Say hello to Erica, a gem unearthed from the misty fjords of Bergen, Norway, serenading the world with her dance tunes. This synth-swirling belter could make a sardine shimmy with her infectious energy.

Growing up with classical piano lessons under Norway's perpetual drizzle, Erica found her musical identity sandwiched between her mom's Edith Piaf records and the emotional pull of her dad's synth fascination. While most 16-year-olds are busy amassing Instagram followers, Erica channeled her teenage angst into penning down her first song. It never saw the light of day, but listen closely at her concerts and you might hear her hum those nostalgic notes.

Erica shifted her base to the bustling streets of Berlin at 23, transitioning from a street musician to minimalist stages with a poise that could make Madonna go green. Her biggest hit has to be "DNC", a song that will make your feet tap and heart flutter before you even realize. Ever seen a packed room fall silent? Attend an Erica gig, as her whispers hush the room, except for that one guy always clapping off-beat.

Straddling both cheerful and profound, Erica's music echoes her journey. Dancing through life, one synth-filled melody at a time, she's proving that you can take a Norwegian out of the rain, but you can't take the rhythm out of the girl.

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Axel Monroe was born on the edge of Athens, Georgia, where backroads hum with cicadas and old Fords rust under the southern sun. Raised by a single mother and a turntable, he grew up tracing guitar solos in the air before he ever held a six-string. His earliest memories are soaked in the sounds of Led Zeppelin’s "Physical Graffiti" and Thin Lizzy’s "Live and Dangerous"—records that spun endlessly in his living room, turning boyhood into something raw and electric.

He didn’t go to music school. He went to basements, pawn shops, and roadside dive bars—learning tone, timing, and truth the long way. Axel’s sound fuses the swagger of '70s rock giants with the cinematic punch of '80s anthems. There’s a southern drawl in his riffs, a touch of melancholy in his choruses, and a quiet confidence that only comes from living outside the algorithm.

His breakout track “Look At Them Dance” captures it all—a bittersweet anthem for anyone who’s watched joy from the sidelines, then decided to jump in anyway.

Now signed with NOT FM and releasing exclusively through Filodyo, Axel Monroe isn’t trying to bring back the past. He’s just making damn sure it never gets forgotten.

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Ian Merrow is an alternative singer-songwriter from the misty shores of Brighton, UK, whose music lives quietly but powerfully—exclusively on Filodyo. Blending melancholic guitar textures with intimate, confessional lyrics, Ian crafts songs that feel like late-night thoughts you were never meant to say out loud. His sound walks the line between indie rock and cinematic pop, echoing the raw sensitivity of artists like Jeff Buckley and the atmospheric pull of early Radiohead.

Rather than chasing the mainstream, Ian chose to remain deliberately off-grid. He records in his small seaside flat, using second-hand gear and a notebook full of scribbled lines. For him, imperfection is part of the truth. His debut track "Runaway Light" introduced listeners to a world of quiet emotional urgency, where love, regret, and longing flicker like headlights in the fog.

Ian’s connection to Filodyo wasn’t just a distribution decision—it was an artistic choice. “It’s the only platform that lets me stay invisible and be heard at the same time,” he says. No social media, no interviews, no labels. Just music. And for those who find him, it's like stumbling upon a secret worth keeping.

With each release, Ian continues to prove that volume isn’t necessary to make an impact. His songs don’t shout — they haunt.

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Eli Varnish spent most of his life drawing straight lines for crooked cities. As an architect, he designed libraries, train stations, and far too many gray, forgettable office buildings. He was always more interested in light than concrete — the way it moved through windows, shifted on floors, or disappeared behind closed doors. But deadlines piled up, and inspiration gave way to invoices. When he retired at 62, he didn’t throw a party. He just handed in his keys, took the long way home, and listened to the silence.

That’s when the music came back.
In his youth, Eli had played piano quietly — always in private, never in public. Now, with no blueprints to chase, he returned to the keys. Slowly. Gently. A few friends joined him — a bassist who used to drive a bus, a trombonist who sold insurance, and a drummer who once taught math. They started meeting weekly above an old bookstore. No gigs, no names. Just music.

Eventually, they found their way into a small jazz bar — dim, warm, and half-forgotten. That’s where Eli plays now. No spotlight, no talk. Just a glass of red wine, a crooked hat, and a piano that creaks in all the right places. The audience doesn’t clap much. They just nod, like they recognize something they forgot they knew.

