

The Blackouts


She had a laugh that could light up the skies
Back when we lived with the fire in our eyes
Shoes full of dust but we ran like kings
Chasing the wind and impossible things

We'd stay up late just to paint the air
Hearts so loud we could dance anywhere
No fear of fallin’ no fear of time
We thought the world was already mine

Oh back then…
We flew we burned we never looked behind
Oh back then…
Our youth was loud unplanned and undefined
Oh back then…
The nights were gold and we never saw the end
But time don’t rewind…
Like we did back then

Torn-up jeans and cassette songs
We never cared if the words were wrong
Every moment was a spark to hold
Even the silence was bright and bold

Oh back then…
We flew we burned we never looked behind
Oh back then…
Our youth was loud unplanned and undefined
Oh back then…
The nights were gold and we never saw the end
But time don’t rewind…
Like we did back then

CREDITS
Performer: The Blackouts
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2025 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

All for One Y.
Ayvenn

Verified Verified Artist

Ayvenn
Ayvenn was born and raised in Clearwater Heights, a quiet hillside town in Georgia where music wasn’t just background noise — it was how people coped, celebrated, and remembered. From Sunday gospel choirs to late-night Latin radio, the sounds around him shaped a boy who rarely spoke, but always listened. In silence, he learned to interpret the world. And when he began writing lyrics, it wasn’t about performance — it was about decoding feelings he couldn’t name.

Fusing Pop and R&B with understated Latin textures, Ayvenn crafts music that feels more like film than formula. His voice is warm, restrained, and precise — a narrator of emotional undercurrents rather than explosions. Each track unfolds slowly, deliberately, like memories coming into focus. There’s clarity in his subtlety, weight in his pauses.

His breakout song, “All for One Y.” was born from an unexpected connection. Hakan E — the mind behind Filodyo, known for his instinct in spotting rare talent — reached out after hearing early demos from Ayvenn. He sent a short message and a concept: “This isn’t a love song. It’s a math problem.” That idea resonated deeply. To Ayvenn, the X’s weren’t just variables — they were past mistakes, unanswered questions, the people he couldn’t quite hold onto. And the “Y”? The reason he kept trying.

Ayvenn recorded the song in a single late-night session, layering vocals with surgical attention, pulling tension from silence, and shaping each detail until it echoed with something intimate and real. To Solve for Y isn’t just a debut — it’s an internal dialogue turned outward, crafted for anyone who’s ever tried to explain a feeling they didn’t fully understand.

Now, Ayvenn is building a sound that’s emotionally meticulous, sonically immersive, and unmistakably his own. Every track is a quiet revelation. Every heartbreak, every wrong turn — part of the formula. And somewhere, at the end of it, is the answer. Always her.
Track(s)
All for One Y. 18777 04:18

All for One Y.

Ayvenn


Uuuh
Aaaa
I had the chalk I had the board
Thought I knew what I was fighting for

I mapped it out like a perfect line
Variables dancing in my mind
Tried to graph where you might be
But love don’t fit no geometry

Slopes and curves they lied to me
No formula for what you see
You’re that value off the grid
And I solved what no one ever did

Every X I tried to crack
Led me closer no way back
Thought I had it all misread
But you were waiting up ahead

You don’t know how many Xs I had to break
To get one inch closer to Y (uh-huh)
I carried numbers like they were names
Till the moment you met my eye (ooooh)
It’s a mess of signs and endless tries
But now your logic redefines (yeaaah)
You don’t know how many Xs I had to face
Just to solve for a single Y

(Uuh uuh — that single Y)
(Aaah all those Xs I tried)

Circle back erase the trace
You’re the answer that now holds its place
I tried dividing all the pain
But you were constant in the rain

Was it sine or just a sign?
You curved in at the perfect time
I drew a heart inside the square
And this time you were really there

I factored in the nights alone
Calculated love unknown
But this equation found its truth
When all the numbers pointed to you

I reduced and simplified
You multiplied what’s deep inside
Left the questions in the dust
Now the formula is us

You don’t know how many Xs I had to break
To find the one and only Y (yeah yeah)
I carried numbers like they were names
But you gave meaning to the why (no no)
It’s a mess of signs and endless tries
Now it all aligns no need to lie (uh-huh)
You don’t know how many Xs I had to face
Just to solve for a single Y

(Uuh that final Y)
(Aaaah no more Xs I…)

Maybe you were undefined
In the limits of my mind
An asymptote I chased in vain
Till you stood right in the frame

You don’t know how many Xs I had to break
To stand here holding onto Y
I carried numbers like they were weights
But now the answer meets the sky
The signs were loud the tries were wild
But now I see the reason why
You don’t know how many Xs I had to face
Just to know that Y was you

(Uuh you’re my Y)
(Aaaah it’s always been you)

So I drop the pen the work is done
You were the proof the only one
No more math no more try
You’re my answer — you’re my Y

CREDITS
Performer: Ayvenn
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2025 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Turn It Over
Cold Empires

Verified Verified Artist

Cold Empires
Cold Empires is a high-energy trio from London whose music fuses hip-hop bravado with EDM’s explosive power. The group is made up of rapper Jamal Rivers, lyricist/MC Ethan Cole, and powerhouse vocalist Sienna Brooks. Together, they bring an unstoppable mix of raw verses, soaring hooks, and chant-driven crowd anthems designed for the biggest stages.

Jamal grew up in Brixton, raised on a steady diet of UK grime and American hip-hop, perfecting his rapid-fire delivery in underground battles. Ethan, born in Manchester, came from a background in electronic production, cutting his teeth as a DJ before stepping forward as both a writer and performer. Sienna, the daughter of a jazz pianist from Brighton, grew up singing gospel and soul before embracing the adrenaline of modern pop performance.

The trio met during a festival workshop in Ibiza, instantly recognizing their shared obsession with blending rap, electronic drops, and big-room hooks. Their debut single, Turn It Over, is the result: a bold, festival-ready anthem built for dance floors, packed with call-and-response energy, pounding kicks, and chant-style hooks that keep the crowd locked in.

Available exclusively on Filodyo and NOT FM, Cold Empires are carving out their own lane—one that thrives on intensity, collaboration, and the unstoppable spirit of the party.
Track(s)
Turn It Over 29934 02:35

Turn It Over

Cold Empires


Yeah!
Turn it over turn it over now!
Uh-huh!
Let’s go!

Runnin’ through the blocks got my heartbeat kickin’
Steel on my feet and the wheels keep spinnin’
Bass in my chest like a downtown riot
Hands in the air if you just can’t fight it

Skyscraper bounce in the middle of the lane
Every light flashin’ can’t stay the same
Heat in the air yeah the night’s our stage
Flip it one more time let’s break that cage

Turn it over! (Hey!)
Spin it ‘round now! (Hey!)
Turn it over! (Hey!)
Never slow down! (Hey!)
We keep movin’ we keep burnin’
Ride that beat the city’s turnin’
Turn it over! (Hey!)
Never slow down! (Hey!)

Jump to the left now slide to the right
We don’t wait for the day we ignite the night
Steam on the glass when the crowd gets near
Every move we make yeah the world can hear

We’re wired up loud with the floor still shakin’
No pause button no chance we’re takin’
Hands to the roof keep the vibe on fire
Drop it one more time lift it even higher

Turn it over! (Hey!)
Spin it ‘round now! (Hey!)
Turn it over! (Hey!)
Never slow down! (Hey!)
We keep movin’ we keep burnin’
Ride that beat the city’s turnin’
Turn it over! (Hey!)
Never slow down! (Hey!)

Push it forward!
Push it higher!
Can’t hold back!
Feel that fire!
Break it flip it!
Don’t stop yet!
We’re not done — it’s not over yet!

Turn it over! (Hey!)
Spin it ‘round now! (Hey!)
Turn it over! (Hey!)
Never slow down! (Hey!)
We keep movin’ we keep burnin’
Ride that beat the city’s turnin’
Turn it over! (Hey!)
Never slow down! (Hey!)