Eli doesn’t miss architecture. “Buildings are meant to last,” he says, “but songs... songs are meant to leave.” And so he plays — not to impress, but to remember. To trace old lines in the air. To build something no one can own, but everyone can feel.

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Mateo Lux is a rising voice in contemporary electronic pop, blending sleek production with raw emotional intensity. Born with a natural flair for performance, he crafts music that balances dancefloor energy with lyrical depth. His debut single, Control, showcases a magnetic mix of pulsing rhythms and hypnotic melodies, setting the tone for a bold artistic journey ahead.

Discovered by Hakan E. for Filodyo, Mateo brings an unapologetic confidence to every note he sings. His style captures both vulnerability and power, creating an atmosphere that draws listeners into his world. With Control, he isn’t just introducing himself—he’s making a statement, marking the arrival of a distinctive new talent destined to leave a lasting imprint on modern music.

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Minerva Sound is a five-piece from Bristol, UK, blending glossy disco-pop, neo-soul harmonies, and tight live grooves. The lineup: Malik Rhodes (lead vocal), Tyrone Ellis (vocal/MC), Owen Calder (guitar/bass), Emily Price (vocal/keys), and producer Felix Dunn (drum machines, synths, arrangements). Born out of late-night jam sessions and warehouse sets, they forged a sound that marries hook-heavy choruses with rhythmic precision and rich vocal stacks.

Their debut single, “Flip That City,” captures the group’s signature pulse: rubbery bass, syncopated organ stabs, hand-clap drive, and call-and-response vocals that snap into a euphoric refrain. Lyrically, it zooms in on urban momentum—small choices, quick turns, and the thrill of switching lanes—delivered with swagger and a live-band spark.

Available exclusively on Filodyo, Minerva Sound is poised to turn venues into dance floors across the UK and beyond—one chorus, one groove, one flipped skyline at a time.

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Elyra Dawn was born in Rotterdam, raised between ferry horns and late-night radio static. Music wasn’t a choice — it was everywhere. Her mother sang quietly while folding laundry, her older brother blasted trance through paper-thin walls, and Elyra? She listened. Carefully. Absorbing melodies like secondhand sunlight.

She spent her teenage years bouncing between school choirs, bedroom recordings, and weekend trips to Amsterdam’s record stores. The moment she first heard Robyn’s Dancing On My Own on a train platform at dusk, something clicked. It wasn’t just about sadness or joy — it was how you could wear both in the same voice. That duality, the push and pull between euphoria and vulnerability, would become Elyra’s signature.

After performing in local clubs and uploading small demos online, she received an unexpected email from Filodyo’s Hakan E — a message that simply said: “You sound like you’ve lived a little. Let’s talk.” What followed was a slow, careful collaboration: late-night file exchanges, voice memos from backstage, moments captured between flights. Elyra didn’t rush it. She never does.

Today, her voice balances two worlds — the sweaty rush of the dancefloor and the quiet ache of a Sunday morning alone. Her hooks stick, her delivery stings, and her presence on stage feels at once intimate and cinematic. Elyra Dawn isn’t here to be loud. She’s here to be heard.

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Romi Sage doesn't chase the spotlight — he teases it. With a smirk behind every lyric and a groove under every syllable, Romi walks the fine line between smooth and subversive. Born in Lisbon and raised between record shops and rooftop parties, he grew up idolizing the effortless cool of Prince, the rhythmic swagger of George Michael, and the punchy charm of early 2000s pop.

His voice slides — not in haste, but in style. It dances over slap basslines and syncopated guitar licks like it’s dodging commitment. Romi doesn’t just sing about love; he dissects it with irony, flirts with it, then leaves it on read. His stage presence is magnetic — not because he demands attention, but because he never asks for it.

Beneath the glam and glitter, though, there’s always a crack. That’s where Romi shines the most — in the clever melancholy, the playful ache, the smile that knows better. His performances are less about perfection, more about pulse.

Plastic Skies & Paper Towns isn’t a love song. It’s a stylish spiral — romantic delusion in disco heels. It's funk with a wink. And with Romi Sage at the mic, it’s impossible to ignore.

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The Absents are a four-piece synth-pop and modern disco-pop band hailing from Brighton, on the south coast of the United Kingdom. The lineup consists of Elliot Kane (vocals), Ryan Whitford (keyboards & production), Callum Price (bass guitar & synth bass), and Jamie Harlow (guitar & backing vocals). The four met in 2018 at a local music festival, where a late-night jam session revealed a shared passion for blending the melodic elegance of 80s synth-pop with the energy and polish of modern pop production.