CREDITS
Performer: Cold Empires
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2025 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

My Dreaming Life
Manon Vallois

Verified Verified Artist

Manon Vallois
Where Parisian glamour meets electro-pop dance diva, you'll find the enchanting artist, Manon Vallois. Traipsing down a yellow brick road of pulsing beats and bold impressions, Vallois' irresistible tunes are the epitome of joy and joie de vivre.

This delightful, quirky Parisienne is the lovechild of the City of Love's rich artistry and throbbing nightlife, a lass always found a hop, skip, and pirouette away from the nearest beat drop. With her signature track, "My Dreaming Life", Vallois provides the escapism we all need from time to time. She takes listeners on a whimsical journey, backed by high-energy rhythms and melodies that would make even the Eiffel Tower shake its steel self, setting hearts aflutter quicker than you can say "Croissant".

Vallois' music is the couture of the dance genre—handcrafted, energetic, and unafraid to be avant-garde. Each beat an homage to Paris, the pulsing rhythm of her home injected into pulsating electro melodies. Yet, no matter how vivacious her bass line or infectious her hook, it's the inherent optimism in her music, the joy she infuses in every track that transforms listeners into undeniably happy dancers—a task only possible by someone as enchanting as Manon Vallois.

Afterall, Vallois is not just a sonic maven, she's essentially happiness personified. The dictionary people are just slackin' by not placing her picture beside the word 'happy' by now. So, if you're feeling downhearted, just press play on a Manon Vallois track and dance like a Parisian; it's the quickest route from gloom to groove central.
Track(s)
My Dreaming Life 5987 03:42

My Dreaming Life

Manon Vallois


When I'm out of breath
When my head's a mess
When I want a way to fly away
When I can't take it
When I feel my grip
Slip away
Away
Away

Oh
I can be anything I want to
Oh
A million colors
A thousand hues
Oh
I know there's so much more than we can see
When life is too real
Oh
My dreaming life is everything

When the ground shakes
When my heart breaks
When I want a way to fly away
When I feel my grip
Slip away
Away
Away

Oh
I can be anything I want to
Oh
A million colors
A thousand hues
Oh
I know there's so much more than we can see
When life is too real
Oh
My dreaming life is everything

Open your eyes
We're already here
Oh
There's nothing to fear
And I know

I can be anything I want to
Oh
A million colors
A thousand hues
Oh
I know there's so much more than we can see
When life is too real
Oh
My dreaming life is everything

CREDITS
Performer: Manon Vallois
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2025 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Plastic Skies & Pap...
Romi Sage

Verified Verified Artist

Romi Sage
Romi Sage doesn't chase the spotlight — he teases it. With a smirk behind every lyric and a groove under every syllable, Romi walks the fine line between smooth and subversive. Born in Lisbon and raised between record shops and rooftop parties, he grew up idolizing the effortless cool of Prince, the rhythmic swagger of George Michael, and the punchy charm of early 2000s pop.

His voice slides — not in haste, but in style. It dances over slap basslines and syncopated guitar licks like it’s dodging commitment. Romi doesn’t just sing about love; he dissects it with irony, flirts with it, then leaves it on read. His stage presence is magnetic — not because he demands attention, but because he never asks for it.

Beneath the glam and glitter, though, there’s always a crack. That’s where Romi shines the most — in the clever melancholy, the playful ache, the smile that knows better. His performances are less about perfection, more about pulse.

Plastic Skies & Paper Towns isn’t a love song. It’s a stylish spiral — romantic delusion in disco heels. It's funk with a wink. And with Romi Sage at the mic, it’s impossible to ignore.
Track(s)
Plastic Skies & Paper Towns 6217 03:26

Plastic Skies & Paper Towns

Romi Sage


Got a signal in my toaster
Dreams leaking from my shoes
City spins like a record
But I ain’t dancing to their news

Billboards flashing answers
To the questions I ain't asked
Everyone’s got mirrors
But no one sees past the mask

They sell the future in a box
With plastic trees and ticking clocks
But I want rhythm I want roots
Not just apps in leather boots