Deeply influenced by the infectious hooks and emotive energy of Erasure, The Absents quickly began writing together, crafting songs that pair bright synth textures with tight bass grooves and subtle funk undertones. Their early rehearsals took place in a modest studio near Brighton’s seafront, a space that soon became their creative sanctuary and the birthplace of their signature sound.

In 2019, the band released their debut single, which found its way onto local radio playlists and began circulating through London’s club scene. Known for their vivid light shows, charismatic stage presence, and danceable, high-energy sets, The Absents built a reputation as one of the most exciting new acts in the UK’s pop landscape.

Today, The Absents continue to bridge nostalgia and modernity, reaching audiences far beyond the British Isles. Elliot’s commanding yet soulful vocals, Ryan’s shimmering synth arrangements, Callum’s deep, driving grooves, and Jamie’s melodic guitar lines come together to create a live experience that is as unforgettable as it is electrifying.

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Amara Vale is a European pop and R&B vocalist whose sultry tone and fearless style have made her one of the most exciting new voices on the scene. Born in Lisbon, Portugal, to a Portuguese father and a French mother, she grew up surrounded by a rich mix of cultural influences. From French chanson to soulful 90s R&B, the music playing in her family home shaped her distinctive sound and artistic vision.

After moving to Barcelona at the age of 12, Amara began performing in small cafés and local festivals, quickly building a reputation for her captivating stage presence. Her ability to blend emotional storytelling with infectious, modern production caught the attention of international producers and audiences alike.

Now based in Berlin, Amara Vale is ready to share her artistry with the world. Her music is available exclusively on Filodyo and NOT FM, offering listeners a unique blend of atmospheric pop, seductive R&B, and club-ready energy. With each release, she continues to prove that her voice, her style, and her story are unlike anything else in the European music landscape.

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Apollo Frequency is a dynamic UK-based vocal trio bringing infectious grooves and bold stage energy to the modern disco-pop scene. The group consists of vocalists Marcus King and Devon Cole—both London-born with roots in gospel, soul, and street performance—and Brighton native Chloe Hart, whose bright, powerful voice adds a radiant pop edge to the group’s sound.

Formed in Manchester, Apollo Frequency quickly built a reputation for their electrifying live shows, blending tight harmonies with high-energy beats reminiscent of classic funk and disco, yet reimagined for today’s dancefloors. Their music celebrates unity, rhythm, and the thrill of collective movement, turning every performance into a celebration.

Their debut single, After the Signal, is available exclusively on Filodyo, showcasing the trio’s signature mix of soulful hooks, driving basslines, and euphoric choruses. With undeniable chemistry both on and off stage, Apollo Frequency is poised to become one of the UK’s most exciting live acts—proving that when the signal hits, the dancefloor answers.

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DAXE is a French producer and DJ whose sound channels the raw spirit of the mid-90s underground Parisian club scene. Known for his gritty, lo-fi French house productions, he builds hypnotic tracks around distorted synth-bass loops, saturated textures, and minimal yet powerful drum machine grooves.

Emerging from late-night warehouse parties in Paris, DAXE earned a reputation for his uncompromising sets that fuse analog warmth with a rebellious edge. His music feels both dirty and infectious — a soundtrack built for smoke-filled rooms, flashing strobe lights, and crowds that never stop moving.

As a producer, DAXE stays loyal to hardware samplers, vinyl, and classic drum machines, crafting tracks that echo the golden era of French house while pushing it forward with his own raw signature. As a DJ, he thrives on the connection between loop-driven grooves and the dancefloor, keeping energy high and tension tight.

His latest track, “System Online”, embodies this ethos: hypnotic, streetwise, and uncompromising — a pure dancefloor anthem. Released exclusively on Filodyo and NOT FM, it cements DAXE as a name carrying the underground French house tradition into a new era.

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Zaharela B is a vibrant Latin artist whose music radiates the energy of the dancefloor and the streets alike. Born in San Juan, Puerto Rico, and raised between the Caribbean and Miami, she blends the infectious grooves of reggaeton with the warmth of Latin pop and the bold flair of carnival rhythms. Her sound is a celebration of movement, culture, and joy—rooted in tradition yet unapologetically modern.

Her debut single, Corazón en la Calle, bursts with a reggaeton/dembow pulse, playful sound effects, and call-and-response hooks that pull listeners straight into the party. Switching effortlessly between Spanish and English, Zaharela B brings an unmistakable charisma to every lyric, making her performances feel like a shared celebration.

Available exclusively on Filodyo, Zaharela B’s music is more than just a soundtrack for dancing—it’s an invitation to let go, live in the moment, and move with the beat. With her magnetic presence and unstoppable energy, she’s poised to become a defining voice in the next wave of Latin dance music.

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Hailing from the sun-soaked shores of Miami, Ocean Girls are your new favorite indie-pop queens on the horizon. Drenched in sun, surf, and ceaseless cheer, their music is the audio equivalent of a ray of sunshine in what can sometimes be the storm of life.

Assuming their name from the very city they call home, these beach-town belles serve up chart-topping hits faster than a Florida diner slings hashbrowns. They've got the sass of the Spice Girls, the attitude of Madonna and just a pinch of Miami's own Gloria Estefan sizzling through each track. Ocean Girls have got a knack for taking even the most mundane moments, chucking them full of pizzazz, and dishing out feel-good anthems that simply command you to "Stay Happy."

Stick an Ocean Girls track on, and suddenly you're cruising down Ocean Drive, hair flapping in the breeze, and the somewhat distant memory of work drowned out by catchy choruses and sparkling melodies. These girls are more than just a band - they're a one-way ticket to a beach-front pop utopia where the vibe is always good, the beats are always flowing, and frowns are most certainly not allowed. When life hands you lemons, Ocean Girls hands you a margarita. Now, that's the kind of exchange rate we can get behind!

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Camila Reyes was born in Seville, Spain, in 1992, and has spent most of her life surrounded by the vibrant rhythms and colors of Andalusia. By profession, she is a skilled ceramic artist, known for her intricate hand-painted tiles inspired by Moorish patterns and flamenco motifs. Her work has been exhibited in boutique galleries across Spain, yet music has always been her truest form of self-expression.

Raised in a family where boleros and rancheras echoed through the kitchen, Camila began singing at small local gatherings, blending traditional Latin folk with her own soulful touch. Over the years, her voice became a bridge between the streets of Seville and the broader Latin diaspora, carrying both joy and melancholy in every note.

Today, Camila records all of her music exclusively for Filodyo, preserving an intimate connection with her listeners. Her latest release, Ya No Me Duele, is a testament to resilience and emotional rebirth, capturing the strength of moving on without bitterness.

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There’s a certain stillness in Celeste Raye’s voice — the kind that turns crowded rooms quiet and late-night drives cinematic. Born and raised in South London, she grew up mimicking the elegance of old soul singers and the cool detachment of ‘90s club divas. On stage, Celeste doesn’t reach for the spotlight — it finds her.

Her latest release, Velvet Switch, is a slow-burning club anthem soaked in longing. Produced by NOT FM and available exclusively on Filodyo, the track pulses with quiet intensity — as if it’s remembering something you forgot you missed. Celeste’s voice doesn’t cry out. It hovers, suspended above the beat, tracing the shape of absence with each note.

People don’t come to her sets just to dance. They come to feel understood — in dim lights, with their eyes closed, mouthing words they’ve never said out loud. Velvet Switch captures that moment between stillness and surrender, when the music takes over and you stop pretending you’re fine.

Celeste Raye isn’t trying to be timeless. She already is — not because she sounds like someone else, but because she sounds like a feeling you’ve had before, but never named.

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Born in 1996 in Antwerp, Belgium, Dennise began her creative career not as a singer, but as a voice-over artist. With a warm, expressive tone and remarkable control, she became a sought-after voice in commercials, audiobooks, and animated films across Europe. For years, her voice was instantly recognizable, even if her face stayed out of the spotlight.

Music had always been quietly present in her life. Between recording sessions, she would write melodies and lyrics, experimenting with harmonies and vocal textures in her small home studio. Her path into music took a decisive turn when Filodyo producer Hakan E. heard one of her demos and invited her to record an original track.

Since that moment, Dennise has worked exclusively with Filodyo, creating songs that combine her precise vocal technique with a modern pop sensibility shaped by European dance rhythms. Guided by Hakan E.’s production, her tracks carry both the polish of a seasoned professional and the intimacy of a storyteller.

Outside the studio, Dennise is an avid cyclist and urban wanderer, often finding lyrical inspiration on her rides through city streets and coastal paths. For her, music is simply another way to tell a story — but now, her voice takes center stage.

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Meet Camille Duret, the French femme fatale of the pop scene, who manifests the charm of Parisian streets and the sunlit magic of the French Rivier into her songs. She's not just another 'joie de vivre' gal, folks, her tunes will make you feel like dancing on the cobblestones with a warm croissant in hand!