Under plastic skies in paper towns
We keep movin’ up but we’re fallin’ down
(Oh no no)
Truth’s on mute and the beat's too loud
Still I groove through this synthetic crowd

Yeah I'm slidin’ through your static minds
Moonwalkin' past the warning signs
(Whoa-oh)
If the world’s a trip—don’t need to land
I’ll funk my way won’t play your brand

I met a monk in a mirror maze
He said “Peace comes with purple haze”
I traded coins for inner sight
But they charged me tax on neon light

Don’t feed me fear in chrome disguise
Don’t sell me dreams with barcode eyes
I ain’t your data I ain’t your plan
I’m a barefoot soul in a traffic jam

Under plastic skies in paper towns
We keep movin’ fast just to circle 'round
(Hey hey!)
Truth’s gone rogue and the beat’s profound
Still I glide through your algorithm crown

Yeah I’m rollin’ in my analog mind
Flippin’ signals they left behind
(Whoa-oh)
If the world’s a glitch I’ll funk the code
Got cosmic shoes and no fixed road

CREDITS
Performer: Romi Sage
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2025 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Call Me Tonight
Amara Vale

Verified Verified Artist

Amara Vale
Amara Vale is a European pop and R&B vocalist whose sultry tone and fearless style have made her one of the most exciting new voices on the scene. Born in Lisbon, Portugal, to a Portuguese father and a French mother, she grew up surrounded by a rich mix of cultural influences. From French chanson to soulful 90s R&B, the music playing in her family home shaped her distinctive sound and artistic vision.

After moving to Barcelona at the age of 12, Amara began performing in small cafés and local festivals, quickly building a reputation for her captivating stage presence. Her ability to blend emotional storytelling with infectious, modern production caught the attention of international producers and audiences alike.

Now based in Berlin, Amara Vale is ready to share her artistry with the world. Her music is available exclusively on Filodyo and NOT FM, offering listeners a unique blend of atmospheric pop, seductive R&B, and club-ready energy. With each release, she continues to prove that her voice, her style, and her story are unlike anything else in the European music landscape.
Track(s)
Call Me Tonight 35071 03:01

Call Me Tonight

Amara Vale


Oh oh yeah…
Mmm… listen…

Every day I see your face in my mind
Every night I’m hoping you’ll give me a sign
The way you left it’s tearing me apart
But one word from you could restart my heart

I can’t hide this feeling inside
Boy you know I tried
Tell me why we’re playing this game
Call my name call my name

Call me tonight I’m losing my mind
Say you’re still mine don’t leave me behind
One more time I’ll make it all right
Call me tonight call me tonight

I remember every touch every smile
The way you made my world feel so worthwhile
I hear your voice in every song I play
It’s like you’re here but still so far away

I can’t hide this feeling inside
Boy you know I tried
Tell me why we’re playing this game
Call my name call my name

Call me tonight I’m losing my mind
Say you’re still mine don’t leave me behind
One more time I’ll make it all right
Call me tonight call me tonight

Baby I can’t sleep I’m wide awake
Every beat of my heart’s a mistake
Without you I’m not the same
So just call my name call my name

Call me…
Tonight…
One more time…

Call me tonight I’m losing my mind (yeah)
Say you’re still mine don’t leave me behind (oh no)
One more time I’ll make it all right (make it right)
Call me tonight call me tonight

Oh… call me tonight…

CREDITS
Performer: Amara Vale
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2025 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Corazón en la Calle
Zaharela B

Verified Verified Artist

Zaharela B
Zaharela B is a vibrant Latin artist whose music radiates the energy of the dancefloor and the streets alike. Born in San Juan, Puerto Rico, and raised between the Caribbean and Miami, she blends the infectious grooves of reggaeton with the warmth of Latin pop and the bold flair of carnival rhythms. Her sound is a celebration of movement, culture, and joy—rooted in tradition yet unapologetically modern.

Her debut single, Corazón en la Calle, bursts with a reggaeton/dembow pulse, playful sound effects, and call-and-response hooks that pull listeners straight into the party. Switching effortlessly between Spanish and English, Zaharela B brings an unmistakable charisma to every lyric, making her performances feel like a shared celebration.