Camille was made in France, quite literally, and her music is neither too rich, nor too thin, rather, much like the perfect crème brûlée. Her infectious pop anthems, dripping with sweet melodic lines, makes you question if sugar may run in her veins. She makes you believe that you're sip-sip-sipping champagne on the Seine, no matter where you are.

Surely, you've bopped your head, maybe even twirled a bit, to her banger “Never Too Late”. A cocktail of happy heartbeats, tasty hooks and irresistible refrains, laced with a sing-along chorus, it's classic Camille at her best. This melodious masterpiece is like a delightful dance with a macaron - sweet, colourful and leaves you wanting more.

So, let's raise our glasses to Camille Duret, the Parisian pop princess who consistently proves that pop can be served well done, medium rare or, occasionally, à la mode. Trust us, once you've had a bite of Camille’s music flambé, there's no going back – Bon Appétit!

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Born from the concrete veins of New York City’s underground, The 5th Exit is not just a band — it's a warning siren echoing through the alleys of Brooklyn. Blending the unapologetic grit of East Coast punk with the swagger of early-2000s hip-hop, their music punches through the noise like a subway train in a blackout.

The band was formed in late 2023 in a condemned warehouse turned DIY venue in Bushwick, after a street brawl-turned-jam-session between strangers. The result? Five misfits who had no plan — just noise, energy, and something to scream.

Members:
🎤 Jayno Blakk (Lead Vocals / Chaos Designer)
A former graffiti artist with a voice like broken glass in a hurricane. Born in Flatbush, Jayno spits lyrics like they’re Molotovs, laced with rage and raw truth. Known for performing barefoot and bleeding by the end of every show.

🎸 Noelle "Nox" Vega (Lead Guitar / FX Wizard)
Puerto Rican shredder with a physics degree and a pedalboard built from junkyard parts. She speaks three languages — four if you count distortion. Her solos? They don’t melt faces; they dissolve them.

🥁 Koda Rinz (Drums / Street Philosopher)
Half-poet, half-brawler. Raised by subway dancers and vinyl collectors, Koda’s beats sound like trash cans getting kicked down tenement stairwells — in perfect time. Always drumming, even in his sleep.

🎹 Echo Rowe (Synths / Scream Textures / Visuals)
The silent one. Echo doesn’t talk much, but his synth work sounds like a riot at 3AM. Also responsible for their chaotic visuals and the recurring raven motif in their shows. Rumor has it he lives in an abandoned radio tower in Queens.

🎸 Twitchy Lex (Bass / Vibe Damage Control)
Lex is the glue, or maybe the duct tape. Raised on R&B but corrupted by noise rock, he brings the groove — the dangerous kind that gets under your skin and sets off car alarms.

Their Breakout Track: "Get Out My Way"
A sonic punch to the throat, "Get Out My Way" is a war cry against complacency, gentrification, and anyone walking slow on a New York sidewalk. With a chorus that hits like a riot chant and verses that spit pure venom, it’s already being banned from small-town radio — which only makes it louder.

The 5th Exit isn’t asking for your attention. They’re taking it.
You can either move... or get run over.

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Meet The Blackouts: a vibrant rock quartet, hailing from America's city of all-nighters – Las Vegas. Armed with hopeful melodies and a thumping backbeat, they're your personal cheerleaders in the game of life.

Made up of charismatic front-man, Johnny "Nightlife" O'Reilly, dynamite drummer Tommy "Percussion" Knox, maverick bassist Ricky "Heartbeat" Steele and fiery guitarist Jimmy "Riffmaster" Adams, The Blackouts have been belting out rock anthems in the spirit of the 80s, but with a refreshing 21st century twist. O'Reilly's vocals may reminisce of a neon-tinted past but trust us, they've got their boots firmly planted in today's grit.

Their anthem, "Oh, Back Then" epitomizes their message — a nostalgia-infused ballad that somehow makes you want to throw back a shot of hope with a chaser of rock rebellion. When you're feeling low, The Blackouts are the human equivalent of the Vegas Strip: colorful, loud, and almost annoyingly optimistic.

Under contract with Filodyo, they're potentially the smallest act to ever hold residency in shopping mall speaker systems nationwide. But hey, if The Blackouts can make your grocery run feel like a concert, they're doing something right. Here's to them, turning life's mundane moments into a cause for celebration. Rock on!

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