Available exclusively on Filodyo, Zaharela B’s music is more than just a soundtrack for dancing—it’s an invitation to let go, live in the moment, and move with the beat. With her magnetic presence and unstoppable energy, she’s poised to become a defining voice in the next wave of Latin dance music.
Track(s)
Corazón en la Calle 31915 02:45

Corazón en la Calle

Zaharela B


Beep beep!
Vamos vamos!
Corazón en la calle woo!

Sun on the roof heat on the floor
Boots on the ground crowd wants more
Clap to the beat hips in time
Every little step feels so divine

Turn around bring it close
Hands up high let it show
Dale fuego dale ya
Move your body no se va

Corazón en la calle baila sin parar
Corazón en la calle ritmo va a quemar
Corazón en la calle noche sin final
Corazón en la calle siente el carnaval

Drums in the air bass in my veins
Sweat in the night dance in the rain
Spin to the left slide to the right
Every little move feels like flight

Turn around bring it close
Hands up high let it show
Dale fuego dale ya
Move your body no se va

Corazón en la calle baila sin parar
Corazón en la calle ritmo va a quemar
Corazón en la calle noche sin final
Corazón en la calle siente el carnaval

Beep beep!
Let’s go!
Clap clap!
Go low!

Corazón en la calle baila sin parar
Corazón en la calle ritmo va a quemar
Corazón en la calle noche sin final
Corazón en la calle siente el carnaval

CREDITS
Performer: Zaharela B
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2025 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Gravity Override
Lina Mour

Verified Verified Artist

Lina Mour
Lina Mour is a French-born vocalist and songwriter blending high-octane Eurodance energy with the emotional weight of soulful pop. Growing up in the suburbs of Lyon, Lina was raised on a steady mix of gospel vocals, ‘90s dance anthems, and gritty French rap. This eclectic influence shaped her bold sonic identity — where throbbing 4/4 beats meet orchestral stabs, and where raw emotion finds its home on the dancefloor.

Her latest single, “Gravity Override,” is a high-energy anthem that collides hip house rap verses with a soaring, mantra-like chorus. It’s a throwback to the golden age of Eurodance, but with modern production and an unapologetic attitude. With pounding kicks, aggressive synths, and trance-tinged melodic layers, the track is built for sweaty club nights, neon-lit workouts, and every moment when reality feels too heavy to carry.

Lina describes the track as “not just about defying gravity — but defying expectation.” Behind the infectious hook lies a personal story of reclaiming freedom, breaking out of everyday repetition, and choosing joy over inertia. In her words: “It’s about walking down the street with a storm in your chest but a beat in your step.”

Beyond music, Lina is quickly becoming a visual icon in her own right. Her streetwear aesthetic, nostalgic references, and empowering live shows are drawing comparisons to the likes of Technotronic and Crystal Waters — yet Lina’s vision is firmly rooted in the present. She isn’t here to recreate the past. She’s here to override it.
Track(s)
Gravity Override 10584 02:11

Gravity Override

Lina Mour


Blast the gate override the stream
No peace mode just kerosene
We don’t stop — we ventilate
Plug into the surge detonate!

Code in flames!
Rise untamed!
Spin that truth
Like a hurricane!

Gravity override!
We don’t fall — we multiply
No more silence no more shade
We break the sound — unafraid!

Gravity override!
Sky is fake so we collide
Raise your pulse amplify—
We’re the glitch they can’t deny!

Rip that signal break the chain
Upload thunder through your brain
We’re the myth the freak the spark
We turn neon into dark

No maps!
No brakes!
No kings!
No fakes!
We twist!
We crack!
We vanish—
Then attack!

Gravity override!
Truth distorted we decide
Bounce that static crash the grid—
This is not your mother’s beat!

Gravity override!
Laws erased we redesign
Now scream loud redefine—
We’re the beat they can’t confine!

Override complete
System: liberated

CREDITS
Performer: Lina Mour
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2025 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00
HOT TRACK

System Online
Daxe

Verified Verified Artist

Daxe
DAXE is a French producer and DJ whose sound channels the raw spirit of the mid-90s underground Parisian club scene. Known for his gritty, lo-fi French house productions, he builds hypnotic tracks around distorted synth-bass loops, saturated textures, and minimal yet powerful drum machine grooves.

Emerging from late-night warehouse parties in Paris, DAXE earned a reputation for his uncompromising sets that fuse analog warmth with a rebellious edge. His music feels both dirty and infectious — a soundtrack built for smoke-filled rooms, flashing strobe lights, and crowds that never stop moving.

As a producer, DAXE stays loyal to hardware samplers, vinyl, and classic drum machines, crafting tracks that echo the golden era of French house while pushing it forward with his own raw signature. As a DJ, he thrives on the connection between loop-driven grooves and the dancefloor, keeping energy high and tension tight.

His latest track, “System Online”, embodies this ethos: hypnotic, streetwise, and uncompromising — a pure dancefloor anthem. Released exclusively on Filodyo and NOT FM, it cements DAXE as a name carrying the underground French house tradition into a new era.
Track(s)
System Online 32399 02:37

System Online

Daxe


System… online…
Motion… design…
Cycle… repeat…
Zero… complete…

Automatic… static…
Binary… manic…
Program… engage…
Data… on stage…

One-two… one-two…
Error… breakthrough…
Signal… overload…
Run-time… explode…

CREDITS
Performer: Daxe
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2025 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Fica no Quase
Rosa Medina

Verified Verified Artist

Rosa Medina
Rosa Medina was born in 2001 in Porto, Portugal, to a family that carried both Iberian and Brazilian heritage. Her father, a fisherman from Aveiro, filled the house with fado records, while her Brazilian mother played MPB classics and samba on lazy Sunday mornings. Rosa grew up between two shores of the Portuguese-speaking world — absorbing the saudade of Amália Rodrigues and the sunny, syncopated joy of Gal Costa in equal measure.

At fourteen, she began performing small sets in riverside cafés, her voice effortlessly gliding between soft whispers and soaring notes. The intimacy of fado was her foundation, but Rosa was restless — she wanted her songs to dance. By blending Portuguese folk melodies with bossa nova chords, urban beats, and lush pop arrangements, she began to shape a style that felt both nostalgic and forward-looking.

In 2025, Rosa released her debut single "Fica no Quase" in collaboration with Filodyo, the independent music producer known for shaping fresh, original sounds for global audiences. The track — a bittersweet, mid-tempo anthem about love suspended in uncertainty — gained instant traction on streaming platforms. Its hypnotic chorus, sung entirely in Portuguese, became a signature moment in her live performances.

Today, Rosa Medina is part of a new generation redefining Lusophone pop, performing sold-out shows from Lisbon to São Paulo. Despite her growing fame, she keeps her songwriting process deeply personal — scribbling lyrics on napkins in Lisbon cafés, recording demos on her phone while walking along the Douro River. For Rosa, every performance is a bridge connecting continents, carrying the language and emotion of Portuguese music to the world stage.
Track(s)
Fica no Quase 30231 02:31

Fica no Quase

Rosa Medina


Você fala devagar
Como quem quer ir embora
Mas deixa a porta entreaberta
E o perfume na demora

Se fosse pra ser já era
Mas ainda tem coisa no olhar

Fica no quase no meio
Nem céu nem chão inteiro
Fica no toque que não vem
Na saudade que não tem nome também

O silêncio entre a gente
É mais forte que um não
Você sorri com os lábios
Mas seus olhos dizem não

E eu finjo que entendo
Mas espero você ficar

Fica no quase no canto
Sem promessa sem pranto
Fica no gesto que não se dá
No abraço que não quer se fechar

Se um dia for tudo ou nada
Talvez eu escolha o nada
Mas até lá…

Fica no quase no meio
No tempo que é só receio
Fica no quase comigo
Mesmo que seja só perigo

CREDITS
Performer: Rosa Medina
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2025 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

She Owns the Floor
Broken Halos Club

Verified Verified Artist

Broken Halos Club
Broken Halos Club is a ghost-lit rock outfit born in the after-hours of a burned-out bar in Cincinnati. Fronted by the enigmatic Leo Ryder, whose voice cuts like broken glass wrapped in velvet, the band delivers anthems for the misfits, the dancers, and the late-night wanderers. Mira Knox commands the bass like it’s a weapon of seduction, while Ash Renner turns every drumbeat into a warning shot.

Their breakout single “She Owns the Floor” is not just a song—it’s a defiant war cry for anyone who’s ever reclaimed the night. Exclusive to Filodyo, the track pulses with swagger and sweat, a raw tribute to the power of movement, presence, and fearless self-expression.

Broken Halos Club isn’t chasing charts—they’re chasing ghosts, echoes, and the kind of truth that only comes after midnight. Loud, unapologetic, and strangely beautiful, they’re less a band and more a beautifully damaged memory you can’t shake.
Track(s)
She Owns the Floor 9683 03:12

She Owns the Floor

Broken Halos Club


Spotlight hits — she don't flinch
Heels hit hard like a war-time switch
Hair like fire lips like sin
No one knows — but she's all in

Mirrorball's spinning — hearts in her grip
She don't dance — she commands the trip

Here she comes — boom just like thunder
All eyes on her can't help but wonder
Shake the room — she breaks the law
Moves so smooth you just drop your jaw
This ain't a game
She owns the floor
Yeah yeah
She owns the floor

Leather jacket — devil grin
You try to speak but your words cave in
She don't chase — she makes you run
A midnight riot in human form

Phones are up — but no one blinks
She's a livewire — no need to think

Here she comes — boom just like thunder
All eyes on her can't help but wonder
Shake the room — she breaks the law
Moves so smooth you just drop your jaw
No turning back
She owns the floor
Oh yeah
She owns the floor

Here she comes — boom just like thunder
Everybody move — everybody wonder
Shake the room — she breaks the law
Make some space — or lose it all
One more time
She owns the floor
Yeah yeah
She owns the floor

CREDITS
Performer: Broken Halos Club
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2025 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
00:00 / 00:00

Ya No Me Duele
Camila Reyes

Verified Verified Artist

Camila Reyes
Camila Reyes was born in Seville, Spain, in 1992, and has spent most of her life surrounded by the vibrant rhythms and colors of Andalusia. By profession, she is a skilled ceramic artist, known for her intricate hand-painted tiles inspired by Moorish patterns and flamenco motifs. Her work has been exhibited in boutique galleries across Spain, yet music has always been her truest form of self-expression.

Raised in a family where boleros and rancheras echoed through the kitchen, Camila began singing at small local gatherings, blending traditional Latin folk with her own soulful touch. Over the years, her voice became a bridge between the streets of Seville and the broader Latin diaspora, carrying both joy and melancholy in every note.

Today, Camila records all of her music exclusively for Filodyo, preserving an intimate connection with her listeners. Her latest release, Ya No Me Duele, is a testament to resilience and emotional rebirth, capturing the strength of moving on without bitterness.
Track(s)
Ya No Me Duele 41325 03:15

Ya No Me Duele

Camila Reyes


Ya no me tiembla la taza del té
cuando tu nombre se cruza en mi piel
La casa cruje igual que ayer
pero mi sombra ya no te ve

Dejé tus cartas en el alfeizar
el viento sabrá si las quiere llevar
Mis manos no piden no quieren cerrar
lo que no abraza… no vuelve a entrar

Ya no me duele
ni tu voz ni tu eco
El silencio en mi mesa
es mejor que tu juego

Ya no me duele
ni la flor ni el invierno
Yo me quedo de pie
y tú te vas con el viento

Me dolió
pero no me rompió

Ya no me duele
ni el reloj ni el destino
Mis pasos no buscan
ya tienen su camino

CREDITS
Performer: Camila Reyes
Written by: filodyo.
Arranged & Produced by: filodyo / Hakan E.
Distribution: NOTFM - notfm.com

© 2025 filodyo. All rights reserved.

Unauthorized copying, reproduction, hiring, lending, public performance, and broadcasting prohibited.
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